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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE866F it is the complementary color #417990. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE866F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE866F shade: #C3866A, #D4987D, #E5AA90, #F6BCA3 and #FFCEB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE866F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE866F shade: #BE866F, #AD745C, #9C6249, #8B5036 and #7A3E23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE866F shade: #BE856E, #BE706E and #BE6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE866F shade: #BE856E, #BE9B6E, #BEB06E, #B6BE6E and #A0BE6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE866F shade matches the following richer shades: #BE856E, #CF7E5D, #E0774C and #F0703B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE866F shade: #BE856E, #AD8C7F, #9C9390, #8B9BA1 and #7AA2B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE866F shade: #BE6E82, #BE706E, #BE856E, #BE9A6E and #BEAF6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE866F shade: #965B43, #B16D52, #BE856E, #CA9D8B and #D7B5A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE866F shade: #BE866F, #97BE6E and #6E77BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE866F shade: #BE866F, #6EBE85 and #856EBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE866F shade: #BE866F, #97BE6E, #6EA7BE and #956EBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE866F shade: #BE866F, #7FBE6E, #6EA7BE and #AC6EBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 42 / 25

HEX #BE866F

RGB 190 134 111

HSL 17.47, 0.38%, 0.59%

LAB 60.91, 18.6, 20.95

 

Complementary color

CMYK 55 / 16 / 0 / 44

HEX #417990

RGB 65 121 144

HSL 197.47, 0.38%, 0.41%

LAB 48.02, -11.58, -18.13

 

CMYK 0 / 31 / 46 / 24

HEX #C3866A

RGB 195 134 106

HSL 18.88, 0.43%, 0.59%

LAB 61.39, 20.08, 24.49

 

CMYK 0 / 28 / 41 / 17

HEX #D4987D

RGB 212 152 125

HSL 18.62, 0.5%, 0.66%

LAB 67.97, 19.13, 23.12

 

CMYK 0 / 26 / 37 / 10

HEX #E5AA90

RGB 229 170 144

HSL 18.35, 0.62%, 0.73%

LAB 74.46, 18.3, 21.87

 

CMYK 0 / 24 / 34 / 4

HEX #F6BCA3

RGB 246 188 163

HSL 18.07, 0.82%, 0.8%

LAB 80.85, 17.56, 20.72

 

CMYK 0 / 19 / 29 / 0

HEX #FFCEB6

RGB 255 206 182

HSL 19.73, 1%, 0.86%

LAB 86.39, 13.92, 18.48

 

CMYK 0 / 29 / 42 / 25

HEX #BE866F

RGB 190 134 111

HSL 17.47, 0.38%, 0.59%

LAB 60.91, 18.6, 20.95

 

CMYK 0 / 33 / 47 / 32

HEX #AD745C

RGB 173 116 92

HSL 17.78, 0.33%, 0.52%

LAB 54.18, 19.59, 22.37

 

CMYK 0 / 37 / 53 / 39

HEX #9C6249

RGB 156 98 73

HSL 18.07, 0.36%, 0.45%

LAB 47.35, 20.75, 23.97

 

CMYK 0 / 42 / 61 / 45

HEX #8B5036

RGB 139 80 54

HSL 18.35, 0.44%, 0.38%

LAB 40.4, 22.1, 25.81

 

CMYK 0 / 49 / 71 / 52

HEX #7A3E23

RGB 122 62 35

HSL 18.62, 0.55%, 0.31%

LAB 33.36, 23.7, 27.9

 

CMYK 0 / 30 / 42 / 25

HEX #BE856E

RGB 190 133 110

HSL 17.25, 0.38%, 0.59%

LAB 60.65, 19.04, 21.16

 

CMYK 0 / 41 / 42 / 25

HEX #BE706E

RGB 190 112 110

HSL 1.5, 0.38%, 0.59%

LAB 55.75, 30.59, 14.45

 

CMYK 0 / 42 / 42 / 25

HEX #BE6E6E

RGB 190 110 110

HSL 0, 0.38%, 0.59%

LAB 55.3, 31.67, 13.84

 

CMYK 0 / 30 / 42 / 25

HEX #BE856E

RGB 190 133 110

HSL 17.25, 0.38%, 0.59%

LAB 60.65, 19.04, 21.16

 

CMYK 0 / 18 / 42 / 25

HEX #BE9B6E

RGB 190 155 110

HSL 33.75, 0.38%, 0.59%

LAB 66.15, 6.91, 28.48

 

CMYK 0 / 7 / 42 / 25

HEX #BEB06E

RGB 190 176 110

HSL 49.5, 0.38%, 0.59%

LAB 71.64, -4.39, 35.57

 

CMYK 4 / 0 / 42 / 25

HEX #B6BE6E

RGB 182 190 110

HSL 66, 0.38%, 0.59%

LAB 74.76, -14.9, 39.37

 

CMYK 16 / 0 / 42 / 25

HEX #A0BE6E

RGB 160 190 110

HSL 82.5, 0.38%, 0.59%

LAB 73.17, -23.52, 37.03

 

CMYK 0 / 30 / 42 / 25

HEX #BE856E

RGB 190 133 110

HSL 17.25, 0.38%, 0.59%

LAB 60.65, 19.04, 21.16

 

CMYK 0 / 39 / 55 / 19

HEX #CF7E5D

RGB 207 126 93

HSL 17.37, 0.54%, 0.59%

LAB 60.76, 28.09, 31.17

 

CMYK 0 / 47 / 66 / 12

HEX #E0774C

RGB 224 119 76

HSL 17.43, 0.7%, 0.59%

LAB 61.28, 37.32, 41.5

 

CMYK 0 / 53 / 75 / 6

HEX #F0703B

RGB 240 112 59

HSL 17.57, 0.86%, 0.59%

LAB 62.02, 46.09, 51.57

 

CMYK 0 / 30 / 42 / 25

HEX #BE856E

RGB 190 133 110

HSL 17.25, 0.38%, 0.59%

LAB 60.65, 19.04, 21.16

 

CMYK 0 / 19 / 27 / 32

HEX #AD8C7F

RGB 173 140 127

HSL 16.96, 0.22%, 0.59%

LAB 60.93, 10.49, 11.66

 

CMYK 0 / 6 / 8 / 39

HEX #9C9390

RGB 156 147 144

HSL 15, 0.06%, 0.59%

LAB 61.61, 2.77, 2.77

 

CMYK 14 / 4 / 0 / 37

HEX #8B9BA1

RGB 139 155 161

HSL 196.36, 0.1%, 0.59%

LAB 62.93, -4.38, -5.07

 

CMYK 31 / 9 / 0 / 30

HEX #7AA2B2

RGB 122 162 178

HSL 197.14, 0.27%, 0.59%

LAB 64.32, -9.65, -12.67

 

CMYK 0 / 42 / 32 / 25

HEX #BE6E82

RGB 190 110 130

HSL 345, 0.38%, 0.59%

LAB 55.8, 34.11, 2.86

 

CMYK 0 / 41 / 42 / 25

HEX #BE706E

RGB 190 112 110

HSL 1.5, 0.38%, 0.59%

LAB 55.75, 30.59, 14.45

 

CMYK 0 / 30 / 42 / 25

HEX #BE856E

RGB 190 133 110

HSL 17.25, 0.38%, 0.59%

LAB 60.65, 19.04, 21.16

 

CMYK 0 / 19 / 42 / 25

HEX #BE9A6E

RGB 190 154 110

HSL 33, 0.38%, 0.59%

LAB 65.89, 7.45, 28.14

 

CMYK 0 / 8 / 42 / 25

HEX #BEAF6E

RGB 190 175 110

HSL 48.75, 0.38%, 0.59%

LAB 71.37, -3.86, 35.23

 

CMYK 0 / 39 / 55 / 41

HEX #965B43

RGB 150 91 67

HSL 17.35, 0.38%, 0.43%

LAB 44.76, 21.63, 23.99

 

CMYK 0 / 38 / 54 / 31

HEX #B16D52

RGB 177 109 82

HSL 17.05, 0.38%, 0.51%

LAB 52.83, 24.19, 26.41

 

CMYK 0 / 30 / 42 / 25

HEX #BE856E

RGB 190 133 110

HSL 17.25, 0.38%, 0.59%

LAB 60.65, 19.04, 21.16

 

CMYK 0 / 22 / 31 / 21

HEX #CA9D8B

RGB 202 157 139

HSL 17.14, 0.37%, 0.67%

LAB 68.41, 14.17, 15.83

 

CMYK 0 / 16 / 22 / 16

HEX #D7B5A7

RGB 215 181 167

HSL 17.5, 0.38%, 0.75%

LAB 76.24, 10.08, 11.68

 

CMYK 0 / 29 / 42 / 25

HEX #BE866F

RGB 190 134 111

HSL 17.47, 0.38%, 0.59%

LAB 60.91, 18.6, 20.95

 

CMYK 21 / 0 / 42 / 25

HEX #97BE6E

RGB 151 190 110

HSL 89.25, 0.38%, 0.59%

LAB 72.58, -26.92, 36.16

 

CMYK 42 / 37 / 0 / 25

HEX #6E77BE

RGB 110 119 190

HSL 233.25, 0.38%, 0.59%

LAB 52.09, 14.98, -38.37

 

CMYK 0 / 29 / 42 / 25

HEX #BE866F

RGB 190 134 111

HSL 17.47, 0.38%, 0.59%

LAB 60.91, 18.6, 20.95

 

CMYK 42 / 0 / 30 / 25

HEX #6EBE85

RGB 110 190 133

HSL 137.25, 0.38%, 0.59%

LAB 70.76, -37.05, 21.3

 

CMYK 30 / 42 / 0 / 25

HEX #856EBE

RGB 133 110 190

HSL 257.25, 0.38%, 0.59%

LAB 51.67, 26.7, -38.9

 

CMYK 0 / 29 / 42 / 25

HEX #BE866F

RGB 190 134 111

HSL 17.47, 0.38%, 0.59%

LAB 60.91, 18.6, 20.95

 

CMYK 21 / 0 / 42 / 25

HEX #97BE6E

RGB 151 190 110

HSL 89.25, 0.38%, 0.59%

LAB 72.58, -26.92, 36.16

 

CMYK 42 / 12 / 0 / 25

HEX #6EA7BE

RGB 110 167 190

HSL 197.25, 0.38%, 0.59%

LAB 65.49, -12.56, -17.66

 

CMYK 22 / 42 / 0 / 25

HEX #956EBE

RGB 149 110 190

HSL 269.25, 0.38%, 0.59%

LAB 53.23, 31.34, -36.34

 

CMYK 0 / 29 / 42 / 25

HEX #BE866F

RGB 190 134 111

HSL 17.47, 0.38%, 0.59%

LAB 60.91, 18.6, 20.95

 

CMYK 33 / 0 / 42 / 25

HEX #7FBE6E

RGB 127 190 110

HSL 107.25, 0.38%, 0.59%

LAB 71.19, -35.46, 34.1

 

CMYK 42 / 12 / 0 / 25

HEX #6EA7BE

RGB 110 167 190

HSL 197.25, 0.38%, 0.59%

LAB 65.49, -12.56, -17.66

 

CMYK 9 / 42 / 0 / 25

HEX #AC6EBE

RGB 172 110 190

HSL 286.5, 0.38%, 0.59%

LAB 55.73, 38.25, -32.26

 

Description

Color code: HEX #BE866F | qconv.com Color code: HEX #BE866F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 134 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 134 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 42 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 42% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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