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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE8868 it is the complementary color #417797. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE8868. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE8868 shade: #C38863, #D49A76, #E5AC89, #F6BE9C and #FFD0AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE8868. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE8868 shade: #BE8868, #AD7655, #9C6442, #8B522F and #7A401C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE8868 shade: #BE8869, #BE7169 and #BE6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE8868 shade: #BE8869, #BEA069, #BEB769, #AFBE69 and #98BE69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE8868 shade matches the following richer shades: #BE8869, #D08457, #E18046 and #F27B35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE8868 shade: #BE8869, #AD8D7A, #9C918B, #8A969D and #799AAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE8868 shade: #BE6977, #BE7169, #BE8869, #BE9F69 and #BEB669

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE8868 shade: #955F3F, #B2724C, #BE8869, #CB9F85 and #D7B6A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE8868 shade: #BE8868, #8EBE69 and #696BBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE8868 shade: #BE8868, #69BE88 and #8869BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE8868 shade: #BE8868, #8EBE69, #699FBE and #9969BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE8868 shade: #BE8868, #74BE69, #699FBE and #B369BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 45 / 25

HEX #BE8868

RGB 190 136 104

HSL 22.33, 0.4%, 0.58%

LAB 61.27, 16.72, 25.34

 

Complementary color

CMYK 57 / 21 / 0 / 41

HEX #417797

RGB 65 119 151

HSL 202.33, 0.4%, 0.42%

LAB 47.69, -8.21, -22.77

 

CMYK 0 / 30 / 49 / 24

HEX #C38863

RGB 195 136 99

HSL 23.13, 0.44%, 0.58%

LAB 61.75, 18.28, 28.85

 

CMYK 0 / 27 / 44 / 17

HEX #D49A76

RGB 212 154 118

HSL 22.98, 0.52%, 0.65%

LAB 68.33, 17.29, 27.43

 

CMYK 0 / 25 / 40 / 10

HEX #E5AC89

RGB 229 172 137

HSL 22.83, 0.64%, 0.72%

LAB 74.81, 16.43, 26.12

 

CMYK 0 / 23 / 37 / 4

HEX #F6BE9C

RGB 246 190 156

HSL 22.67, 0.83%, 0.79%

LAB 81.19, 15.68, 24.91

 

CMYK 0 / 18 / 31 / 0

HEX #FFD0AF

RGB 255 208 175

HSL 24.75, 1%, 0.84%

LAB 86.73, 11.99, 22.63

 

CMYK 0 / 28 / 45 / 25

HEX #BE8868

RGB 190 136 104

HSL 22.33, 0.4%, 0.58%

LAB 61.27, 16.72, 25.34

 

CMYK 0 / 32 / 51 / 32

HEX #AD7655

RGB 173 118 85

HSL 22.5, 0.35%, 0.51%

LAB 54.55, 17.76, 26.83

 

CMYK 0 / 36 / 58 / 39

HEX #9C6442

RGB 156 100 66

HSL 22.67, 0.41%, 0.44%

LAB 47.72, 18.98, 28.47

 

CMYK 0 / 41 / 66 / 45

HEX #8B522F

RGB 139 82 47

HSL 22.83, 0.49%, 0.36%

LAB 40.78, 20.42, 30.29

 

CMYK 0 / 48 / 77 / 52

HEX #7A401C

RGB 122 64 28

HSL 22.98, 0.63%, 0.29%

LAB 33.75, 22.15, 32.22

 

CMYK 0 / 28 / 45 / 25

HEX #BE8869

RGB 190 136 105

HSL 21.88, 0.4%, 0.58%

LAB 61.29, 16.83, 24.81

 

CMYK 0 / 41 / 45 / 25

HEX #BE7169

RGB 190 113 105

HSL 5.65, 0.4%, 0.58%

LAB 55.86, 29.5, 17.51

 

CMYK 0 / 45 / 45 / 25

HEX #BE6969

RGB 190 105 105

HSL 0, 0.4%, 0.58%

LAB 54.1, 33.81, 15.09

 

CMYK 0 / 28 / 45 / 25

HEX #BE8869

RGB 190 136 105

HSL 21.88, 0.4%, 0.58%

LAB 61.29, 16.83, 24.81

 

CMYK 0 / 16 / 45 / 25

HEX #BEA069

RGB 190 160 105

HSL 38.82, 0.4%, 0.58%

LAB 67.36, 3.65, 32.73

 

CMYK 0 / 4 / 45 / 25

HEX #BEB769

RGB 190 183 105

HSL 55.06, 0.4%, 0.58%

LAB 73.44, -8.58, 40.39

 

CMYK 8 / 0 / 45 / 25

HEX #AFBE69

RGB 175 190 105

HSL 70.59, 0.4%, 0.58%

LAB 74.16, -18.23, 41.03

 

CMYK 20 / 0 / 45 / 25

HEX #98BE69

RGB 152 190 105

HSL 86.82, 0.4%, 0.58%

LAB 72.58, -27.16, 38.71

 

CMYK 0 / 28 / 45 / 25

HEX #BE8869

RGB 190 136 105

HSL 21.88, 0.4%, 0.58%

LAB 61.29, 16.83, 24.81

 

CMYK 0 / 37 / 58 / 18

HEX #D08457

RGB 208 132 87

HSL 22.31, 0.56%, 0.58%

LAB 62.17, 24.77, 36.22

 

CMYK 0 / 43 / 69 / 12

HEX #E18046

RGB 225 128 70

HSL 22.45, 0.72%, 0.58%

LAB 63.25, 32.71, 46.86

 

CMYK 0 / 49 / 78 / 5

HEX #F27B35

RGB 242 123 53

HSL 22.22, 0.88%, 0.58%

LAB 64.4, 41.23, 56.79

 

CMYK 0 / 28 / 45 / 25

HEX #BE8869

RGB 190 136 105

HSL 21.88, 0.4%, 0.58%

LAB 61.29, 16.83, 24.81

 

CMYK 0 / 18 / 29 / 32

HEX #AD8D7A

RGB 173 141 122

HSL 22.35, 0.24%, 0.58%

LAB 61.08, 9.22, 14.69

 

CMYK 0 / 7 / 11 / 39

HEX #9C918B

RGB 156 145 139

HSL 21.18, 0.08%, 0.58%

LAB 60.94, 3, 4.64

 

CMYK 12 / 4 / 0 / 38

HEX #8A969D

RGB 138 150 157

HSL 202.11, 0.09%, 0.58%

LAB 61.35, -2.82, -5.15

 

CMYK 30 / 11 / 0 / 32

HEX #799AAE

RGB 121 154 174

HSL 202.64, 0.25%, 0.58%

LAB 61.85, -6.57, -14.14

 

CMYK 0 / 45 / 37 / 25

HEX #BE6977

RGB 190 105 119

HSL 350.12, 0.4%, 0.58%

LAB 54.43, 35.4, 7.34

 

CMYK 0 / 41 / 45 / 25

HEX #BE7169

RGB 190 113 105

HSL 5.65, 0.4%, 0.58%

LAB 55.86, 29.5, 17.51

 

CMYK 0 / 28 / 45 / 25

HEX #BE8869

RGB 190 136 105

HSL 21.88, 0.4%, 0.58%

LAB 61.29, 16.83, 24.81

 

CMYK 0 / 16 / 45 / 25

HEX #BE9F69

RGB 190 159 105

HSL 38.12, 0.4%, 0.58%

LAB 67.1, 4.19, 32.39

 

CMYK 0 / 4 / 45 / 25

HEX #BEB669

RGB 190 182 105

HSL 54.35, 0.4%, 0.58%

LAB 73.17, -8.06, 40.06

 

CMYK 0 / 36 / 58 / 42

HEX #955F3F

RGB 149 95 63

HSL 22.33, 0.41%, 0.42%

LAB 45.54, 18.55, 27.27

 

CMYK 0 / 36 / 57 / 30

HEX #B2724C

RGB 178 114 76

HSL 22.35, 0.4%, 0.5%

LAB 54.05, 21.31, 31.35

 

CMYK 0 / 28 / 45 / 25

HEX #BE8869

RGB 190 136 105

HSL 21.88, 0.4%, 0.58%

LAB 61.29, 16.83, 24.81

 

CMYK 0 / 22 / 34 / 20

HEX #CB9F85

RGB 203 159 133

HSL 22.29, 0.4%, 0.66%

LAB 68.89, 12.7, 19.81

 

CMYK 0 / 15 / 25 / 16

HEX #D7B6A2

RGB 215 182 162

HSL 22.64, 0.4%, 0.74%

LAB 76.38, 8.83, 14.59

 

CMYK 0 / 28 / 45 / 25

HEX #BE8868

RGB 190 136 104

HSL 22.33, 0.4%, 0.58%

LAB 61.27, 16.72, 25.34

 

CMYK 25 / 0 / 45 / 25

HEX #8EBE69

RGB 142 190 105

HSL 93.88, 0.4%, 0.58%

LAB 71.96, -30.87, 37.8

 

CMYK 45 / 44 / 0 / 25

HEX #696BBE

RGB 105 107 190

HSL 238.59, 0.4%, 0.58%

LAB 48.56, 20.99, -43.99

 

CMYK 0 / 28 / 45 / 25

HEX #BE8868

RGB 190 136 104

HSL 22.33, 0.4%, 0.58%

LAB 61.27, 16.72, 25.34

 

CMYK 45 / 0 / 28 / 25

HEX #69BE88

RGB 105 190 136

HSL 141.88, 0.4%, 0.58%

LAB 70.6, -37.9, 19.44

 

CMYK 28 / 45 / 0 / 25

HEX #8869BE

RGB 136 105 190

HSL 261.88, 0.4%, 0.58%

LAB 50.75, 30.48, -40.34

 

CMYK 0 / 28 / 45 / 25

HEX #BE8868

RGB 190 136 104

HSL 22.33, 0.4%, 0.58%

LAB 61.27, 16.72, 25.34

 

CMYK 25 / 0 / 45 / 25

HEX #8EBE69

RGB 142 190 105

HSL 93.88, 0.4%, 0.58%

LAB 71.96, -30.87, 37.8

 

CMYK 45 / 16 / 0 / 25

HEX #699FBE

RGB 105 159 190

HSL 201.88, 0.4%, 0.58%

LAB 62.94, -9.49, -21.56

 

CMYK 19 / 45 / 0 / 25

HEX #9969BE

RGB 153 105 190

HSL 273.88, 0.4%, 0.58%

LAB 52.5, 35.37, -37.46

 

CMYK 0 / 28 / 45 / 25

HEX #BE8868

RGB 190 136 104

HSL 22.33, 0.4%, 0.58%

LAB 61.27, 16.72, 25.34

 

CMYK 39 / 0 / 45 / 25

HEX #74BE69

RGB 116 190 105

HSL 112.24, 0.4%, 0.58%

LAB 70.57, -39.78, 35.75

 

CMYK 45 / 16 / 0 / 25

HEX #699FBE

RGB 105 159 190

HSL 201.88, 0.4%, 0.58%

LAB 62.94, -9.49, -21.56

 

CMYK 6 / 45 / 0 / 25

HEX #B369BE

RGB 179 105 190

HSL 292.24, 0.4%, 0.58%

LAB 55.49, 43.06, -32.57

 

Description

Color code: HEX #BE8868 | qconv.com Color code: HEX #BE8868 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 136 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 136 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 45 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 45% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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