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Color name
HEX #BE8F30

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE8F30 it is the complementary color #4170CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE8F30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE8F30 shade: #C38F2B, #D4A13E, #E5B351, #F6C564 and #FFD777

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE8F30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE8F30 shade: #BE8F30, #AD7D1D, #9C6B0A, #8B5900 and #7A4700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE8F30 shade: #BF902F, #BF692F, #BF422F and #BF2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE8F30 shade: #BF902F, #BFB62F, #A1BF2F, #7BBF2F and #54BF2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE8F30 shade matches the following richer shades: #BF902F, #D3961C and #E69D09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE8F30 shade: #BF902F, #AC8943, #988356, #857C6A and #72757D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE8F30 shade: #BF432F, #BF692F, #BF8F2F, #BFB62F and #A2BF2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE8F30 shade: #7D5E1F, #9E7727, #BF902F, #D1A347 and #D9B468

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE8F30 shade: #BE8F30, #43BF2F and #562FBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE8F30 shade: #BE8F30, #2FBF8F and #8F2FBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE8F30 shade: #BE8F30, #43BF2F, #2F5FBF and #AC2FBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE8F30 shade: #BE8F30, #2FBF47, #2F5FBF and #BF2FA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 75 / 25

HEX #BE8F30

RGB 190 143 48

HSL 40.14, 0.6%, 0.47%

LAB 62.34, 8.66, 54.66

 

Complementary color

CMYK 69 / 46 / 0 / 19

HEX #4170CF

RGB 65 112 207

HSL 220.14, 0.6%, 0.53%

LAB 48.53, 15.4, -53.92

 

CMYK 0 / 27 / 78 / 24

HEX #C38F2B

RGB 195 143 43

HSL 39.47, 0.64%, 0.47%

LAB 62.86, 10.66, 57.31

 

CMYK 0 / 24 / 71 / 17

HEX #D4A13E

RGB 212 161 62

HSL 39.6, 0.64%, 0.54%

LAB 69.35, 9.18, 56.63

 

CMYK 0 / 22 / 65 / 10

HEX #E5B351

RGB 229 179 81

HSL 39.73, 0.74%, 0.61%

LAB 75.76, 7.91, 55.59

 

CMYK 0 / 20 / 59 / 4

HEX #F6C564

RGB 246 197 100

HSL 39.86, 0.89%, 0.68%

LAB 82.08, 6.81, 54.39

 

CMYK 0 / 16 / 53 / 0

HEX #FFD777

RGB 255 215 119

HSL 42.35, 1%, 0.73%

LAB 87.58, 2.63, 52.06

 

CMYK 0 / 25 / 75 / 25

HEX #BE8F30

RGB 190 143 48

HSL 40.14, 0.6%, 0.47%

LAB 62.34, 8.66, 54.66

 

CMYK 0 / 28 / 83 / 32

HEX #AD7D1D

RGB 173 125 29

HSL 40, 0.71%, 0.4%

LAB 55.73, 10.29, 54.93

 

CMYK 0 / 31 / 94 / 39

HEX #9C6B0A

RGB 156 107 10

HSL 39.86, 0.88%, 0.33%

LAB 49.01, 12.24, 53.9

 

CMYK 0 / 36 / 100 / 45

HEX #8B5900

RGB 139 89 0

HSL 38.42, 1%, 0.27%

LAB 42.21, 14.54, 50.48

 

CMYK 0 / 42 / 100 / 52

HEX #7A4700

RGB 122 71 0

HSL 34.92, 1%, 0.24%

LAB 35.29, 17.14, 44.85

 

CMYK 0 / 25 / 75 / 25

HEX #BF902F

RGB 191 144 47

HSL 40.42, 0.61%, 0.47%

LAB 62.7, 8.51, 55.45

 

CMYK 0 / 45 / 75 / 25

HEX #BF692F

RGB 191 105 47

HSL 24.17, 0.61%, 0.47%

LAB 53.37, 29.89, 46.16

 

CMYK 0 / 65 / 75 / 25

HEX #BF422F

RGB 191 66 47

HSL 7.92, 0.61%, 0.47%

LAB 45.88, 49.09, 38.28

 

CMYK 0 / 75 / 75 / 25

HEX #BF2F2F

RGB 191 47 47

HSL 0, 0.61%, 0.47%

LAB 43.23, 56.33, 35.39

 

CMYK 0 / 25 / 75 / 25

HEX #BF902F

RGB 191 144 47

HSL 40.42, 0.61%, 0.47%

LAB 62.7, 8.51, 55.45

 

CMYK 0 / 5 / 75 / 25

HEX #BFB62F

RGB 191 182 47

HSL 56.25, 0.61%, 0.47%

LAB 72.72, -11.73, 64.94

 

CMYK 16 / 0 / 75 / 25

HEX #A1BF2F

RGB 161 191 47

HSL 72.5, 0.61%, 0.47%

LAB 72.92, -28.89, 64.3

 

CMYK 36 / 0 / 75 / 25

HEX #7BBF2F

RGB 123 191 47

HSL 88.33, 0.61%, 0.47%

LAB 70.65, -43.54, 61.33

 

CMYK 56 / 0 / 75 / 25

HEX #54BF2F

RGB 84 191 47

HSL 104.58, 0.61%, 0.47%

LAB 69.01, -55.73, 59.17

 

CMYK 0 / 25 / 75 / 25

HEX #BF902F

RGB 191 144 47

HSL 40.42, 0.61%, 0.47%

LAB 62.7, 8.51, 55.45

 

CMYK 0 / 29 / 87 / 17

HEX #D3961C

RGB 211 150 28

HSL 40, 0.77%, 0.47%

LAB 66.32, 13.43, 65.85

 

CMYK 0 / 32 / 96 / 10

HEX #E69D09

RGB 230 157 9

HSL 40.18, 0.92%, 0.47%

LAB 70.15, 17.63, 73.25

 

CMYK 0 / 25 / 75 / 25

HEX #BF902F

RGB 191 144 47

HSL 40.42, 0.61%, 0.47%

LAB 62.7, 8.51, 55.45

 

CMYK 0 / 20 / 61 / 33

HEX #AC8943

RGB 172 137 67

HSL 40, 0.44%, 0.47%

LAB 59.04, 5.14, 41.89

 

CMYK 0 / 14 / 43 / 40

HEX #988356

RGB 152 131 86

HSL 40.91, 0.28%, 0.47%

LAB 55.66, 1.52, 27.25

 

CMYK 0 / 7 / 20 / 48

HEX #857C6A

RGB 133 124 106

HSL 40, 0.11%, 0.47%

LAB 52.33, 0.26, 11.07

 

CMYK 9 / 6 / 0 / 51

HEX #72757D

RGB 114 117 125

HSL 223.64, 0.05%, 0.47%

LAB 49.23, 0.57, -4.79

 

CMYK 0 / 65 / 75 / 25

HEX #BF432F

RGB 191 67 47

HSL 8.33, 0.61%, 0.47%

LAB 46.04, 48.66, 38.45

 

CMYK 0 / 45 / 75 / 25

HEX #BF692F

RGB 191 105 47

HSL 24.17, 0.61%, 0.47%

LAB 53.37, 29.89, 46.16

 

CMYK 0 / 25 / 75 / 25

HEX #BF8F2F

RGB 191 143 47

HSL 40, 0.61%, 0.47%

LAB 62.45, 9.06, 55.2

 

CMYK 0 / 5 / 75 / 25

HEX #BFB62F

RGB 191 182 47

HSL 56.25, 0.61%, 0.47%

LAB 72.72, -11.73, 64.94

 

CMYK 15 / 0 / 75 / 25

HEX #A2BF2F

RGB 162 191 47

HSL 72.08, 0.61%, 0.47%

LAB 72.99, -28.49, 64.38

 

CMYK 0 / 25 / 75 / 51

HEX #7D5E1F

RGB 125 94 31

HSL 40.21, 0.6%, 0.31%

LAB 41.94, 5.91, 39.28

 

CMYK 0 / 25 / 75 / 38

HEX #9E7727

RGB 158 119 39

HSL 40.34, 0.6%, 0.39%

LAB 52.52, 7.23, 47.55

 

CMYK 0 / 25 / 75 / 25

HEX #BF902F

RGB 191 144 47

HSL 40.42, 0.61%, 0.47%

LAB 62.7, 8.51, 55.45

 

CMYK 0 / 22 / 66 / 18

HEX #D1A347

RGB 209 163 71

HSL 40, 0.6%, 0.55%

LAB 69.62, 7.31, 52.84

 

CMYK 0 / 17 / 52 / 15

HEX #D9B468

RGB 217 180 104

HSL 40.35, 0.6%, 0.63%

LAB 75.07, 4.05, 43.45

 

CMYK 0 / 25 / 75 / 25

HEX #BE8F30

RGB 190 143 48

HSL 40.14, 0.6%, 0.47%

LAB 62.34, 8.66, 54.66

 

CMYK 65 / 0 / 75 / 25

HEX #43BF2F

RGB 67 191 47

HSL 111.67, 0.61%, 0.47%

LAB 68.5, -59.79, 58.51

 

CMYK 55 / 75 / 0 / 25

HEX #562FBF

RGB 86 47 191

HSL 256.25, 0.61%, 0.47%

LAB 33.51, 52.29, -68.99

 

CMYK 0 / 25 / 75 / 25

HEX #BE8F30

RGB 190 143 48

HSL 40.14, 0.6%, 0.47%

LAB 62.34, 8.66, 54.66

 

CMYK 75 / 0 / 25 / 25

HEX #2FBF8F

RGB 47 191 143

HSL 160, 0.61%, 0.47%

LAB 69.36, -48.6, 13.69

 

CMYK 25 / 75 / 0 / 25

HEX #8F2FBF

RGB 143 47 191

HSL 280, 0.61%, 0.47%

LAB 40.63, 61.73, -57.06

 

CMYK 0 / 25 / 75 / 25

HEX #BE8F30

RGB 190 143 48

HSL 40.14, 0.6%, 0.47%

LAB 62.34, 8.66, 54.66

 

CMYK 65 / 0 / 75 / 25

HEX #43BF2F

RGB 67 191 47

HSL 111.67, 0.61%, 0.47%

LAB 68.5, -59.79, 58.51

 

CMYK 75 / 50 / 0 / 25

HEX #2F5FBF

RGB 47 95 191

HSL 220, 0.61%, 0.47%

LAB 42.08, 17.86, -55.13

 

CMYK 10 / 75 / 0 / 25

HEX #AC2FBF

RGB 172 47 191

HSL 292.08, 0.61%, 0.47%

LAB 45.03, 67.36, -49.74

 

CMYK 0 / 25 / 75 / 25

HEX #BE8F30

RGB 190 143 48

HSL 40.14, 0.6%, 0.47%

LAB 62.34, 8.66, 54.66

 

CMYK 75 / 0 / 63 / 25

HEX #2FBF47

RGB 47 191 71

HSL 130, 0.61%, 0.47%

LAB 68.26, -61.19, 48.71

 

CMYK 75 / 50 / 0 / 25

HEX #2F5FBF

RGB 47 95 191

HSL 220, 0.61%, 0.47%

LAB 42.08, 17.86, -55.13

 

CMYK 0 / 75 / 13 / 25

HEX #BF2FA7

RGB 191 47 167

HSL 310, 0.61%, 0.47%

LAB 46.84, 67.57, -32.55

 

Description

Color code: HEX #BE8F30 | qconv.com Color code: HEX #BE8F30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 143 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 143 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 75 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 75% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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