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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE4462 it is the complementary color #41BB9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE4462. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE4462 shade: #C3445D, #D45670, #E56883, #F67A96 and #FF8CA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE4462. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE4462 shade: #BE4462, #AD324F, #9C203C, #8B0E29 and #7A0016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE4462 shade: #BE4663 and #BE4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE4462 shade: #BE4663, #BE4683, #BE46A4, #B746BE and #9746BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE4462 shade matches the following richer shades: #BE4663, #D23159, #E61D4F and #FA0944

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE4462 shade: #BE4663, #A95A6D, #956E78, #818282 and #6D968C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE4462 shade: #BE46A4, #BE4684, #BE4664, #BE4846 and #BE6846

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE4462 shade: #832E43, #A13852, #BE4663, #C8647D and #D38396

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE4462 shade: #BE4462, #BEB846 and #4694BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE4462 shade: #BE4462, #64BE46 and #4664BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE4462 shade: #BE4462, #BEB846, #46BEA0 and #464CBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE4462 shade: #BE4462, #A0BE46, #46BEA0 and #6446BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 48 / 25

HEX #BE4462

RGB 190 68 98

HSL 345.25, 0.48%, 0.51%

LAB 46.93, 51.28, 9.28

 

Complementary color

CMYK 65 / 0 / 16 / 27

HEX #41BB9D

RGB 65 187 157

HSL 165.25, 0.48%, 0.49%

LAB 68.82, -40.89, 5.34

 

CMYK 0 / 65 / 52 / 24

HEX #C3445D

RGB 195 68 93

HSL 348.19, 0.51%, 0.52%

LAB 47.66, 52.45, 13.48

 

CMYK 0 / 59 / 47 / 17

HEX #D45670

RGB 212 86 112

HSL 347.62, 0.59%, 0.58%

LAB 53.84, 51.82, 11.09

 

CMYK 0 / 55 / 43 / 10

HEX #E56883

RGB 229 104 131

HSL 347.04, 0.71%, 0.65%

LAB 60.07, 51.02, 9.11

 

CMYK 0 / 50 / 39 / 4

HEX #F67A96

RGB 246 122 150

HSL 346.45, 0.87%, 0.72%

LAB 66.3, 50.15, 7.44

 

CMYK 0 / 45 / 34 / 0

HEX #FF8CA9

RGB 255 140 169

HSL 344.87, 1%, 0.77%

LAB 71.47, 46.52, 4.35

 

CMYK 0 / 64 / 48 / 25

HEX #BE4462

RGB 190 68 98

HSL 345.25, 0.48%, 0.51%

LAB 46.93, 51.28, 9.28

 

CMYK 0 / 71 / 54 / 32

HEX #AD324F

RGB 173 50 79

HSL 345.85, 0.55%, 0.44%

LAB 40.78, 51.57, 12.03

 

CMYK 0 / 79 / 62 / 39

HEX #9C203C

RGB 156 32 60

HSL 346.45, 0.66%, 0.37%

LAB 34.86, 51.24, 15.55

 

CMYK 0 / 90 / 71 / 45

HEX #8B0E29

RGB 139 14 41

HSL 347.04, 0.82%, 0.3%

LAB 29.32, 49.82, 20.12

 

CMYK 0 / 100 / 82 / 52

HEX #7A0016

RGB 122 0 22

HSL 349.18, 1%, 0.24%

LAB 24.31, 46.93, 25.77

 

CMYK 0 / 63 / 48 / 25

HEX #BE4663

RGB 190 70 99

HSL 345.5, 0.48%, 0.51%

LAB 47.27, 50.5, 9.16

 

CMYK 0 / 63 / 63 / 25

HEX #BE4646

RGB 190 70 70

HSL 0, 0.48%, 0.51%

LAB 46.67, 48.21, 25.9

 

CMYK 0 / 63 / 48 / 25

HEX #BE4663

RGB 190 70 99

HSL 345.5, 0.48%, 0.51%

LAB 47.27, 50.5, 9.16

 

CMYK 0 / 63 / 31 / 25

HEX #BE4683

RGB 190 70 131

HSL 329.5, 0.48%, 0.51%

LAB 48.22, 53.99, -8.9

 

CMYK 0 / 63 / 14 / 25

HEX #BE46A4

RGB 190 70 164

HSL 313, 0.48%, 0.51%

LAB 49.51, 58.56, -26.64

 

CMYK 4 / 63 / 0 / 25

HEX #B746BE

RGB 183 70 190

HSL 296.5, 0.48%, 0.51%

LAB 49.7, 61.05, -41.63

 

CMYK 21 / 63 / 0 / 25

HEX #9746BE

RGB 151 70 190

HSL 280.5, 0.48%, 0.51%

LAB 45.19, 53.36, -49.08

 

CMYK 0 / 63 / 48 / 25

HEX #BE4663

RGB 190 70 99

HSL 345.5, 0.48%, 0.51%

LAB 47.27, 50.5, 9.16

 

CMYK 0 / 77 / 58 / 18

HEX #D23159

RGB 210 49 89

HSL 345.09, 0.64%, 0.51%

LAB 47.78, 63.55, 16.52

 

CMYK 0 / 87 / 66 / 10

HEX #E61D4F

RGB 230 29 79

HSL 345.07, 0.8%, 0.51%

LAB 49.82, 72.92, 26.02

 

CMYK 0 / 96 / 73 / 2

HEX #FA0944

RGB 250 9 68

HSL 345.31, 0.96%, 0.51%

LAB 52.88, 79.55, 37.24

 

CMYK 0 / 63 / 48 / 25

HEX #BE4663

RGB 190 70 99

HSL 345.5, 0.48%, 0.51%

LAB 47.27, 50.5, 9.16

 

CMYK 0 / 47 / 36 / 34

HEX #A95A6D

RGB 169 90 109

HSL 345.57, 0.31%, 0.51%

LAB 48.07, 34.4, 3.8

 

CMYK 0 / 26 / 19 / 42

HEX #956E78

RGB 149 110 120

HSL 344.62, 0.16%, 0.51%

LAB 50.57, 17.06, 0.53

 

CMYK 1 / 0 / 0 / 49

HEX #818282

RGB 129 130 130

HSL 180, 0%, 0.51%

LAB 54.29, -0.37, -0.14

 

CMYK 27 / 0 / 7 / 41

HEX #6D968C

RGB 109 150 140

HSL 165.37, 0.16%, 0.51%

LAB 58.93, -16.25, 0.73

 

CMYK 0 / 63 / 14 / 25

HEX #BE46A4

RGB 190 70 164

HSL 313, 0.48%, 0.51%

LAB 49.51, 58.56, -26.64

 

CMYK 0 / 63 / 31 / 25

HEX #BE4684

RGB 190 70 132

HSL 329, 0.48%, 0.51%

LAB 48.25, 54.11, -9.45

 

CMYK 0 / 63 / 47 / 25

HEX #BE4664

RGB 190 70 100

HSL 345, 0.48%, 0.51%

LAB 47.3, 50.59, 8.58

 

CMYK 0 / 62 / 63 / 25

HEX #BE4846

RGB 190 72 70

HSL 1, 0.48%, 0.51%

LAB 47.01, 47.31, 26.33

 

CMYK 0 / 45 / 63 / 25

HEX #BE6846

RGB 190 104 70

HSL 17, 0.48%, 0.51%

LAB 53.27, 31.3, 34.06

 

CMYK 0 / 65 / 49 / 49

HEX #832E43

RGB 131 46 67

HSL 345.18, 0.48%, 0.35%

LAB 32.22, 38.36, 6.62

 

CMYK 0 / 65 / 49 / 37

HEX #A13852

RGB 161 56 82

HSL 345.14, 0.48%, 0.43%

LAB 39.61, 45.5, 8.18

 

CMYK 0 / 63 / 48 / 25

HEX #BE4663

RGB 190 70 99

HSL 345.5, 0.48%, 0.51%

LAB 47.27, 50.5, 9.16

 

CMYK 0 / 50 / 38 / 22

HEX #C8647D

RGB 200 100 125

HSL 345, 0.48%, 0.59%

LAB 54.94, 42.33, 4.73

 

CMYK 0 / 38 / 29 / 17

HEX #D38396

RGB 211 131 150

HSL 345.75, 0.48%, 0.67%

LAB 63.58, 33.2, 2.92

 

CMYK 0 / 64 / 48 / 25

HEX #BE4462

RGB 190 68 98

HSL 345.25, 0.48%, 0.51%

LAB 46.93, 51.28, 9.28

 

CMYK 0 / 3 / 63 / 25

HEX #BEB846

RGB 190 184 70

HSL 57, 0.48%, 0.51%

LAB 73.33, -11.98, 56.74

 

CMYK 63 / 22 / 0 / 25

HEX #4694BE

RGB 70 148 190

HSL 201, 0.48%, 0.51%

LAB 58.23, -11.05, -28.94

 

CMYK 0 / 64 / 48 / 25

HEX #BE4462

RGB 190 68 98

HSL 345.25, 0.48%, 0.51%

LAB 46.93, 51.28, 9.28

 

CMYK 47 / 0 / 63 / 25

HEX #64BE46

RGB 100 190 70

HSL 105, 0.48%, 0.51%

LAB 69.45, -48.94, 50.9

 

CMYK 63 / 47 / 0 / 25

HEX #4664BE

RGB 70 100 190

HSL 225, 0.48%, 0.51%

LAB 44.42, 17.78, -50.71

 

CMYK 0 / 64 / 48 / 25

HEX #BE4462

RGB 190 68 98

HSL 345.25, 0.48%, 0.51%

LAB 46.93, 51.28, 9.28

 

CMYK 0 / 3 / 63 / 25

HEX #BEB846

RGB 190 184 70

HSL 57, 0.48%, 0.51%

LAB 73.33, -11.98, 56.74

 

CMYK 63 / 0 / 16 / 25

HEX #46BEA0

RGB 70 190 160

HSL 165, 0.48%, 0.51%

LAB 69.94, -40.61, 5.33

 

CMYK 63 / 60 / 0 / 25

HEX #464CBE

RGB 70 76 190

HSL 237, 0.48%, 0.51%

LAB 38.18, 33.05, -60.81

 

CMYK 0 / 64 / 48 / 25

HEX #BE4462

RGB 190 68 98

HSL 345.25, 0.48%, 0.51%

LAB 46.93, 51.28, 9.28

 

CMYK 16 / 0 / 63 / 25

HEX #A0BE46

RGB 160 190 70

HSL 75, 0.48%, 0.51%

LAB 72.72, -27.43, 55.41

 

CMYK 63 / 0 / 16 / 25

HEX #46BEA0

RGB 70 190 160

HSL 165, 0.48%, 0.51%

LAB 69.94, -40.61, 5.33

 

CMYK 47 / 63 / 0 / 25

HEX #6446BE

RGB 100 70 190

HSL 255, 0.48%, 0.51%

LAB 39.25, 42.1, -58.95

 

Description

Color code: HEX #BE4462 | qconv.com Color code: HEX #BE4462 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 68 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 68 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 48 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 48% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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