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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE45CD it is the complementary color #41BA32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE45CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE45CD shade: #C345C8, #D457DB, #E569EE, #F67BFF and #FF8DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE45CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE45CD shade: #BE45CD, #AD33BA, #9C21A7, #8B0F94 and #7A0081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE45CD shade: #BE45CD, #CD45B8, #CD4593, #CD456E and #CD4549

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE45CD shade: #BE45CD, #9A45CD, #7545CD, #5045CD and #4545CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE45CD shade matches the following richer shades: #BE45CD, #CD32E0 and #DC1FF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE45CD shade: #BE45CD, #AF58BA, #A16BA7, #927E94 and #839181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE45CD shade: #7545CD, #9945CD, #BD45CD, #CD45B9 and #CD4595

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE45CD shade: #8C2898, #A931B8, #BE45CD, #CA66D6 and #D586DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE45CD shade: #BE45CD, #CD5145 and #45CD87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE45CD shade: #BE45CD, #CDBD45 and #45CDBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE45CD shade: #BE45CD, #CD5145, #55CD45 and #45C2CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE45CD shade: #BE45CD, #CD7945, #55CD45 and #4599CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 66 / 0 / 20

HEX #BE45CD

RGB 190 69 205

HSL 293.38, 0.58%, 0.54%

LAB 51.39, 65.77, -47.53

 

Complementary color

CMYK 65 / 0 / 73 / 27

HEX #41BA32

RGB 65 186 50

HSL 113.38, 0.58%, 0.46%

LAB 66.88, -58.29, 55.82

 

CMYK 3 / 66 / 0 / 22

HEX #C345C8

RGB 195 69 200

HSL 297.71, 0.54%, 0.53%

LAB 51.87, 66.04, -43.85

 

CMYK 3 / 60 / 0 / 14

HEX #D457DB

RGB 212 87 219

HSL 296.82, 0.65%, 0.6%

LAB 57.97, 66.03, -44.87

 

CMYK 4 / 56 / 0 / 7

HEX #E569EE

RGB 229 105 238

HSL 295.94, 0.8%, 0.67%

LAB 64.11, 65.73, -45.65

 

CMYK 4 / 52 / 0 / 0

HEX #F67BFF

RGB 246 123 255

HSL 295.91, 1%, 0.74%

LAB 70.16, 64.89, -45.33

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 7 / 66 / 0 / 20

HEX #BE45CD

RGB 190 69 205

HSL 293.38, 0.58%, 0.54%

LAB 51.39, 65.77, -47.53

 

CMYK 7 / 73 / 0 / 27

HEX #AD33BA

RGB 173 51 186

HSL 294.22, 0.57%, 0.46%

LAB 45.35, 65.36, -46.3

 

CMYK 7 / 80 / 0 / 35

HEX #9C21A7

RGB 156 33 167

HSL 295.07, 0.67%, 0.39%

LAB 39.49, 64.19, -44.59

 

CMYK 6 / 90 / 0 / 42

HEX #8B0F94

RGB 139 15 148

HSL 295.94, 0.82%, 0.32%

LAB 33.92, 61.85, -42.17

 

CMYK 5 / 100 / 0 / 49

HEX #7A0081

RGB 122 0 129

HSL 296.74, 1%, 0.25%

LAB 28.7, 58.07, -38.92

 

CMYK 7 / 66 / 0 / 20

HEX #BE45CD

RGB 190 69 205

HSL 293.38, 0.58%, 0.54%

LAB 51.39, 65.77, -47.53

 

CMYK 0 / 66 / 10 / 20

HEX #CD45B8

RGB 205 69 184

HSL 309.26, 0.58%, 0.54%

LAB 52.62, 65.86, -33.33

 

CMYK 0 / 66 / 28 / 20

HEX #CD4593

RGB 205 69 147

HSL 325.59, 0.58%, 0.54%

LAB 51.08, 60.73, -13.93

 

CMYK 0 / 66 / 46 / 20

HEX #CD456E

RGB 205 69 110

HSL 341.91, 0.58%, 0.54%

LAB 49.93, 56.7, 6.6

 

CMYK 0 / 66 / 64 / 20

HEX #CD4549

RGB 205 69 73

HSL 358.24, 0.58%, 0.54%

LAB 49.15, 53.87, 27.8

 

CMYK 7 / 66 / 0 / 20

HEX #BE45CD

RGB 190 69 205

HSL 293.38, 0.58%, 0.54%

LAB 51.39, 65.77, -47.53

 

CMYK 25 / 66 / 0 / 20

HEX #9A45CD

RGB 154 69 205

HSL 277.5, 0.58%, 0.54%

LAB 46.36, 57.75, -55.87

 

CMYK 43 / 66 / 0 / 20

HEX #7545CD

RGB 117 69 205

HSL 261.18, 0.58%, 0.54%

LAB 41.92, 50.13, -63.27

 

CMYK 61 / 66 / 0 / 20

HEX #5045CD

RGB 80 69 205

HSL 244.85, 0.58%, 0.54%

LAB 38.5, 43.77, -68.99

 

CMYK 66 / 66 / 0 / 20

HEX #4545CD

RGB 69 69 205

HSL 240, 0.58%, 0.54%

LAB 37.72, 42.24, -70.3

 

CMYK 7 / 66 / 0 / 20

HEX #BE45CD

RGB 190 69 205

HSL 293.38, 0.58%, 0.54%

LAB 51.39, 65.77, -47.53

 

CMYK 8 / 78 / 0 / 12

HEX #CD32E0

RGB 205 50 224

HSL 293.45, 0.74%, 0.54%

LAB 52.56, 78.48, -56.37

 

CMYK 9 / 87 / 0 / 5

HEX #DC1FF3

RGB 220 31 243

HSL 293.49, 0.9%, 0.54%

LAB 54.73, 88.22, -63.46

 

CMYK 7 / 66 / 0 / 20

HEX #BE45CD

RGB 190 69 205

HSL 293.38, 0.58%, 0.54%

LAB 51.39, 65.77, -47.53

 

CMYK 6 / 53 / 0 / 27

HEX #AF58BA

RGB 175 88 186

HSL 293.27, 0.42%, 0.54%

LAB 51.43, 49.92, -36.66

 

CMYK 4 / 36 / 0 / 35

HEX #A16BA7

RGB 161 107 167

HSL 294, 0.25%, 0.54%

LAB 52.82, 31.76, -23.59

 

CMYK 1 / 15 / 0 / 42

HEX #927E94

RGB 146 126 148

HSL 294.55, 0.09%, 0.54%

LAB 55.25, 11.8, -9

 

CMYK 10 / 0 / 11 / 43

HEX #839181

RGB 131 145 129

HSL 112.5, 0.07%, 0.54%

LAB 58.66, -8.22, 6.78

 

CMYK 43 / 66 / 0 / 20

HEX #7545CD

RGB 117 69 205

HSL 261.18, 0.58%, 0.54%

LAB 41.92, 50.13, -63.27

 

CMYK 25 / 66 / 0 / 20

HEX #9945CD

RGB 153 69 205

HSL 277.06, 0.58%, 0.54%

LAB 46.23, 57.54, -56.09

 

CMYK 8 / 66 / 0 / 20

HEX #BD45CD

RGB 189 69 205

HSL 292.94, 0.58%, 0.54%

LAB 51.25, 65.54, -47.77

 

CMYK 0 / 66 / 10 / 20

HEX #CD45B9

RGB 205 69 185

HSL 308.82, 0.58%, 0.54%

LAB 52.66, 66.02, -33.83

 

CMYK 0 / 66 / 27 / 20

HEX #CD4595

RGB 205 69 149

HSL 324.71, 0.58%, 0.54%

LAB 51.16, 60.99, -15.01

 

CMYK 8 / 74 / 0 / 40

HEX #8C2898

RGB 140 40 152

HSL 293.57, 0.58%, 0.38%

LAB 36.67, 56.02, -40.2

 

CMYK 8 / 73 / 0 / 28

HEX #A931B8

RGB 169 49 184

HSL 293.33, 0.58%, 0.46%

LAB 44.37, 64.85, -46.74

 

CMYK 7 / 66 / 0 / 20

HEX #BE45CD

RGB 190 69 205

HSL 293.38, 0.58%, 0.54%

LAB 51.39, 65.77, -47.53

 

CMYK 6 / 52 / 0 / 16

HEX #CA66D6

RGB 202 102 214

HSL 293.57, 0.58%, 0.62%

LAB 58.89, 55.72, -40.68

 

CMYK 4 / 40 / 0 / 13

HEX #D586DF

RGB 213 134 223

HSL 293.26, 0.58%, 0.7%

LAB 66.92, 44.29, -33.09

 

CMYK 7 / 66 / 0 / 20

HEX #BE45CD

RGB 190 69 205

HSL 293.38, 0.58%, 0.54%

LAB 51.39, 65.77, -47.53

 

CMYK 0 / 60 / 66 / 20

HEX #CD5145

RGB 205 81 69

HSL 5.29, 0.58%, 0.54%

LAB 51.03, 48.44, 32.45

 

CMYK 66 / 0 / 34 / 20

HEX #45CD87

RGB 69 205 135

HSL 149.12, 0.58%, 0.54%

LAB 73.98, -52.58, 24.4

 

CMYK 7 / 66 / 0 / 20

HEX #BE45CD

RGB 190 69 205

HSL 293.38, 0.58%, 0.54%

LAB 51.39, 65.77, -47.53

 

CMYK 0 / 8 / 66 / 20

HEX #CDBD45

RGB 205 189 69

HSL 52.94, 0.58%, 0.54%

LAB 75.95, -8.23, 60.3

 

CMYK 66 / 0 / 8 / 20

HEX #45CDBD

RGB 69 205 189

HSL 172.94, 0.58%, 0.54%

LAB 75.2, -40.03, -2.77

 

CMYK 7 / 66 / 0 / 20

HEX #BE45CD

RGB 190 69 205

HSL 293.38, 0.58%, 0.54%

LAB 51.39, 65.77, -47.53

 

CMYK 0 / 60 / 66 / 20

HEX #CD5145

RGB 205 81 69

HSL 5.29, 0.58%, 0.54%

LAB 51.03, 48.44, 32.45

 

CMYK 59 / 0 / 66 / 20

HEX #55CD45

RGB 85 205 69

HSL 112.94, 0.58%, 0.54%

LAB 73.56, -58.77, 55.66

 

CMYK 66 / 5 / 0 / 20

HEX #45C2CD

RGB 69 194 205

HSL 184.85, 0.58%, 0.54%

LAB 72.4, -30.45, -15.62

 

CMYK 7 / 66 / 0 / 20

HEX #BE45CD

RGB 190 69 205

HSL 293.38, 0.58%, 0.54%

LAB 51.39, 65.77, -47.53

 

CMYK 0 / 41 / 66 / 20

HEX #CD7945

RGB 205 121 69

HSL 22.94, 0.58%, 0.54%

LAB 59.05, 28.24, 41.91

 

CMYK 59 / 0 / 66 / 20

HEX #55CD45

RGB 85 205 69

HSL 112.94, 0.58%, 0.54%

LAB 73.56, -58.77, 55.66

 

CMYK 66 / 25 / 0 / 20

HEX #4599CD

RGB 69 153 205

HSL 202.94, 0.58%, 0.54%

LAB 60.3, -9.09, -34.17

 

Description

Color code: HEX #BE45CD | qconv.com Color code: HEX #BE45CD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 69 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 69 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 66 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 66% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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