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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE8F9A it is the complementary color #417065. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE8F9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE8F9A shade: #C38F95, #D4A1A8, #E5B3BB, #F6C5CE and #FFD7E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE8F9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE8F9A shade: #BE8F9A, #AD7D87, #9C6B74, #8B5961 and #7A474E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE8F9A shade: #BD8D98 and #BD8D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE8F9A shade: #BD8D98, #BD8DA5, #BD8DB2, #BB8DBD and #AE8DBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE8F9A shade matches the following richer shades: #BD8D98, #CC7F91, #DA7089, #E96281 and #F7537A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE8F9A shade: #BD8D98, #AF9CA0, #A0AAA8, #92B8AF and #84C7B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE8F9A shade: #BD8DB3, #BD8DA6, #BD8D99, #BD8E8D and #BD9B8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE8F9A shade: #9E5A6A, #AE7381, #BD8D98, #CCA7B0 and #DBC2C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE8F9A shade: #BE8F9A, #BDBB8D and #8DACBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE8F9A shade: #BE8F9A, #99BD8D and #8D99BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE8F9A shade: #BE8F9A, #BDBB8D, #8DBDB1 and #8D90BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE8F9A shade: #BE8F9A, #B1BD8D, #8DBDB1 and #998DBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 19 / 25

HEX #BE8F9A

RGB 190 143 154

HSL 345.96, 0.27%, 0.65%

LAB 64.1, 19.46, 1.12

 

Complementary color

CMYK 42 / 0 / 10 / 56

HEX #417065

RGB 65 112 101

HSL 165.96, 0.27%, 0.35%

LAB 43.73, -18.9, 1.08

 

CMYK 0 / 27 / 24 / 24

HEX #C38F95

RGB 195 143 149

HSL 353.08, 0.3%, 0.66%

LAB 64.5, 20.57, 4.59

 

CMYK 0 / 24 / 21 / 17

HEX #D4A1A8

RGB 212 161 168

HSL 351.76, 0.37%, 0.73%

LAB 71.09, 19.91, 3.71

 

CMYK 0 / 22 / 18 / 10

HEX #E5B3BB

RGB 229 179 187

HSL 350.4, 0.49%, 0.8%

LAB 77.57, 19.32, 2.9

 

CMYK 0 / 20 / 16 / 4

HEX #F6C5CE

RGB 246 197 206

HSL 348.98, 0.73%, 0.87%

LAB 83.96, 18.77, 2.14

 

CMYK 0 / 16 / 12 / 0

HEX #FFD7E1

RGB 255 215 225

HSL 345, 1%, 0.92%

LAB 89.53, 15.49, 0.29

 

CMYK 0 / 25 / 19 / 25

HEX #BE8F9A

RGB 190 143 154

HSL 345.96, 0.27%, 0.65%

LAB 64.1, 19.46, 1.12

 

CMYK 0 / 28 / 22 / 32

HEX #AD7D87

RGB 173 125 135

HSL 347.5, 0.23%, 0.58%

LAB 57.37, 20.14, 1.97

 

CMYK 0 / 31 / 26 / 39

HEX #9C6B74

RGB 156 107 116

HSL 348.98, 0.2%, 0.52%

LAB 50.5, 20.9, 2.91

 

CMYK 0 / 36 / 30 / 45

HEX #8B5961

RGB 139 89 97

HSL 350.4, 0.22%, 0.45%

LAB 43.5, 21.76, 3.98

 

CMYK 0 / 42 / 36 / 52

HEX #7A474E

RGB 122 71 78

HSL 351.76, 0.26%, 0.38%

LAB 36.36, 22.73, 5.24

 

CMYK 0 / 25 / 20 / 26

HEX #BD8D98

RGB 189 141 152

HSL 346.25, 0.27%, 0.65%

LAB 63.45, 19.88, 1.3

 

CMYK 0 / 25 / 25 / 26

HEX #BD8D8D

RGB 189 141 141

HSL 0, 0.27%, 0.65%

LAB 63.17, 18.22, 7.12

 

CMYK 0 / 25 / 20 / 26

HEX #BD8D98

RGB 189 141 152

HSL 346.25, 0.27%, 0.65%

LAB 63.45, 19.88, 1.3

 

CMYK 0 / 25 / 13 / 26

HEX #BD8DA5

RGB 189 141 165

HSL 330, 0.27%, 0.65%

LAB 63.82, 22.01, -5.52

 

CMYK 0 / 25 / 6 / 26

HEX #BD8DB2

RGB 189 141 178

HSL 313.75, 0.27%, 0.65%

LAB 64.23, 24.29, -12.26

 

CMYK 1 / 25 / 0 / 26

HEX #BB8DBD

RGB 187 141 189

HSL 297.5, 0.27%, 0.65%

LAB 64.39, 25.67, -18.22

 

CMYK 8 / 25 / 0 / 26

HEX #AE8DBD

RGB 174 141 189

HSL 281.25, 0.27%, 0.65%

LAB 63.11, 21.31, -20.29

 

CMYK 0 / 25 / 20 / 26

HEX #BD8D98

RGB 189 141 152

HSL 346.25, 0.27%, 0.65%

LAB 63.45, 19.88, 1.3

 

CMYK 0 / 38 / 29 / 20

HEX #CC7F91

RGB 204 127 145

HSL 345.97, 0.43%, 0.65%

LAB 61.71, 32.11, 2.96

 

CMYK 0 / 49 / 37 / 15

HEX #DA7089

RGB 218 112 137

HSL 345.85, 0.59%, 0.65%

LAB 60.16, 43.98, 5.56

 

CMYK 0 / 58 / 45 / 9

HEX #E96281

RGB 233 98 129

HSL 346.22, 0.75%, 0.65%

LAB 59.57, 54.93, 9.65

 

CMYK 0 / 66 / 51 / 3

HEX #F7537A

RGB 247 83 122

HSL 345.73, 0.91%, 0.65%

LAB 59.31, 64.98, 13.7

 

CMYK 0 / 25 / 20 / 26

HEX #BD8D98

RGB 189 141 152

HSL 346.25, 0.27%, 0.65%

LAB 63.45, 19.88, 1.3

 

CMYK 0 / 11 / 9 / 31

HEX #AF9CA0

RGB 175 156 160

HSL 347.37, 0.11%, 0.65%

LAB 66.08, 7.67, 0.46

 

CMYK 6 / 0 / 1 / 33

HEX #A0AAA8

RGB 160 170 168

HSL 168, 0.06%, 0.65%

LAB 68.79, -3.9, -0.19

 

CMYK 21 / 0 / 5 / 28

HEX #92B8AF

RGB 146 184 175

HSL 165.79, 0.21%, 0.65%

LAB 71.88, -14.61, 0.36

 

CMYK 34 / 0 / 8 / 22

HEX #84C7B7

RGB 132 199 183

HSL 165.67, 0.37%, 0.65%

LAB 75.56, -24.74, 1.27

 

CMYK 0 / 25 / 5 / 26

HEX #BD8DB3

RGB 189 141 179

HSL 312.5, 0.27%, 0.65%

LAB 64.26, 24.47, -12.77

 

CMYK 0 / 25 / 12 / 26

HEX #BD8DA6

RGB 189 141 166

HSL 328.75, 0.27%, 0.65%

LAB 63.85, 22.18, -6.04

 

CMYK 0 / 25 / 19 / 26

HEX #BD8D99

RGB 189 141 153

HSL 345, 0.27%, 0.65%

LAB 63.48, 20.04, 0.78

 

CMYK 0 / 25 / 25 / 26

HEX #BD8E8D

RGB 189 142 141

HSL 1.25, 0.27%, 0.65%

LAB 63.42, 17.66, 7.47

 

CMYK 0 / 18 / 25 / 26

HEX #BD9B8D

RGB 189 155 141

HSL 17.5, 0.27%, 0.65%

LAB 66.66, 10.47, 12.08

 

CMYK 0 / 43 / 33 / 38

HEX #9E5A6A

RGB 158 90 106

HSL 345.88, 0.27%, 0.49%

LAB 46.47, 29.87, 3.11

 

CMYK 0 / 34 / 26 / 32

HEX #AE7381

RGB 174 115 129

HSL 345.76, 0.27%, 0.57%

LAB 54.91, 25.24, 1.91

 

CMYK 0 / 25 / 20 / 26

HEX #BD8D98

RGB 189 141 152

HSL 346.25, 0.27%, 0.65%

LAB 63.45, 19.88, 1.3

 

CMYK 0 / 18 / 14 / 20

HEX #CCA7B0

RGB 204 167 176

HSL 345.41, 0.27%, 0.73%

LAB 71.97, 14.98, 0.48

 

CMYK 0 / 11 / 9 / 14

HEX #DBC2C8

RGB 219 194 200

HSL 345.6, 0.26%, 0.81%

LAB 80.64, 9.82, 0.22

 

CMYK 0 / 25 / 19 / 25

HEX #BE8F9A

RGB 190 143 154

HSL 345.96, 0.27%, 0.65%

LAB 64.1, 19.46, 1.12

 

CMYK 0 / 1 / 25 / 26

HEX #BDBB8D

RGB 189 187 141

HSL 57.5, 0.27%, 0.65%

LAB 75, -6.74, 23.62

 

CMYK 25 / 9 / 0 / 26

HEX #8DACBD

RGB 141 172 189

HSL 201.25, 0.27%, 0.65%

LAB 68.64, -6.7, -12.19

 

CMYK 0 / 25 / 19 / 25

HEX #BE8F9A

RGB 190 143 154

HSL 345.96, 0.27%, 0.65%

LAB 64.1, 19.46, 1.12

 

CMYK 19 / 0 / 25 / 26

HEX #99BD8D

RGB 153 189 141

HSL 105, 0.27%, 0.65%

LAB 72.95, -21.17, 20.4

 

CMYK 25 / 19 / 0 / 26

HEX #8D99BD

RGB 141 153 189

HSL 225, 0.27%, 0.65%

LAB 63.44, 3.82, -20.04

 

CMYK 0 / 25 / 19 / 25

HEX #BE8F9A

RGB 190 143 154

HSL 345.96, 0.27%, 0.65%

LAB 64.1, 19.46, 1.12

 

CMYK 0 / 1 / 25 / 26

HEX #BDBB8D

RGB 189 187 141

HSL 57.5, 0.27%, 0.65%

LAB 75, -6.74, 23.62

 

CMYK 25 / 0 / 6 / 26

HEX #8DBDB1

RGB 141 189 177

HSL 165, 0.27%, 0.65%

LAB 73.04, -18.34, 0.92

 

CMYK 25 / 24 / 0 / 26

HEX #8D90BD

RGB 141 144 189

HSL 236.25, 0.27%, 0.65%

LAB 61.03, 8.94, -23.73

 

CMYK 0 / 25 / 19 / 25

HEX #BE8F9A

RGB 190 143 154

HSL 345.96, 0.27%, 0.65%

LAB 64.1, 19.46, 1.12

 

CMYK 6 / 0 / 25 / 26

HEX #B1BD8D

RGB 177 189 141

HSL 75, 0.27%, 0.65%

LAB 74.61, -12.36, 22.94

 

CMYK 25 / 0 / 6 / 26

HEX #8DBDB1

RGB 141 189 177

HSL 165, 0.27%, 0.65%

LAB 73.04, -18.34, 0.92

 

CMYK 19 / 25 / 0 / 26

HEX #998DBD

RGB 153 141 189

HSL 255, 0.27%, 0.65%

LAB 61.22, 14.45, -23.36

 

Description

Color code: HEX #BE8F9A | qconv.com Color code: HEX #BE8F9A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 143 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 143 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 19 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 19% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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