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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE14DB it is the complementary color #41EB24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE14DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE14DB shade: #C314D6, #D426E9, #E538FC, #F64AFF and #FF5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE14DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE14DB shade: #BE14DB, #AD02C8, #9C00B5, #8B00A2 and #7A008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE14DB shade: #BE14DB, #DB14C2, #DB148D, #DB1457 and #DB1421

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE14DB shade: #BE14DB, #8814DB, #5314DB, #1D14DB and #1414DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE14DB shade matches the following richer shades: #BE14DB and #CC00EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE14DB shade: #BE14DB, #B027C7, #A23BB4, #954EA1 and #87618D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE14DB shade: #5314DB, #8814DB, #BD14DB, #DB14C4 and #DB148F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE14DB shade: #7C0D8F, #9D10B5, #BE14DB, #CF2DEB and #D853EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE14DB shade: #BE14DB, #DB1E14 and #14DB6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE14DB shade: #BE14DB, #DBBD14 and #14DBBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE14DB shade: #BE14DB, #DB1E14, #32DB14 and #14D1DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE14DB shade: #BE14DB, #DB5A14, #32DB14 and #1495DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 91 / 0 / 14

HEX #BE14DB

RGB 190 20 219

HSL 291.26, 0.83%, 0.47%

LAB 47.7, 81.3, -61.46

 

Complementary color

CMYK 72 / 0 / 85 / 8

HEX #41EB24

RGB 65 235 36

HSL 111.26, 0.83%, 0.53%

LAB 82.2, -74.69, 74.28

 

CMYK 9 / 91 / 0 / 16

HEX #C314D6

RGB 195 20 214

HSL 294.12, 0.83%, 0.46%

LAB 48.21, 81.27, -57.75

 

CMYK 9 / 84 / 0 / 9

HEX #D426E9

RGB 212 38 233

HSL 293.54, 0.82%, 0.53%

LAB 53.24, 84.05, -60.3

 

CMYK 9 / 78 / 0 / 1

HEX #E538FC

RGB 229 56 252

HSL 292.96, 0.97%, 0.6%

LAB 58.52, 85.87, -62.29

 

CMYK 4 / 71 / 0 / 0

HEX #F64AFF

RGB 246 74 255

HSL 297.02, 1%, 0.65%

LAB 63.1, 84.36, -56.48

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 13 / 91 / 0 / 14

HEX #BE14DB

RGB 190 20 219

HSL 291.26, 0.83%, 0.47%

LAB 47.7, 81.3, -61.46

 

CMYK 14 / 99 / 0 / 22

HEX #AD02C8

RGB 173 2 200

HSL 291.82, 0.98%, 0.4%

LAB 42.91, 77.5, -58.4

 

CMYK 14 / 100 / 0 / 29

HEX #9C00B5

RGB 156 0 181

HSL 291.71, 1%, 0.35%

LAB 38.56, 72.07, -54.42

 

CMYK 14 / 100 / 0 / 36

HEX #8B00A2

RGB 139 0 162

HSL 291.48, 1%, 0.32%

LAB 34.19, 66.33, -50.27

 

CMYK 15 / 100 / 0 / 44

HEX #7A008F

RGB 122 0 143

HSL 291.19, 1%, 0.28%

LAB 29.72, 60.46, -46.03

 

CMYK 13 / 91 / 0 / 14

HEX #BE14DB

RGB 190 20 219

HSL 291.26, 0.83%, 0.47%

LAB 47.7, 81.3, -61.46

 

CMYK 0 / 91 / 11 / 14

HEX #DB14C2

RGB 219 20 194

HSL 307.54, 0.83%, 0.47%

LAB 51.22, 82.46, -41.17

 

CMYK 0 / 91 / 36 / 14

HEX #DB148D

RGB 219 20 141

HSL 323.52, 0.83%, 0.47%

LAB 48.86, 76.29, -13.46

 

CMYK 0 / 91 / 60 / 14

HEX #DB1457

RGB 219 20 87

HSL 339.8, 0.83%, 0.47%

LAB 47.3, 72.01, 17.39

 

CMYK 0 / 91 / 85 / 14

HEX #DB1421

RGB 219 20 33

HSL 356.08, 0.83%, 0.47%

LAB 46.54, 69.88, 48.12

 

CMYK 13 / 91 / 0 / 14

HEX #BE14DB

RGB 190 20 219

HSL 291.26, 0.83%, 0.47%

LAB 47.7, 81.3, -61.46

 

CMYK 38 / 91 / 0 / 14

HEX #8814DB

RGB 136 20 219

HSL 274.97, 0.83%, 0.47%

LAB 39.33, 73.96, -75.47

 

CMYK 62 / 91 / 0 / 14

HEX #5314DB

RGB 83 20 219

HSL 258.99, 0.83%, 0.47%

LAB 32.82, 69.08, -86.43

 

CMYK 87 / 91 / 0 / 14

HEX #1D14DB

RGB 29 20 219

HSL 242.71, 0.83%, 0.47%

LAB 29.1, 66.77, -92.73

 

CMYK 91 / 91 / 0 / 14

HEX #1414DB

RGB 20 20 219

HSL 240, 0.83%, 0.47%

LAB 28.81, 66.61, -93.22

 

CMYK 13 / 91 / 0 / 14

HEX #BE14DB

RGB 190 20 219

HSL 291.26, 0.83%, 0.47%

LAB 47.7, 81.3, -61.46

 

CMYK 14 / 100 / 0 / 7

HEX #CC00EE

RGB 204 0 238

HSL 291.43, 1%, 0.47%

LAB 50.7, 88.24, -67.28

 

CMYK 13 / 91 / 0 / 14

HEX #BE14DB

RGB 190 20 219

HSL 291.26, 0.83%, 0.47%

LAB 47.7, 81.3, -61.46

 

CMYK 12 / 80 / 0 / 22

HEX #B027C7

RGB 176 39 199

HSL 291.38, 0.67%, 0.47%

LAB 45.37, 71.86, -53.83

 

CMYK 10 / 67 / 0 / 29

HEX #A23BB4

RGB 162 59 180

HSL 291.07, 0.51%, 0.47%

LAB 44.38, 58.81, -44.43

 

CMYK 7 / 52 / 0 / 37

HEX #954EA1

RGB 149 78 161

HSL 291.33, 0.35%, 0.47%

LAB 44.82, 42.75, -32.62

 

CMYK 4 / 31 / 0 / 45

HEX #87618D

RGB 135 97 141

HSL 291.82, 0.18%, 0.47%

LAB 46.48, 23.44, -18.26

 

CMYK 62 / 91 / 0 / 14

HEX #5314DB

RGB 83 20 219

HSL 258.99, 0.83%, 0.47%

LAB 32.82, 69.08, -86.43

 

CMYK 38 / 91 / 0 / 14

HEX #8814DB

RGB 136 20 219

HSL 274.97, 0.83%, 0.47%

LAB 39.33, 73.96, -75.47

 

CMYK 14 / 91 / 0 / 14

HEX #BD14DB

RGB 189 20 219

HSL 290.95, 0.83%, 0.47%

LAB 47.54, 81.14, -61.74

 

CMYK 0 / 91 / 11 / 14

HEX #DB14C4

RGB 219 20 196

HSL 306.93, 0.83%, 0.47%

LAB 51.32, 82.73, -42.16

 

CMYK 0 / 91 / 35 / 14

HEX #DB148F

RGB 219 20 143

HSL 322.91, 0.83%, 0.47%

LAB 48.94, 76.49, -14.55

 

CMYK 13 / 91 / 0 / 44

HEX #7C0D8F

RGB 124 13 143

HSL 291.23, 0.83%, 0.31%

LAB 30.77, 58.71, -44.3

 

CMYK 13 / 91 / 0 / 29

HEX #9D10B5

RGB 157 16 181

HSL 291.27, 0.84%, 0.39%

LAB 39.37, 70.33, -53.11

 

CMYK 13 / 91 / 0 / 14

HEX #BE14DB

RGB 190 20 219

HSL 291.26, 0.83%, 0.47%

LAB 47.7, 81.3, -61.46

 

CMYK 12 / 81 / 0 / 8

HEX #CF2DEB

RGB 207 45 235

HSL 291.16, 0.83%, 0.55%

LAB 53.1, 81.97, -61.69

 

CMYK 10 / 65 / 0 / 6

HEX #D853EF

RGB 216 83 239

HSL 291.15, 0.83%, 0.63%

LAB 58.99, 72.13, -54.43

 

CMYK 13 / 91 / 0 / 14

HEX #BE14DB

RGB 190 20 219

HSL 291.26, 0.83%, 0.47%

LAB 47.7, 81.3, -61.46

 

CMYK 0 / 86 / 91 / 14

HEX #DB1E14

RGB 219 30 20

HSL 3.02, 0.83%, 0.47%

LAB 47.03, 68.03, 54.3

 

CMYK 91 / 0 / 50 / 14

HEX #14DB6D

RGB 20 219 109

HSL 146.83, 0.83%, 0.47%

LAB 77.23, -67.66, 41.64

 

CMYK 13 / 91 / 0 / 14

HEX #BE14DB

RGB 190 20 219

HSL 291.26, 0.83%, 0.47%

LAB 47.7, 81.3, -61.46

 

CMYK 0 / 14 / 91 / 14

HEX #DBBD14

RGB 219 189 20

HSL 50.95, 0.83%, 0.47%

LAB 76.98, -3.91, 76.21

 

CMYK 91 / 0 / 14 / 14

HEX #14DBBD

RGB 20 219 189

HSL 170.95, 0.83%, 0.47%

LAB 78.74, -50.66, 2.33

 

CMYK 13 / 91 / 0 / 14

HEX #BE14DB

RGB 190 20 219

HSL 291.26, 0.83%, 0.47%

LAB 47.7, 81.3, -61.46

 

CMYK 0 / 86 / 91 / 14

HEX #DB1E14

RGB 219 30 20

HSL 3.02, 0.83%, 0.47%

LAB 47.03, 68.03, 54.3

 

CMYK 77 / 0 / 91 / 14

HEX #32DB14

RGB 50 219 20

HSL 110.95, 0.83%, 0.47%

LAB 76.92, -72.74, 72.53

 

CMYK 91 / 5 / 0 / 14

HEX #14D1DB

RGB 20 209 219

HSL 183.02, 0.83%, 0.47%

LAB 76.6, -37.78, -16.94

 

CMYK 13 / 91 / 0 / 14

HEX #BE14DB

RGB 190 20 219

HSL 291.26, 0.83%, 0.47%

LAB 47.7, 81.3, -61.46

 

CMYK 0 / 59 / 91 / 14

HEX #DB5A14

RGB 219 90 20

HSL 21.11, 0.83%, 0.47%

LAB 54.47, 47.64, 59.46

 

CMYK 77 / 0 / 91 / 14

HEX #32DB14

RGB 50 219 20

HSL 110.95, 0.83%, 0.47%

LAB 76.92, -72.74, 72.53

 

CMYK 91 / 32 / 0 / 14

HEX #1495DB

RGB 20 149 219

HSL 201.11, 0.83%, 0.47%

LAB 58.75, -6.95, -44.49

 

Description

Color code: HEX #BE14DB | qconv.com Color code: HEX #BE14DB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 20 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 20 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 91 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 91% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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