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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE5D70 it is the complementary color #41A28F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE5D70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE5D70 shade: #C35D6B, #D46F7E, #E58191, #F693A4 and #FFA5B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE5D70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE5D70 shade: #BE5D70, #AD4B5D, #9C394A, #8B2737 and #7A1524

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE5D70 shade: #BD5A6E and #BD5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE5D70 shade: #BD5A6E, #BD5A88, #BD5AA3, #BD5ABD and #A25ABD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE5D70 shade matches the following richer shades: #BD5A6E, #D04862, #E23557 and #F5234C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE5D70 shade: #BD5A6E, #AB6D79, #988084, #859290 and #73A59B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE5D70 shade: #BD5AA3, #BD5A88, #BD5A6E, #BD615A and #BD7B5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE5D70 shade: #8D3849, #AB4458, #BD5A6E, #C97888 and #D595A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE5D70 shade: #BE5D70, #BDBD5A and #5A96BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE5D70 shade: #BE5D70, #6EBD5A and #5A6EBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE5D70 shade: #BE5D70, #BDBD5A, #5ABDA9 and #5A5ABD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE5D70 shade: #BE5D70, #9FBD5A, #5ABDA9 and #785ABD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 41 / 25

HEX #BE5D70

RGB 190 93 112

HSL 348.25, 0.43%, 0.55%

LAB 51.78, 40.85, 7.7

 

Complementary color

CMYK 60 / 0 / 12 / 36

HEX #41A28F

RGB 65 162 143

HSL 168.25, 0.43%, 0.45%

LAB 60.74, -33.07, 1.42

 

CMYK 0 / 52 / 45 / 24

HEX #C35D6B

RGB 195 93 107

HSL 351.76, 0.46%, 0.56%

LAB 52.39, 42.11, 11.65

 

CMYK 0 / 48 / 41 / 17

HEX #D46F7E

RGB 212 111 126

HSL 351.09, 0.54%, 0.63%

LAB 58.86, 41.11, 9.96

 

CMYK 0 / 44 / 37 / 10

HEX #E58191

RGB 229 129 145

HSL 350.4, 0.66%, 0.7%

LAB 65.28, 40.14, 8.51

 

CMYK 0 / 40 / 33 / 4

HEX #F693A4

RGB 246 147 164

HSL 349.7, 0.85%, 0.77%

LAB 71.65, 39.21, 7.24

 

CMYK 0 / 35 / 28 / 0

HEX #FFA5B7

RGB 255 165 183

HSL 348, 1%, 0.82%

LAB 77.03, 35.5, 4.65

 

CMYK 0 / 51 / 41 / 25

HEX #BE5D70

RGB 190 93 112

HSL 348.25, 0.43%, 0.55%

LAB 51.78, 40.85, 7.7

 

CMYK 0 / 57 / 46 / 32

HEX #AD4B5D

RGB 173 75 93

HSL 348.98, 0.4%, 0.49%

LAB 45.23, 41.79, 9.55

 

CMYK 0 / 63 / 53 / 39

HEX #9C394A

RGB 156 57 74

HSL 349.7, 0.46%, 0.42%

LAB 38.71, 42.61, 11.83

 

CMYK 0 / 72 / 60 / 45

HEX #8B2737

RGB 139 39 55

HSL 350.4, 0.56%, 0.35%

LAB 32.29, 43.11, 14.78

 

CMYK 0 / 83 / 70 / 52

HEX #7A1524

RGB 122 21 36

HSL 351.09, 0.71%, 0.28%

LAB 26.16, 42.85, 18.7

 

CMYK 0 / 52 / 42 / 26

HEX #BD5A6E

RGB 189 90 110

HSL 347.88, 0.43%, 0.55%

LAB 50.99, 41.79, 7.75

 

CMYK 0 / 52 / 52 / 26

HEX #BD5A5A

RGB 189 90 90

HSL 0, 0.43%, 0.55%

LAB 50.53, 39.81, 19.04

 

CMYK 0 / 52 / 42 / 26

HEX #BD5A6E

RGB 189 90 110

HSL 347.88, 0.43%, 0.55%

LAB 50.99, 41.79, 7.75

 

CMYK 0 / 52 / 28 / 26

HEX #BD5A88

RGB 189 90 136

HSL 332.12, 0.43%, 0.55%

LAB 51.73, 44.98, -6.66

 

CMYK 0 / 52 / 14 / 26

HEX #BD5AA3

RGB 189 90 163

HSL 315.76, 0.43%, 0.55%

LAB 52.7, 48.98, -21.13

 

CMYK 0 / 52 / 0 / 26

HEX #BD5ABD

RGB 189 90 189

HSL 300, 0.43%, 0.55%

LAB 53.82, 53.39, -34.51

 

CMYK 14 / 52 / 0 / 26

HEX #A25ABD

RGB 162 90 189

HSL 283.64, 0.43%, 0.55%

LAB 50.3, 45.91, -40.29

 

CMYK 0 / 52 / 42 / 26

HEX #BD5A6E

RGB 189 90 110

HSL 347.88, 0.43%, 0.55%

LAB 50.99, 41.79, 7.75

 

CMYK 0 / 65 / 53 / 18

HEX #D04862

RGB 208 72 98

HSL 348.53, 0.59%, 0.55%

LAB 50.6, 55.37, 14.86

 

CMYK 0 / 77 / 62 / 11

HEX #E23557

RGB 226 53 87

HSL 348.21, 0.75%, 0.55%

LAB 51.16, 66.71, 22.78

 

CMYK 0 / 86 / 69 / 4

HEX #F5234C

RGB 245 35 76

HSL 348.29, 0.91%, 0.55%

LAB 53.1, 75.48, 32.56

 

CMYK 0 / 52 / 42 / 26

HEX #BD5A6E

RGB 189 90 110

HSL 347.88, 0.43%, 0.55%

LAB 50.99, 41.79, 7.75

 

CMYK 0 / 36 / 29 / 33

HEX #AB6D79

RGB 171 109 121

HSL 348.39, 0.27%, 0.55%

LAB 52.92, 26.3, 3.68

 

CMYK 0 / 16 / 13 / 40

HEX #988084

RGB 152 128 132

HSL 350, 0.1%, 0.55%

LAB 55.87, 9.87, 1.26

 

CMYK 9 / 0 / 1 / 43

HEX #859290

RGB 133 146 144

HSL 170.77, 0.06%, 0.55%

LAB 59.49, -5.08, -0.55

 

CMYK 30 / 0 / 6 / 35

HEX #73A59B

RGB 115 165 155

HSL 168, 0.22%, 0.55%

LAB 64.1, -18.84, -0.16

 

CMYK 0 / 52 / 14 / 26

HEX #BD5AA3

RGB 189 90 163

HSL 315.76, 0.43%, 0.55%

LAB 52.7, 48.98, -21.13

 

CMYK 0 / 52 / 28 / 26

HEX #BD5A88

RGB 189 90 136

HSL 332.12, 0.43%, 0.55%

LAB 51.73, 44.98, -6.66

 

CMYK 0 / 52 / 42 / 26

HEX #BD5A6E

RGB 189 90 110

HSL 347.88, 0.43%, 0.55%

LAB 50.99, 41.79, 7.75

 

CMYK 0 / 49 / 52 / 26

HEX #BD615A

RGB 189 97 90

HSL 4.24, 0.43%, 0.55%

LAB 51.96, 36.2, 20.95

 

CMYK 0 / 35 / 52 / 26

HEX #BD7B5A

RGB 189 123 90

HSL 20, 0.43%, 0.55%

LAB 57.77, 22.12, 28.56

 

CMYK 0 / 60 / 48 / 45

HEX #8D3849

RGB 141 56 73

HSL 348, 0.43%, 0.39%

LAB 35.93, 37.69, 8.22

 

CMYK 0 / 60 / 49 / 33

HEX #AB4458

RGB 171 68 88

HSL 348.35, 0.43%, 0.47%

LAB 43.5, 43.98, 10.15

 

CMYK 0 / 52 / 42 / 26

HEX #BD5A6E

RGB 189 90 110

HSL 347.88, 0.43%, 0.55%

LAB 50.99, 41.79, 7.75

 

CMYK 0 / 40 / 32 / 21

HEX #C97888

RGB 201 120 136

HSL 348.15, 0.43%, 0.63%

LAB 59.55, 33.57, 4.97

 

CMYK 0 / 30 / 24 / 16

HEX #D595A2

RGB 213 149 162

HSL 347.81, 0.43%, 0.71%

LAB 68.2, 25.91, 2.89

 

CMYK 0 / 51 / 41 / 25

HEX #BE5D70

RGB 190 93 112

HSL 348.25, 0.43%, 0.55%

LAB 51.78, 40.85, 7.7

 

CMYK 0 / 0 / 52 / 26

HEX #BDBD5A

RGB 189 189 90

HSL 60, 0.43%, 0.55%

LAB 74.79, -13.48, 49.34

 

CMYK 52 / 21 / 0 / 26

HEX #5A96BD

RGB 90 150 189

HSL 203.64, 0.43%, 0.55%

LAB 59.58, -8.4, -26.22

 

CMYK 0 / 51 / 41 / 25

HEX #BE5D70

RGB 190 93 112

HSL 348.25, 0.43%, 0.55%

LAB 51.78, 40.85, 7.7

 

CMYK 42 / 0 / 52 / 26

HEX #6EBD5A

RGB 110 189 90

HSL 107.88, 0.43%, 0.55%

LAB 69.79, -43.24, 42.18

 

CMYK 52 / 42 / 0 / 26

HEX #5A6EBD

RGB 90 110 189

HSL 227.88, 0.43%, 0.55%

LAB 48.26, 15.26, -43.94

 

CMYK 0 / 51 / 41 / 25

HEX #BE5D70

RGB 190 93 112

HSL 348.25, 0.43%, 0.55%

LAB 51.78, 40.85, 7.7

 

CMYK 0 / 0 / 52 / 26

HEX #BDBD5A

RGB 189 189 90

HSL 60, 0.43%, 0.55%

LAB 74.79, -13.48, 49.34

 

CMYK 52 / 0 / 11 / 26

HEX #5ABDA9

RGB 90 189 169

HSL 167.88, 0.43%, 0.55%

LAB 70.48, -33.93, 1.27

 

CMYK 52 / 52 / 0 / 26

HEX #5A5ABD

RGB 90 90 189

HSL 240, 0.43%, 0.55%

LAB 43, 27.71, -52.35

 

CMYK 0 / 51 / 41 / 25

HEX #BE5D70

RGB 190 93 112

HSL 348.25, 0.43%, 0.55%

LAB 51.78, 40.85, 7.7

 

CMYK 16 / 0 / 52 / 26

HEX #9FBD5A

RGB 159 189 90

HSL 78.18, 0.43%, 0.55%

LAB 72.56, -25.62, 46.17

 

CMYK 52 / 0 / 11 / 26

HEX #5ABDA9

RGB 90 189 169

HSL 167.88, 0.43%, 0.55%

LAB 70.48, -33.93, 1.27

 

CMYK 37 / 52 / 0 / 26

HEX #785ABD

RGB 120 90 189

HSL 258.18, 0.43%, 0.55%

LAB 45.61, 34.73, -48.03

 

Description

Color code: HEX #BE5D70 | qconv.com Color code: HEX #BE5D70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 93 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 93 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 41 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 41% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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