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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE6E69 it is the complementary color #419196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE6E69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE6E69 shade: #C36E64, #D48077, #E5928A, #F6A49D and #FFB6B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE6E69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE6E69 shade: #BE6E69, #AD5C56, #9C4A43, #8B3830 and #7A261D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE6E69 shade: #BE6E69 and #BE6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE6E69 shade: #BE6E69, #BE8569, #BE9C69, #BEB369 and #B2BE69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE6E69 shade matches the following richer shades: #BE6E69, #D05E57, #E14F46 and #F24035

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE6E69 shade: #BE6E69, #AD7D7A, #9C8C8B, #8A9B9D and #79ABAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE6E69 shade: #BE6992, #BE697B, #BE6D69, #BE8469 and #BE9B69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE6E69 shade: #95453F, #B2524C, #BE6E69, #CB8A85 and #D7A5A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE6E69 shade: #BE6E69, #A9BE69 and #6987BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE6E69 shade: #BE6E69, #69BE6D and #6D69BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE6E69 shade: #BE6E69, #A9BE69, #69BABE and #7E69BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE6E69 shade: #BE6E69, #8FBE69, #69BABE and #9869BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 45 / 25

HEX #BE6E69

RGB 190 110 105

HSL 3.53, 0.4%, 0.58%

LAB 55.19, 31.12, 16.6

 

Complementary color

CMYK 57 / 3 / 0 / 41

HEX #419196

RGB 65 145 150

HSL 183.53, 0.4%, 0.42%

LAB 55.66, -22.77, -10.06

 

CMYK 0 / 44 / 49 / 24

HEX #C36E64

RGB 195 110 100

HSL 6.32, 0.44%, 0.58%

LAB 55.76, 32.56, 20.37

 

CMYK 0 / 40 / 44 / 17

HEX #D48077

RGB 212 128 119

HSL 5.81, 0.52%, 0.65%

LAB 62.31, 31.44, 18.78

 

CMYK 0 / 36 / 40 / 10

HEX #E5928A

RGB 229 146 138

HSL 5.27, 0.64%, 0.72%

LAB 68.79, 30.42, 17.37

 

CMYK 0 / 33 / 36 / 4

HEX #F6A49D

RGB 246 164 157

HSL 4.72, 0.83%, 0.79%

LAB 75.19, 29.5, 16.1

 

CMYK 0 / 29 / 31 / 0

HEX #FFB6B0

RGB 255 182 176

HSL 4.56, 1%, 0.85%

LAB 80.66, 25.71, 13.62

 

CMYK 0 / 42 / 45 / 25

HEX #BE6E69

RGB 190 110 105

HSL 3.53, 0.4%, 0.58%

LAB 55.19, 31.12, 16.6

 

CMYK 0 / 47 / 50 / 32

HEX #AD5C56

RGB 173 92 86

HSL 4.14, 0.35%, 0.51%

LAB 48.52, 32.28, 18.31

 

CMYK 0 / 53 / 57 / 39

HEX #9C4A43

RGB 156 74 67

HSL 4.72, 0.4%, 0.44%

LAB 41.8, 33.53, 20.33

 

CMYK 0 / 60 / 65 / 45

HEX #8B3830

RGB 139 56 48

HSL 5.27, 0.49%, 0.37%

LAB 35.06, 34.81, 22.8

 

CMYK 0 / 69 / 76 / 52

HEX #7A261D

RGB 122 38 29

HSL 5.81, 0.62%, 0.3%

LAB 28.41, 35.96, 25.87

 

CMYK 0 / 42 / 45 / 25

HEX #BE6E69

RGB 190 110 105

HSL 3.53, 0.4%, 0.58%

LAB 55.19, 31.12, 16.6

 

CMYK 0 / 45 / 45 / 25

HEX #BE6969

RGB 190 105 105

HSL 0, 0.4%, 0.58%

LAB 54.1, 33.81, 15.09

 

CMYK 0 / 42 / 45 / 25

HEX #BE6E69

RGB 190 110 105

HSL 3.53, 0.4%, 0.58%

LAB 55.19, 31.12, 16.6

 

CMYK 0 / 30 / 45 / 25

HEX #BE8569

RGB 190 133 105

HSL 19.76, 0.4%, 0.58%

LAB 60.55, 18.49, 23.84

 

CMYK 0 / 18 / 45 / 25

HEX #BE9C69

RGB 190 156 105

HSL 36, 0.4%, 0.58%

LAB 66.32, 5.82, 31.4

 

CMYK 0 / 6 / 45 / 25

HEX #BEB369

RGB 190 179 105

HSL 52.24, 0.4%, 0.58%

LAB 72.37, -6.49, 39.06

 

CMYK 6 / 0 / 45 / 25

HEX #B2BE69

RGB 178 190 105

HSL 68.47, 0.4%, 0.58%

LAB 74.39, -17.04, 41.36

 

CMYK 0 / 42 / 45 / 25

HEX #BE6E69

RGB 190 110 105

HSL 3.53, 0.4%, 0.58%

LAB 55.19, 31.12, 16.6

 

CMYK 0 / 55 / 58 / 18

HEX #D05E57

RGB 208 94 87

HSL 3.47, 0.56%, 0.58%

LAB 54.14, 44.56, 26.08

 

CMYK 0 / 65 / 69 / 12

HEX #E14F46

RGB 225 79 70

HSL 3.48, 0.72%, 0.58%

LAB 54.07, 56.19, 36.33

 

CMYK 0 / 74 / 78 / 5

HEX #F24035

RGB 242 64 53

HSL 3.49, 0.88%, 0.58%

LAB 54.87, 66.38, 47.33

 

CMYK 0 / 42 / 45 / 25

HEX #BE6E69

RGB 190 110 105

HSL 3.53, 0.4%, 0.58%

LAB 55.19, 31.12, 16.6

 

CMYK 0 / 28 / 29 / 32

HEX #AD7D7A

RGB 173 125 122

HSL 3.53, 0.24%, 0.58%

LAB 57.03, 18.21, 9.01

 

CMYK 0 / 10 / 11 / 39

HEX #9C8C8B

RGB 156 140 139

HSL 3.53, 0.08%, 0.58%

LAB 59.61, 5.81, 2.71

 

CMYK 12 / 1 / 0 / 38

HEX #8A9B9D

RGB 138 155 157

HSL 186.32, 0.09%, 0.58%

LAB 62.74, -5.58, -3.1

 

CMYK 30 / 2 / 0 / 32

HEX #79ABAE

RGB 121 171 174

HSL 183.4, 0.25%, 0.58%

LAB 66.71, -15.73, -6.88

 

CMYK 0 / 45 / 23 / 25

HEX #BE6992

RGB 190 105 146

HSL 331.06, 0.4%, 0.58%

LAB 55.2, 39.02, -7.38

 

CMYK 0 / 45 / 35 / 25

HEX #BE697B

RGB 190 105 123

HSL 347.29, 0.4%, 0.58%

LAB 54.53, 35.89, 5.14

 

CMYK 0 / 43 / 45 / 25

HEX #BE6D69

RGB 190 109 105

HSL 2.82, 0.4%, 0.58%

LAB 54.97, 31.66, 16.3

 

CMYK 0 / 31 / 45 / 25

HEX #BE8469

RGB 190 132 105

HSL 19.06, 0.4%, 0.58%

LAB 60.31, 19.04, 23.52

 

CMYK 0 / 18 / 45 / 25

HEX #BE9B69

RGB 190 155 105

HSL 35.29, 0.4%, 0.58%

LAB 66.07, 6.37, 31.07

 

CMYK 0 / 54 / 58 / 42

HEX #95453F

RGB 149 69 63

HSL 4.19, 0.41%, 0.42%

LAB 39.59, 33.09, 19.68

 

CMYK 0 / 54 / 57 / 30

HEX #B2524C

RGB 178 82 76

HSL 3.53, 0.4%, 0.5%

LAB 47, 38.57, 22.37

 

CMYK 0 / 42 / 45 / 25

HEX #BE6E69

RGB 190 110 105

HSL 3.53, 0.4%, 0.58%

LAB 55.19, 31.12, 16.6

 

CMYK 0 / 32 / 34 / 20

HEX #CB8A85

RGB 203 138 133

HSL 4.29, 0.4%, 0.66%

LAB 63.81, 24.18, 12.77

 

CMYK 0 / 23 / 25 / 16

HEX #D7A5A2

RGB 215 165 162

HSL 3.4, 0.4%, 0.74%

LAB 72.21, 17.98, 8.67

 

CMYK 0 / 42 / 45 / 25

HEX #BE6E69

RGB 190 110 105

HSL 3.53, 0.4%, 0.58%

LAB 55.19, 31.12, 16.6

 

CMYK 11 / 0 / 45 / 25

HEX #A9BE69

RGB 169 190 105

HSL 74.82, 0.4%, 0.58%

LAB 73.73, -20.61, 40.39

 

CMYK 45 / 29 / 0 / 25

HEX #6987BE

RGB 105 135 190

HSL 218.82, 0.4%, 0.58%

LAB 56.14, 4.14, -32.06

 

CMYK 0 / 42 / 45 / 25

HEX #BE6E69

RGB 190 110 105

HSL 3.53, 0.4%, 0.58%

LAB 55.19, 31.12, 16.6

 

CMYK 45 / 0 / 43 / 25

HEX #69BE6D

RGB 105 190 109

HSL 122.82, 0.4%, 0.58%

LAB 70.13, -42.57, 33.05

 

CMYK 43 / 45 / 0 / 25

HEX #6D69BE

RGB 109 105 190

HSL 242.82, 0.4%, 0.58%

LAB 48.35, 23.22, -44.29

 

CMYK 0 / 42 / 45 / 25

HEX #BE6E69

RGB 190 110 105

HSL 3.53, 0.4%, 0.58%

LAB 55.19, 31.12, 16.6

 

CMYK 11 / 0 / 45 / 25

HEX #A9BE69

RGB 169 190 105

HSL 74.82, 0.4%, 0.58%

LAB 73.73, -20.61, 40.39

 

CMYK 45 / 2 / 0 / 25

HEX #69BABE

RGB 105 186 190

HSL 182.82, 0.4%, 0.58%

LAB 70.76, -23.69, -9.76

 

CMYK 34 / 45 / 0 / 25

HEX #7E69BE

RGB 126 105 190

HSL 254.82, 0.4%, 0.58%

LAB 49.81, 27.71, -41.89

 

CMYK 0 / 42 / 45 / 25

HEX #BE6E69

RGB 190 110 105

HSL 3.53, 0.4%, 0.58%

LAB 55.19, 31.12, 16.6

 

CMYK 25 / 0 / 45 / 25

HEX #8FBE69

RGB 143 190 105

HSL 93.18, 0.4%, 0.58%

LAB 72.02, -30.5, 37.89

 

CMYK 45 / 2 / 0 / 25

HEX #69BABE

RGB 105 186 190

HSL 182.82, 0.4%, 0.58%

LAB 70.76, -23.69, -9.76

 

CMYK 20 / 45 / 0 / 25

HEX #9869BE

RGB 152 105 190

HSL 273.18, 0.4%, 0.58%

LAB 52.39, 35.08, -37.64

 

Description

Color code: HEX #BE6E69 | qconv.com Color code: HEX #BE6E69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 110 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 110 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 45 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 45% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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