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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE4B73 it is the complementary color #41B48C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE4B73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE4B73 shade: #C34B6E, #D45D81, #E56F94, #F681A7 and #FF93BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE4B73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE4B73 shade: #BE4B73, #AD3960, #9C274D, #8B153A and #7A0327

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE4B73 shade: #BE4B73, #BE4B54 and #BE4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE4B73 shade: #BE4B73, #BE4B92, #BE4BB1, #AC4BBE and #8D4BBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE4B73 shade matches the following richer shades: #BE4B73, #D1376D, #E52367 and #F90F61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE4B73 shade: #BE4B73, #AA5E79, #96727F, #828685 and #6E9A8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE4B73 shade: #BE4BB0, #BE4B92, #BE4B73, #BE4B54 and #BE604B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE4B73 shade: #86304E, #A43B5F, #BE4B73, #C9698A and #D387A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE4B73 shade: #BE4B73, #BEAC4B and #4BA1BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE4B73 shade: #BE4B73, #73BE4B and #4B73BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE4B73 shade: #BE4B73, #BEAC4B, #4BBE95 and #4B5CBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE4B73 shade: #BE4B73, #ACBE4B, #4BBE95 and #5C4BBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 39 / 25

HEX #BE4B73

RGB 190 75 115

HSL 339.13, 0.47%, 0.52%

LAB 48.53, 49.9, 1.24

 

Complementary color

CMYK 64 / 0 / 22 / 29

HEX #41B48C

RGB 65 180 140

HSL 159.13, 0.47%, 0.48%

LAB 66.26, -41.93, 11.01

 

CMYK 0 / 62 / 44 / 24

HEX #C34B6E

RGB 195 75 110

HSL 342.5, 0.5%, 0.53%

LAB 49.2, 50.99, 5.34

 

CMYK 0 / 56 / 39 / 17

HEX #D45D81

RGB 212 93 129

HSL 341.85, 0.58%, 0.6%

LAB 55.49, 50.32, 3.4

 

CMYK 0 / 52 / 35 / 10

HEX #E56F94

RGB 229 111 148

HSL 341.19, 0.69%, 0.67%

LAB 61.8, 49.53, 1.78

 

CMYK 0 / 48 / 32 / 4

HEX #F681A7

RGB 246 129 167

HSL 340.51, 0.87%, 0.74%

LAB 68.08, 48.68, 0.4

 

CMYK 0 / 42 / 27 / 0

HEX #FF93BA

RGB 255 147 186

HSL 338.33, 1%, 0.79%

LAB 73.33, 45.14, -2.39

 

CMYK 0 / 61 / 39 / 25

HEX #BE4B73

RGB 190 75 115

HSL 339.13, 0.47%, 0.52%

LAB 48.53, 49.9, 1.24

 

CMYK 0 / 67 / 45 / 32

HEX #AD3960

RGB 173 57 96

HSL 339.83, 0.5%, 0.45%

LAB 42.24, 50.32, 3.44

 

CMYK 0 / 75 / 51 / 39

HEX #9C274D

RGB 156 39 77

HSL 340.51, 0.6%, 0.38%

LAB 36.09, 50.26, 6.26

 

CMYK 0 / 85 / 58 / 45

HEX #8B153A

RGB 139 21 58

HSL 341.19, 0.74%, 0.31%

LAB 30.23, 49.3, 10.01

 

CMYK 0 / 98 / 68 / 52

HEX #7A0327

RGB 122 3 39

HSL 341.85, 0.95%, 0.25%

LAB 24.79, 47.1, 14.93

 

CMYK 0 / 61 / 39 / 25

HEX #BE4B73

RGB 190 75 115

HSL 339.13, 0.47%, 0.52%

LAB 48.53, 49.9, 1.24

 

CMYK 0 / 61 / 56 / 25

HEX #BE4B54

RGB 190 75 84

HSL 355.3, 0.47%, 0.52%

LAB 47.78, 46.95, 18.95

 

CMYK 0 / 61 / 61 / 25

HEX #BE4B4B

RGB 190 75 75

HSL 0, 0.47%, 0.52%

LAB 47.61, 46.28, 24.12

 

CMYK 0 / 61 / 39 / 25

HEX #BE4B73

RGB 190 75 115

HSL 339.13, 0.47%, 0.52%

LAB 48.53, 49.9, 1.24

 

CMYK 0 / 61 / 23 / 25

HEX #BE4B92

RGB 190 75 146

HSL 322.96, 0.47%, 0.52%

LAB 49.56, 53.78, -15.87

 

CMYK 0 / 61 / 7 / 25

HEX #BE4BB1

RGB 190 75 177

HSL 306.78, 0.47%, 0.52%

LAB 50.87, 58.48, -32.15

 

CMYK 9 / 61 / 0 / 25

HEX #AC4BBE

RGB 172 75 190

HSL 290.61, 0.47%, 0.52%

LAB 48.91, 56.14, -42.98

 

CMYK 26 / 61 / 0 / 25

HEX #8D4BBE

RGB 141 75 190

HSL 274.43, 0.47%, 0.52%

LAB 44.82, 48.5, -49.74

 

CMYK 0 / 61 / 39 / 25

HEX #BE4B73

RGB 190 75 115

HSL 339.13, 0.47%, 0.52%

LAB 48.53, 49.9, 1.24

 

CMYK 0 / 74 / 48 / 18

HEX #D1376D

RGB 209 55 109

HSL 338.96, 0.63%, 0.52%

LAB 48.75, 62.92, 5.61

 

CMYK 0 / 85 / 55 / 10

HEX #E52367

RGB 229 35 103

HSL 338.97, 0.79%, 0.52%

LAB 50.5, 72.98, 12.28

 

CMYK 0 / 94 / 61 / 2

HEX #F90F61

RGB 249 15 97

HSL 338.97, 0.95%, 0.52%

LAB 53.32, 80.19, 20.42

 

CMYK 0 / 61 / 39 / 25

HEX #BE4B73

RGB 190 75 115

HSL 339.13, 0.47%, 0.52%

LAB 48.53, 49.9, 1.24

 

CMYK 0 / 45 / 29 / 33

HEX #AA5E79

RGB 170 94 121

HSL 338.68, 0.31%, 0.52%

LAB 49.41, 34.21, -1.44

 

CMYK 0 / 24 / 15 / 41

HEX #96727F

RGB 150 114 127

HSL 338.33, 0.15%, 0.52%

LAB 51.89, 16.31, -1.65

 

CMYK 3 / 0 / 1 / 47

HEX #828685

RGB 130 134 133

HSL 165, 0.02%, 0.52%

LAB 55.57, -1.67, 0.02

 

CMYK 29 / 0 / 10 / 40

HEX #6E9A8B

RGB 110 154 139

HSL 159.55, 0.18%, 0.52%

LAB 60.15, -18.26, 3.07

 

CMYK 0 / 61 / 7 / 25

HEX #BE4BB0

RGB 190 75 176

HSL 307.3, 0.47%, 0.52%

LAB 50.82, 58.32, -31.64

 

CMYK 0 / 61 / 23 / 25

HEX #BE4B92

RGB 190 75 146

HSL 322.96, 0.47%, 0.52%

LAB 49.56, 53.78, -15.87

 

CMYK 0 / 61 / 39 / 25

HEX #BE4B73

RGB 190 75 115

HSL 339.13, 0.47%, 0.52%

LAB 48.53, 49.9, 1.24

 

CMYK 0 / 61 / 56 / 25

HEX #BE4B54

RGB 190 75 84

HSL 355.3, 0.47%, 0.52%

LAB 47.78, 46.95, 18.95

 

CMYK 0 / 49 / 61 / 25

HEX #BE604B

RGB 190 96 75

HSL 10.96, 0.47%, 0.52%

LAB 51.63, 35.89, 29.25

 

CMYK 0 / 64 / 42 / 47

HEX #86304E

RGB 134 48 78

HSL 339.07, 0.47%, 0.36%

LAB 33.42, 39.64, 1.25

 

CMYK 0 / 64 / 42 / 36

HEX #A43B5F

RGB 164 59 95

HSL 339.43, 0.47%, 0.44%

LAB 40.97, 46.48, 2.03

 

CMYK 0 / 61 / 39 / 25

HEX #BE4B73

RGB 190 75 115

HSL 339.13, 0.47%, 0.52%

LAB 48.53, 49.9, 1.24

 

CMYK 0 / 48 / 31 / 21

HEX #C9698A

RGB 201 105 138

HSL 339.38, 0.47%, 0.6%

LAB 56.44, 41.73, -0.7

 

CMYK 0 / 36 / 23 / 17

HEX #D387A2

RGB 211 135 162

HSL 338.68, 0.46%, 0.68%

LAB 64.79, 32.75, -2.11

 

CMYK 0 / 61 / 39 / 25

HEX #BE4B73

RGB 190 75 115

HSL 339.13, 0.47%, 0.52%

LAB 48.53, 49.9, 1.24

 

CMYK 0 / 9 / 61 / 25

HEX #BEAC4B

RGB 190 172 75

HSL 50.61, 0.47%, 0.52%

LAB 70.15, -5.4, 51.07

 

CMYK 61 / 15 / 0 / 25

HEX #4BA1BE

RGB 75 161 190

HSL 195.13, 0.47%, 0.52%

LAB 62.26, -17.21, -22.72

 

CMYK 0 / 61 / 39 / 25

HEX #BE4B73

RGB 190 75 115

HSL 339.13, 0.47%, 0.52%

LAB 48.53, 49.9, 1.24

 

CMYK 39 / 0 / 61 / 25

HEX #73BE4B

RGB 115 190 75

HSL 99.13, 0.47%, 0.52%

LAB 70.16, -43.71, 49.68

 

CMYK 61 / 39 / 0 / 25

HEX #4B73BE

RGB 75 115 190

HSL 219.13, 0.47%, 0.52%

LAB 48.85, 9.32, -43.63

 

CMYK 0 / 61 / 39 / 25

HEX #BE4B73

RGB 190 75 115

HSL 339.13, 0.47%, 0.52%

LAB 48.53, 49.9, 1.24

 

CMYK 0 / 9 / 61 / 25

HEX #BEAC4B

RGB 190 172 75

HSL 50.61, 0.47%, 0.52%

LAB 70.15, -5.4, 51.07

 

CMYK 61 / 0 / 22 / 25

HEX #4BBE95

RGB 75 190 149

HSL 158.61, 0.47%, 0.52%

LAB 69.82, -42.28, 11.17

 

CMYK 61 / 52 / 0 / 25

HEX #4B5CBE

RGB 75 92 190

HSL 231.13, 0.47%, 0.52%

LAB 42.56, 23.78, -53.69

 

CMYK 0 / 61 / 39 / 25

HEX #BE4B73

RGB 190 75 115

HSL 339.13, 0.47%, 0.52%

LAB 48.53, 49.9, 1.24

 

CMYK 9 / 0 / 61 / 25

HEX #ACBE4B

RGB 172 190 75

HSL 69.39, 0.47%, 0.52%

LAB 73.61, -22.18, 54.48

 

CMYK 61 / 0 / 22 / 25

HEX #4BBE95

RGB 75 190 149

HSL 158.61, 0.47%, 0.52%

LAB 69.82, -42.28, 11.17

 

CMYK 52 / 61 / 0 / 25

HEX #5C4BBE

RGB 92 75 190

HSL 248.87, 0.47%, 0.52%

LAB 39.62, 37.61, -58.39

 

Description

Color code: HEX #BE4B73 | qconv.com Color code: HEX #BE4B73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 75 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 75 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 39 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 39% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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