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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEA668 it is the complementary color #415997. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEA668. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEA668 shade: #C3A663, #D4B876, #E5CA89, #F6DC9C and #FFEEAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEA668. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEA668 shade: #BEA668, #AD9455, #9C8242, #8B702F and #7A5E1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEA668 shade: #BEA669, #BE8F69, #BE7869 and #BE6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEA668 shade: #BEA669, #BEBD69, #A8BE69, #91BE69 and #7ABE69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEA668 shade matches the following richer shades: #BEA669, #D0AE57, #E1B646 and #F2BD35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEA668 shade: #BEA669, #AD9F7A, #9C978B, #8A8F9D and #7988AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEA668 shade: #BE7869, #BE8F69, #BEA669, #BEBD69 and #A9BE69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEA668 shade: #957D3F, #B2954C, #BEA669, #CBB785 and #D7C8A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEA668 shade: #BEA668, #70BE69 and #8469BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEA668 shade: #BEA668, #69BEA6 and #A669BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEA668 shade: #BEA668, #70BE69, #6981BE and #B769BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEA668 shade: #BEA668, #69BE7B, #6981BE and #BE69AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 45 / 25

HEX #BEA668

RGB 190 166 104

HSL 43.26, 0.4%, 0.58%

LAB 68.91, 0.31, 35.23

 

Complementary color

CMYK 57 / 41 / 0 / 41

HEX #415997

RGB 65 89 151

HSL 223.26, 0.4%, 0.42%

LAB 38.73, 10.23, -36.79

 

CMYK 0 / 15 / 49 / 24

HEX #C3A663

RGB 195 166 99

HSL 41.88, 0.44%, 0.58%

LAB 69.31, 1.9, 38.43

 

CMYK 0 / 13 / 44 / 17

HEX #D4B876

RGB 212 184 118

HSL 42.13, 0.52%, 0.65%

LAB 75.81, 1.21, 37.15

 

CMYK 0 / 12 / 40 / 10

HEX #E5CA89

RGB 229 202 137

HSL 42.39, 0.64%, 0.72%

LAB 82.22, 0.61, 35.92

 

CMYK 0 / 11 / 37 / 4

HEX #F6DC9C

RGB 246 220 156

HSL 42.67, 0.83%, 0.79%

LAB 88.53, 0.1, 34.75

 

CMYK 0 / 7 / 31 / 0

HEX #FFEEAF

RGB 255 238 175

HSL 47.25, 1%, 0.84%

LAB 94.1, -3.37, 32.63

 

CMYK 0 / 13 / 45 / 25

HEX #BEA668

RGB 190 166 104

HSL 43.26, 0.4%, 0.58%

LAB 68.91, 0.31, 35.23

 

CMYK 0 / 14 / 51 / 32

HEX #AD9455

RGB 173 148 85

HSL 42.95, 0.35%, 0.51%

LAB 62.27, 1.02, 36.54

 

CMYK 0 / 17 / 58 / 39

HEX #9C8242

RGB 156 130 66

HSL 42.67, 0.41%, 0.44%

LAB 55.51, 1.88, 37.88

 

CMYK 0 / 19 / 66 / 45

HEX #8B702F

RGB 139 112 47

HSL 42.39, 0.49%, 0.36%

LAB 48.61, 2.95, 39.16

 

CMYK 0 / 23 / 77 / 52

HEX #7A5E1C

RGB 122 94 28

HSL 42.13, 0.63%, 0.29%

LAB 41.57, 4.32, 40.14

 

CMYK 0 / 13 / 45 / 25

HEX #BEA669

RGB 190 166 105

HSL 43.06, 0.4%, 0.58%

LAB 68.92, 0.41, 34.73

 

CMYK 0 / 25 / 45 / 25

HEX #BE8F69

RGB 190 143 105

HSL 26.82, 0.4%, 0.58%

LAB 63.02, 12.96, 27.1

 

CMYK 0 / 37 / 45 / 25

HEX #BE7869

RGB 190 120 105

HSL 10.59, 0.4%, 0.58%

LAB 57.46, 25.67, 19.69

 

CMYK 0 / 45 / 45 / 25

HEX #BE6969

RGB 190 105 105

HSL 0, 0.4%, 0.58%

LAB 54.1, 33.81, 15.09

 

CMYK 0 / 13 / 45 / 25

HEX #BEA669

RGB 190 166 105

HSL 43.06, 0.4%, 0.58%

LAB 68.92, 0.41, 34.73

 

CMYK 0 / 1 / 45 / 25

HEX #BEBD69

RGB 190 189 105

HSL 59.29, 0.4%, 0.58%

LAB 75.05, -11.68, 42.38

 

CMYK 12 / 0 / 45 / 25

HEX #A8BE69

RGB 168 190 105

HSL 75.53, 0.4%, 0.58%

LAB 73.66, -21, 40.29

 

CMYK 24 / 0 / 45 / 25

HEX #91BE69

RGB 145 190 105

HSL 91.76, 0.4%, 0.58%

LAB 72.14, -29.77, 38.06

 

CMYK 36 / 0 / 45 / 25

HEX #7ABE69

RGB 122 190 105

HSL 108, 0.4%, 0.58%

LAB 70.86, -37.83, 36.18

 

CMYK 0 / 13 / 45 / 25

HEX #BEA669

RGB 190 166 105

HSL 43.06, 0.4%, 0.58%

LAB 68.92, 0.41, 34.73

 

CMYK 0 / 16 / 58 / 18

HEX #D0AE57

RGB 208 174 87

HSL 43.14, 0.56%, 0.58%

LAB 72.48, 2.09, 48.52

 

CMYK 0 / 19 / 69 / 12

HEX #E1B646

RGB 225 182 70

HSL 43.35, 0.72%, 0.58%

LAB 76.01, 4, 60.54

 

CMYK 0 / 22 / 78 / 5

HEX #F2BD35

RGB 242 189 53

HSL 43.17, 0.88%, 0.58%

LAB 79.35, 6.84, 70.78

 

CMYK 0 / 13 / 45 / 25

HEX #BEA669

RGB 190 166 105

HSL 43.06, 0.4%, 0.58%

LAB 68.92, 0.41, 34.73

 

CMYK 0 / 8 / 29 / 32

HEX #AD9F7A

RGB 173 159 122

HSL 43.53, 0.24%, 0.58%

LAB 65.82, -0.72, 21.2

 

CMYK 0 / 3 / 11 / 39

HEX #9C978B

RGB 156 151 139

HSL 42.35, 0.08%, 0.58%

LAB 62.56, -0.34, 6.96

 

CMYK 12 / 9 / 0 / 38

HEX #8A8F9D

RGB 138 143 157

HSL 224.21, 0.09%, 0.58%

LAB 59.42, 1.11, -8.02

 

CMYK 30 / 22 / 0 / 32

HEX #7988AE

RGB 121 136 174

HSL 223.02, 0.25%, 0.58%

LAB 56.81, 3.63, -21.81

 

CMYK 0 / 37 / 45 / 25

HEX #BE7869

RGB 190 120 105

HSL 10.59, 0.4%, 0.58%

LAB 57.46, 25.67, 19.69

 

CMYK 0 / 25 / 45 / 25

HEX #BE8F69

RGB 190 143 105

HSL 26.82, 0.4%, 0.58%

LAB 63.02, 12.96, 27.1

 

CMYK 0 / 13 / 45 / 25

HEX #BEA669

RGB 190 166 105

HSL 43.06, 0.4%, 0.58%

LAB 68.92, 0.41, 34.73

 

CMYK 0 / 1 / 45 / 25

HEX #BEBD69

RGB 190 189 105

HSL 59.29, 0.4%, 0.58%

LAB 75.05, -11.68, 42.38

 

CMYK 11 / 0 / 45 / 25

HEX #A9BE69

RGB 169 190 105

HSL 74.82, 0.4%, 0.58%

LAB 73.73, -20.61, 40.39

 

CMYK 0 / 16 / 58 / 42

HEX #957D3F

RGB 149 125 63

HSL 43.26, 0.41%, 0.42%

LAB 53.4, 1.32, 36.78

 

CMYK 0 / 16 / 57 / 30

HEX #B2954C

RGB 178 149 76

HSL 42.94, 0.4%, 0.5%

LAB 62.91, 1.85, 42.04

 

CMYK 0 / 13 / 45 / 25

HEX #BEA669

RGB 190 166 105

HSL 43.06, 0.4%, 0.58%

LAB 68.92, 0.41, 34.73

 

CMYK 0 / 10 / 34 / 20

HEX #CBB785

RGB 203 183 133

HSL 42.86, 0.4%, 0.66%

LAB 74.99, -0.2, 28.06

 

CMYK 0 / 7 / 25 / 16

HEX #D7C8A2

RGB 215 200 162

HSL 43.02, 0.4%, 0.74%

LAB 80.94, -0.69, 20.93

 

CMYK 0 / 13 / 45 / 25

HEX #BEA668

RGB 190 166 104

HSL 43.26, 0.4%, 0.58%

LAB 68.91, 0.31, 35.23

 

CMYK 41 / 0 / 45 / 25

HEX #70BE69

RGB 112 190 105

HSL 115.06, 0.4%, 0.58%

LAB 70.38, -41.04, 35.47

 

CMYK 31 / 45 / 0 / 25

HEX #8469BE

RGB 132 105 190

HSL 259.06, 0.4%, 0.58%

LAB 50.37, 29.36, -40.97

 

CMYK 0 / 13 / 45 / 25

HEX #BEA668

RGB 190 166 104

HSL 43.26, 0.4%, 0.58%

LAB 68.91, 0.31, 35.23

 

CMYK 45 / 0 / 13 / 25

HEX #69BEA6

RGB 105 190 166

HSL 163.06, 0.4%, 0.58%

LAB 71.27, -31.54, 4.13

 

CMYK 13 / 45 / 0 / 25

HEX #A669BE

RGB 166 105 190

HSL 283.06, 0.4%, 0.58%

LAB 53.95, 39.19, -35.09

 

CMYK 0 / 13 / 45 / 25

HEX #BEA668

RGB 190 166 104

HSL 43.26, 0.4%, 0.58%

LAB 68.91, 0.31, 35.23

 

CMYK 41 / 0 / 45 / 25

HEX #70BE69

RGB 112 190 105

HSL 115.06, 0.4%, 0.58%

LAB 70.38, -41.04, 35.47

 

CMYK 45 / 32 / 0 / 25

HEX #6981BE

RGB 105 129 190

HSL 223.06, 0.4%, 0.58%

LAB 54.47, 7.69, -34.66

 

CMYK 4 / 45 / 0 / 25

HEX #B769BE

RGB 183 105 190

HSL 295.06, 0.4%, 0.58%

LAB 55.98, 44.26, -31.77

 

CMYK 0 / 13 / 45 / 25

HEX #BEA668

RGB 190 166 104

HSL 43.26, 0.4%, 0.58%

LAB 68.91, 0.31, 35.23

 

CMYK 45 / 0 / 35 / 25

HEX #69BE7B

RGB 105 190 123

HSL 132.71, 0.4%, 0.58%

LAB 70.36, -40.28, 26.04

 

CMYK 45 / 32 / 0 / 25

HEX #6981BE

RGB 105 129 190

HSL 223.06, 0.4%, 0.58%

LAB 54.47, 7.69, -34.66

 

CMYK 0 / 45 / 9 / 25

HEX #BE69AC

RGB 190 105 172

HSL 312.71, 0.4%, 0.58%

LAB 56.12, 43.16, -21.12

 

Description

Color code: HEX #BEA668 | qconv.com Color code: HEX #BEA668 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 166 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 166 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 45 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 45% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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