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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE5FC5 it is the complementary color #41A03A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE5FC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE5FC5 shade: #C35FC0, #D471D3, #E583E6, #F695F9 and #FFA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE5FC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE5FC5 shade: #BE5FC5, #AD4DB2, #9C3B9F, #8B298C and #7A1779

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE5FC5 shade: #BD5DC4, #C45DB0, #C45D94, #C45D78 and #C45D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE5FC5 shade: #BD5DC4, #A25DC4, #865DC4, #6A5DC4 and #5D5DC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE5FC5 shade matches the following richer shades: #BD5DC4, #CD4CD6, #DC3AE8 and #EB28FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE5FC5 shade: #BD5DC4, #AE6FB3, #9F81A1, #8F938F and #80A47D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE5FC5 shade: #855DC4, #A05DC4, #BC5DC4, #C45DB1 and #C45D96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE5FC5 shade: #923799, #AF42B7, #BD5DC4, #CA7CCF and #D69ADA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE5FC5 shade: #BE5FC5, #C4695D and #5DC493

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE5FC5 shade: #BE5FC5, #C4BC5D and #5DC4BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE5FC5 shade: #BE5FC5, #C4695D, #66C45D and #5DB8C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE5FC5 shade: #BE5FC5, #C4885D, #66C45D and #5D99C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 52 / 0 / 23

HEX #BE5FC5

RGB 190 95 197

HSL 295.88, 0.47%, 0.57%

LAB 55.24, 52.69, -36.87

 

Complementary color

CMYK 59 / 0 / 64 / 37

HEX #41A03A

RGB 65 160 58

HSL 115.88, 0.47%, 0.43%

LAB 58.58, -48.19, 43.73

 

CMYK 0 / 51 / 2 / 24

HEX #C35FC0

RGB 195 95 192

HSL 301.8, 0.45%, 0.57%

LAB 55.68, 53.19, -33.27

 

CMYK 0 / 47 / 0 / 17

HEX #D471D3

RGB 212 113 211

HSL 300.61, 0.54%, 0.64%

LAB 62.09, 52.56, -33.89

 

CMYK 0 / 43 / 0 / 10

HEX #E583E6

RGB 229 131 230

HSL 299.39, 0.66%, 0.71%

LAB 68.46, 51.86, -34.42

 

CMYK 1 / 40 / 0 / 2

HEX #F695F9

RGB 246 149 249

HSL 298.2, 0.89%, 0.78%

LAB 74.78, 51.14, -34.86

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 4 / 52 / 0 / 23

HEX #BE5FC5

RGB 190 95 197

HSL 295.88, 0.47%, 0.57%

LAB 55.24, 52.69, -36.87

 

CMYK 3 / 57 / 0 / 30

HEX #AD4DB2

RGB 173 77 178

HSL 297.03, 0.4%, 0.5%

LAB 48.77, 53.22, -36.2

 

CMYK 2 / 63 / 0 / 38

HEX #9C3B9F

RGB 156 59 159

HSL 298.2, 0.46%, 0.43%

LAB 42.31, 53.48, -35.31

 

CMYK 1 / 71 / 0 / 45

HEX #8B298C

RGB 139 41 140

HSL 299.39, 0.55%, 0.35%

LAB 35.92, 53.27, -34.06

 

CMYK 0 / 81 / 1 / 52

HEX #7A1779

RGB 122 23 121

HSL 300.61, 0.68%, 0.28%

LAB 29.74, 52.16, -32.21

 

CMYK 4 / 53 / 0 / 23

HEX #BD5DC4

RGB 189 93 196

HSL 295.92, 0.47%, 0.57%

LAB 54.69, 53.21, -37.16

 

CMYK 0 / 53 / 10 / 23

HEX #C45DB0

RGB 196 93 176

HSL 311.65, 0.47%, 0.57%

LAB 54.76, 51.72, -25.45

 

CMYK 0 / 53 / 24 / 23

HEX #C45D94

RGB 196 93 148

HSL 327.96, 0.47%, 0.57%

LAB 53.71, 47.45, -10.7

 

CMYK 0 / 53 / 39 / 23

HEX #C45D78

RGB 196 93 120

HSL 344.27, 0.47%, 0.57%

LAB 52.86, 43.87, 4.62

 

CMYK 0 / 53 / 53 / 23

HEX #C45D5D

RGB 196 93 93

HSL 0, 0.47%, 0.57%

LAB 52.24, 41.15, 19.74

 

CMYK 4 / 53 / 0 / 23

HEX #BD5DC4

RGB 189 93 196

HSL 295.92, 0.47%, 0.57%

LAB 54.69, 53.21, -37.16

 

CMYK 17 / 53 / 0 / 23

HEX #A25DC4

RGB 162 93 196

HSL 280.19, 0.47%, 0.57%

LAB 51.26, 45.82, -42.8

 

CMYK 32 / 53 / 0 / 23

HEX #865DC4

RGB 134 93 196

HSL 263.88, 0.47%, 0.57%

LAB 48.11, 38.41, -48

 

CMYK 46 / 53 / 0 / 23

HEX #6A5DC4

RGB 106 93 196

HSL 247.57, 0.47%, 0.57%

LAB 45.47, 31.57, -52.38

 

CMYK 53 / 53 / 0 / 23

HEX #5D5DC4

RGB 93 93 196

HSL 240, 0.47%, 0.57%

LAB 44.44, 28.71, -54.1

 

CMYK 4 / 53 / 0 / 23

HEX #BD5DC4

RGB 189 93 196

HSL 295.92, 0.47%, 0.57%

LAB 54.69, 53.21, -37.16

 

CMYK 4 / 64 / 0 / 16

HEX #CD4CD6

RGB 205 76 214

HSL 296.09, 0.63%, 0.57%

LAB 55.08, 68.02, -46.68

 

CMYK 5 / 75 / 0 / 9

HEX #DC3AE8

RGB 220 58 232

HSL 295.86, 0.79%, 0.57%

LAB 56.16, 80.39, -54.99

 

CMYK 6 / 84 / 0 / 2

HEX #EB28FA

RGB 235 40 250

HSL 295.71, 0.95%, 0.57%

LAB 58.11, 90.2, -61.79

 

CMYK 4 / 53 / 0 / 23

HEX #BD5DC4

RGB 189 93 196

HSL 295.92, 0.47%, 0.57%

LAB 54.69, 53.21, -37.16

 

CMYK 3 / 38 / 0 / 30

HEX #AE6FB3

RGB 174 111 179

HSL 295.59, 0.31%, 0.57%

LAB 55.71, 36.11, -25.96

 

CMYK 1 / 20 / 0 / 37

HEX #9F81A1

RGB 159 129 161

HSL 296.25, 0.15%, 0.57%

LAB 57.7, 17.31, -12.7

 

CMYK 3 / 0 / 3 / 42

HEX #8F938F

RGB 143 147 143

HSL 120, 0.02%, 0.57%

LAB 60.51, -2.23, 1.6

 

CMYK 22 / 0 / 24 / 36

HEX #80A47D

RGB 128 164 125

HSL 115.38, 0.18%, 0.57%

LAB 63.85, -20.12, 16.31

 

CMYK 32 / 53 / 0 / 23

HEX #855DC4

RGB 133 93 196

HSL 263.3, 0.47%, 0.57%

LAB 48.01, 38.15, -48.17

 

CMYK 18 / 53 / 0 / 23

HEX #A05DC4

RGB 160 93 196

HSL 279.03, 0.47%, 0.57%

LAB 51.02, 45.28, -43.19

 

CMYK 4 / 53 / 0 / 23

HEX #BC5DC4

RGB 188 93 196

HSL 295.34, 0.47%, 0.57%

LAB 54.56, 52.94, -37.38

 

CMYK 0 / 53 / 10 / 23

HEX #C45DB1

RGB 196 93 177

HSL 311.07, 0.47%, 0.57%

LAB 54.8, 51.88, -25.97

 

CMYK 0 / 53 / 23 / 23

HEX #C45D96

RGB 196 93 150

HSL 326.8, 0.47%, 0.57%

LAB 53.78, 47.73, -11.77

 

CMYK 5 / 64 / 0 / 40

HEX #923799

RGB 146 55 153

HSL 295.71, 0.47%, 0.41%

LAB 39.82, 51.59, -35.74

 

CMYK 4 / 64 / 0 / 28

HEX #AF42B7

RGB 175 66 183

HSL 295.9, 0.47%, 0.49%

LAB 47.53, 59.53, -41.06

 

CMYK 4 / 53 / 0 / 23

HEX #BD5DC4

RGB 189 93 196

HSL 295.92, 0.47%, 0.57%

LAB 54.69, 53.21, -37.16

 

CMYK 2 / 40 / 0 / 19

HEX #CA7CCF

RGB 202 124 207

HSL 296.39, 0.46%, 0.65%

LAB 62.91, 43.2, -30.48

 

CMYK 2 / 29 / 0 / 15

HEX #D69ADA

RGB 214 154 218

HSL 296.25, 0.46%, 0.73%

LAB 71.19, 32.95, -23.74

 

CMYK 4 / 52 / 0 / 23

HEX #BE5FC5

RGB 190 95 197

HSL 295.88, 0.47%, 0.57%

LAB 55.24, 52.69, -36.87

 

CMYK 0 / 46 / 53 / 23

HEX #C4695D

RGB 196 105 93

HSL 6.99, 0.47%, 0.57%

LAB 54.69, 34.95, 23.01

 

CMYK 53 / 0 / 25 / 23

HEX #5DC493

RGB 93 196 147

HSL 151.46, 0.47%, 0.57%

LAB 72.17, -41.44, 15.64

 

CMYK 4 / 52 / 0 / 23

HEX #BE5FC5

RGB 190 95 197

HSL 295.88, 0.47%, 0.57%

LAB 55.24, 52.69, -36.87

 

CMYK 0 / 4 / 53 / 23

HEX #C4BC5D

RGB 196 188 93

HSL 55.34, 0.47%, 0.57%

LAB 75.13, -9.81, 48.46

 

CMYK 53 / 0 / 4 / 23

HEX #5DC4BC

RGB 93 196 188

HSL 175.34, 0.47%, 0.57%

LAB 73.18, -31.8, -5.13

 

CMYK 4 / 52 / 0 / 23

HEX #BE5FC5

RGB 190 95 197

HSL 295.88, 0.47%, 0.57%

LAB 55.24, 52.69, -36.87

 

CMYK 0 / 46 / 53 / 23

HEX #C4695D

RGB 196 105 93

HSL 6.99, 0.47%, 0.57%

LAB 54.69, 34.95, 23.01

 

CMYK 48 / 0 / 53 / 23

HEX #66C45D

RGB 102 196 93

HSL 114.76, 0.47%, 0.57%

LAB 71.62, -48.2, 42.87

 

CMYK 53 / 6 / 0 / 23

HEX #5DB8C4

RGB 93 184 196

HSL 186.99, 0.47%, 0.57%

LAB 69.89, -23.77, -14.41

 

CMYK 4 / 52 / 0 / 23

HEX #BE5FC5

RGB 190 95 197

HSL 295.88, 0.47%, 0.57%

LAB 55.24, 52.69, -36.87

 

CMYK 0 / 31 / 53 / 23

HEX #C4885D

RGB 196 136 93

HSL 25.05, 0.47%, 0.57%

LAB 61.77, 18.13, 32.18

 

CMYK 48 / 0 / 53 / 23

HEX #66C45D

RGB 102 196 93

HSL 114.76, 0.47%, 0.57%

LAB 71.62, -48.2, 42.87

 

CMYK 53 / 22 / 0 / 23

HEX #5D99C4

RGB 93 153 196

HSL 205.05, 0.47%, 0.57%

LAB 60.87, -7.29, -28.17

 

Description

Color code: HEX #BE5FC5 | qconv.com Color code: HEX #BE5FC5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 95 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 95 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 52 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 52% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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