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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE606F it is the complementary color #419F90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE606F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE606F shade: #C3606A, #D4727D, #E58490, #F696A3 and #FFA8B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE606F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE606F shade: #BE606F, #AD4E5C, #9C3C49, #8B2A36 and #7A1823

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE606F shade: #BD5F6E and #BD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE606F shade: #BD5F6E, #BD5F88, #BD5FA1, #BD5FBA and #A75FBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE606F shade matches the following richer shades: #BD5F6E, #D04D62, #E23B55 and #F42949

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE606F shade: #BD5F6E, #AB717B, #998387, #879693 and #75A8A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE606F shade: #BD5FA1, #BD5F88, #BD5F6F, #BD695F and #BD825F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE606F shade: #903A48, #AD4657, #BD5F6E, #C97C89 and #D59AA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE606F shade: #BE606F, #BABD5F and #5F95BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE606F shade: #BE606F, #6FBD5F and #5F6FBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE606F shade: #BE606F, #BABD5F, #5FBDAE and #625FBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE606F shade: #BE606F, #9EBD5F, #5FBDAE and #7F5FBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 42 / 25

HEX #BE606F

RGB 190 96 111

HSL 350.43, 0.42%, 0.56%

LAB 52.35, 39.2, 9.12

 

Complementary color

CMYK 59 / 0 / 9 / 38

HEX #419F90

RGB 65 159 144

HSL 170.43, 0.42%, 0.44%

LAB 59.83, -31.39, -0.47

 

CMYK 0 / 51 / 46 / 24

HEX #C3606A

RGB 195 96 106

HSL 353.94, 0.45%, 0.57%

LAB 52.96, 40.49, 13.03

 

CMYK 0 / 46 / 41 / 17

HEX #D4727D

RGB 212 114 125

HSL 353.27, 0.53%, 0.64%

LAB 59.45, 39.46, 11.37

 

CMYK 0 / 42 / 37 / 10

HEX #E58490

RGB 229 132 144

HSL 352.58, 0.65%, 0.71%

LAB 65.88, 38.47, 9.93

 

CMYK 0 / 39 / 34 / 4

HEX #F696A3

RGB 246 150 163

HSL 351.88, 0.84%, 0.78%

LAB 72.26, 37.53, 8.67

 

CMYK 0 / 34 / 29 / 0

HEX #FFA8B6

RGB 255 168 182

HSL 350.34, 1%, 0.83%

LAB 77.66, 33.81, 6.11

 

CMYK 0 / 49 / 42 / 25

HEX #BE606F

RGB 190 96 111

HSL 350.43, 0.42%, 0.56%

LAB 52.35, 39.2, 9.12

 

CMYK 0 / 55 / 47 / 32

HEX #AD4E5C

RGB 173 78 92

HSL 351.16, 0.38%, 0.49%

LAB 45.78, 40.19, 10.93

 

CMYK 0 / 62 / 53 / 39

HEX #9C3C49

RGB 156 60 73

HSL 351.88, 0.44%, 0.42%

LAB 39.21, 41.12, 13.16

 

CMYK 0 / 70 / 61 / 45

HEX #8B2A36

RGB 139 42 54

HSL 352.58, 0.54%, 0.35%

LAB 32.73, 41.79, 16

 

CMYK 0 / 80 / 71 / 52

HEX #7A1823

RGB 122 24 35

HSL 353.27, 0.67%, 0.29%

LAB 26.48, 41.84, 19.76

 

CMYK 0 / 50 / 42 / 26

HEX #BD5F6E

RGB 189 95 110

HSL 350.43, 0.42%, 0.56%

LAB 51.98, 39.24, 9.17

 

CMYK 0 / 50 / 50 / 26

HEX #BD5F5F

RGB 189 95 95

HSL 0, 0.42%, 0.56%

LAB 51.64, 37.7, 17.58

 

CMYK 0 / 50 / 42 / 26

HEX #BD5F6E

RGB 189 95 110

HSL 350.43, 0.42%, 0.56%

LAB 51.98, 39.24, 9.17

 

CMYK 0 / 50 / 28 / 26

HEX #BD5F88

RGB 189 95 136

HSL 333.83, 0.42%, 0.56%

LAB 52.71, 42.46, -5.21

 

CMYK 0 / 50 / 15 / 26

HEX #BD5FA1

RGB 189 95 161

HSL 317.87, 0.42%, 0.56%

LAB 53.57, 46.17, -18.62

 

CMYK 0 / 50 / 2 / 26

HEX #BD5FBA

RGB 189 95 186

HSL 301.91, 0.42%, 0.56%

LAB 54.6, 50.4, -31.55

 

CMYK 12 / 50 / 0 / 26

HEX #A75FBD

RGB 167 95 189

HSL 285.96, 0.42%, 0.56%

LAB 51.92, 44.67, -37.69

 

CMYK 0 / 50 / 42 / 26

HEX #BD5F6E

RGB 189 95 110

HSL 350.43, 0.42%, 0.56%

LAB 51.98, 39.24, 9.17

 

CMYK 0 / 63 / 53 / 18

HEX #D04D62

RGB 208 77 98

HSL 350.38, 0.58%, 0.56%

LAB 51.38, 53.26, 15.93

 

CMYK 0 / 74 / 62 / 11

HEX #E23B55

RGB 226 59 85

HSL 350.66, 0.74%, 0.56%

LAB 51.78, 64.73, 24.79

 

CMYK 0 / 83 / 70 / 4

HEX #F42949

RGB 244 41 73

HSL 350.54, 0.9%, 0.56%

LAB 53.28, 73.9, 34.49

 

CMYK 0 / 50 / 42 / 26

HEX #BD5F6E

RGB 189 95 110

HSL 350.43, 0.42%, 0.56%

LAB 51.98, 39.24, 9.17

 

CMYK 0 / 34 / 28 / 33

HEX #AB717B

RGB 171 113 123

HSL 349.66, 0.26%, 0.56%

LAB 53.92, 24.34, 3.94

 

CMYK 0 / 14 / 12 / 40

HEX #998387

RGB 153 131 135

HSL 349.09, 0.1%, 0.56%

LAB 56.84, 9.07, 0.95

 

CMYK 10 / 0 / 2 / 41

HEX #879693

RGB 135 150 147

HSL 168, 0.07%, 0.56%

LAB 60.84, -5.96, -0.26

 

CMYK 30 / 0 / 5 / 34

HEX #75A8A0

RGB 117 168 160

HSL 170.59, 0.23%, 0.56%

LAB 65.22, -18.65, -1.3

 

CMYK 0 / 50 / 15 / 26

HEX #BD5FA1

RGB 189 95 161

HSL 317.87, 0.42%, 0.56%

LAB 53.57, 46.17, -18.62

 

CMYK 0 / 50 / 28 / 26

HEX #BD5F88

RGB 189 95 136

HSL 333.83, 0.42%, 0.56%

LAB 52.71, 42.46, -5.21

 

CMYK 0 / 50 / 41 / 26

HEX #BD5F6F

RGB 189 95 111

HSL 349.79, 0.42%, 0.56%

LAB 52.01, 39.35, 8.61

 

CMYK 0 / 44 / 50 / 26

HEX #BD695F

RGB 189 105 95

HSL 6.38, 0.42%, 0.56%

LAB 53.76, 32.42, 20.44

 

CMYK 0 / 31 / 50 / 26

HEX #BD825F

RGB 189 130 95

HSL 22.34, 0.42%, 0.56%

LAB 59.54, 18.72, 28.05

 

CMYK 0 / 60 / 50 / 44

HEX #903A48

RGB 144 58 72

HSL 350.23, 0.43%, 0.4%

LAB 36.79, 37.68, 10.13

 

CMYK 0 / 60 / 50 / 32

HEX #AD4657

RGB 173 70 87

HSL 350.1, 0.42%, 0.48%

LAB 44.16, 43.63, 11.74

 

CMYK 0 / 50 / 42 / 26

HEX #BD5F6E

RGB 189 95 110

HSL 350.43, 0.42%, 0.56%

LAB 51.98, 39.24, 9.17

 

CMYK 0 / 38 / 32 / 21

HEX #C97C89

RGB 201 124 137

HSL 349.87, 0.42%, 0.64%

LAB 60.46, 31.55, 5.7

 

CMYK 0 / 28 / 23 / 16

HEX #D59AA3

RGB 213 154 163

HSL 350.85, 0.41%, 0.72%

LAB 69.4, 23.34, 4.06

 

CMYK 0 / 49 / 42 / 25

HEX #BE606F

RGB 190 96 111

HSL 350.43, 0.42%, 0.56%

LAB 52.35, 39.2, 9.12

 

CMYK 2 / 0 / 50 / 26

HEX #BABD5F

RGB 186 189 95

HSL 61.91, 0.42%, 0.56%

LAB 74.61, -14.27, 46.68

 

CMYK 50 / 21 / 0 / 26

HEX #5F95BD

RGB 95 149 189

HSL 205.53, 0.42%, 0.56%

LAB 59.53, -6.68, -26.28

 

CMYK 0 / 49 / 42 / 25

HEX #BE606F

RGB 190 96 111

HSL 350.43, 0.42%, 0.56%

LAB 52.35, 39.2, 9.12

 

CMYK 41 / 0 / 50 / 26

HEX #6FBD5F

RGB 111 189 95

HSL 109.79, 0.42%, 0.56%

LAB 69.9, -42.29, 39.88

 

CMYK 50 / 41 / 0 / 26

HEX #5F6FBD

RGB 95 111 189

HSL 229.79, 0.42%, 0.56%

LAB 48.85, 15.8, -42.98

 

CMYK 0 / 49 / 42 / 25

HEX #BE606F

RGB 190 96 111

HSL 350.43, 0.42%, 0.56%

LAB 52.35, 39.2, 9.12

 

CMYK 2 / 0 / 50 / 26

HEX #BABD5F

RGB 186 189 95

HSL 61.91, 0.42%, 0.56%

LAB 74.61, -14.27, 46.68

 

CMYK 50 / 0 / 8 / 26

HEX #5FBDAE

RGB 95 189 174

HSL 170.43, 0.42%, 0.56%

LAB 70.79, -31.57, -0.99

 

CMYK 48 / 50 / 0 / 26

HEX #625FBD

RGB 98 95 189

HSL 241.91, 0.42%, 0.56%

LAB 44.88, 26.39, -49.3

 

CMYK 0 / 49 / 42 / 25

HEX #BE606F

RGB 190 96 111

HSL 350.43, 0.42%, 0.56%

LAB 52.35, 39.2, 9.12

 

CMYK 16 / 0 / 50 / 26

HEX #9EBD5F

RGB 158 189 95

HSL 79.79, 0.42%, 0.56%

LAB 72.56, -25.51, 43.73

 

CMYK 50 / 0 / 8 / 26

HEX #5FBDAE

RGB 95 189 174

HSL 170.43, 0.42%, 0.56%

LAB 70.79, -31.57, -0.99

 

CMYK 33 / 50 / 0 / 26

HEX #7F5FBD

RGB 127 95 189

HSL 260.43, 0.42%, 0.56%

LAB 47.46, 33.61, -45.04

 

Description

Color code: HEX #BE606F | qconv.com Color code: HEX #BE606F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 96 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 96 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 42 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 42% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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