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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE10D5 it is the complementary color #41EF2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE10D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE10D5 shade: #C310D0, #D422E3, #E534F6, #F646FF and #FF58FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE10D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE10D5 shade: #BE10D5, #AD00C2, #9C00AF, #8B009C and #7A0089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE10D5 shade: #BE10D5, #D510B7, #D51082, #D5104C and #D51017

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE10D5 shade: #BE10D5, #8910D5, #5310D5, #1E10D5 and #1010D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE10D5 shade matches the following richer shades: #BE10D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE10D5 shade: #BE10D5, #B022C2, #A135B0, #93479D and #855A8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE10D5 shade: #5110D5, #8610D5, #BB10D5, #D510BB and #D51086

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE10D5 shade: #790A88, #9C0DAF, #BE10D5, #D620EE and #DD46F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE10D5 shade: #BE10D5, #D51D10 and #10D56C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE10D5 shade: #BE10D5, #D5BB10 and #10D5BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE10D5 shade: #BE10D5, #D51D10, #2AD510 and #10C8D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE10D5 shade: #BE10D5, #D55810, #2AD510 and #108DD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 92 / 0 / 16

HEX #BE10D5

RGB 190 16 213

HSL 292.99, 0.86%, 0.45%

LAB 47.13, 80.82, -58.94

 

Complementary color

CMYK 73 / 0 / 82 / 6

HEX #41EF2A

RGB 65 239 42

HSL 112.99, 0.86%, 0.55%

LAB 83.45, -75.62, 74.03

 

CMYK 6 / 92 / 0 / 18

HEX #C310D0

RGB 195 16 208

HSL 295.94, 0.86%, 0.44%

LAB 47.66, 80.81, -55.18

 

CMYK 7 / 85 / 0 / 11

HEX #D422E3

RGB 212 34 227

HSL 295.34, 0.78%, 0.51%

LAB 52.61, 83.88, -57.93

 

CMYK 7 / 79 / 0 / 4

HEX #E534F6

RGB 229 52 246

HSL 294.74, 0.92%, 0.58%

LAB 57.82, 85.93, -60.09

 

CMYK 4 / 73 / 0 / 0

HEX #F646FF

RGB 246 70 255

HSL 297.08, 1%, 0.64%

LAB 62.67, 85.6, -57.17

 

CMYK 0 / 65 / 0 / 0

HEX #FF58FF

RGB 255 88 255

HSL 300, 1%, 0.67%

LAB 66.1, 81.54, -51.64

 

CMYK 11 / 92 / 0 / 16

HEX #BE10D5

RGB 190 16 213

HSL 292.99, 0.86%, 0.45%

LAB 47.13, 80.82, -58.94

 

CMYK 11 / 100 / 0 / 24

HEX #AD00C2

RGB 173 0 194

HSL 293.51, 1%, 0.38%

LAB 42.43, 76.72, -55.68

 

CMYK 11 / 100 / 0 / 31

HEX #9C00AF

RGB 156 0 175

HSL 293.49, 1%, 0.34%

LAB 38.13, 71.07, -51.54

 

CMYK 11 / 100 / 0 / 39

HEX #8B009C

RGB 139 0 156

HSL 293.46, 1%, 0.31%

LAB 33.75, 65.31, -47.33

 

CMYK 11 / 100 / 0 / 46

HEX #7A0089

RGB 122 0 137

HSL 293.43, 1%, 0.27%

LAB 29.27, 59.42, -43.02

 

CMYK 11 / 92 / 0 / 16

HEX #BE10D5

RGB 190 16 213

HSL 292.99, 0.86%, 0.45%

LAB 47.13, 80.82, -58.94

 

CMYK 0 / 92 / 14 / 16

HEX #D510B7

RGB 213 16 183

HSL 309.14, 0.86%, 0.45%

LAB 49.42, 80.37, -37.67

 

CMYK 0 / 92 / 39 / 16

HEX #D51082

RGB 213 16 130

HSL 325.28, 0.86%, 0.45%

LAB 47.14, 74.42, -9.49

 

CMYK 0 / 92 / 64 / 16

HEX #D5104C

RGB 213 16 76

HSL 341.73, 0.86%, 0.45%

LAB 45.69, 70.45, 21.84

 

CMYK 0 / 92 / 89 / 16

HEX #D51017

RGB 213 16 23

HSL 357.87, 0.86%, 0.45%

LAB 45.05, 68.67, 51.12

 

CMYK 11 / 92 / 0 / 16

HEX #BE10D5

RGB 190 16 213

HSL 292.99, 0.86%, 0.45%

LAB 47.13, 80.82, -58.94

 

CMYK 36 / 92 / 0 / 16

HEX #8910D5

RGB 137 16 213

HSL 276.85, 0.86%, 0.45%

LAB 38.71, 73.53, -73.02

 

CMYK 61 / 92 / 0 / 16

HEX #5310D5

RGB 83 16 213

HSL 260.41, 0.86%, 0.45%

LAB 31.84, 68.51, -84.59

 

CMYK 86 / 92 / 0 / 16

HEX #1E10D5

RGB 30 16 213

HSL 244.26, 0.86%, 0.45%

LAB 27.98, 66.25, -91.12

 

CMYK 92 / 92 / 0 / 16

HEX #1010D5

RGB 16 16 213

HSL 240, 0.86%, 0.45%

LAB 27.53, 66.02, -91.88

 

CMYK 11 / 92 / 0 / 16

HEX #BE10D5

RGB 190 16 213

HSL 292.99, 0.86%, 0.45%

LAB 47.13, 80.82, -58.94

 

CMYK 11 / 92 / 0 / 16

HEX #BE10D5

RGB 190 16 213

HSL 292.99, 0.86%, 0.45%

LAB 47.13, 80.82, -58.94

 

CMYK 9 / 82 / 0 / 24

HEX #B022C2

RGB 176 34 194

HSL 293.25, 0.7%, 0.45%

LAB 44.62, 72.26, -52.13

 

CMYK 9 / 70 / 0 / 31

HEX #A135B0

RGB 161 53 176

HSL 292.68, 0.54%, 0.45%

LAB 43.15, 60.23, -44.04

 

CMYK 6 / 55 / 0 / 38

HEX #93479D

RGB 147 71 157

HSL 293.02, 0.38%, 0.45%

LAB 42.98, 45.01, -33.14

 

CMYK 4 / 35 / 0 / 45

HEX #855A8B

RGB 133 90 139

HSL 292.65, 0.21%, 0.45%

LAB 44.47, 26.45, -20.16

 

CMYK 62 / 92 / 0 / 16

HEX #5110D5

RGB 81 16 213

HSL 259.8, 0.86%, 0.45%

LAB 31.63, 68.38, -84.94

 

CMYK 37 / 92 / 0 / 16

HEX #8610D5

RGB 134 16 213

HSL 275.94, 0.86%, 0.45%

LAB 38.28, 73.18, -73.75

 

CMYK 12 / 92 / 0 / 16

HEX #BB10D5

RGB 187 16 213

HSL 292.08, 0.86%, 0.45%

LAB 46.63, 80.35, -59.78

 

CMYK 0 / 92 / 12 / 16

HEX #D510BB

RGB 213 16 187

HSL 307.92, 0.86%, 0.45%

LAB 49.62, 80.89, -39.68

 

CMYK 0 / 92 / 37 / 16

HEX #D51086

RGB 213 16 134

HSL 324.06, 0.86%, 0.45%

LAB 47.29, 74.8, -11.71

 

CMYK 11 / 93 / 0 / 47

HEX #790A88

RGB 121 10 136

HSL 292.86, 0.86%, 0.29%

LAB 29.56, 57.46, -41.93

 

CMYK 11 / 93 / 0 / 31

HEX #9C0DAF

RGB 156 13 175

HSL 292.96, 0.86%, 0.37%

LAB 38.64, 69.57, -50.73

 

CMYK 11 / 92 / 0 / 16

HEX #BE10D5

RGB 190 16 213

HSL 292.99, 0.86%, 0.45%

LAB 47.13, 80.82, -58.94

 

CMYK 10 / 87 / 0 / 7

HEX #D620EE

RGB 214 32 238

HSL 293.01, 0.86%, 0.53%

LAB 53.49, 86.31, -62.69

 

CMYK 8 / 71 / 0 / 5

HEX #DD46F1

RGB 221 70 241

HSL 292.98, 0.86%, 0.61%

LAB 58.14, 78.31, -56.86

 

CMYK 11 / 92 / 0 / 16

HEX #BE10D5

RGB 190 16 213

HSL 292.99, 0.86%, 0.45%

LAB 47.13, 80.82, -58.94

 

CMYK 0 / 86 / 92 / 16

HEX #D51D10

RGB 213 29 16

HSL 3.96, 0.86%, 0.45%

LAB 45.72, 66.56, 54.33

 

CMYK 92 / 0 / 49 / 16

HEX #10D56C

RGB 16 213 108

HSL 148.02, 0.86%, 0.45%

LAB 75.32, -66.08, 39.73

 

CMYK 11 / 92 / 0 / 16

HEX #BE10D5

RGB 190 16 213

HSL 292.99, 0.86%, 0.45%

LAB 47.13, 80.82, -58.94

 

CMYK 0 / 12 / 92 / 16

HEX #D5BB10

RGB 213 187 16

HSL 52.08, 0.86%, 0.45%

LAB 75.9, -5.54, 75.74

 

CMYK 92 / 0 / 12 / 16

HEX #10D5BB

RGB 16 213 187

HSL 172.08, 0.86%, 0.45%

LAB 76.85, -48.88, 0.64

 

CMYK 11 / 92 / 0 / 16

HEX #BE10D5

RGB 190 16 213

HSL 292.99, 0.86%, 0.45%

LAB 47.13, 80.82, -58.94

 

CMYK 0 / 86 / 92 / 16

HEX #D51D10

RGB 213 29 16

HSL 3.96, 0.86%, 0.45%

LAB 45.72, 66.56, 54.33

 

CMYK 80 / 0 / 92 / 16

HEX #2AD510

RGB 42 213 16

HSL 112.08, 0.86%, 0.45%

LAB 74.9, -72.12, 71.35

 

CMYK 92 / 6 / 0 / 16

HEX #10C8D5

RGB 16 200 213

HSL 183.96, 0.86%, 0.45%

LAB 73.69, -35.61, -18.09

 

CMYK 11 / 92 / 0 / 16

HEX #BE10D5

RGB 190 16 213

HSL 292.99, 0.86%, 0.45%

LAB 47.13, 80.82, -58.94

 

CMYK 0 / 59 / 92 / 16

HEX #D55810

RGB 213 88 16

HSL 21.93, 0.86%, 0.45%

LAB 53.13, 46.3, 59.18

 

CMYK 80 / 0 / 92 / 16

HEX #2AD510

RGB 42 213 16

HSL 112.08, 0.86%, 0.45%

LAB 74.9, -72.12, 71.35

 

CMYK 92 / 34 / 0 / 16

HEX #108DD5

RGB 16 141 213

HSL 201.93, 0.86%, 0.45%

LAB 56.05, -4.75, -45.4

 

Description

Color code: HEX #BE10D5 | qconv.com Color code: HEX #BE10D5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 16 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 16 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 92 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 92% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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