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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE8E88 it is the complementary color #417177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE8E88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE8E88 shade: #C38E83, #D4A096, #E5B2A9, #F6C4BC and #FFD6CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE8E88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE8E88 shade: #BE8E88, #AD7C75, #9C6A62, #8B584F and #7A463C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE8E88 shade: #BD8E88 and #BD8888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE8E88 shade: #BD8E88, #BD9C88, #BDAB88, #BDB988 and #B3BD88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE8E88 shade matches the following richer shades: #BD8E88, #CC8279, #DB776A, #EA6B5C and #F9604D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE8E88 shade: #BD8E88, #AE9A97, #A0A5A6, #91B1B5 and #82BCC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE8E88 shade: #BD889F, #BD8891, #BD8D88, #BD9C88 and #BDAA88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE8E88 shade: #9D5E56, #AF756D, #BD8E88, #CCA7A3 and #DBC1BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE8E88 shade: #BE8E88, #ADBD88 and #8898BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE8E88 shade: #BE8E88, #88BD8D and #8D88BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE8E88 shade: #BE8E88, #ADBD88, #88B8BD and #9888BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE8E88 shade: #BE8E88, #9DBD88, #88B8BD and #A888BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 28 / 25

HEX #BE8E88

RGB 190 142 136

HSL 6.67, 0.29%, 0.64%

LAB 63.4, 17.33, 10.29

 

Complementary color

CMYK 45 / 5 / 0 / 53

HEX #417177

RGB 65 113 119

HSL 186.67, 0.29%, 0.36%

LAB 44.61, -14.57, -8.43

 

CMYK 0 / 27 / 33 / 24

HEX #C38E83

RGB 195 142 131

HSL 10.31, 0.35%, 0.64%

LAB 63.82, 18.61, 13.79

 

CMYK 0 / 25 / 29 / 17

HEX #D4A096

RGB 212 160 150

HSL 9.68, 0.42%, 0.71%

LAB 70.41, 17.88, 12.71

 

CMYK 0 / 22 / 26 / 10

HEX #E5B2A9

RGB 229 178 169

HSL 9, 0.54%, 0.78%

LAB 76.9, 17.23, 11.71

 

CMYK 0 / 20 / 24 / 4

HEX #F6C4BC

RGB 246 196 188

HSL 8.28, 0.76%, 0.85%

LAB 83.29, 16.64, 10.79

 

CMYK 0 / 16 / 19 / 0

HEX #FFD6CF

RGB 255 214 207

HSL 8.75, 1%, 0.91%

LAB 88.86, 13.23, 8.79

 

CMYK 0 / 25 / 28 / 25

HEX #BE8E88

RGB 190 142 136

HSL 6.67, 0.29%, 0.64%

LAB 63.4, 17.33, 10.29

 

CMYK 0 / 28 / 32 / 32

HEX #AD7C75

RGB 173 124 117

HSL 7.5, 0.25%, 0.57%

LAB 56.67, 18.09, 11.38

 

CMYK 0 / 32 / 37 / 39

HEX #9C6A62

RGB 156 106 98

HSL 8.28, 0.23%, 0.5%

LAB 49.81, 18.95, 12.59

 

CMYK 0 / 37 / 43 / 45

HEX #8B584F

RGB 139 88 79

HSL 9, 0.28%, 0.43%

LAB 42.81, 19.95, 13.98

 

CMYK 0 / 43 / 51 / 52

HEX #7A463C

RGB 122 70 60

HSL 9.68, 0.34%, 0.36%

LAB 35.68, 21.13, 15.62

 

CMYK 0 / 25 / 28 / 26

HEX #BD8E88

RGB 189 142 136

HSL 6.79, 0.29%, 0.64%

LAB 63.3, 16.94, 10.13

 

CMYK 0 / 28 / 28 / 26

HEX #BD8888

RGB 189 136 136

HSL 0, 0.29%, 0.64%

LAB 61.83, 20.27, 8.05

 

CMYK 0 / 25 / 28 / 26

HEX #BD8E88

RGB 189 142 136

HSL 6.79, 0.29%, 0.64%

LAB 63.3, 16.94, 10.13

 

CMYK 0 / 17 / 28 / 26

HEX #BD9C88

RGB 189 156 136

HSL 22.64, 0.29%, 0.64%

LAB 66.8, 9.21, 15.06

 

CMYK 0 / 10 / 28 / 26

HEX #BDAB88

RGB 189 171 136

HSL 39.62, 0.29%, 0.64%

LAB 70.68, 1.06, 20.42

 

CMYK 0 / 2 / 28 / 26

HEX #BDB988

RGB 189 185 136

HSL 55.47, 0.29%, 0.64%

LAB 74.38, -6.38, 25.44

 

CMYK 5 / 0 / 28 / 26

HEX #B3BD88

RGB 179 189 136

HSL 71.32, 0.29%, 0.64%

LAB 74.67, -12.32, 25.7

 

CMYK 0 / 25 / 28 / 26

HEX #BD8E88

RGB 189 142 136

HSL 6.79, 0.29%, 0.64%

LAB 63.3, 16.94, 10.13

 

CMYK 0 / 36 / 41 / 20

HEX #CC8279

RGB 204 130 121

HSL 6.51, 0.45%, 0.64%

LAB 61.81, 27.49, 16.8

 

CMYK 0 / 46 / 52 / 14

HEX #DB776A

RGB 219 119 106

HSL 6.9, 0.61%, 0.64%

LAB 61.04, 37.6, 24.58

 

CMYK 0 / 54 / 61 / 8

HEX #EA6B5C

RGB 234 107 92

HSL 6.34, 0.77%, 0.64%

LAB 60.59, 48.04, 32.29

 

CMYK 0 / 61 / 69 / 2

HEX #F9604D

RGB 249 96 77

HSL 6.63, 0.93%, 0.64%

LAB 60.82, 57.4, 41.39

 

CMYK 0 / 25 / 28 / 26

HEX #BD8E88

RGB 189 142 136

HSL 6.79, 0.29%, 0.64%

LAB 63.3, 16.94, 10.13

 

CMYK 0 / 11 / 13 / 32

HEX #AE9A97

RGB 174 154 151

HSL 7.83, 0.12%, 0.64%

LAB 65.23, 6.85, 4.26

 

CMYK 4 / 1 / 0 / 35

HEX #A0A5A6

RGB 160 165 166

HSL 190, 0.03%, 0.64%

LAB 67.38, -1.58, -1.14

 

CMYK 20 / 2 / 0 / 29

HEX #91B1B5

RGB 145 177 181

HSL 186.67, 0.2%, 0.64%

LAB 70.04, -9.95, -5.66

 

CMYK 33 / 4 / 0 / 24

HEX #82BCC3

RGB 130 188 195

HSL 186.46, 0.35%, 0.64%

LAB 72.66, -16.95, -9.54

 

CMYK 0 / 28 / 16 / 26

HEX #BD889F

RGB 189 136 159

HSL 333.96, 0.29%, 0.64%

LAB 62.45, 23.78, -4.15

 

CMYK 0 / 28 / 23 / 26

HEX #BD8891

RGB 189 136 145

HSL 349.81, 0.29%, 0.64%

LAB 62.06, 21.58, 3.25

 

CMYK 0 / 25 / 28 / 26

HEX #BD8D88

RGB 189 141 136

HSL 5.66, 0.29%, 0.64%

LAB 63.05, 17.5, 9.78

 

CMYK 0 / 17 / 28 / 26

HEX #BD9C88

RGB 189 156 136

HSL 22.64, 0.29%, 0.64%

LAB 66.8, 9.21, 15.06

 

CMYK 0 / 10 / 28 / 26

HEX #BDAA88

RGB 189 170 136

HSL 38.49, 0.29%, 0.64%

LAB 70.42, 1.59, 20.06

 

CMYK 0 / 40 / 45 / 38

HEX #9D5E56

RGB 157 94 86

HSL 6.76, 0.29%, 0.48%

LAB 46.77, 24.77, 15.56

 

CMYK 0 / 33 / 38 / 31

HEX #AF756D

RGB 175 117 109

HSL 7.27, 0.29%, 0.56%

LAB 55.01, 21.79, 13.73

 

CMYK 0 / 25 / 28 / 26

HEX #BD8E88

RGB 189 142 136

HSL 6.79, 0.29%, 0.64%

LAB 63.3, 16.94, 10.13

 

CMYK 0 / 18 / 20 / 20

HEX #CCA7A3

RGB 204 167 163

HSL 5.85, 0.29%, 0.72%

LAB 71.64, 12.91, 7.16

 

CMYK 0 / 12 / 14 / 14

HEX #DBC1BD

RGB 219 193 189

HSL 8, 0.29%, 0.8%

LAB 80.11, 8.54, 5.38

 

CMYK 0 / 25 / 28 / 25

HEX #BE8E88

RGB 190 142 136

HSL 6.67, 0.29%, 0.64%

LAB 63.4, 17.33, 10.29

 

CMYK 8 / 0 / 28 / 26

HEX #ADBD88

RGB 173 189 136

HSL 78.11, 0.29%, 0.64%

LAB 74.23, -14.6, 25.03

 

CMYK 28 / 20 / 0 / 26

HEX #8898BD

RGB 136 152 189

HSL 221.89, 0.29%, 0.64%

LAB 62.81, 2.85, -21.03

 

CMYK 0 / 25 / 28 / 25

HEX #BE8E88

RGB 190 142 136

HSL 6.67, 0.29%, 0.64%

LAB 63.4, 17.33, 10.29

 

CMYK 28 / 0 / 25 / 26

HEX #88BD8D

RGB 136 189 141

HSL 125.66, 0.29%, 0.64%

LAB 71.93, -27.02, 18.83

 

CMYK 25 / 28 / 0 / 26

HEX #8D88BD

RGB 141 136 189

HSL 245.66, 0.29%, 0.64%

LAB 58.92, 13.56, -26.97

 

CMYK 0 / 25 / 28 / 25

HEX #BE8E88

RGB 190 142 136

HSL 6.67, 0.29%, 0.64%

LAB 63.4, 17.33, 10.29

 

CMYK 8 / 0 / 28 / 26

HEX #ADBD88

RGB 173 189 136

HSL 78.11, 0.29%, 0.64%

LAB 74.23, -14.6, 25.03

 

CMYK 28 / 3 / 0 / 26

HEX #88B8BD

RGB 136 184 189

HSL 185.66, 0.29%, 0.64%

LAB 71.68, -14.58, -7.68

 

CMYK 20 / 28 / 0 / 26

HEX #9888BD

RGB 152 136 189

HSL 258.11, 0.29%, 0.64%

LAB 59.85, 17, -25.46

 

CMYK 0 / 25 / 28 / 25

HEX #BE8E88

RGB 190 142 136

HSL 6.67, 0.29%, 0.64%

LAB 63.4, 17.33, 10.29

 

CMYK 17 / 0 / 28 / 26

HEX #9DBD88

RGB 157 189 136

HSL 96.23, 0.29%, 0.64%

LAB 73.12, -20.54, 23.34

 

CMYK 28 / 3 / 0 / 26

HEX #88B8BD

RGB 136 184 189

HSL 185.66, 0.29%, 0.64%

LAB 71.68, -14.58, -7.68

 

CMYK 11 / 28 / 0 / 26

HEX #A888BD

RGB 168 136 189

HSL 276.23, 0.29%, 0.64%

LAB 61.31, 22.17, -23.09

 

Description

Color code: HEX #BE8E88 | qconv.com Color code: HEX #BE8E88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 142 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 142 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 28 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 28% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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