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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE7450 it is the complementary color #418BAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE7450. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE7450 shade: #C3744B, #D4865E, #E59871, #F6AA84 and #FFBC97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE7450. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE7450 shade: #BE7450, #AD623D, #9C502A, #8B3E17 and #7A2C04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE7450 shade: #BE7450, #BE5650 and #BE5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE7450 shade: #BE7450, #BE9150, #BEAF50, #AFBE50 and #91BE50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE7450 shade matches the following richer shades: #BE7450, #D16D3C, #E56629 and #F86015

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE7450 shade: #BE7450, #AA7A63, #978176, #84888A and #708E9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE7450 shade: #BE5067, #BE5550, #BE7250, #BE9050 and #BEAD50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE7450 shade: #894E32, #A7603D, #BE7450, #C98C6E and #D4A38C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE7450 shade: #BE7450, #85BE50 and #5059BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE7450 shade: #BE7450, #50BE72 and #7250BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE7450 shade: #BE7450, #85BE50, #509BBE and #8850BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE7450 shade: #BE7450, #64BE50, #509BBE and #AA50BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 58 / 25

HEX #BE7450

RGB 190 116 80

HSL 19.64, 0.46%, 0.53%

LAB 56.1, 25.53, 32.02

 

Complementary color

CMYK 63 / 21 / 0 / 31

HEX #418BAF

RGB 65 139 175

HSL 199.64, 0.46%, 0.47%

LAB 54.75, -11.81, -25.81

 

CMYK 0 / 41 / 62 / 24

HEX #C3744B

RGB 195 116 75

HSL 20.5, 0.5%, 0.53%

LAB 56.68, 27.22, 35.62

 

CMYK 0 / 37 / 56 / 17

HEX #D4865E

RGB 212 134 94

HSL 20.34, 0.58%, 0.6%

LAB 63.22, 25.88, 33.87

 

CMYK 0 / 34 / 51 / 10

HEX #E59871

RGB 229 152 113

HSL 20.17, 0.69%, 0.67%

LAB 69.69, 24.7, 32.27

 

CMYK 0 / 31 / 46 / 4

HEX #F6AA84

RGB 246 170 132

HSL 20, 0.86%, 0.74%

LAB 76.07, 23.65, 30.81

 

CMYK 0 / 26 / 41 / 0

HEX #FFBC97

RGB 255 188 151

HSL 21.35, 1%, 0.8%

LAB 81.54, 19.64, 28.19

 

CMYK 0 / 39 / 58 / 25

HEX #BE7450

RGB 190 116 80

HSL 19.64, 0.46%, 0.53%

LAB 56.1, 25.53, 32.02

 

CMYK 0 / 43 / 65 / 32

HEX #AD623D

RGB 173 98 61

HSL 19.82, 0.48%, 0.46%

LAB 49.44, 26.96, 33.88

 

CMYK 0 / 49 / 73 / 39

HEX #9C502A

RGB 156 80 42

HSL 20, 0.58%, 0.39%

LAB 42.72, 28.59, 35.89

 

CMYK 0 / 55 / 83 / 45

HEX #8B3E17

RGB 139 62 23

HSL 20.17, 0.72%, 0.32%

LAB 35.98, 30.4, 37.86

 

CMYK 0 / 64 / 97 / 52

HEX #7A2C04

RGB 122 44 4

HSL 20.34, 0.94%, 0.25%

LAB 29.28, 32.29, 39.17

 

CMYK 0 / 39 / 58 / 25

HEX #BE7450

RGB 190 116 80

HSL 19.64, 0.46%, 0.53%

LAB 56.1, 25.53, 32.02

 

CMYK 0 / 55 / 58 / 25

HEX #BE5650

RGB 190 86 80

HSL 3.27, 0.46%, 0.53%

LAB 49.72, 41.36, 23.89

 

CMYK 0 / 58 / 58 / 25

HEX #BE5050

RGB 190 80 80

HSL 0, 0.46%, 0.53%

LAB 48.59, 44.29, 22.42

 

CMYK 0 / 39 / 58 / 25

HEX #BE7450

RGB 190 116 80

HSL 19.64, 0.46%, 0.53%

LAB 56.1, 25.53, 32.02

 

CMYK 0 / 24 / 58 / 25

HEX #BE9150

RGB 190 145 80

HSL 35.45, 0.46%, 0.53%

LAB 63.16, 9.54, 40.61

 

CMYK 0 / 8 / 58 / 25

HEX #BEAF50

RGB 190 175 80

HSL 51.82, 0.46%, 0.53%

LAB 71, -6.61, 49.71

 

CMYK 8 / 0 / 58 / 25

HEX #AFBE50

RGB 175 190 80

HSL 68.18, 0.46%, 0.53%

LAB 73.88, -20.57, 52.62

 

CMYK 24 / 0 / 58 / 25

HEX #91BE50

RGB 145 190 80

HSL 84.55, 0.46%, 0.53%

LAB 71.84, -32.48, 49.77

 

CMYK 0 / 39 / 58 / 25

HEX #BE7450

RGB 190 116 80

HSL 19.64, 0.46%, 0.53%

LAB 56.1, 25.53, 32.02

 

CMYK 0 / 48 / 71 / 18

HEX #D16D3C

RGB 209 109 60

HSL 19.73, 0.62%, 0.53%

LAB 56.9, 35.7, 44.26

 

CMYK 0 / 55 / 82 / 10

HEX #E56629

RGB 229 102 41

HSL 19.47, 0.78%, 0.53%

LAB 58.34, 46.17, 55.59

 

CMYK 0 / 61 / 92 / 3

HEX #F86015

RGB 248 96 21

HSL 19.82, 0.94%, 0.53%

LAB 60.23, 55.36, 65.39

 

CMYK 0 / 39 / 58 / 25

HEX #BE7450

RGB 190 116 80

HSL 19.64, 0.46%, 0.53%

LAB 56.1, 25.53, 32.02

 

CMYK 0 / 28 / 42 / 33

HEX #AA7A63

RGB 170 122 99

HSL 19.44, 0.29%, 0.53%

LAB 55.45, 15.73, 19.99

 

CMYK 0 / 15 / 22 / 41

HEX #978176

RGB 151 129 118

HSL 20, 0.14%, 0.53%

LAB 55.67, 6.58, 9.07

 

CMYK 4 / 1 / 0 / 46

HEX #84888A

RGB 132 136 138

HSL 200, 0.02%, 0.53%

LAB 56.44, -1.06, -1.59

 

CMYK 29 / 10 / 0 / 38

HEX #708E9D

RGB 112 142 157

HSL 200, 0.19%, 0.53%

LAB 57.29, -6.89, -11.39

 

CMYK 0 / 58 / 46 / 25

HEX #BE5067

RGB 190 80 103

HSL 347.45, 0.46%, 0.53%

LAB 49.09, 46.31, 9.29

 

CMYK 0 / 55 / 58 / 25

HEX #BE5550

RGB 190 85 80

HSL 2.73, 0.46%, 0.53%

LAB 49.52, 41.86, 23.64

 

CMYK 0 / 40 / 58 / 25

HEX #BE7250

RGB 190 114 80

HSL 18.55, 0.46%, 0.53%

LAB 55.65, 26.63, 31.45

 

CMYK 0 / 24 / 58 / 25

HEX #BE9050

RGB 190 144 80

HSL 34.91, 0.46%, 0.53%

LAB 62.9, 10.09, 40.31

 

CMYK 0 / 9 / 58 / 25

HEX #BEAD50

RGB 190 173 80

HSL 50.73, 0.46%, 0.53%

LAB 70.46, -5.56, 49.1

 

CMYK 0 / 43 / 64 / 46

HEX #894E32

RGB 137 78 50

HSL 19.31, 0.47%, 0.37%

LAB 39.58, 22.07, 27.07

 

CMYK 0 / 43 / 63 / 35

HEX #A7603D

RGB 167 96 61

HSL 19.81, 0.46%, 0.45%

LAB 48.16, 25.55, 32.15

 

CMYK 0 / 39 / 58 / 25

HEX #BE7450

RGB 190 116 80

HSL 19.64, 0.46%, 0.53%

LAB 56.1, 25.53, 32.02

 

CMYK 0 / 30 / 45 / 21

HEX #C98C6E

RGB 201 140 110

HSL 19.78, 0.46%, 0.61%

LAB 63.59, 19.64, 25.32

 

CMYK 0 / 23 / 34 / 17

HEX #D4A38C

RGB 212 163 140

HSL 19.17, 0.46%, 0.69%

LAB 70.93, 14.95, 18.93

 

CMYK 0 / 39 / 58 / 25

HEX #BE7450

RGB 190 116 80

HSL 19.64, 0.46%, 0.53%

LAB 56.1, 25.53, 32.02

 

CMYK 30 / 0 / 58 / 25

HEX #85BE50

RGB 133 190 80

HSL 91.09, 0.46%, 0.53%

LAB 71.14, -36.95, 48.78

 

CMYK 58 / 53 / 0 / 25

HEX #5059BE

RGB 80 89 190

HSL 235.09, 0.46%, 0.53%

LAB 42.1, 26.63, -54.42

 

CMYK 0 / 39 / 58 / 25

HEX #BE7450

RGB 190 116 80

HSL 19.64, 0.46%, 0.53%

LAB 56.1, 25.53, 32.02

 

CMYK 58 / 0 / 40 / 25

HEX #50BE72

RGB 80 190 114

HSL 138.55, 0.46%, 0.53%

LAB 69.29, -48.3, 29.18

 

CMYK 40 / 58 / 0 / 25

HEX #7250BE

RGB 114 80 190

HSL 258.55, 0.46%, 0.53%

LAB 42.81, 39.38, -53.13

 

CMYK 0 / 39 / 58 / 25

HEX #BE7450

RGB 190 116 80

HSL 19.64, 0.46%, 0.53%

LAB 56.1, 25.53, 32.02

 

CMYK 30 / 0 / 58 / 25

HEX #85BE50

RGB 133 190 80

HSL 91.09, 0.46%, 0.53%

LAB 71.14, -36.95, 48.78

 

CMYK 58 / 18 / 0 / 25

HEX #509BBE

RGB 80 155 190

HSL 199.09, 0.46%, 0.53%

LAB 60.66, -13, -25.15

 

CMYK 28 / 58 / 0 / 25

HEX #8850BE

RGB 136 80 190

HSL 270.55, 0.46%, 0.53%

LAB 45.21, 44.64, -49.16

 

CMYK 0 / 39 / 58 / 25

HEX #BE7450

RGB 190 116 80

HSL 19.64, 0.46%, 0.53%

LAB 56.1, 25.53, 32.02

 

CMYK 47 / 0 / 58 / 25

HEX #64BE50

RGB 100 190 80

HSL 109.09, 0.46%, 0.53%

LAB 69.55, -47.9, 46.54

 

CMYK 58 / 18 / 0 / 25

HEX #509BBE

RGB 80 155 190

HSL 199.09, 0.46%, 0.53%

LAB 60.66, -13, -25.15

 

CMYK 11 / 58 / 0 / 25

HEX #AA50BE

RGB 170 80 190

HSL 289.09, 0.46%, 0.53%

LAB 49.5, 53.28, -42.06

 

Description

Color code: HEX #BE7450 | qconv.com Color code: HEX #BE7450 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 116 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 116 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 58 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 58% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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