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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE6AEA it is the complementary color #419515. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE6AEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE6AEA shade: #C36AE5, #D47CF8, #E58EFF, #F6A0FF and #FFB2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE6AEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE6AEA shade: #BE6AEA, #AD58D7, #9C46C4, #8B34B1 and #7A229E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE6AEA shade: #BE6BE9, #E06BE9, #E96BD1, #E96BAF and #E96B8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE6AEA shade: #BE6BE9, #9C6BE9, #7A6BE9 and #6B6BE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE6AEA shade matches the following richer shades: #BE6BE9 and #C25EF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE6AEA shade: #BE6BE9, #BA79DC, #B686CE, #B194C1 and #ADA2B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE6AEA shade: #7A6BE9, #9C6BE9, #BD6BE9, #DF6BE9 and #E96BD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE6AEA shade: #9E23DF, #AE47E4, #BE6BE9, #CE8FEF and #DEB3F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE6AEA shade: #BE6AEA, #E96B7E and #6BE98B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE6AEA shade: #BE6AEA, #E9BD6B and #6BE9BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE6AEA shade: #BE6AEA, #E96B7E, #97E96B and #6BE9D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE6AEA shade: #BE6AEA, #E97E6B, #97E96B and #6BD7E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 55 / 0 / 8

HEX #BE6AEA

RGB 190 106 234

HSL 279.38, 0.75%, 0.67%

LAB 59.16, 54.58, -51.58

 

Complementary color

CMYK 56 / 0 / 86 / 42

HEX #419515

RGB 65 149 21

HSL 99.38, 0.75%, 0.33%

LAB 54.73, -46.86, 53.34

 

CMYK 15 / 54 / 0 / 10

HEX #C36AE5

RGB 195 106 229

HSL 283.41, 0.7%, 0.66%

LAB 59.5, 54.83, -48.21

 

CMYK 15 / 50 / 0 / 3

HEX #D47CF8

RGB 212 124 248

HSL 282.58, 0.9%, 0.73%

LAB 65.9, 54.1, -48.49

 

CMYK 10 / 44 / 0 / 0

HEX #E58EFF

RGB 229 142 255

HSL 286.19, 1%, 0.78%

LAB 71.71, 50.96, -43.05

 

CMYK 4 / 37 / 0 / 0

HEX #F6A0FF

RGB 246 160 255

HSL 294.32, 1%, 0.81%

LAB 77.25, 46.61, -34.28

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 19 / 55 / 0 / 8

HEX #BE6AEA

RGB 190 106 234

HSL 279.38, 0.75%, 0.67%

LAB 59.16, 54.58, -51.58

 

CMYK 20 / 59 / 0 / 16

HEX #AD58D7

RGB 173 88 215

HSL 280.16, 0.61%, 0.59%

LAB 52.7, 55.28, -51.3

 

CMYK 20 / 64 / 0 / 23

HEX #9C46C4

RGB 156 70 196

HSL 280.95, 0.52%, 0.52%

LAB 46.22, 55.81, -50.87

 

CMYK 21 / 71 / 0 / 31

HEX #8B34B1

RGB 139 52 177

HSL 281.76, 0.55%, 0.45%

LAB 39.78, 56.02, -50.22

 

CMYK 23 / 78 / 0 / 38

HEX #7A229E

RGB 122 34 158

HSL 282.58, 0.65%, 0.38%

LAB 33.46, 55.63, -49.16

 

CMYK 18 / 54 / 0 / 9

HEX #BE6BE9

RGB 190 107 233

HSL 279.52, 0.74%, 0.67%

LAB 59.29, 53.87, -50.8

 

CMYK 4 / 54 / 0 / 9

HEX #E06BE9

RGB 224 107 233

HSL 295.71, 0.74%, 0.67%

LAB 63.55, 62.65, -43.8

 

CMYK 0 / 54 / 10 / 9

HEX #E96BD1

RGB 233 107 209

HSL 311.43, 0.74%, 0.67%

LAB 63.71, 61.06, -30.05

 

CMYK 0 / 54 / 25 / 9

HEX #E96BAF

RGB 233 107 175

HSL 327.62, 0.74%, 0.67%

LAB 62.45, 56.11, -12.68

 

CMYK 0 / 54 / 39 / 9

HEX #E96B8D

RGB 233 107 141

HSL 343.81, 0.74%, 0.67%

LAB 61.45, 51.99, 5.38

 

CMYK 18 / 54 / 0 / 9

HEX #BE6BE9

RGB 190 107 233

HSL 279.52, 0.74%, 0.67%

LAB 59.29, 53.87, -50.8

 

CMYK 33 / 54 / 0 / 9

HEX #9C6BE9

RGB 156 107 233

HSL 263.33, 0.74%, 0.67%

LAB 55.55, 45.4, -56.99

 

CMYK 48 / 54 / 0 / 9

HEX #7A6BE9

RGB 122 107 233

HSL 247.14, 0.74%, 0.67%

LAB 52.44, 37.67, -62.16

 

CMYK 54 / 54 / 0 / 9

HEX #6B6BE9

RGB 107 107 233

HSL 240, 0.74%, 0.67%

LAB 51.3, 34.63, -64.06

 

CMYK 18 / 54 / 0 / 9

HEX #BE6BE9

RGB 190 107 233

HSL 279.52, 0.74%, 0.67%

LAB 59.29, 53.87, -50.8

 

CMYK 21 / 62 / 0 / 3

HEX #C25EF7

RGB 194 94 247

HSL 279.22, 0.91%, 0.67%

LAB 58.22, 64.05, -60.28

 

CMYK 18 / 54 / 0 / 9

HEX #BE6BE9

RGB 190 107 233

HSL 279.52, 0.74%, 0.67%

LAB 59.29, 53.87, -50.8

 

CMYK 15 / 45 / 0 / 14

HEX #BA79DC

RGB 186 121 220

HSL 279.39, 0.59%, 0.67%

LAB 61.03, 42.69, -40.83

 

CMYK 12 / 35 / 0 / 19

HEX #B686CE

RGB 182 134 206

HSL 280, 0.42%, 0.67%

LAB 62.89, 31.38, -30.12

 

CMYK 8 / 23 / 0 / 24

HEX #B194C1

RGB 177 148 193

HSL 278.67, 0.27%, 0.67%

LAB 65.26, 19.2, -19.24

 

CMYK 3 / 9 / 0 / 30

HEX #ADA2B3

RGB 173 162 179

HSL 278.82, 0.1%, 0.67%

LAB 68.01, 7.19, -7.34

 

CMYK 48 / 54 / 0 / 9

HEX #7A6BE9

RGB 122 107 233

HSL 247.14, 0.74%, 0.67%

LAB 52.44, 37.67, -62.16

 

CMYK 33 / 54 / 0 / 9

HEX #9C6BE9

RGB 156 107 233

HSL 263.33, 0.74%, 0.67%

LAB 55.55, 45.4, -56.99

 

CMYK 19 / 54 / 0 / 9

HEX #BD6BE9

RGB 189 107 233

HSL 279.05, 0.74%, 0.67%

LAB 59.18, 53.61, -51

 

CMYK 4 / 54 / 0 / 9

HEX #DF6BE9

RGB 223 107 233

HSL 295.24, 0.74%, 0.67%

LAB 63.41, 62.39, -44.02

 

CMYK 0 / 54 / 10 / 9

HEX #E96BD2

RGB 233 107 210

HSL 310.95, 0.74%, 0.67%

LAB 63.75, 61.21, -30.55

 

CMYK 29 / 84 / 0 / 13

HEX #9E23DF

RGB 158 35 223

HSL 279.26, 0.75%, 0.51%

LAB 43.94, 74.4, -70.08

 

CMYK 24 / 69 / 0 / 11

HEX #AE47E4

RGB 174 71 228

HSL 279.36, 0.74%, 0.59%

LAB 50.81, 65.95, -61.68

 

CMYK 18 / 54 / 0 / 9

HEX #BE6BE9

RGB 190 107 233

HSL 279.52, 0.74%, 0.67%

LAB 59.29, 53.87, -50.8

 

CMYK 14 / 40 / 0 / 6

HEX #CE8FEF

RGB 206 143 239

HSL 279.38, 0.75%, 0.75%

LAB 68.75, 40.61, -39.12

 

CMYK 9 / 27 / 0 / 4

HEX #DEB3F4

RGB 222 179 244

HSL 279.69, 0.75%, 0.83%

LAB 78.64, 27.05, -26.44

 

CMYK 19 / 55 / 0 / 8

HEX #BE6AEA

RGB 190 106 234

HSL 279.38, 0.75%, 0.67%

LAB 59.16, 54.58, -51.58

 

CMYK 0 / 54 / 46 / 9

HEX #E96B7E

RGB 233 107 126

HSL 350.95, 0.74%, 0.67%

LAB 61.09, 50.46, 13.53

 

CMYK 54 / 0 / 40 / 9

HEX #6BE98B

RGB 107 233 139

HSL 135.24, 0.74%, 0.67%

LAB 83.58, -54.97, 35.3

 

CMYK 19 / 55 / 0 / 8

HEX #BE6AEA

RGB 190 106 234

HSL 279.38, 0.75%, 0.67%

LAB 59.16, 54.58, -51.58

 

CMYK 0 / 19 / 54 / 9

HEX #E9BD6B

RGB 233 189 107

HSL 39.05, 0.74%, 0.67%

LAB 78.91, 6.16, 46.98

 

CMYK 54 / 0 / 19 / 9

HEX #6BE9BD

RGB 107 233 189

HSL 159.05, 0.74%, 0.67%

LAB 84.52, -45.37, 10.85

 

CMYK 19 / 55 / 0 / 8

HEX #BE6AEA

RGB 190 106 234

HSL 279.38, 0.75%, 0.67%

LAB 59.16, 54.58, -51.58

 

CMYK 0 / 54 / 46 / 9

HEX #E96B7E

RGB 233 107 126

HSL 350.95, 0.74%, 0.67%

LAB 61.09, 50.46, 13.53

 

CMYK 35 / 0 / 54 / 9

HEX #97E96B

RGB 151 233 107

HSL 99.05, 0.74%, 0.67%

LAB 84.95, -46.74, 52.77

 

CMYK 54 / 0 / 8 / 9

HEX #6BE9D7

RGB 107 233 215

HSL 171.43, 0.74%, 0.67%

LAB 85.15, -39.31, -1.9

 

CMYK 19 / 55 / 0 / 8

HEX #BE6AEA

RGB 190 106 234

HSL 279.38, 0.75%, 0.67%

LAB 59.16, 54.58, -51.58

 

CMYK 0 / 46 / 54 / 9

HEX #E97E6B

RGB 233 126 107

HSL 9.05, 0.74%, 0.67%

LAB 64.41, 39.38, 28.8

 

CMYK 35 / 0 / 54 / 9

HEX #97E96B

RGB 151 233 107

HSL 99.05, 0.74%, 0.67%

LAB 84.95, -46.74, 52.77

 

CMYK 54 / 8 / 0 / 9

HEX #6BD7E9

RGB 107 215 233

HSL 188.57, 0.74%, 0.67%

LAB 80.52, -26.14, -18.34

 

Description

Color code: HEX #BE6AEA | qconv.com Color code: HEX #BE6AEA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 106 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 106 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 55 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 55% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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