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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE40BA it is the complementary color #41BF45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE40BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE40BA shade: #C340B5, #D452C8, #E564DB, #F676EE and #FF88FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE40BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE40BA shade: #BE40BA, #AD2EA7, #9C1C94, #8B0A81 and #7A006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE40BA shade: #BF3FBB, #BF3F98, #BF3F76, #BF3F54 and #BF3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE40BA shade: #BF3FBB, #A03FBF, #7E3FBF, #5C3FBF and #3F3FBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE40BA shade matches the following richer shades: #BF3FBB, #D32BCE, #E816E1 and #FD01F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE40BA shade: #BF3FBB, #AA54A7, #956994, #817D81 and #6C926D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE40BA shade: #7D3FBF, #9F3FBF, #BF3FBD, #BF3F9B and #BF3F79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE40BA shade: #812B7E, #A0359C, #BF3FBB, #C95EC6 and #D37DD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE40BA shade: #BE40BA, #BF5B3F and #3FBF8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE40BA shade: #BE40BA, #BDBF3F and #3FBDBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE40BA shade: #BE40BA, #BF5B3F, #3FBF41 and #3FA3BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE40BA shade: #BE40BA, #BF813F, #3FBF41 and #3F7DBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 2 / 25

HEX #BE40BA

RGB 190 64 186

HSL 301.9, 0.5%, 0.5%

LAB 49.69, 64.45, -39.25

 

Complementary color

CMYK 66 / 0 / 64 / 25

HEX #41BF45

RGB 65 191 69

HSL 121.9, 0.5%, 0.5%

LAB 68.62, -58.27, 50.09

 

CMYK 0 / 67 / 7 / 24

HEX #C340B5

RGB 195 64 181

HSL 306.41, 0.52%, 0.51%

LAB 50.22, 64.84, -35.44

 

CMYK 0 / 61 / 6 / 17

HEX #D452C8

RGB 212 82 200

HSL 305.54, 0.6%, 0.58%

LAB 56.29, 64.95, -36.72

 

CMYK 0 / 56 / 4 / 10

HEX #E564DB

RGB 229 100 219

HSL 304.65, 0.71%, 0.65%

LAB 62.41, 64.72, -37.72

 

CMYK 0 / 52 / 3 / 4

HEX #F676EE

RGB 246 118 238

HSL 303.75, 0.88%, 0.71%

LAB 68.55, 64.28, -38.53

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 0 / 66 / 2 / 25

HEX #BE40BA

RGB 190 64 186

HSL 301.9, 0.5%, 0.5%

LAB 49.69, 64.45, -39.25

 

CMYK 0 / 73 / 3 / 32

HEX #AD2EA7

RGB 173 46 167

HSL 302.83, 0.58%, 0.43%

LAB 43.7, 63.84, -37.72

 

CMYK 0 / 82 / 5 / 39

HEX #9C1C94

RGB 156 28 148

HSL 303.75, 0.7%, 0.36%

LAB 37.91, 62.39, -35.63

 

CMYK 0 / 93 / 7 / 45

HEX #8B0A81

RGB 139 10 129

HSL 304.65, 0.87%, 0.29%

LAB 32.46, 59.62, -32.73

 

CMYK 0 / 100 / 10 / 52

HEX #7A006E

RGB 122 0 110

HSL 305.9, 1%, 0.24%

LAB 27.47, 55.1, -28.79

 

CMYK 0 / 67 / 2 / 25

HEX #BF3FBB

RGB 191 63 187

HSL 301.88, 0.5%, 0.5%

LAB 49.76, 65.23, -39.71

 

CMYK 0 / 67 / 20 / 25

HEX #BF3F98

RGB 191 63 152

HSL 318.28, 0.5%, 0.5%

LAB 48.13, 59.91, -21.62

 

CMYK 0 / 67 / 38 / 25

HEX #BF3F76

RGB 191 63 118

HSL 334.22, 0.5%, 0.5%

LAB 46.89, 55.68, -2.96

 

CMYK 0 / 67 / 56 / 25

HEX #BF3F54

RGB 191 63 84

HSL 350.16, 0.5%, 0.5%

LAB 46, 52.52, 16.59

 

CMYK 0 / 67 / 67 / 25

HEX #BF3F3F

RGB 191 63 63

HSL 0, 0.5%, 0.5%

LAB 45.62, 51.13, 28.8

 

CMYK 0 / 67 / 2 / 25

HEX #BF3FBB

RGB 191 63 187

HSL 301.88, 0.5%, 0.5%

LAB 49.76, 65.23, -39.71

 

CMYK 16 / 67 / 0 / 25

HEX #A03FBF

RGB 160 63 191

HSL 285.47, 0.5%, 0.5%

LAB 45.35, 58.81, -49.34

 

CMYK 34 / 67 / 0 / 25

HEX #7E3FBF

RGB 126 63 191

HSL 269.53, 0.5%, 0.5%

LAB 40.82, 51.42, -56.86

 

CMYK 52 / 67 / 0 / 25

HEX #5C3FBF

RGB 92 63 191

HSL 253.59, 0.5%, 0.5%

LAB 37.1, 44.85, -63.08

 

CMYK 67 / 67 / 0 / 25

HEX #3F3FBF

RGB 63 63 191

HSL 240, 0.5%, 0.5%

LAB 34.75, 40.39, -67.02

 

CMYK 0 / 67 / 2 / 25

HEX #BF3FBB

RGB 191 63 187

HSL 301.88, 0.5%, 0.5%

LAB 49.76, 65.23, -39.71

 

CMYK 0 / 80 / 2 / 17

HEX #D32BCE

RGB 211 43 206

HSL 301.79, 0.66%, 0.5%

LAB 51.87, 78.57, -47.14

 

CMYK 0 / 91 / 3 / 9

HEX #E816E1

RGB 232 22 225

HSL 302, 0.83%, 0.5%

LAB 55.24, 88.74, -52.39

 

CMYK 0 / 100 / 3 / 1

HEX #FD01F5

RGB 253 1 245

HSL 301.9, 0.99%, 0.5%

LAB 59.43, 96.51, -56.73

 

CMYK 0 / 67 / 2 / 25

HEX #BF3FBB

RGB 191 63 187

HSL 301.88, 0.5%, 0.5%

LAB 49.76, 65.23, -39.71

 

CMYK 0 / 51 / 2 / 33

HEX #AA54A7

RGB 170 84 167

HSL 302.09, 0.34%, 0.5%

LAB 49.1, 46.95, -29.26

 

CMYK 0 / 30 / 1 / 42

HEX #956994

RGB 149 105 148

HSL 301.36, 0.17%, 0.5%

LAB 50.25, 25.06, -16.51

 

CMYK 0 / 3 / 0 / 49

HEX #817D81

RGB 129 125 129

HSL 300, 0.02%, 0.5%

LAB 52.86, 2.3, -1.64

 

CMYK 26 / 0 / 25 / 43

HEX #6C926D

RGB 108 146 109

HSL 121.58, 0.15%, 0.5%

LAB 56.93, -20.85, 15.47

 

CMYK 35 / 67 / 0 / 25

HEX #7D3FBF

RGB 125 63 191

HSL 269.06, 0.5%, 0.5%

LAB 40.7, 51.21, -57.07

 

CMYK 17 / 67 / 0 / 25

HEX #9F3FBF

RGB 159 63 191

HSL 285, 0.5%, 0.5%

LAB 45.2, 58.59, -49.58

 

CMYK 0 / 67 / 1 / 25

HEX #BF3FBD

RGB 191 63 189

HSL 300.94, 0.5%, 0.5%

LAB 49.86, 65.55, -40.71

 

CMYK 0 / 67 / 19 / 25

HEX #BF3F9B

RGB 191 63 155

HSL 316.88, 0.5%, 0.5%

LAB 48.26, 60.33, -23.22

 

CMYK 0 / 67 / 37 / 25

HEX #BF3F79

RGB 191 63 121

HSL 332.81, 0.5%, 0.5%

LAB 46.99, 56.01, -4.65

 

CMYK 0 / 67 / 2 / 49

HEX #812B7E

RGB 129 43 126

HSL 302.09, 0.5%, 0.34%

LAB 33.78, 47.5, -28.89

 

CMYK 0 / 67 / 2 / 37

HEX #A0359C

RGB 160 53 156

HSL 302.24, 0.5%, 0.42%

LAB 41.88, 56.46, -34.15

 

CMYK 0 / 67 / 2 / 25

HEX #BF3FBB

RGB 191 63 187

HSL 301.88, 0.5%, 0.5%

LAB 49.76, 65.23, -39.71

 

CMYK 0 / 53 / 1 / 21

HEX #C95EC6

RGB 201 94 198

HSL 301.68, 0.5%, 0.58%

LAB 56.59, 56.39, -35.22

 

CMYK 0 / 41 / 1 / 17

HEX #D37DD1

RGB 211 125 209

HSL 301.4, 0.49%, 0.66%

LAB 64.26, 45.79, -29.42

 

CMYK 0 / 66 / 2 / 25

HEX #BE40BA

RGB 190 64 186

HSL 301.9, 0.5%, 0.5%

LAB 49.69, 64.45, -39.25

 

CMYK 0 / 52 / 67 / 25

HEX #BF5B3F

RGB 191 91 63

HSL 13.13, 0.5%, 0.5%

LAB 50.59, 38.06, 34.78

 

CMYK 67 / 0 / 26 / 25

HEX #3FBF8E

RGB 63 191 142

HSL 157.03, 0.5%, 0.5%

LAB 69.66, -46.49, 14.7

 

CMYK 0 / 66 / 2 / 25

HEX #BE40BA

RGB 190 64 186

HSL 301.9, 0.5%, 0.5%

LAB 49.69, 64.45, -39.25

 

CMYK 1 / 0 / 67 / 25

HEX #BDBF3F

RGB 189 191 63

HSL 60.94, 0.5%, 0.5%

LAB 75.1, -16.38, 61.4

 

CMYK 67 / 1 / 0 / 25

HEX #3FBDBF

RGB 63 189 191

HSL 180.94, 0.5%, 0.5%

LAB 70.33, -32.98, -11.1

 

CMYK 0 / 66 / 2 / 25

HEX #BE40BA

RGB 190 64 186

HSL 301.9, 0.5%, 0.5%

LAB 49.69, 64.45, -39.25

 

CMYK 0 / 52 / 67 / 25

HEX #BF5B3F

RGB 191 91 63

HSL 13.13, 0.5%, 0.5%

LAB 50.59, 38.06, 34.78

 

CMYK 67 / 0 / 66 / 25

HEX #3FBF41

RGB 63 191 65

HSL 120.94, 0.5%, 0.5%

LAB 68.53, -59.08, 51.68

 

CMYK 67 / 15 / 0 / 25

HEX #3FA3BF

RGB 63 163 191

HSL 193.13, 0.5%, 0.5%

LAB 62.52, -20.01, -22.92

 

CMYK 0 / 66 / 2 / 25

HEX #BE40BA

RGB 190 64 186

HSL 301.9, 0.5%, 0.5%

LAB 49.69, 64.45, -39.25

 

CMYK 0 / 32 / 67 / 25

HEX #BF813F

RGB 191 129 63

HSL 30.94, 0.5%, 0.5%

LAB 59.1, 17.61, 44.52

 

CMYK 67 / 0 / 66 / 25

HEX #3FBF41

RGB 63 191 65

HSL 120.94, 0.5%, 0.5%

LAB 68.53, -59.08, 51.68

 

CMYK 67 / 35 / 0 / 25

HEX #3F7DBF

RGB 63 125 191

HSL 210.94, 0.5%, 0.5%

LAB 51.25, 1.39, -40.44

 

Description

Color code: HEX #BE40BA | qconv.com Color code: HEX #BE40BA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 64 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 64 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 2 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 2% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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