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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE6DDD it is the complementary color #419222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE6DDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE6DDD shade: #C36DD8, #D47FEB, #E591FE, #F6A3FF and #FFB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE6DDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE6DDD shade: #BE6DDD, #AD5BCA, #9C49B7, #8B37A4 and #7A2591

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE6DDD shade: #BE6EDD, #DC6EDD, #DD6EC0, #DD6EA2 and #DD6E84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE6DDD shade: #BE6EDD, #A06EDD, #826EDD and #6E6EDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE6DDD shade matches the following richer shades: #BE6EDD, #C45FEB and #CB51F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE6DDD shade: #BE6EDD, #B87CCE, #B18BC0, #AB99B1 and #A4A8A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE6DDD shade: #826EDD, #A06EDD, #BD6EDD, #DB6EDD and #DD6EC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE6DDD shade: #9E2FC9, #AF4CD5, #BE6EDD, #CD8FE4 and #DCB1EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE6DDD shade: #BE6DDD, #DD6E77 and #6EDD91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE6DDD shade: #BE6DDD, #DDBD6E and #6EDDBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE6DDD shade: #BE6DDD, #DD6E77, #8DDD6E and #6EDDD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE6DDD shade: #BE6DDD, #DD866E, #8DDD6E and #6EC5DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 51 / 0 / 13

HEX #BE6DDD

RGB 190 109 221

HSL 283.39, 0.62%, 0.65%

LAB 59.07, 50.34, -44.44

 

Complementary color

CMYK 55 / 0 / 77 / 43

HEX #419222

RGB 65 146 34

HSL 103.39, 0.62%, 0.35%

LAB 53.81, -44.97, 48.51

 

CMYK 10 / 50 / 0 / 15

HEX #C36DD8

RGB 195 109 216

HSL 288.22, 0.58%, 0.64%

LAB 59.43, 50.71, -41.02

 

CMYK 10 / 46 / 0 / 8

HEX #D47FEB

RGB 212 127 235

HSL 287.22, 0.73%, 0.71%

LAB 65.88, 49.97, -41.35

 

CMYK 10 / 43 / 0 / 0

HEX #E591FE

RGB 229 145 254

HSL 286.24, 0.98%, 0.78%

LAB 72.27, 49.22, -41.62

 

CMYK 4 / 36 / 0 / 0

HEX #F6A3FF

RGB 246 163 255

HSL 294.13, 1%, 0.82%

LAB 77.88, 45.05, -33.32

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 14 / 51 / 0 / 13

HEX #BE6DDD

RGB 190 109 221

HSL 283.39, 0.62%, 0.65%

LAB 59.07, 50.34, -44.44

 

CMYK 14 / 55 / 0 / 21

HEX #AD5BCA

RGB 173 91 202

HSL 284.32, 0.51%, 0.57%

LAB 52.54, 51.07, -44.13

 

CMYK 15 / 60 / 0 / 28

HEX #9C49B7

RGB 156 73 183

HSL 285.27, 0.43%, 0.5%

LAB 45.98, 51.67, -43.7

 

CMYK 15 / 66 / 0 / 36

HEX #8B37A4

RGB 139 55 164

HSL 286.24, 0.5%, 0.43%

LAB 39.41, 52.03, -43.06

 

CMYK 16 / 74 / 0 / 43

HEX #7A2591

RGB 122 37 145

HSL 287.22, 0.59%, 0.36%

LAB 32.93, 51.88, -42.07

 

CMYK 14 / 50 / 0 / 13

HEX #BE6EDD

RGB 190 110 221

HSL 283.24, 0.62%, 0.65%

LAB 59.27, 49.83, -44.13

 

CMYK 0 / 50 / 0 / 13

HEX #DC6EDD

RGB 220 110 221

HSL 299.46, 0.62%, 0.65%

LAB 63, 58.04, -38.01

 

CMYK 0 / 50 / 13 / 13

HEX #DD6EC0

RGB 221 110 192

HSL 315.68, 0.62%, 0.65%

LAB 61.94, 53.5, -23.3

 

CMYK 0 / 50 / 27 / 13

HEX #DD6EA2

RGB 221 110 162

HSL 331.89, 0.62%, 0.65%

LAB 60.9, 49.13, -7.73

 

CMYK 0 / 50 / 40 / 13

HEX #DD6E84

RGB 221 110 132

HSL 348.11, 0.62%, 0.65%

LAB 60.06, 45.47, 8.37

 

CMYK 14 / 50 / 0 / 13

HEX #BE6EDD

RGB 190 110 221

HSL 283.24, 0.62%, 0.65%

LAB 59.27, 49.83, -44.13

 

CMYK 28 / 50 / 0 / 13

HEX #A06EDD

RGB 160 110 221

HSL 267.03, 0.62%, 0.65%

LAB 55.93, 41.81, -49.62

 

CMYK 41 / 50 / 0 / 13

HEX #826EDD

RGB 130 110 221

HSL 250.81, 0.62%, 0.65%

LAB 53.08, 34.28, -54.34

 

CMYK 50 / 50 / 0 / 13

HEX #6E6EDD

RGB 110 110 221

HSL 240, 0.62%, 0.65%

LAB 51.48, 29.73, -56.99

 

CMYK 14 / 50 / 0 / 13

HEX #BE6EDD

RGB 190 110 221

HSL 283.24, 0.62%, 0.65%

LAB 59.27, 49.83, -44.13

 

CMYK 17 / 60 / 0 / 8

HEX #C45FEB

RGB 196 95 235

HSL 283.29, 0.78%, 0.65%

LAB 57.96, 61.6, -54

 

CMYK 18 / 67 / 0 / 2

HEX #CB51F9

RGB 203 81 249

HSL 283.57, 0.93%, 0.65%

LAB 57.48, 72, -62.5

 

CMYK 14 / 50 / 0 / 13

HEX #BE6EDD

RGB 190 110 221

HSL 283.24, 0.62%, 0.65%

LAB 59.27, 49.83, -44.13

 

CMYK 11 / 40 / 0 / 19

HEX #B87CCE

RGB 184 124 206

HSL 283.9, 0.46%, 0.65%

LAB 60.84, 37.52, -33.29

 

CMYK 8 / 28 / 0 / 25

HEX #B18BC0

RGB 177 139 192

HSL 283.02, 0.3%, 0.65%

LAB 63.03, 24.05, -22.09

 

CMYK 3 / 14 / 0 / 31

HEX #AB99B1

RGB 171 153 177

HSL 285, 0.13%, 0.65%

LAB 65.45, 11.1, -10.05

 

CMYK 2 / 0 / 3 / 34

HEX #A4A8A3

RGB 164 168 163

HSL 108, 0.03%, 0.65%

LAB 68.42, -2.37, 2.08

 

CMYK 41 / 50 / 0 / 13

HEX #826EDD

RGB 130 110 221

HSL 250.81, 0.62%, 0.65%

LAB 53.08, 34.28, -54.34

 

CMYK 28 / 50 / 0 / 13

HEX #A06EDD

RGB 160 110 221

HSL 267.03, 0.62%, 0.65%

LAB 55.93, 41.81, -49.62

 

CMYK 14 / 50 / 0 / 13

HEX #BD6EDD

RGB 189 110 221

HSL 282.7, 0.62%, 0.65%

LAB 59.15, 49.56, -44.32

 

CMYK 1 / 50 / 0 / 13

HEX #DB6EDD

RGB 219 110 221

HSL 298.92, 0.62%, 0.65%

LAB 62.87, 57.77, -38.22

 

CMYK 0 / 50 / 13 / 13

HEX #DD6EC1

RGB 221 110 193

HSL 315.14, 0.62%, 0.65%

LAB 61.98, 53.65, -23.81

 

CMYK 21 / 77 / 0 / 21

HEX #9E2FC9

RGB 158 47 201

HSL 283.25, 0.62%, 0.49%

LAB 43.54, 66.53, -58.08

 

CMYK 18 / 64 / 0 / 16

HEX #AF4CD5

RGB 175 76 213

HSL 283.36, 0.62%, 0.57%

LAB 50.79, 60.94, -53.19

 

CMYK 14 / 50 / 0 / 13

HEX #BE6EDD

RGB 190 110 221

HSL 283.24, 0.62%, 0.65%

LAB 59.27, 49.83, -44.13

 

CMYK 10 / 37 / 0 / 11

HEX #CD8FE4

RGB 205 143 228

HSL 283.76, 0.61%, 0.73%

LAB 68.19, 38.05, -33.95

 

CMYK 7 / 25 / 0 / 7

HEX #DCB1EC

RGB 220 177 236

HSL 283.73, 0.61%, 0.81%

LAB 77.71, 25.91, -23.56

 

CMYK 14 / 51 / 0 / 13

HEX #BE6DDD

RGB 190 109 221

HSL 283.39, 0.62%, 0.65%

LAB 59.07, 50.34, -44.44

 

CMYK 0 / 50 / 46 / 13

HEX #DD6E77

RGB 221 110 119

HSL 355.14, 0.62%, 0.65%

LAB 59.76, 44.12, 15.45

 

CMYK 50 / 0 / 34 / 13

HEX #6EDD91

RGB 110 221 145

HSL 138.92, 0.62%, 0.65%

LAB 80.22, -48.36, 27.81

 

CMYK 14 / 51 / 0 / 13

HEX #BE6DDD

RGB 190 109 221

HSL 283.39, 0.62%, 0.65%

LAB 59.07, 50.34, -44.44

 

CMYK 0 / 14 / 50 / 13

HEX #DDBD6E

RGB 221 189 110

HSL 42.7, 0.62%, 0.65%

LAB 77.81, 1.49, 43.89

 

CMYK 50 / 0 / 14 / 13

HEX #6EDDBD

RGB 110 221 189

HSL 162.7, 0.62%, 0.65%

LAB 81.13, -39.42, 6

 

CMYK 14 / 51 / 0 / 13

HEX #BE6DDD

RGB 190 109 221

HSL 283.39, 0.62%, 0.65%

LAB 59.07, 50.34, -44.44

 

CMYK 0 / 50 / 46 / 13

HEX #DD6E77

RGB 221 110 119

HSL 355.14, 0.62%, 0.65%

LAB 59.76, 44.12, 15.45

 

CMYK 36 / 0 / 50 / 13

HEX #8DDD6E

RGB 141 221 110

HSL 103.24, 0.62%, 0.65%

LAB 81.02, -44.56, 46.54

 

CMYK 50 / 0 / 5 / 13

HEX #6EDDD3

RGB 110 221 211

HSL 174.59, 0.62%, 0.65%

LAB 81.69, -34.16, -4.86

 

CMYK 14 / 51 / 0 / 13

HEX #BE6DDD

RGB 190 109 221

HSL 283.39, 0.62%, 0.65%

LAB 59.07, 50.34, -44.44

 

CMYK 0 / 39 / 50 / 13

HEX #DD866E

RGB 221 134 110

HSL 12.97, 0.62%, 0.65%

LAB 64.6, 30.85, 27.09

 

CMYK 36 / 0 / 50 / 13

HEX #8DDD6E

RGB 141 221 110

HSL 103.24, 0.62%, 0.65%

LAB 81.02, -44.56, 46.54

 

CMYK 50 / 11 / 0 / 13

HEX #6EC5DD

RGB 110 197 221

HSL 192.97, 0.62%, 0.65%

LAB 75.12, -19.79, -20.06

 

Description

Color code: HEX #BE6DDD | qconv.com Color code: HEX #BE6DDD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 109 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 109 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 51 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 51% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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