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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE8DE9 it is the complementary color #417216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE8DE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE8DE9 shade: #C38DE4, #D49FF7, #E5B1FF, #F6C3FF and #FFD5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE8DE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE8DE9 shade: #BE8DE9, #AD7BD6, #9C69C3, #8B57B0 and #7A459D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE8DE9 shade: #BD8BE8, #D68BE8, #E88BE2, #E88BC8 and #E88BAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE8DE9 shade: #BD8BE8, #A38BE8 and #8B8BE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE8DE9 shade matches the following richer shades: #BD8BE8 and #BD80F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE8DE9 shade: #BD8BE8, #BC96DD, #BBA1D2, #BBACC7 and #BAB7BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE8DE9 shade: #8B8CE8, #A28BE8, #BB8BE8, #D48BE8 and #E88BE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE8DE9 shade: #9546DB, #A968E2, #BD8BE8, #D0ADEF and #E4D0F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE8DE9 shade: #BE8DE9, #E88BA5 and #8BE896

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE8DE9 shade: #BE8DE9, #E8BB8B and #8BE8BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE8DE9 shade: #BE8DE9, #E88BA5, #B8E88B and #8BE8CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE8DE9 shade: #BE8DE9, #E88C8B, #B8E88B and #8BE7E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 39 / 0 / 9

HEX #BE8DE9

RGB 190 141 233

HSL 271.96, 0.68%, 0.73%

LAB 66.43, 35.75, -39.56

 

Complementary color

CMYK 43 / 0 / 81 / 55

HEX #417216

RGB 65 114 22

HSL 91.96, 0.68%, 0.27%

LAB 43.09, -32.48, 42.35

 

CMYK 14 / 38 / 0 / 11

HEX #C38DE4

RGB 195 141 228

HSL 277.24, 0.62%, 0.72%

LAB 66.71, 36.14, -36.32

 

CMYK 14 / 36 / 0 / 3

HEX #D49FF7

RGB 212 159 247

HSL 276.14, 0.85%, 0.8%

LAB 73.23, 35.41, -36.47

 

CMYK 10 / 31 / 0 / 0

HEX #E5B1FF

RGB 229 177 255

HSL 280, 1%, 0.85%

LAB 79.23, 32.49, -31.38

 

CMYK 4 / 24 / 0 / 0

HEX #F6C3FF

RGB 246 195 255

HSL 291, 1%, 0.88%

LAB 84.92, 28.22, -22.55

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 18 / 39 / 0 / 9

HEX #BE8DE9

RGB 190 141 233

HSL 271.96, 0.68%, 0.73%

LAB 66.43, 35.75, -39.56

 

CMYK 19 / 43 / 0 / 16

HEX #AD7BD6

RGB 173 123 214

HSL 272.97, 0.53%, 0.66%

LAB 59.8, 36.54, -39.49

 

CMYK 20 / 46 / 0 / 24

HEX #9C69C3

RGB 156 105 195

HSL 274, 0.43%, 0.59%

LAB 53.07, 37.38, -39.41

 

CMYK 21 / 51 / 0 / 31

HEX #8B57B0

RGB 139 87 176

HSL 275.06, 0.36%, 0.52%

LAB 46.23, 38.26, -39.33

 

CMYK 22 / 56 / 0 / 38

HEX #7A459D

RGB 122 69 157

HSL 276.14, 0.39%, 0.44%

LAB 39.29, 39.13, -39.2

 

CMYK 19 / 40 / 0 / 9

HEX #BD8BE8

RGB 189 139 232

HSL 272.26, 0.67%, 0.73%

LAB 65.83, 36.34, -39.95

 

CMYK 8 / 40 / 0 / 9

HEX #D68BE8

RGB 214 139 232

HSL 288.39, 0.67%, 0.73%

LAB 68.45, 43.69, -35.67

 

CMYK 0 / 40 / 3 / 9

HEX #E88BE2

RGB 232 139 226

HSL 303.87, 0.67%, 0.73%

LAB 70.25, 47.98, -29.41

 

CMYK 0 / 40 / 14 / 9

HEX #E88BC8

RGB 232 139 200

HSL 320.65, 0.67%, 0.73%

LAB 69.32, 43.62, -16.44

 

CMYK 0 / 40 / 25 / 9

HEX #E88BAF

RGB 232 139 175

HSL 336.77, 0.67%, 0.73%

LAB 68.55, 39.88, -3.63

 

CMYK 19 / 40 / 0 / 9

HEX #BD8BE8

RGB 189 139 232

HSL 272.26, 0.67%, 0.73%

LAB 65.83, 36.34, -39.95

 

CMYK 30 / 40 / 0 / 9

HEX #A38BE8

RGB 163 139 232

HSL 255.48, 0.67%, 0.73%

LAB 63.41, 28.96, -43.93

 

CMYK 40 / 40 / 0 / 9

HEX #8B8BE8

RGB 139 139 232

HSL 240, 0.67%, 0.73%

LAB 61.46, 22.58, -47.12

 

CMYK 19 / 40 / 0 / 9

HEX #BD8BE8

RGB 189 139 232

HSL 272.26, 0.67%, 0.73%

LAB 65.83, 36.34, -39.95

 

CMYK 23 / 48 / 0 / 4

HEX #BD80F4

RGB 189 128 244

HSL 271.55, 0.84%, 0.73%

LAB 63.99, 45.02, -49.47

 

CMYK 19 / 40 / 0 / 9

HEX #BD8BE8

RGB 189 139 232

HSL 272.26, 0.67%, 0.73%

LAB 65.83, 36.34, -39.95

 

CMYK 15 / 32 / 0 / 13

HEX #BC96DD

RGB 188 150 221

HSL 272.11, 0.51%, 0.73%

LAB 67.82, 27.54, -30.8

 

CMYK 11 / 23 / 0 / 18

HEX #BBA1D2

RGB 187 161 210

HSL 271.84, 0.35%, 0.73%

LAB 69.97, 18.76, -21.43

 

CMYK 6 / 14 / 0 / 22

HEX #BBACC7

RGB 187 172 199

HSL 273.33, 0.19%, 0.73%

LAB 72.36, 10.44, -11.78

 

CMYK 1 / 3 / 0 / 26

HEX #BAB7BC

RGB 186 183 188

HSL 276, 0.04%, 0.73%

LAB 74.79, 1.99, -2.17

 

CMYK 40 / 40 / 0 / 9

HEX #8B8CE8

RGB 139 140 232

HSL 239.35, 0.67%, 0.73%

LAB 61.72, 22, -46.72

 

CMYK 30 / 40 / 0 / 9

HEX #A28BE8

RGB 162 139 232

HSL 254.84, 0.67%, 0.73%

LAB 63.32, 28.69, -44.07

 

CMYK 19 / 40 / 0 / 9

HEX #BB8BE8

RGB 187 139 232

HSL 270.97, 0.67%, 0.73%

LAB 65.64, 35.76, -40.27

 

CMYK 9 / 40 / 0 / 9

HEX #D48BE8

RGB 212 139 232

HSL 287.1, 0.67%, 0.73%

LAB 68.23, 43.09, -36.03

 

CMYK 0 / 40 / 2 / 9

HEX #E88BE4

RGB 232 139 228

HSL 302.58, 0.67%, 0.73%

LAB 70.33, 48.33, -30.39

 

CMYK 32 / 68 / 0 / 14

HEX #9546DB

RGB 149 70 219

HSL 271.81, 0.67%, 0.57%

LAB 46.82, 59.4, -63.18

 

CMYK 25 / 54 / 0 / 11

HEX #A968E2

RGB 169 104 226

HSL 271.97, 0.68%, 0.65%

LAB 55.91, 48.55, -52.41

 

CMYK 19 / 40 / 0 / 9

HEX #BD8BE8

RGB 189 139 232

HSL 272.26, 0.67%, 0.73%

LAB 65.83, 36.34, -39.95

 

CMYK 13 / 28 / 0 / 6

HEX #D0ADEF

RGB 208 173 239

HSL 271.82, 0.67%, 0.81%

LAB 75.78, 24.9, -28.23

 

CMYK 7 / 15 / 0 / 4

HEX #E4D0F6

RGB 228 208 246

HSL 271.58, 0.68%, 0.89%

LAB 86.14, 13.83, -16.09

 

CMYK 18 / 39 / 0 / 9

HEX #BE8DE9

RGB 190 141 233

HSL 271.96, 0.68%, 0.73%

LAB 66.43, 35.75, -39.56

 

CMYK 0 / 40 / 29 / 9

HEX #E88BA5

RGB 232 139 165

HSL 343.23, 0.67%, 0.73%

LAB 68.27, 38.52, 1.58

 

CMYK 40 / 0 / 35 / 9

HEX #8BE896

RGB 139 232 150

HSL 127.1, 0.67%, 0.73%

LAB 84.69, -44.29, 31.44

 

CMYK 18 / 39 / 0 / 9

HEX #BE8DE9

RGB 190 141 233

HSL 271.96, 0.68%, 0.73%

LAB 66.43, 35.75, -39.56

 

CMYK 0 / 19 / 40 / 9

HEX #E8BB8B

RGB 232 187 139

HSL 30.97, 0.67%, 0.73%

LAB 78.79, 9.87, 30.43

 

CMYK 40 / 0 / 19 / 9

HEX #8BE8BB

RGB 139 232 187

HSL 150.97, 0.67%, 0.73%

LAB 85.4, -37.58, 13.31

 

CMYK 18 / 39 / 0 / 9

HEX #BE8DE9

RGB 190 141 233

HSL 271.96, 0.68%, 0.73%

LAB 66.43, 35.75, -39.56

 

CMYK 0 / 40 / 29 / 9

HEX #E88BA5

RGB 232 139 165

HSL 343.23, 0.67%, 0.73%

LAB 68.27, 38.52, 1.58

 

CMYK 21 / 0 / 40 / 9

HEX #B8E88B

RGB 184 232 139

HSL 90.97, 0.67%, 0.73%

LAB 86.88, -31.18, 40.27

 

CMYK 40 / 0 / 11 / 9

HEX #8BE8CE

RGB 139 232 206

HSL 163.23, 0.67%, 0.73%

LAB 85.84, -33.59, 3.97

 

CMYK 18 / 39 / 0 / 9

HEX #BE8DE9

RGB 190 141 233

HSL 271.96, 0.68%, 0.73%

LAB 66.43, 35.75, -39.56

 

CMYK 0 / 40 / 40 / 9

HEX #E88C8B

RGB 232 140 139

HSL 0.65, 0.67%, 0.73%

LAB 67.86, 34.83, 15.57

 

CMYK 21 / 0 / 40 / 9

HEX #B8E88B

RGB 184 232 139

HSL 90.97, 0.67%, 0.73%

LAB 86.88, -31.18, 40.27

 

CMYK 40 / 0 / 0 / 9

HEX #8BE7E8

RGB 139 231 232

HSL 180.65, 0.67%, 0.73%

LAB 86.24, -27.11, -9.12

 

Description

Color code: HEX #BE8DE9 | qconv.com Color code: HEX #BE8DE9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 141 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 141 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 39 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 39% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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