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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE5A4B it is the complementary color #41A5B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE5A4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE5A4B shade: #C35A46, #D46C59, #E57E6C, #F6907F and #FFA292

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE5A4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE5A4B shade: #BE5A4B, #AD4838, #9C3625, #8B2412 and #7A1200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE5A4B shade: #BE5A4B and #BE4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE5A4B shade: #BE5A4B, #BE794B, #BE984B, #BEB74B and #A6BE4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE5A4B shade matches the following richer shades: #BE5A4B, #D14B37, #E53C23 and #F92E0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE5A4B shade: #BE5A4B, #AA685E, #967772, #828586 and #6E949A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE5A4B shade: #BE4B7B, #BE4B5C, #BE584B, #BE774B and #BE954B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE5A4B shade: #863B30, #A4493B, #BE5A4B, #C97569 and #D39187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE5A4B shade: #BE5A4B, #99BE4B and #4B6BBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE5A4B shade: #BE5A4B, #4BBE58 and #584BBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE5A4B shade: #BE5A4B, #99BE4B, #4BB0BE and #6F4BBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE5A4B shade: #BE5A4B, #77BE4B, #4BB0BE and #924BBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 61 / 25

HEX #BE5A4B

RGB 190 90 75

HSL 7.83, 0.47%, 0.52%

LAB 50.41, 38.98, 27.71

 

Complementary color

CMYK 64 / 8 / 0 / 29

HEX #41A5B4

RGB 65 165 180

HSL 187.83, 0.47%, 0.48%

LAB 62.78, -24.12, -16.35

 

CMYK 0 / 54 / 64 / 24

HEX #C35A46

RGB 195 90 70

HSL 9.6, 0.51%, 0.52%

LAB 51.1, 40.53, 31.6

 

CMYK 0 / 49 / 58 / 17

HEX #D46C59

RGB 212 108 89

HSL 9.27, 0.59%, 0.59%

LAB 57.5, 39.2, 29.39

 

CMYK 0 / 45 / 53 / 10

HEX #E57E6C

RGB 229 126 108

HSL 8.93, 0.7%, 0.66%

LAB 63.89, 37.95, 27.46

 

CMYK 0 / 41 / 48 / 4

HEX #F6907F

RGB 246 144 127

HSL 8.57, 0.87%, 0.73%

LAB 70.23, 36.78, 25.75

 

CMYK 0 / 36 / 43 / 0

HEX #FFA292

RGB 255 162 146

HSL 8.81, 1%, 0.79%

LAB 75.56, 32.7, 22.77

 

CMYK 0 / 53 / 61 / 25

HEX #BE5A4B

RGB 190 90 75

HSL 7.83, 0.47%, 0.52%

LAB 50.41, 38.98, 27.71

 

CMYK 0 / 58 / 68 / 32

HEX #AD4838

RGB 173 72 56

HSL 8.21, 0.51%, 0.45%

LAB 43.95, 40.29, 30.17

 

CMYK 0 / 65 / 76 / 39

HEX #9C3625

RGB 156 54 37

HSL 8.57, 0.62%, 0.38%

LAB 37.55, 41.53, 33.02

 

CMYK 0 / 74 / 87 / 45

HEX #8B2412

RGB 139 36 18

HSL 8.93, 0.77%, 0.31%

LAB 31.33, 42.46, 36.09

 

CMYK 0 / 85 / 100 / 52

HEX #7A1200

RGB 122 18 0

HSL 8.85, 1%, 0.24%

LAB 25.47, 42.55, 37.52

 

CMYK 0 / 53 / 61 / 25

HEX #BE5A4B

RGB 190 90 75

HSL 7.83, 0.47%, 0.52%

LAB 50.41, 38.98, 27.71

 

CMYK 0 / 61 / 61 / 25

HEX #BE4B4B

RGB 190 75 75

HSL 0, 0.47%, 0.52%

LAB 47.61, 46.28, 24.12

 

CMYK 0 / 53 / 61 / 25

HEX #BE5A4B

RGB 190 90 75

HSL 7.83, 0.47%, 0.52%

LAB 50.41, 38.98, 27.71

 

CMYK 0 / 36 / 61 / 25

HEX #BE794B

RGB 190 121 75

HSL 24, 0.47%, 0.52%

LAB 57.2, 22.4, 36.09

 

CMYK 0 / 20 / 61 / 25

HEX #BE984B

RGB 190 152 75

HSL 40.17, 0.47%, 0.52%

LAB 64.89, 5.33, 45.14

 

CMYK 0 / 4 / 61 / 25

HEX #BEB74B

RGB 190 183 75

HSL 56.35, 0.47%, 0.52%

LAB 73.1, -11.13, 54.33

 

CMYK 13 / 0 / 61 / 25

HEX #A6BE4B

RGB 166 190 75

HSL 72.52, 0.47%, 0.52%

LAB 73.18, -24.63, 53.88

 

CMYK 0 / 53 / 61 / 25

HEX #BE5A4B

RGB 190 90 75

HSL 7.83, 0.47%, 0.52%

LAB 50.41, 38.98, 27.71

 

CMYK 0 / 64 / 74 / 18

HEX #D14B37

RGB 209 75 55

HSL 7.79, 0.63%, 0.52%

LAB 50.53, 51.78, 39.88

 

CMYK 0 / 74 / 85 / 10

HEX #E53C23

RGB 229 60 35

HSL 7.73, 0.79%, 0.52%

LAB 51.85, 63.29, 52.5

 

CMYK 0 / 82 / 94 / 2

HEX #F92E0F

RGB 249 46 15

HSL 7.95, 0.95%, 0.52%

LAB 54.16, 72.67, 63.32

 

CMYK 0 / 53 / 61 / 25

HEX #BE5A4B

RGB 190 90 75

HSL 7.83, 0.47%, 0.52%

LAB 50.41, 38.98, 27.71

 

CMYK 0 / 39 / 45 / 33

HEX #AA685E

RGB 170 104 94

HSL 7.89, 0.31%, 0.52%

LAB 50.98, 25.31, 16.84

 

CMYK 0 / 21 / 24 / 41

HEX #967772

RGB 150 119 114

HSL 8.33, 0.15%, 0.52%

LAB 52.83, 11.29, 7.34

 

CMYK 3 / 1 / 0 / 47

HEX #828586

RGB 130 133 134

HSL 195, 0.02%, 0.52%

LAB 55.32, -0.9, -0.93

 

CMYK 29 / 4 / 0 / 40

HEX #6E949A

RGB 110 148 154

HSL 188.18, 0.18%, 0.52%

LAB 58.81, -11.56, -7.42

 

CMYK 0 / 61 / 35 / 25

HEX #BE4B7B

RGB 190 75 123

HSL 334.96, 0.47%, 0.52%

LAB 48.77, 50.81, -3.25

 

CMYK 0 / 61 / 52 / 25

HEX #BE4B5C

RGB 190 75 92

HSL 351.13, 0.47%, 0.52%

LAB 47.95, 47.62, 14.35

 

CMYK 0 / 54 / 61 / 25

HEX #BE584B

RGB 190 88 75

HSL 6.78, 0.47%, 0.52%

LAB 50.02, 39.99, 27.21

 

CMYK 0 / 37 / 61 / 25

HEX #BE774B

RGB 190 119 75

HSL 22.96, 0.47%, 0.52%

LAB 56.73, 23.5, 35.53

 

CMYK 0 / 22 / 61 / 25

HEX #BE954B

RGB 190 149 75

HSL 38.61, 0.47%, 0.52%

LAB 64.12, 6.97, 44.25

 

CMYK 0 / 56 / 64 / 47

HEX #863B30

RGB 134 59 48

HSL 7.67, 0.47%, 0.36%

LAB 34.82, 31.28, 22.32

 

CMYK 0 / 55 / 64 / 36

HEX #A4493B

RGB 164 73 59

HSL 8, 0.47%, 0.44%

LAB 42.72, 36.55, 26.57

 

CMYK 0 / 53 / 61 / 25

HEX #BE5A4B

RGB 190 90 75

HSL 7.83, 0.47%, 0.52%

LAB 50.41, 38.98, 27.71

 

CMYK 0 / 42 / 48 / 21

HEX #C97569

RGB 201 117 105

HSL 7.5, 0.47%, 0.6%

LAB 58.19, 31.64, 20.91

 

CMYK 0 / 31 / 36 / 17

HEX #D39187

RGB 211 145 135

HSL 7.89, 0.46%, 0.68%

LAB 66.4, 23.71, 15.41

 

CMYK 0 / 53 / 61 / 25

HEX #BE5A4B

RGB 190 90 75

HSL 7.83, 0.47%, 0.52%

LAB 50.41, 38.98, 27.71

 

CMYK 19 / 0 / 61 / 25

HEX #99BE4B

RGB 153 190 75

HSL 79.3, 0.47%, 0.52%

LAB 72.3, -29.82, 52.66

 

CMYK 61 / 44 / 0 / 25

HEX #4B6BBE

RGB 75 107 190

HSL 223.3, 0.47%, 0.52%

LAB 46.62, 14.3, -47.19

 

CMYK 0 / 53 / 61 / 25

HEX #BE5A4B

RGB 190 90 75

HSL 7.83, 0.47%, 0.52%

LAB 50.41, 38.98, 27.71

 

CMYK 61 / 0 / 54 / 25

HEX #4BBE58

RGB 75 190 88

HSL 126.78, 0.47%, 0.52%

LAB 68.77, -53.47, 41.62

 

CMYK 54 / 61 / 0 / 25

HEX #584BBE

RGB 88 75 190

HSL 246.78, 0.47%, 0.52%

LAB 39.28, 36.83, -58.95

 

CMYK 0 / 53 / 61 / 25

HEX #BE5A4B

RGB 190 90 75

HSL 7.83, 0.47%, 0.52%

LAB 50.41, 38.98, 27.71

 

CMYK 19 / 0 / 61 / 25

HEX #99BE4B

RGB 153 190 75

HSL 79.3, 0.47%, 0.52%

LAB 72.3, -29.82, 52.66

 

CMYK 61 / 7 / 0 / 25

HEX #4BB0BE

RGB 75 176 190

HSL 187.3, 0.47%, 0.52%

LAB 66.72, -24.97, -15.93

 

CMYK 42 / 61 / 0 / 25

HEX #6F4BBE

RGB 111 75 190

HSL 258.78, 0.47%, 0.52%

LAB 41.42, 41.56, -55.39

 

CMYK 0 / 53 / 61 / 25

HEX #BE5A4B

RGB 190 90 75

HSL 7.83, 0.47%, 0.52%

LAB 50.41, 38.98, 27.71

 

CMYK 37 / 0 / 61 / 25

HEX #77BE4B

RGB 119 190 75

HSL 97.04, 0.47%, 0.52%

LAB 70.36, -42.36, 49.95

 

CMYK 61 / 7 / 0 / 25

HEX #4BB0BE

RGB 75 176 190

HSL 187.3, 0.47%, 0.52%

LAB 66.72, -24.97, -15.93

 

CMYK 23 / 61 / 0 / 25

HEX #924BBE

RGB 146 75 190

HSL 277.04, 0.47%, 0.52%

LAB 45.44, 49.71, -48.71

 

Description

Color code: HEX #BE5A4B | qconv.com Color code: HEX #BE5A4B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 90 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 90 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 61 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 61% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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