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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE60EC it is the complementary color #419F13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE60EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE60EC shade: #C360E7, #D472FA, #E584FF, #F696FF and #FFA8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE60EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE60EC shade: #BE60EC, #AD4ED9, #9C3CC6, #8B2AB3 and #7A18A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE60EC shade: #BD5FEC, #E35FEC, #EC5FCE, #EC5FA8 and #EC5F82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE60EC shade: #BD5FEC, #975FEC, #715FEC and #5F5FEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE60EC shade matches the following richer shades: #BD5FEC and #C250FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE60EC shade: #BD5FEC, #B86DDD, #B47CCF, #AF8AC0 and #AA99B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE60EC shade: #725FEC, #975FEC, #BD5FEC, #E25FEC and #EC5FD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE60EC shade: #9E1ADE, #AE3AE7, #BD5FEC, #CC84F0 and #DCA9F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE60EC shade: #BE60EC, #EC5F72 and #5FEC84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE60EC shade: #BE60EC, #ECBD5F and #5FECBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE60EC shade: #BE60EC, #EC5F72, #8EEC5F and #5FECD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE60EC shade: #BE60EC, #EC765F, #8EEC5F and #5FD4EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 59 / 0 / 7

HEX #BE60EC

RGB 190 96 236

HSL 280.29, 0.79%, 0.65%

LAB 57.43, 59.91, -55.44

 

Complementary color

CMYK 59 / 0 / 88 / 38

HEX #419F13

RGB 65 159 19

HSL 100.29, 0.79%, 0.35%

LAB 58.01, -50.63, 56.68

 

CMYK 16 / 58 / 0 / 9

HEX #C360E7

RGB 195 96 231

HSL 284, 0.74%, 0.64%

LAB 57.79, 60.09, -52.04

 

CMYK 15 / 54 / 0 / 2

HEX #D472FA

RGB 212 114 250

HSL 283.24, 0.93%, 0.71%

LAB 64.11, 59.48, -52.42

 

CMYK 10 / 48 / 0 / 0

HEX #E584FF

RGB 229 132 255

HSL 287.32, 1%, 0.76%

LAB 69.74, 56.02, -46.13

 

CMYK 4 / 41 / 0 / 0

HEX #F696FF

RGB 246 150 255

HSL 294.86, 1%, 0.79%

LAB 75.22, 51.73, -37.43

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 19 / 59 / 0 / 7

HEX #BE60EC

RGB 190 96 236

HSL 280.29, 0.79%, 0.65%

LAB 57.43, 59.91, -55.44

 

CMYK 20 / 64 / 0 / 15

HEX #AD4ED9

RGB 173 78 217

HSL 281.01, 0.65%, 0.58%

LAB 51.09, 60.41, -55.01

 

CMYK 21 / 70 / 0 / 22

HEX #9C3CC6

RGB 156 60 198

HSL 281.74, 0.55%, 0.51%

LAB 44.77, 60.63, -54.37

 

CMYK 22 / 77 / 0 / 30

HEX #8B2AB3

RGB 139 42 179

HSL 282.48, 0.62%, 0.43%

LAB 38.55, 60.33, -53.39

 

CMYK 24 / 85 / 0 / 37

HEX #7A18A0

RGB 122 24 160

HSL 283.24, 0.74%, 0.36%

LAB 32.54, 59.13, -51.85

 

CMYK 20 / 60 / 0 / 7

HEX #BD5FEC

RGB 189 95 236

HSL 280, 0.79%, 0.65%

LAB 57.13, 60.15, -55.93

 

CMYK 4 / 60 / 0 / 7

HEX #E35FEC

RGB 227 95 236

HSL 296.17, 0.79%, 0.65%

LAB 62.14, 69.24, -47.65

 

CMYK 0 / 60 / 13 / 7

HEX #EC5FCE

RGB 236 95 206

HSL 312.77, 0.79%, 0.65%

LAB 62.06, 66.69, -30.87

 

CMYK 0 / 60 / 29 / 7

HEX #EC5FA8

RGB 236 95 168

HSL 328.94, 0.79%, 0.65%

LAB 60.64, 61.49, -11.34

 

CMYK 0 / 60 / 45 / 7

HEX #EC5F82

RGB 236 95 130

HSL 345.11, 0.79%, 0.65%

LAB 59.55, 57.33, 9.11

 

CMYK 20 / 60 / 0 / 7

HEX #BD5FEC

RGB 189 95 236

HSL 280, 0.79%, 0.65%

LAB 57.13, 60.15, -55.93

 

CMYK 36 / 60 / 0 / 7

HEX #975FEC

RGB 151 95 236

HSL 263.83, 0.79%, 0.65%

LAB 52.75, 51.47, -63.19

 

CMYK 52 / 60 / 0 / 7

HEX #715FEC

RGB 113 95 236

HSL 247.66, 0.79%, 0.65%

LAB 49.19, 43.75, -69.12

 

CMYK 60 / 60 / 0 / 7

HEX #5F5FEC

RGB 95 95 236

HSL 240, 0.79%, 0.65%

LAB 47.85, 40.62, -71.37

 

CMYK 20 / 60 / 0 / 7

HEX #BD5FEC

RGB 189 95 236

HSL 280, 0.79%, 0.65%

LAB 57.13, 60.15, -55.93

 

CMYK 22 / 68 / 0 / 2

HEX #C250FA

RGB 194 80 250

HSL 280.24, 0.94%, 0.65%

LAB 56.2, 70.77, -65.19

 

CMYK 20 / 60 / 0 / 7

HEX #BD5FEC

RGB 189 95 236

HSL 280, 0.79%, 0.65%

LAB 57.13, 60.15, -55.93

 

CMYK 17 / 51 / 0 / 13

HEX #B86DDD

RGB 184 109 221

HSL 280.18, 0.62%, 0.65%

LAB 58.37, 48.72, -45.6

 

CMYK 13 / 40 / 0 / 19

HEX #B47CCF

RGB 180 124 207

HSL 280.48, 0.46%, 0.65%

LAB 60.45, 36.53, -34.49

 

CMYK 9 / 28 / 0 / 25

HEX #AF8AC0

RGB 175 138 192

HSL 281.11, 0.3%, 0.65%

LAB 62.59, 23.96, -22.77

 

CMYK 4 / 14 / 0 / 30

HEX #AA99B2

RGB 170 153 178

HSL 280.8, 0.14%, 0.65%

LAB 65.39, 10.95, -10.7

 

CMYK 52 / 60 / 0 / 7

HEX #725FEC

RGB 114 95 236

HSL 248.09, 0.79%, 0.65%

LAB 49.27, 43.93, -68.99

 

CMYK 36 / 60 / 0 / 7

HEX #975FEC

RGB 151 95 236

HSL 263.83, 0.79%, 0.65%

LAB 52.75, 51.47, -63.19

 

CMYK 20 / 60 / 0 / 7

HEX #BD5FEC

RGB 189 95 236

HSL 280, 0.79%, 0.65%

LAB 57.13, 60.15, -55.93

 

CMYK 4 / 60 / 0 / 7

HEX #E25FEC

RGB 226 95 236

HSL 295.74, 0.79%, 0.65%

LAB 62.01, 68.99, -47.88

 

CMYK 0 / 60 / 12 / 7

HEX #EC5FD0

RGB 236 95 208

HSL 311.91, 0.79%, 0.65%

LAB 62.14, 66.99, -31.87

 

CMYK 29 / 88 / 0 / 13

HEX #9E1ADE

RGB 158 26 222

HSL 280.41, 0.79%, 0.49%

LAB 43.18, 76.21, -70.75

 

CMYK 25 / 75 / 0 / 9

HEX #AE3AE7

RGB 174 58 231

HSL 280.23, 0.78%, 0.57%

LAB 49.25, 71.58, -65.91

 

CMYK 20 / 60 / 0 / 7

HEX #BD5FEC

RGB 189 95 236

HSL 280, 0.79%, 0.65%

LAB 57.13, 60.15, -55.93

 

CMYK 15 / 45 / 0 / 6

HEX #CC84F0

RGB 204 132 240

HSL 280, 0.78%, 0.73%

LAB 66.24, 46.12, -43.61

 

CMYK 10 / 31 / 0 / 4

HEX #DCA9F4

RGB 220 169 244

HSL 280.8, 0.77%, 0.81%

LAB 76.14, 31.82, -30.27

 

CMYK 19 / 59 / 0 / 7

HEX #BE60EC

RGB 190 96 236

HSL 280.29, 0.79%, 0.65%

LAB 57.43, 59.91, -55.44

 

CMYK 0 / 60 / 52 / 7

HEX #EC5F72

RGB 236 95 114

HSL 351.91, 0.79%, 0.65%

LAB 59.19, 55.91, 17.92

 

CMYK 60 / 0 / 44 / 7

HEX #5FEC84

RGB 95 236 132

HSL 135.74, 0.79%, 0.65%

LAB 84.01, -59.93, 39.25

 

CMYK 19 / 59 / 0 / 7

HEX #BE60EC

RGB 190 96 236

HSL 280.29, 0.79%, 0.65%

LAB 57.43, 59.91, -55.44

 

CMYK 0 / 20 / 60 / 7

HEX #ECBD5F

RGB 236 189 95

HSL 40, 0.79%, 0.65%

LAB 79.07, 6.5, 53.02

 

CMYK 60 / 0 / 20 / 7

HEX #5FECBD

RGB 95 236 189

HSL 160, 0.79%, 0.65%

LAB 85.05, -49.05, 11.55

 

CMYK 19 / 59 / 0 / 7

HEX #BE60EC

RGB 190 96 236

HSL 280.29, 0.79%, 0.65%

LAB 57.43, 59.91, -55.44

 

CMYK 0 / 60 / 52 / 7

HEX #EC5F72

RGB 236 95 114

HSL 351.91, 0.79%, 0.65%

LAB 59.19, 55.91, 17.92

 

CMYK 40 / 0 / 60 / 7

HEX #8EEC5F

RGB 142 236 95

HSL 100, 0.79%, 0.65%

LAB 85.29, -52.09, 58.35

 

CMYK 60 / 0 / 8 / 7

HEX #5FECD9

RGB 95 236 217

HSL 171.91, 0.79%, 0.65%

LAB 85.72, -42.4, -2.16

 

CMYK 19 / 59 / 0 / 7

HEX #BE60EC

RGB 190 96 236

HSL 280.29, 0.79%, 0.65%

LAB 57.43, 59.91, -55.44

 

CMYK 0 / 50 / 60 / 7

HEX #EC765F

RGB 236 118 95

HSL 9.79, 0.79%, 0.65%

LAB 63.02, 43.62, 33.75

 

CMYK 40 / 0 / 60 / 7

HEX #8EEC5F

RGB 142 236 95

HSL 100, 0.79%, 0.65%

LAB 85.29, -52.09, 58.35

 

CMYK 60 / 10 / 0 / 7

HEX #5FD4EC

RGB 95 212 236

HSL 190.21, 0.79%, 0.65%

LAB 79.37, -26.05, -21.72

 

Description

Color code: HEX #BE60EC | qconv.com Color code: HEX #BE60EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 96 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 96 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 59 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 59% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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