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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE6AD6 it is the complementary color #419529. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE6AD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE6AD6 shade: #C36AD1, #D47CE4, #E58EF7, #F6A0FF and #FFB2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE6AD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE6AD6 shade: #BE6AD6, #AD58C3, #9C46B0, #8B349D and #7A228A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE6AD6 shade: #BE6AD6, #D66AD1, #D66AB4, #D66A97 and #D66A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE6AD6 shade: #BE6AD6, #A16AD6, #846AD6 and #6A6AD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE6AD6 shade matches the following richer shades: #BE6AD6, #C75BE5 and #CF4CF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE6AD6 shade: #BE6AD6, #B67AC7, #AD89B7, #A598A8 and #9CA799

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE6AD6 shade: #836AD6, #A06AD6, #BD6AD6, #D66AD2 and #D66AB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE6AD6 shade: #9D33BB, #B04ACD, #BE6AD6, #CC8BDF and #DAABE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE6AD6 shade: #BE6AD6, #D66A6E and #6AD692

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE6AD6 shade: #BE6AD6, #D6BD6A and #6AD6BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE6AD6 shade: #BE6AD6, #D66A6E, #83D66A and #6AD6D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE6AD6 shade: #BE6AD6, #D6876A, #83D66A and #6AB9D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 50 / 0 / 16

HEX #BE6AD6

RGB 190 106 214

HSL 286.67, 0.57%, 0.63%

LAB 58.14, 50.46, -41.97

 

Complementary color

CMYK 56 / 0 / 72 / 42

HEX #419529

RGB 65 149 41

HSL 106.67, 0.57%, 0.37%

LAB 54.84, -45.6, 46.93

 

CMYK 7 / 49 / 0 / 18

HEX #C36AD1

RGB 195 106 209

HSL 291.84, 0.53%, 0.62%

LAB 58.52, 50.87, -38.5

 

CMYK 7 / 46 / 0 / 11

HEX #D47CE4

RGB 212 124 228

HSL 290.77, 0.66%, 0.69%

LAB 64.97, 50.15, -38.9

 

CMYK 7 / 43 / 0 / 3

HEX #E58EF7

RGB 229 142 247

HSL 289.71, 0.87%, 0.76%

LAB 71.36, 49.41, -39.23

 

CMYK 4 / 37 / 0 / 0

HEX #F6A0FF

RGB 246 160 255

HSL 294.32, 1%, 0.81%

LAB 77.25, 46.61, -34.28

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 11 / 50 / 0 / 16

HEX #BE6AD6

RGB 190 106 214

HSL 286.67, 0.57%, 0.63%

LAB 58.14, 50.46, -41.97

 

CMYK 11 / 55 / 0 / 24

HEX #AD58C3

RGB 173 88 195

HSL 287.66, 0.47%, 0.55%

LAB 51.61, 51.15, -41.58

 

CMYK 11 / 60 / 0 / 31

HEX #9C46B0

RGB 156 70 176

HSL 288.68, 0.43%, 0.48%

LAB 45.06, 51.69, -41.05

 

CMYK 11 / 67 / 0 / 38

HEX #8B349D

RGB 139 52 157

HSL 289.71, 0.5%, 0.41%

LAB 38.51, 51.95, -40.29

 

CMYK 12 / 75 / 0 / 46

HEX #7A228A

RGB 122 34 138

HSL 290.77, 0.6%, 0.34%

LAB 32.07, 51.63, -39.13

 

CMYK 11 / 50 / 0 / 16

HEX #BE6AD6

RGB 190 106 214

HSL 286.67, 0.57%, 0.63%

LAB 58.14, 50.46, -41.97

 

CMYK 0 / 50 / 2 / 16

HEX #D66AD1

RGB 214 106 209

HSL 302.78, 0.57%, 0.63%

LAB 60.96, 56.2, -34.5

 

CMYK 0 / 50 / 16 / 16

HEX #D66AB4

RGB 214 106 180

HSL 318.89, 0.57%, 0.63%

LAB 59.8, 51.46, -19.82

 

CMYK 0 / 50 / 29 / 16

HEX #D66A97

RGB 214 106 151

HSL 335, 0.57%, 0.63%

LAB 58.82, 47.34, -4.56

 

CMYK 0 / 50 / 43 / 16

HEX #D66A7A

RGB 214 106 122

HSL 351.11, 0.57%, 0.63%

LAB 58.05, 43.93, 11.18

 

CMYK 11 / 50 / 0 / 16

HEX #BE6AD6

RGB 190 106 214

HSL 286.67, 0.57%, 0.63%

LAB 58.14, 50.46, -41.97

 

CMYK 25 / 50 / 0 / 16

HEX #A16AD6

RGB 161 106 214

HSL 270.56, 0.57%, 0.63%

LAB 54.8, 42.61, -47.46

 

CMYK 38 / 50 / 0 / 16

HEX #846AD6

RGB 132 106 214

HSL 254.44, 0.57%, 0.63%

LAB 51.91, 35.16, -52.23

 

CMYK 50 / 50 / 0 / 16

HEX #6A6AD6

RGB 106 106 214

HSL 240, 0.57%, 0.63%

LAB 49.77, 29.14, -55.79

 

CMYK 11 / 50 / 0 / 16

HEX #BE6AD6

RGB 190 106 214

HSL 286.67, 0.57%, 0.63%

LAB 58.14, 50.46, -41.97

 

CMYK 13 / 60 / 0 / 10

HEX #C75BE5

RGB 199 91 229

HSL 286.96, 0.73%, 0.63%

LAB 57.35, 62.97, -51.59

 

CMYK 15 / 69 / 0 / 4

HEX #CF4CF4

RGB 207 76 244

HSL 286.79, 0.88%, 0.63%

LAB 57.04, 73.84, -60.4

 

CMYK 11 / 50 / 0 / 16

HEX #BE6AD6

RGB 190 106 214

HSL 286.67, 0.57%, 0.63%

LAB 58.14, 50.46, -41.97

 

CMYK 9 / 39 / 0 / 22

HEX #B67AC7

RGB 182 122 199

HSL 286.75, 0.41%, 0.63%

LAB 59.88, 36.57, -30.84

 

CMYK 5 / 25 / 0 / 28

HEX #AD89B7

RGB 173 137 183

HSL 286.96, 0.24%, 0.63%

LAB 61.82, 22.01, -18.88

 

CMYK 2 / 10 / 0 / 34

HEX #A598A8

RGB 165 152 168

HSL 288.75, 0.08%, 0.63%

LAB 64.39, 7.78, -6.62

 

CMYK 7 / 0 / 8 / 35

HEX #9CA799

RGB 156 167 153

HSL 107.14, 0.07%, 0.63%

LAB 67.28, -6.56, 5.9

 

CMYK 39 / 50 / 0 / 16

HEX #836AD6

RGB 131 106 214

HSL 253.89, 0.57%, 0.63%

LAB 51.82, 34.92, -52.38

 

CMYK 25 / 50 / 0 / 16

HEX #A06AD6

RGB 160 106 214

HSL 270, 0.57%, 0.63%

LAB 54.7, 42.34, -47.64

 

CMYK 12 / 50 / 0 / 16

HEX #BD6AD6

RGB 189 106 214

HSL 286.11, 0.57%, 0.63%

LAB 58.02, 50.19, -42.17

 

CMYK 0 / 50 / 2 / 16

HEX #D66AD2

RGB 214 106 210

HSL 302.22, 0.57%, 0.63%

LAB 61.01, 56.37, -35

 

CMYK 0 / 50 / 15 / 16

HEX #D66AB6

RGB 214 106 182

HSL 317.78, 0.57%, 0.63%

LAB 59.87, 51.76, -20.85

 

CMYK 16 / 73 / 0 / 27

HEX #9D33BB

RGB 157 51 187

HSL 286.76, 0.57%, 0.47%

LAB 42.95, 62.19, -50.87

 

CMYK 14 / 64 / 0 / 20

HEX #B04ACD

RGB 176 74 205

HSL 286.72, 0.57%, 0.55%

LAB 50.14, 60.46, -49.64

 

CMYK 11 / 50 / 0 / 16

HEX #BE6AD6

RGB 190 106 214

HSL 286.67, 0.57%, 0.63%

LAB 58.14, 50.46, -41.97

 

CMYK 9 / 38 / 0 / 13

HEX #CC8BDF

RGB 204 139 223

HSL 286.43, 0.57%, 0.71%

LAB 67, 38.9, -33.04

 

CMYK 6 / 26 / 0 / 9

HEX #DAABE8

RGB 218 171 232

HSL 286.23, 0.57%, 0.79%

LAB 75.98, 27.73, -24.04

 

CMYK 11 / 50 / 0 / 16

HEX #BE6AD6

RGB 190 106 214

HSL 286.67, 0.57%, 0.63%

LAB 58.14, 50.46, -41.97

 

CMYK 0 / 50 / 49 / 16

HEX #D66A6E

RGB 214 106 110

HSL 357.78, 0.57%, 0.63%

LAB 57.78, 42.74, 17.77

 

CMYK 50 / 0 / 32 / 16

HEX #6AD692

RGB 106 214 146

HSL 142.22, 0.57%, 0.63%

LAB 78.01, -46.23, 24.29

 

CMYK 11 / 50 / 0 / 16

HEX #BE6AD6

RGB 190 106 214

HSL 286.67, 0.57%, 0.63%

LAB 58.14, 50.46, -41.97

 

CMYK 0 / 12 / 50 / 16

HEX #D6BD6A

RGB 214 189 106

HSL 46.11, 0.57%, 0.63%

LAB 77.12, -1.75, 44.88

 

CMYK 50 / 0 / 12 / 16

HEX #6AD6BD

RGB 106 214 189

HSL 166.11, 0.57%, 0.63%

LAB 78.94, -37.14, 2.83

 

CMYK 11 / 50 / 0 / 16

HEX #BE6AD6

RGB 190 106 214

HSL 286.67, 0.57%, 0.63%

LAB 58.14, 50.46, -41.97

 

CMYK 0 / 50 / 49 / 16

HEX #D66A6E

RGB 214 106 110

HSL 357.78, 0.57%, 0.63%

LAB 57.78, 42.74, 17.77

 

CMYK 39 / 0 / 50 / 16

HEX #83D66A

RGB 131 214 106

HSL 106.11, 0.57%, 0.63%

LAB 78.44, -45.27, 45.19

 

CMYK 50 / 0 / 2 / 16

HEX #6AD6D2

RGB 106 214 210

HSL 177.78, 0.57%, 0.63%

LAB 79.51, -31.97, -7.58

 

CMYK 11 / 50 / 0 / 16

HEX #BE6AD6

RGB 190 106 214

HSL 286.67, 0.57%, 0.63%

LAB 58.14, 50.46, -41.97

 

CMYK 0 / 37 / 50 / 16

HEX #D6876A

RGB 214 135 106

HSL 16.11, 0.57%, 0.63%

LAB 63.89, 27.19, 28.21

 

CMYK 39 / 0 / 50 / 16

HEX #83D66A

RGB 131 214 106

HSL 106.11, 0.57%, 0.63%

LAB 78.44, -45.27, 45.19

 

CMYK 50 / 14 / 0 / 16

HEX #6AB9D6

RGB 106 185 214

HSL 196.11, 0.57%, 0.63%

LAB 71.29, -16.42, -22.09

 

Description

Color code: HEX #BE6AD6 | qconv.com Color code: HEX #BE6AD6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 106 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 106 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 50 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 50% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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