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Color name
HEX #BE9B50

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE9B50 it is the complementary color #4164AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE9B50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE9B50 shade: #C39B4B, #D4AD5E, #E5BF71, #F6D184 and #FFE397

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE9B50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE9B50 shade: #BE9B50, #AD893D, #9C772A, #8B6517 and #7A5304

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE9B50 shade: #BE9B50, #BE7D50, #BE5F50 and #BE5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE9B50 shade: #BE9B50, #BEB850, #A5BE50, #88BE50 and #6ABE50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE9B50 shade matches the following richer shades: #BE9B50, #D1A23C, #E5A929 and #F8B015

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE9B50 shade: #BE9B50, #AA9463, #978D76, #84868A and #707E9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE9B50 shade: #BE5E50, #BE7C50, #BE9950, #BEB650 and #A8BE50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE9B50 shade: #896D32, #A7853D, #BE9B50, #C9AC6E and #D4BD8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE9B50 shade: #BE9B50, #5EBE50 and #6D50BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE9B50 shade: #BE9B50, #50BE99 and #9950BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE9B50 shade: #BE9B50, #5EBE50, #5074BE and #AF50BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE9B50 shade: #BE9B50, #50BE62, #5074BE and #BE50AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 58 / 25

HEX #BE9B50

RGB 190 155 80

HSL 40.91, 0.46%, 0.53%

LAB 65.72, 4.08, 43.63

 

Complementary color

CMYK 63 / 43 / 0 / 31

HEX #4164AF

RGB 65 100 175

HSL 220.91, 0.46%, 0.47%

LAB 43.26, 11.58, -43.84

 

CMYK 0 / 21 / 62 / 24

HEX #C39B4B

RGB 195 155 75

HSL 40, 0.5%, 0.53%

LAB 66.18, 5.86, 46.74

 

CMYK 0 / 18 / 56 / 17

HEX #D4AD5E

RGB 212 173 94

HSL 40.17, 0.58%, 0.6%

LAB 72.69, 4.85, 45.45

 

CMYK 0 / 17 / 51 / 10

HEX #E5BF71

RGB 229 191 113

HSL 40.34, 0.69%, 0.67%

LAB 79.11, 3.98, 44.15

 

CMYK 0 / 15 / 46 / 4

HEX #F6D184

RGB 246 209 132

HSL 40.53, 0.86%, 0.74%

LAB 85.43, 3.24, 42.87

 

CMYK 0 / 11 / 41 / 0

HEX #FFE397

RGB 255 227 151

HSL 43.85, 1%, 0.8%

LAB 90.98, -0.52, 40.61

 

CMYK 0 / 18 / 58 / 25

HEX #BE9B50

RGB 190 155 80

HSL 40.91, 0.46%, 0.53%

LAB 65.72, 4.08, 43.63

 

CMYK 0 / 21 / 65 / 32

HEX #AD893D

RGB 173 137 61

HSL 40.71, 0.48%, 0.46%

LAB 59.08, 5.16, 44.9

 

CMYK 0 / 24 / 73 / 39

HEX #9C772A

RGB 156 119 42

HSL 40.53, 0.58%, 0.39%

LAB 52.32, 6.47, 45.97

 

CMYK 0 / 27 / 83 / 45

HEX #8B6517

RGB 139 101 23

HSL 40.34, 0.72%, 0.32%

LAB 45.44, 8.09, 46.45

 

CMYK 0 / 32 / 97 / 52

HEX #7A5304

RGB 122 83 4

HSL 40.17, 0.94%, 0.25%

LAB 38.43, 10.07, 45.67

 

CMYK 0 / 18 / 58 / 25

HEX #BE9B50

RGB 190 155 80

HSL 40.91, 0.46%, 0.53%

LAB 65.72, 4.08, 43.63

 

CMYK 0 / 34 / 58 / 25

HEX #BE7D50

RGB 190 125 80

HSL 24.55, 0.46%, 0.53%

LAB 58.22, 20.58, 34.64

 

CMYK 0 / 50 / 58 / 25

HEX #BE5F50

RGB 190 95 80

HSL 8.18, 0.46%, 0.53%

LAB 51.51, 36.78, 26.21

 

CMYK 0 / 58 / 58 / 25

HEX #BE5050

RGB 190 80 80

HSL 0, 0.46%, 0.53%

LAB 48.59, 44.29, 22.42

 

CMYK 0 / 18 / 58 / 25

HEX #BE9B50

RGB 190 155 80

HSL 40.91, 0.46%, 0.53%

LAB 65.72, 4.08, 43.63

 

CMYK 0 / 3 / 58 / 25

HEX #BEB850

RGB 190 184 80

HSL 56.73, 0.46%, 0.53%

LAB 73.42, -11.29, 52.44

 

CMYK 13 / 0 / 58 / 25

HEX #A5BE50

RGB 165 190 80

HSL 73.64, 0.46%, 0.53%

LAB 73.16, -24.63, 51.61

 

CMYK 28 / 0 / 58 / 25

HEX #88BE50

RGB 136 190 80

HSL 89.45, 0.46%, 0.53%

LAB 71.31, -35.85, 49.02

 

CMYK 44 / 0 / 58 / 25

HEX #6ABE50

RGB 106 190 80

HSL 105.82, 0.46%, 0.53%

LAB 69.8, -46.08, 46.89

 

CMYK 0 / 18 / 58 / 25

HEX #BE9B50

RGB 190 155 80

HSL 40.91, 0.46%, 0.53%

LAB 65.72, 4.08, 43.63

 

CMYK 0 / 22 / 71 / 18

HEX #D1A23C

RGB 209 162 60

HSL 41.07, 0.62%, 0.53%

LAB 69.27, 7.24, 57.29

 

CMYK 0 / 26 / 82 / 10

HEX #E5A929

RGB 229 169 41

HSL 40.85, 0.78%, 0.53%

LAB 73.02, 11.41, 68.51

 

CMYK 0 / 29 / 92 / 3

HEX #F8B015

RGB 248 176 21

HSL 40.97, 0.94%, 0.53%

LAB 76.72, 15.43, 77.15

 

CMYK 0 / 18 / 58 / 25

HEX #BE9B50

RGB 190 155 80

HSL 40.91, 0.46%, 0.53%

LAB 65.72, 4.08, 43.63

 

CMYK 0 / 13 / 42 / 33

HEX #AA9463

RGB 170 148 99

HSL 41.41, 0.29%, 0.53%

LAB 62.19, 1.19, 28.91

 

CMYK 0 / 7 / 22 / 41

HEX #978D76

RGB 151 141 118

HSL 41.82, 0.14%, 0.53%

LAB 58.92, -0.19, 13.63

 

CMYK 4 / 3 / 0 / 46

HEX #84868A

RGB 132 134 138

HSL 220, 0.02%, 0.53%

LAB 55.88, 0.07, -2.41

 

CMYK 29 / 20 / 0 / 38

HEX #707E9D

RGB 112 126 157

HSL 221.33, 0.19%, 0.53%

LAB 52.73, 2.27, -18.3

 

CMYK 0 / 51 / 58 / 25

HEX #BE5E50

RGB 190 94 80

HSL 7.64, 0.46%, 0.53%

LAB 51.3, 37.3, 25.95

 

CMYK 0 / 35 / 58 / 25

HEX #BE7C50

RGB 190 124 80

HSL 24, 0.46%, 0.53%

LAB 57.98, 21.13, 34.35

 

CMYK 0 / 19 / 58 / 25

HEX #BE9950

RGB 190 153 80

HSL 39.82, 0.46%, 0.53%

LAB 65.21, 5.16, 43.03

 

CMYK 0 / 4 / 58 / 25

HEX #BEB650

RGB 190 182 80

HSL 55.64, 0.46%, 0.53%

LAB 72.88, -10.26, 51.83

 

CMYK 12 / 0 / 58 / 25

HEX #A8BE50

RGB 168 190 80

HSL 72, 0.46%, 0.53%

LAB 73.37, -23.42, 51.91

 

CMYK 0 / 20 / 64 / 46

HEX #896D32

RGB 137 109 50

HSL 40.69, 0.47%, 0.37%

LAB 47.61, 3.98, 36.47

 

CMYK 0 / 20 / 63 / 35

HEX #A7853D

RGB 167 133 61

HSL 40.75, 0.46%, 0.45%

LAB 57.39, 4.72, 42.85

 

CMYK 0 / 18 / 58 / 25

HEX #BE9B50

RGB 190 155 80

HSL 40.91, 0.46%, 0.53%

LAB 65.72, 4.08, 43.63

 

CMYK 0 / 14 / 45 / 21

HEX #C9AC6E

RGB 201 172 110

HSL 40.88, 0.46%, 0.61%

LAB 71.59, 2.26, 35.71

 

CMYK 0 / 11 / 34 / 17

HEX #D4BD8C

RGB 212 189 140

HSL 40.83, 0.46%, 0.69%

LAB 77.45, 1.04, 27.79

 

CMYK 0 / 18 / 58 / 25

HEX #BE9B50

RGB 190 155 80

HSL 40.91, 0.46%, 0.53%

LAB 65.72, 4.08, 43.63

 

CMYK 51 / 0 / 58 / 25

HEX #5EBE50

RGB 94 190 80

HSL 112.36, 0.46%, 0.53%

LAB 69.32, -49.63, 46.2

 

CMYK 43 / 58 / 0 / 25

HEX #6D50BE

RGB 109 80 190

HSL 255.82, 0.46%, 0.53%

LAB 42.32, 38.24, -53.95

 

CMYK 0 / 18 / 58 / 25

HEX #BE9B50

RGB 190 155 80

HSL 40.91, 0.46%, 0.53%

LAB 65.72, 4.08, 43.63

 

CMYK 58 / 0 / 19 / 25

HEX #50BE99

RGB 80 190 153

HSL 159.82, 0.46%, 0.53%

LAB 70.06, -40.35, 9.35

 

CMYK 19 / 58 / 0 / 25

HEX #9950BE

RGB 153 80 190

HSL 279.82, 0.46%, 0.53%

LAB 47.27, 48.91, -45.74

 

CMYK 0 / 18 / 58 / 25

HEX #BE9B50

RGB 190 155 80

HSL 40.91, 0.46%, 0.53%

LAB 65.72, 4.08, 43.63

 

CMYK 51 / 0 / 58 / 25

HEX #5EBE50

RGB 94 190 80

HSL 112.36, 0.46%, 0.53%

LAB 69.32, -49.63, 46.2

 

CMYK 58 / 39 / 0 / 25

HEX #5074BE

RGB 80 116 190

HSL 220.36, 0.46%, 0.53%

LAB 49.39, 9.71, -42.76

 

CMYK 8 / 58 / 0 / 25

HEX #AF50BE

RGB 175 80 190

HSL 291.82, 0.46%, 0.53%

LAB 50.18, 54.58, -40.94

 

CMYK 0 / 18 / 58 / 25

HEX #BE9B50

RGB 190 155 80

HSL 40.91, 0.46%, 0.53%

LAB 65.72, 4.08, 43.63

 

CMYK 58 / 0 / 48 / 25

HEX #50BE62

RGB 80 190 98

HSL 129.82, 0.46%, 0.53%

LAB 69.05, -50.89, 37.07

 

CMYK 58 / 39 / 0 / 25

HEX #5074BE

RGB 80 116 190

HSL 220.36, 0.46%, 0.53%

LAB 49.39, 9.71, -42.76

 

CMYK 0 / 58 / 10 / 25

HEX #BE50AB

RGB 190 80 171

HSL 310.36, 0.46%, 0.53%

LAB 51.41, 55.29, -27.8

 

Description

Color code: HEX #BE9B50 | qconv.com Color code: HEX #BE9B50 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 155 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 155 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 58 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 58% 25% C M Y K

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Provide designers and agencies with accurate color values.

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