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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE638E it is the complementary color #419C71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE638E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE638E shade: #C36389, #D4759C, #E587AF, #F699C2 and #FFABD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE638E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE638E shade: #BE638E, #AD517B, #9C3F68, #8B2D55 and #7A1B42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE638E shade: #BE648E, #BE6476 and #BE6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE638E shade: #BE648E, #BE64A7, #BD64BE, #A464BE and #8C64BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE638E shade matches the following richer shades: #BE648E, #D0528D, #E1408C and #F32F8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE638E shade: #BE648E, #AC768F, #9A8790, #899991 and #77AB92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE638E shade: #BC64BE, #BE64A7, #BE648F, #BE6477 and #BE6864

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE638E shade: #923D65, #AF4979, #BE648E, #CA81A3 and #D69EB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE638E shade: #BE638E, #BEA464 and #64B3BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE638E shade: #BE638E, #8FBE64 and #648FBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE638E shade: #BE638E, #BEA464, #64BE92 and #647DBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE638E shade: #BE638E, #BCBE64, #64BE92 and #6564BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 25 / 25

HEX #BE638E

RGB 190 99 142

HSL 331.65, 0.41%, 0.57%

LAB 53.84, 41.58, -7.06

 

Complementary color

CMYK 58 / 0 / 28 / 39

HEX #419C71

RGB 65 156 113

HSL 151.65, 0.41%, 0.43%

LAB 58.13, -37.52, 14.57

 

CMYK 0 / 49 / 30 / 24

HEX #C36389

RGB 195 99 137

HSL 336.25, 0.44%, 0.58%

LAB 54.38, 42.6, -3.24

 

CMYK 0 / 45 / 26 / 17

HEX #D4759C

RGB 212 117 156

HSL 335.37, 0.52%, 0.65%

LAB 60.89, 41.76, -4.43

 

CMYK 0 / 41 / 24 / 10

HEX #E587AF

RGB 229 135 175

HSL 334.47, 0.64%, 0.71%

LAB 67.34, 40.92, -5.45

 

CMYK 0 / 38 / 21 / 4

HEX #F699C2

RGB 246 153 194

HSL 333.55, 0.84%, 0.78%

LAB 73.72, 40.12, -6.36

 

CMYK 0 / 33 / 16 / 0

HEX #FFABD5

RGB 255 171 213

HSL 330, 1%, 0.84%

LAB 79.15, 36.65, -8.59

 

CMYK 0 / 48 / 25 / 25

HEX #BE638E

RGB 190 99 142

HSL 331.65, 0.41%, 0.57%

LAB 53.84, 41.58, -7.06

 

CMYK 0 / 53 / 29 / 32

HEX #AD517B

RGB 173 81 123

HSL 332.61, 0.36%, 0.5%

LAB 47.23, 42.37, -5.82

 

CMYK 0 / 60 / 33 / 39

HEX #9C3F68

RGB 156 63 104

HSL 333.55, 0.42%, 0.43%

LAB 40.61, 43.05, -4.28

 

CMYK 0 / 68 / 39 / 45

HEX #8B2D55

RGB 139 45 85

HSL 334.47, 0.51%, 0.36%

LAB 34.03, 43.46, -2.28

 

CMYK 0 / 78 / 46 / 52

HEX #7A1B42

RGB 122 27 66

HSL 335.37, 0.64%, 0.29%

LAB 27.61, 43.25, 0.45

 

CMYK 0 / 47 / 25 / 25

HEX #BE648E

RGB 190 100 142

HSL 332, 0.41%, 0.57%

LAB 54.04, 41.06, -6.76

 

CMYK 0 / 47 / 38 / 25

HEX #BE6476

RGB 190 100 118

HSL 348, 0.41%, 0.57%

LAB 53.35, 37.92, 6.39

 

CMYK 0 / 47 / 47 / 25

HEX #BE6464

RGB 190 100 100

HSL 0, 0.41%, 0.57%

LAB 52.93, 35.95, 16.42

 

CMYK 0 / 47 / 25 / 25

HEX #BE648E

RGB 190 100 142

HSL 332, 0.41%, 0.57%

LAB 54.04, 41.06, -6.76

 

CMYK 0 / 47 / 12 / 25

HEX #BE64A7

RGB 190 100 167

HSL 315.33, 0.41%, 0.57%

LAB 54.92, 44.91, -20.06

 

CMYK 1 / 47 / 0 / 25

HEX #BD64BE

RGB 189 100 190

HSL 299.33, 0.41%, 0.57%

LAB 55.74, 48.62, -32.09

 

CMYK 14 / 47 / 0 / 25

HEX #A464BE

RGB 164 100 190

HSL 282.67, 0.41%, 0.57%

LAB 52.65, 41.34, -37.15

 

CMYK 26 / 47 / 0 / 25

HEX #8C64BE

RGB 140 100 190

HSL 266.67, 0.41%, 0.57%

LAB 49.99, 34.5, -41.52

 

CMYK 0 / 47 / 25 / 25

HEX #BE648E

RGB 190 100 142

HSL 332, 0.41%, 0.57%

LAB 54.04, 41.06, -6.76

 

CMYK 0 / 61 / 32 / 18

HEX #D0528D

RGB 208 82 141

HSL 331.9, 0.57%, 0.57%

LAB 53.35, 55.45, -6.92

 

CMYK 0 / 72 / 38 / 12

HEX #E1408C

RGB 225 64 140

HSL 331.68, 0.73%, 0.57%

LAB 53.57, 67.25, -5.7

 

CMYK 0 / 81 / 43 / 5

HEX #F32F8B

RGB 243 47 139

HSL 331.84, 0.89%, 0.57%

LAB 55.02, 76.63, -2.59

 

CMYK 0 / 47 / 25 / 25

HEX #BE648E

RGB 190 100 142

HSL 332, 0.41%, 0.57%

LAB 54.04, 41.06, -6.76

 

CMYK 0 / 31 / 17 / 33

HEX #AC768F

RGB 172 118 143

HSL 332.22, 0.25%, 0.57%

LAB 55.8, 24.99, -4.99

 

CMYK 0 / 12 / 6 / 40

HEX #9A8790

RGB 154 135 144

HSL 331.58, 0.09%, 0.57%

LAB 58.24, 8.79, -2.18

 

CMYK 10 / 0 / 5 / 40

HEX #899991

RGB 137 153 145

HSL 150, 0.07%, 0.57%

LAB 61.78, -7.31, 2.26

 

CMYK 30 / 0 / 15 / 33

HEX #77AB92

RGB 119 171 146

HSL 151.15, 0.24%, 0.57%

LAB 65.84, -22.64, 7.41

 

CMYK 1 / 47 / 0 / 25

HEX #BC64BE

RGB 188 100 190

HSL 298.67, 0.41%, 0.57%

LAB 55.61, 48.33, -32.3

 

CMYK 0 / 47 / 12 / 25

HEX #BE64A7

RGB 190 100 167

HSL 315.33, 0.41%, 0.57%

LAB 54.92, 44.91, -20.06

 

CMYK 0 / 47 / 25 / 25

HEX #BE648F

RGB 190 100 143

HSL 331.33, 0.41%, 0.57%

LAB 54.07, 41.2, -7.3

 

CMYK 0 / 47 / 37 / 25

HEX #BE6477

RGB 190 100 119

HSL 347.33, 0.41%, 0.57%

LAB 53.38, 38.04, 5.84

 

CMYK 0 / 45 / 47 / 25

HEX #BE6864

RGB 190 104 100

HSL 2.67, 0.41%, 0.57%

LAB 53.78, 33.83, 17.58

 

CMYK 0 / 58 / 31 / 43

HEX #923D65

RGB 146 61 101

HSL 331.76, 0.41%, 0.41%

LAB 38.53, 40.29, -5.66

 

CMYK 0 / 58 / 31 / 31

HEX #AF4979

RGB 175 73 121

HSL 331.76, 0.41%, 0.49%

LAB 45.99, 46.69, -6.42

 

CMYK 0 / 47 / 25 / 25

HEX #BE648E

RGB 190 100 142

HSL 332, 0.41%, 0.57%

LAB 54.04, 41.06, -6.76

 

CMYK 0 / 36 / 19 / 21

HEX #CA81A3

RGB 202 129 163

HSL 332.05, 0.41%, 0.65%

LAB 62.42, 32.93, -6.3

 

CMYK 0 / 26 / 14 / 16

HEX #D69EB9

RGB 214 158 185

HSL 331.07, 0.41%, 0.73%

LAB 71.04, 24.95, -5.74

 

CMYK 0 / 48 / 25 / 25

HEX #BE638E

RGB 190 99 142

HSL 331.65, 0.41%, 0.57%

LAB 53.84, 41.58, -7.06

 

CMYK 0 / 14 / 47 / 25

HEX #BEA464

RGB 190 164 100

HSL 42.67, 0.41%, 0.57%

LAB 68.33, 0.98, 36.59

 

CMYK 47 / 6 / 0 / 25

HEX #64B3BE

RGB 100 179 190

HSL 187.33, 0.41%, 0.57%

LAB 68.51, -21.32, -13.15

 

CMYK 0 / 48 / 25 / 25

HEX #BE638E

RGB 190 99 142

HSL 331.65, 0.41%, 0.57%

LAB 53.84, 41.58, -7.06

 

CMYK 25 / 0 / 47 / 25

HEX #8FBE64

RGB 143 190 100

HSL 91.33, 0.41%, 0.57%

LAB 71.95, -31.12, 40.31

 

CMYK 47 / 25 / 0 / 25

HEX #648FBE

RGB 100 143 190

HSL 211.33, 0.41%, 0.57%

LAB 58.11, -1.76, -29.03

 

CMYK 0 / 48 / 25 / 25

HEX #BE638E

RGB 190 99 142

HSL 331.65, 0.41%, 0.57%

LAB 53.84, 41.58, -7.06

 

CMYK 0 / 14 / 47 / 25

HEX #BEA464

RGB 190 164 100

HSL 42.67, 0.41%, 0.57%

LAB 68.33, 0.98, 36.59

 

CMYK 47 / 0 / 23 / 25

HEX #64BE92

RGB 100 190 146

HSL 150.67, 0.41%, 0.57%

LAB 70.6, -37.23, 14.02

 

CMYK 47 / 34 / 0 / 25

HEX #647DBE

RGB 100 125 190

HSL 223.33, 0.41%, 0.57%

LAB 53.05, 8.81, -36.91

 

CMYK 0 / 48 / 25 / 25

HEX #BE638E

RGB 190 99 142

HSL 331.65, 0.41%, 0.57%

LAB 53.84, 41.58, -7.06

 

CMYK 1 / 0 / 47 / 25

HEX #BCBE64

RGB 188 190 100

HSL 61.33, 0.41%, 0.57%

LAB 75.1, -13.5, 44.88

 

CMYK 47 / 0 / 23 / 25

HEX #64BE92

RGB 100 190 146

HSL 150.67, 0.41%, 0.57%

LAB 70.6, -37.23, 14.02

 

CMYK 47 / 47 / 0 / 25

HEX #6564BE

RGB 101 100 190

HSL 240.67, 0.41%, 0.57%

LAB 46.44, 24.32, -47.37

 

Description

Color code: HEX #BE638E | qconv.com Color code: HEX #BE638E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 99 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 99 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 25 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 25% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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