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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE741D it is the complementary color #418BE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE741D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE741D shade: #C37418, #D4862B, #E5983E, #F6AA51 and #FFBC64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE741D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE741D shade: #BE741D, #AD620A, #9C5000, #8B3E00 and #7A2C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE741D shade: #BE741C, #BE481C, #BE1C1C and #BE1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE741D shade: #BE741C, #BE9F1C, #B1BE1C, #86BE1C and #5ABE1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE741D shade matches the following richer shades: #BE741C and #D0750A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE741D shade: #BE741C, #AD722E, #9B713F, #896F51 and #776E63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE741D shade: #BE1C1C, #BE471C, #BE731C, #BE9E1C and #B3BE1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE741D shade: #774811, #9A5E17, #BE741C, #DE8925 and #E39D49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE741D shade: #BE741D, #47BE1C and #321CBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE741D shade: #BE741D, #1CBE73 and #731CBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE741D shade: #BE741D, #47BE1C, #1C68BE and #931CBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE741D shade: #BE741D, #1CBE21, #1C68BE and #BE1CB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 85 / 25

HEX #BE741D

RGB 190 116 29

HSL 32.42, 0.74%, 0.43%

LAB 55.61, 22.84, 55.66

 

Complementary color

CMYK 71 / 38 / 0 / 11

HEX #418BE2

RGB 65 139 226

HSL 212.42, 0.74%, 0.57%

LAB 57.15, 5.64, -50.87

 

CMYK 0 / 41 / 88 / 24

HEX #C37418

RGB 195 116 24

HSL 32.28, 0.78%, 0.43%

LAB 56.25, 24.87, 58.06

 

CMYK 0 / 37 / 80 / 17

HEX #D4862B

RGB 212 134 43

HSL 32.31, 0.66%, 0.5%

LAB 62.69, 22.94, 57.88

 

CMYK 0 / 34 / 73 / 10

HEX #E5983E

RGB 229 152 62

HSL 32.34, 0.76%, 0.57%

LAB 69.08, 21.24, 56.97

 

CMYK 0 / 31 / 67 / 4

HEX #F6AA51

RGB 246 170 81

HSL 32.36, 0.9%, 0.64%

LAB 75.41, 19.76, 55.73

 

CMYK 0 / 26 / 61 / 0

HEX #FFBC64

RGB 255 188 100

HSL 34.06, 1%, 0.7%

LAB 80.82, 15.19, 53.17

 

CMYK 0 / 39 / 85 / 25

HEX #BE741D

RGB 190 116 29

HSL 32.42, 0.74%, 0.43%

LAB 55.61, 22.84, 55.66

 

CMYK 0 / 43 / 94 / 32

HEX #AD620A

RGB 173 98 10

HSL 32.39, 0.89%, 0.36%

LAB 49.06, 24.96, 54.94

 

CMYK 0 / 49 / 100 / 39

HEX #9C5000

RGB 156 80 0

HSL 30.77, 1%, 0.31%

LAB 42.47, 27.35, 51.84

 

CMYK 0 / 55 / 100 / 45

HEX #8B3E00

RGB 139 62 0

HSL 26.76, 1%, 0.27%

LAB 35.86, 29.86, 46.54

 

CMYK 0 / 64 / 100 / 52

HEX #7A2C00

RGB 122 44 0

HSL 21.64, 1%, 0.24%

LAB 29.26, 32.2, 40.78

 

CMYK 0 / 39 / 85 / 25

HEX #BE741C

RGB 190 116 28

HSL 32.59, 0.74%, 0.43%

LAB 55.61, 22.82, 55.99

 

CMYK 0 / 62 / 85 / 25

HEX #BE481C

RGB 190 72 28

HSL 16.3, 0.74%, 0.43%

LAB 46.53, 45.44, 48.29

 

CMYK 0 / 85 / 85 / 25

HEX #BE1C1C

RGB 190 28 28

HSL 0, 0.74%, 0.43%

LAB 41, 60.67, 43.5

 

CMYK 0 / 85 / 85 / 25

HEX #BE1C1C

RGB 190 28 28

HSL 0, 0.74%, 0.43%

LAB 41, 60.67, 43.5

 

CMYK 0 / 39 / 85 / 25

HEX #BE741C

RGB 190 116 28

HSL 32.59, 0.74%, 0.43%

LAB 55.61, 22.82, 55.99

 

CMYK 0 / 16 / 85 / 25

HEX #BE9F1C

RGB 190 159 28

HSL 48.52, 0.74%, 0.43%

LAB 66.39, -0.73, 64.98

 

CMYK 7 / 0 / 85 / 25

HEX #B1BE1C

RGB 177 190 28

HSL 64.81, 0.74%, 0.43%

LAB 73.71, -22.42, 70.6

 

CMYK 29 / 0 / 85 / 25

HEX #86BE1C

RGB 134 190 28

HSL 80.74, 0.74%, 0.43%

LAB 70.86, -39.9, 67.04

 

CMYK 53 / 0 / 85 / 25

HEX #5ABE1C

RGB 90 190 28

HSL 97.04, 0.74%, 0.43%

LAB 68.81, -54.72, 64.47

 

CMYK 0 / 39 / 85 / 25

HEX #BE741C

RGB 190 116 28

HSL 32.59, 0.74%, 0.43%

LAB 55.61, 22.82, 55.99

 

CMYK 0 / 44 / 95 / 18

HEX #D0750A

RGB 208 117 10

HSL 32.42, 0.91%, 0.43%

LAB 58.18, 29.63, 63.55

 

CMYK 0 / 39 / 85 / 25

HEX #BE741C

RGB 190 116 28

HSL 32.59, 0.74%, 0.43%

LAB 55.61, 22.82, 55.99

 

CMYK 0 / 34 / 73 / 32

HEX #AD722E

RGB 173 114 46

HSL 32.13, 0.58%, 0.43%

LAB 53.08, 17.16, 45.57

 

CMYK 0 / 27 / 59 / 39

HEX #9B713F

RGB 155 113 63

HSL 32.61, 0.42%, 0.43%

LAB 50.85, 10.83, 33.91

 

CMYK 0 / 19 / 41 / 46

HEX #896F51

RGB 137 111 81

HSL 32.14, 0.26%, 0.43%

LAB 48.61, 5.87, 20.57

 

CMYK 0 / 8 / 17 / 53

HEX #776E63

RGB 119 110 99

HSL 33, 0.09%, 0.43%

LAB 46.94, 1.49, 7.4

 

CMYK 0 / 85 / 85 / 25

HEX #BE1C1C

RGB 190 28 28

HSL 0, 0.74%, 0.43%

LAB 41, 60.67, 43.5

 

CMYK 0 / 63 / 85 / 25

HEX #BE471C

RGB 190 71 28

HSL 15.93, 0.74%, 0.43%

LAB 46.36, 45.9, 48.15

 

CMYK 0 / 39 / 85 / 25

HEX #BE731C

RGB 190 115 28

HSL 32.22, 0.74%, 0.43%

LAB 55.37, 23.36, 55.8

 

CMYK 0 / 17 / 85 / 25

HEX #BE9E1C

RGB 190 158 28

HSL 48.15, 0.74%, 0.43%

LAB 66.12, -0.19, 64.76

 

CMYK 6 / 0 / 85 / 25

HEX #B3BE1C

RGB 179 190 28

HSL 64.07, 0.74%, 0.43%

LAB 73.87, -21.57, 70.79

 

CMYK 0 / 39 / 86 / 53

HEX #774811

RGB 119 72 17

HSL 32.35, 0.75%, 0.27%

LAB 35.2, 15.57, 38.67

 

CMYK 0 / 39 / 85 / 40

HEX #9A5E17

RGB 154 94 23

HSL 32.52, 0.74%, 0.35%

LAB 45.55, 19.07, 47.28

 

CMYK 0 / 39 / 85 / 25

HEX #BE741C

RGB 190 116 28

HSL 32.59, 0.74%, 0.43%

LAB 55.61, 22.82, 55.99

 

CMYK 0 / 38 / 83 / 13

HEX #DE8925

RGB 222 137 37

HSL 32.43, 0.74%, 0.51%

LAB 64.61, 25.38, 62.24

 

CMYK 0 / 31 / 68 / 11

HEX #E39D49

RGB 227 157 73

HSL 32.73, 0.73%, 0.59%

LAB 70.12, 18.3, 53.04

 

CMYK 0 / 39 / 85 / 25

HEX #BE741D

RGB 190 116 29

HSL 32.42, 0.74%, 0.43%

LAB 55.61, 22.84, 55.66

 

CMYK 63 / 0 / 85 / 25

HEX #47BE1C

RGB 71 190 28

HSL 104.07, 0.74%, 0.43%

LAB 68.2, -59.62, 63.7

 

CMYK 74 / 85 / 0 / 25

HEX #321CBE

RGB 50 28 190

HSL 248.15, 0.74%, 0.43%

LAB 27.37, 56.91, -78.64

 

CMYK 0 / 39 / 85 / 25

HEX #BE741D

RGB 190 116 29

HSL 32.42, 0.74%, 0.43%

LAB 55.61, 22.84, 55.66

 

CMYK 85 / 0 / 39 / 25

HEX #1CBE73

RGB 28 190 115

HSL 152.22, 0.74%, 0.43%

LAB 68.25, -56.21, 27.09

 

CMYK 39 / 85 / 0 / 25

HEX #731CBE

RGB 115 28 190

HSL 272.22, 0.74%, 0.43%

LAB 34.38, 63.33, -66.83

 

CMYK 0 / 39 / 85 / 25

HEX #BE741D

RGB 190 116 29

HSL 32.42, 0.74%, 0.43%

LAB 55.61, 22.84, 55.66

 

CMYK 63 / 0 / 85 / 25

HEX #47BE1C

RGB 71 190 28

HSL 104.07, 0.74%, 0.43%

LAB 68.2, -59.62, 63.7

 

CMYK 85 / 45 / 0 / 25

HEX #1C68BE

RGB 28 104 190

HSL 211.85, 0.74%, 0.43%

LAB 44.04, 9.74, -51.42

 

CMYK 23 / 85 / 0 / 25

HEX #931CBE

RGB 147 28 190

HSL 284.07, 0.74%, 0.43%

LAB 39.16, 68.04, -58.83

 

CMYK 0 / 39 / 85 / 25

HEX #BE741D

RGB 190 116 29

HSL 32.42, 0.74%, 0.43%

LAB 55.61, 22.84, 55.66

 

CMYK 85 / 0 / 83 / 25

HEX #1CBE21

RGB 28 190 33

HSL 121.85, 0.74%, 0.43%

LAB 67.41, -66.34, 61.45

 

CMYK 85 / 45 / 0 / 25

HEX #1C68BE

RGB 28 104 190

HSL 211.85, 0.74%, 0.43%

LAB 44.04, 9.74, -51.42

 

CMYK 0 / 85 / 3 / 25

HEX #BE1CB9

RGB 190 28 185

HSL 301.85, 0.74%, 0.43%

LAB 46.02, 74.66, -44.49

 

Description

Color code: HEX #BE741D | qconv.com Color code: HEX #BE741D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 116 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 116 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 85 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 85% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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