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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE8392 it is the complementary color #417C6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE8392. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE8392 shade: #C3838D, #D495A0, #E5A7B3, #F6B9C6 and #FFCBD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE8392. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE8392 shade: #BE8392, #AD717F, #9C5F6C, #8B4D59 and #7A3B46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE8392 shade: #BD8392 and #BD8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE8392 shade: #BD8392, #BD83A2, #BD83B1, #BA83BD and #AA83BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE8392 shade matches the following richer shades: #BD8392, #CD748A, #DC6483, #EB557B and #FA4674

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE8392 shade: #BD8392, #AE9299, #9FA1A1, #90B1A8 and #80C0B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE8392 shade: #BD83B2, #BD83A2, #BD8393, #BD8383 and #BD9383

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE8392 shade: #9C5265, #AF687A, #BD8392, #CC9EAA and #DAB9C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE8392 shade: #BE8392, #BDB983 and #83AABD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE8392 shade: #BE8392, #93BD83 and #8393BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE8392 shade: #BE8392, #BDB983, #83BDAE and #8387BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE8392 shade: #BE8392, #B0BD83, #83BDAE and #9183BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 23 / 25

HEX #BE8392

RGB 190 131 146

HSL 344.75, 0.31%, 0.63%

LAB 61.01, 24.88, 1.17

 

Complementary color

CMYK 48 / 0 / 12 / 51

HEX #417C6D

RGB 65 124 109

HSL 164.75, 0.31%, 0.37%

LAB 47.81, -23.17, 2.23

 

CMYK 0 / 33 / 28 / 24

HEX #C3838D

RGB 195 131 141

HSL 350.63, 0.35%, 0.64%

LAB 61.44, 26.03, 4.73

 

CMYK 0 / 30 / 25 / 17

HEX #D495A0

RGB 212 149 160

HSL 349.52, 0.42%, 0.71%

LAB 68.04, 25.25, 3.76

 

CMYK 0 / 27 / 22 / 10

HEX #E5A7B3

RGB 229 167 179

HSL 348.39, 0.54%, 0.78%

LAB 74.54, 24.54, 2.88

 

CMYK 0 / 25 / 20 / 4

HEX #F6B9C6

RGB 246 185 198

HSL 347.21, 0.77%, 0.85%

LAB 80.94, 23.89, 2.05

 

CMYK 0 / 20 / 15 / 0

HEX #FFCBD9

RGB 255 203 217

HSL 343.85, 1%, 0.9%

LAB 86.49, 20.5, 0.08

 

CMYK 0 / 31 / 23 / 25

HEX #BE8392

RGB 190 131 146

HSL 344.75, 0.31%, 0.63%

LAB 61.01, 24.88, 1.17

 

CMYK 0 / 35 / 27 / 32

HEX #AD717F

RGB 173 113 127

HSL 346, 0.27%, 0.56%

LAB 54.27, 25.69, 2.13

 

CMYK 0 / 39 / 31 / 39

HEX #9C5F6C

RGB 156 95 108

HSL 347.21, 0.24%, 0.49%

LAB 47.41, 26.57, 3.22

 

CMYK 0 / 45 / 36 / 45

HEX #8B4D59

RGB 139 77 89

HSL 348.39, 0.29%, 0.42%

LAB 40.44, 27.55, 4.51

 

CMYK 0 / 52 / 43 / 52

HEX #7A3B46

RGB 122 59 70

HSL 349.52, 0.35%, 0.35%

LAB 33.37, 28.61, 6.08

 

CMYK 0 / 31 / 23 / 26

HEX #BD8392

RGB 189 131 146

HSL 344.48, 0.31%, 0.63%

LAB 60.89, 24.51, 0.99

 

CMYK 0 / 31 / 31 / 26

HEX #BD8383

RGB 189 131 131

HSL 0, 0.31%, 0.63%

LAB 60.51, 22.36, 9.02

 

CMYK 0 / 31 / 23 / 26

HEX #BD8392

RGB 189 131 146

HSL 344.48, 0.31%, 0.63%

LAB 60.89, 24.51, 0.99

 

CMYK 0 / 31 / 14 / 26

HEX #BD83A2

RGB 189 131 162

HSL 327.93, 0.31%, 0.63%

LAB 61.36, 27.05, -7.47

 

CMYK 0 / 31 / 6 / 26

HEX #BD83B1

RGB 189 131 177

HSL 312.41, 0.31%, 0.63%

LAB 61.85, 29.65, -15.28

 

CMYK 2 / 31 / 0 / 26

HEX #BA83BD

RGB 186 131 189

HSL 296.9, 0.31%, 0.63%

LAB 61.95, 30.89, -21.95

 

CMYK 10 / 31 / 0 / 26

HEX #AA83BD

RGB 170 131 189

HSL 280.34, 0.31%, 0.63%

LAB 60.3, 25.65, -24.64

 

CMYK 0 / 31 / 23 / 26

HEX #BD8392

RGB 189 131 146

HSL 344.48, 0.31%, 0.63%

LAB 60.89, 24.51, 0.99

 

CMYK 0 / 43 / 33 / 20

HEX #CD748A

RGB 205 116 138

HSL 345.17, 0.47%, 0.63%

LAB 59.26, 37.42, 3.46

 

CMYK 0 / 55 / 40 / 14

HEX #DC6483

RGB 220 100 131

HSL 344.5, 0.63%, 0.63%

LAB 58.01, 49.89, 6

 

CMYK 0 / 64 / 48 / 8

HEX #EB557B

RGB 235 85 123

HSL 344.8, 0.79%, 0.63%

LAB 57.65, 60.62, 10.49

 

CMYK 0 / 72 / 54 / 2

HEX #FA4674

RGB 250 70 116

HSL 344.67, 0.95%, 0.63%

LAB 58, 70.04, 15.49

 

CMYK 0 / 31 / 23 / 26

HEX #BD8392

RGB 189 131 146

HSL 344.48, 0.31%, 0.63%

LAB 60.89, 24.51, 0.99

 

CMYK 0 / 16 / 12 / 32

HEX #AE9299

RGB 174 146 153

HSL 345, 0.15%, 0.63%

LAB 63.22, 11.65, 0.22

 

CMYK 1 / 0 / 0 / 37

HEX #9FA1A1

RGB 159 161 161

HSL 180, 0.01%, 0.63%

LAB 66.09, -0.71, -0.26

 

CMYK 19 / 0 / 5 / 31

HEX #90B1A8

RGB 144 177 168

HSL 163.64, 0.17%, 0.63%

LAB 69.61, -13.07, 0.87

 

CMYK 33 / 0 / 8 / 25

HEX #80C0B0

RGB 128 192 176

HSL 165, 0.34%, 0.63%

LAB 73.17, -23.97, 1.56

 

CMYK 0 / 31 / 6 / 26

HEX #BD83B2

RGB 189 131 178

HSL 311.38, 0.31%, 0.63%

LAB 61.88, 29.84, -15.79

 

CMYK 0 / 31 / 14 / 26

HEX #BD83A2

RGB 189 131 162

HSL 327.93, 0.31%, 0.63%

LAB 61.36, 27.05, -7.47

 

CMYK 0 / 31 / 22 / 26

HEX #BD8393

RGB 189 131 147

HSL 343.45, 0.31%, 0.63%

LAB 60.92, 24.66, 0.46

 

CMYK 0 / 31 / 31 / 26

HEX #BD8383

RGB 189 131 131

HSL 0, 0.31%, 0.63%

LAB 60.51, 22.36, 9.02

 

CMYK 0 / 22 / 31 / 26

HEX #BD9383

RGB 189 147 131

HSL 16.55, 0.31%, 0.63%

LAB 64.42, 13.49, 14.53

 

CMYK 0 / 47 / 35 / 39

HEX #9C5265

RGB 156 82 101

HSL 344.59, 0.31%, 0.47%

LAB 44.29, 32.86, 2.97

 

CMYK 0 / 41 / 30 / 31

HEX #AF687A

RGB 175 104 122

HSL 344.79, 0.31%, 0.55%

LAB 52.31, 30.73, 2.26

 

CMYK 0 / 31 / 23 / 26

HEX #BD8392

RGB 189 131 146

HSL 344.48, 0.31%, 0.63%

LAB 60.89, 24.51, 0.99

 

CMYK 0 / 23 / 17 / 20

HEX #CC9EAA

RGB 204 158 170

HSL 344.35, 0.31%, 0.71%

LAB 69.61, 18.92, 0.35

 

CMYK 0 / 15 / 11 / 15

HEX #DAB9C1

RGB 218 185 193

HSL 345.45, 0.31%, 0.79%

LAB 78.14, 13.1, 0.35

 

CMYK 0 / 31 / 23 / 25

HEX #BE8392

RGB 190 131 146

HSL 344.75, 0.31%, 0.63%

LAB 61.01, 24.88, 1.17

 

CMYK 0 / 2 / 31 / 26

HEX #BDB983

RGB 189 185 131

HSL 55.86, 0.31%, 0.63%

LAB 74.29, -7.04, 27.98

 

CMYK 31 / 10 / 0 / 26

HEX #83AABD

RGB 131 170 189

HSL 199.66, 0.31%, 0.63%

LAB 67.46, -8.62, -14.01

 

CMYK 0 / 31 / 23 / 25

HEX #BE8392

RGB 190 131 146

HSL 344.75, 0.31%, 0.63%

LAB 61.01, 24.88, 1.17

 

CMYK 22 / 0 / 31 / 26

HEX #93BD83

RGB 147 189 131

HSL 103.45, 0.31%, 0.63%

LAB 72.39, -24.91, 24.9

 

CMYK 31 / 22 / 0 / 26

HEX #8393BD

RGB 131 147 189

HSL 223.45, 0.31%, 0.63%

LAB 61.1, 4.18, -23.68

 

CMYK 0 / 31 / 23 / 25

HEX #BE8392

RGB 190 131 146

HSL 344.75, 0.31%, 0.63%

LAB 61.01, 24.88, 1.17

 

CMYK 0 / 2 / 31 / 26

HEX #BDB983

RGB 189 185 131

HSL 55.86, 0.31%, 0.63%

LAB 74.29, -7.04, 27.98

 

CMYK 31 / 0 / 8 / 26

HEX #83BDAE

RGB 131 189 174

HSL 164.48, 0.31%, 0.63%

LAB 72.41, -22.03, 1.57

 

CMYK 31 / 29 / 0 / 26

HEX #8387BD

RGB 131 135 189

HSL 235.86, 0.31%, 0.63%

LAB 57.87, 11.11, -28.66

 

CMYK 0 / 31 / 23 / 25

HEX #BE8392

RGB 190 131 146

HSL 344.75, 0.31%, 0.63%

LAB 61.01, 24.88, 1.17

 

CMYK 7 / 0 / 31 / 26

HEX #B0BD83

RGB 176 189 131

HSL 73.45, 0.31%, 0.63%

LAB 74.36, -14.16, 27.89

 

CMYK 31 / 0 / 8 / 26

HEX #83BDAE

RGB 131 189 174

HSL 164.48, 0.31%, 0.63%

LAB 72.41, -22.03, 1.57

 

CMYK 23 / 31 / 0 / 26

HEX #9183BD

RGB 145 131 189

HSL 254.48, 0.31%, 0.63%

LAB 57.97, 17.7, -28.42

 

Description

Color code: HEX #BE8392 | qconv.com Color code: HEX #BE8392 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 131 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 131 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 23 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 23% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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