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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEABE2 it is the complementary color #41541D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEABE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEABE2 shade: #C3ABDD, #D4BDF0, #E5CFFF, #F6E1FF and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEABE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEABE2 shade: #BEABE2, #AD99CF, #9C87BC, #8B75A9 and #7A6396

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEABE2 shade: #BEABE2, #CDABE2, #DCABE2, #E2ABD9 and #E2ABCB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEABE2 shade: #BEABE2, #AFABE2 and #ABABE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEABE2 shade matches the following richer shades: #BEABE2, #BBA2EB, #B899F4 and #B590FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEABE2 shade: #BEABE2, #C1B4D9, #C4BDD0, #C6C6C7 and #C9CFBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEABE2 shade: #ABB6E2, #AFABE2, #BDABE2, #CCABE2 and #DBABE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEABE2 shade: #8E6DCD, #A68CD7, #BEABE2, #D6CAEC and #EDE8F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEABE2 shade: #BEABE2, #E2ABC5 and #AFE2AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEABE2 shade: #BEABE2, #E2BDAB and #ABE2BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEABE2 shade: #BEABE2, #E2ABC5, #D0E2AB and #ABE2C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEABE2 shade: #BEABE2, #E2ABB4, #D0E2AB and #ABE2D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 24 / 0 / 11

HEX #BEABE2

RGB 190 171 226

HSL 260.73, 0.49%, 0.78%

LAB 73.26, 17.6, -25.16

 

Complementary color

CMYK 23 / 0 / 65 / 67

HEX #41541D

RGB 65 84 29

HSL 80.73, 0.49%, 0.22%

LAB 33.03, -17.12, 29.04

 

CMYK 12 / 23 / 0 / 13

HEX #C3ABDD

RGB 195 171 221

HSL 268.8, 0.42%, 0.77%

LAB 73.51, 18.12, -22.01

 

CMYK 12 / 21 / 0 / 6

HEX #D4BDF0

RGB 212 189 240

HSL 267.06, 0.63%, 0.84%

LAB 80, 17.67, -22.29

 

CMYK 10 / 19 / 0 / 0

HEX #E5CFFF

RGB 229 207 255

HSL 267.5, 1%, 0.91%

LAB 86.26, 16.45, -20.66

 

CMYK 4 / 12 / 0 / 0

HEX #F6E1FF

RGB 246 225 255

HSL 282, 1%, 0.94%

LAB 91.98, 12.44, -11.92

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 16 / 24 / 0 / 11

HEX #BEABE2

RGB 190 171 226

HSL 260.73, 0.49%, 0.78%

LAB 73.26, 17.6, -25.16

 

CMYK 16 / 26 / 0 / 19

HEX #AD99CF

RGB 173 153 207

HSL 262.22, 0.36%, 0.71%

LAB 66.65, 18.09, -24.95

 

CMYK 17 / 28 / 0 / 26

HEX #9C87BC

RGB 156 135 188

HSL 263.77, 0.28%, 0.63%

LAB 59.91, 18.63, -24.77

 

CMYK 18 / 31 / 0 / 34

HEX #8B75A9

RGB 139 117 169

HSL 265.38, 0.23%, 0.56%

LAB 53.03, 19.22, -24.61

 

CMYK 19 / 34 / 0 / 41

HEX #7A6396

RGB 122 99 150

HSL 267.06, 0.2%, 0.49%

LAB 45.99, 19.88, -24.48

 

CMYK 16 / 24 / 0 / 11

HEX #BEABE2

RGB 190 171 226

HSL 260.73, 0.49%, 0.78%

LAB 73.26, 17.6, -25.16

 

CMYK 9 / 24 / 0 / 11

HEX #CDABE2

RGB 205 171 226

HSL 277.09, 0.49%, 0.78%

LAB 74.57, 22.36, -23.04

 

CMYK 3 / 24 / 0 / 11

HEX #DCABE2

RGB 220 171 226

HSL 293.45, 0.49%, 0.78%

LAB 75.97, 27.22, -20.79

 

CMYK 0 / 24 / 4 / 11

HEX #E2ABD9

RGB 226 171 217

HSL 309.82, 0.49%, 0.78%

LAB 76.26, 27.54, -15.4

 

CMYK 0 / 24 / 10 / 11

HEX #E2ABCB

RGB 226 171 203

HSL 325.09, 0.49%, 0.78%

LAB 75.83, 25.12, -8.41

 

CMYK 16 / 24 / 0 / 11

HEX #BEABE2

RGB 190 171 226

HSL 260.73, 0.49%, 0.78%

LAB 73.26, 17.6, -25.16

 

CMYK 23 / 24 / 0 / 11

HEX #AFABE2

RGB 175 171 226

HSL 244.36, 0.49%, 0.78%

LAB 72.05, 12.96, -27.12

 

CMYK 24 / 24 / 0 / 11

HEX #ABABE2

RGB 171 171 226

HSL 240, 0.49%, 0.78%

LAB 71.74, 11.75, -27.62

 

CMYK 16 / 24 / 0 / 11

HEX #BEABE2

RGB 190 171 226

HSL 260.73, 0.49%, 0.78%

LAB 73.26, 17.6, -25.16

 

CMYK 20 / 31 / 0 / 8

HEX #BBA2EB

RGB 187 162 235

HSL 260.55, 0.65%, 0.78%

LAB 71.15, 23.66, -33.34

 

CMYK 25 / 37 / 0 / 4

HEX #B899F4

RGB 184 153 244

HSL 260.44, 0.81%, 0.78%

LAB 69.12, 29.87, -41.44

 

CMYK 28 / 43 / 0 / 1

HEX #B590FD

RGB 181 144 253

HSL 260.37, 0.96%, 0.78%

LAB 67.17, 36.2, -49.42

 

CMYK 16 / 24 / 0 / 11

HEX #BEABE2

RGB 190 171 226

HSL 260.73, 0.49%, 0.78%

LAB 73.26, 17.6, -25.16

 

CMYK 11 / 17 / 0 / 15

HEX #C1B4D9

RGB 193 180 217

HSL 261.08, 0.33%, 0.78%

LAB 75.44, 11.71, -16.92

 

CMYK 6 / 9 / 0 / 18

HEX #C4BDD0

RGB 196 189 208

HSL 262.11, 0.17%, 0.78%

LAB 77.69, 6.02, -8.65

 

CMYK 1 / 1 / 0 / 22

HEX #C6C6C7

RGB 198 198 199

HSL 240, 0.01%, 0.78%

LAB 79.91, 0.19, -0.51

 

CMYK 3 / 0 / 8 / 19

HEX #C9CFBE

RGB 201 207 190

HSL 81.18, 0.15%, 0.78%

LAB 82.25, -5.09, 7.73

 

CMYK 24 / 19 / 0 / 11

HEX #ABB6E2

RGB 171 182 226

HSL 228, 0.49%, 0.78%

LAB 74.57, 5.68, -23.29

 

CMYK 23 / 24 / 0 / 11

HEX #AFABE2

RGB 175 171 226

HSL 244.36, 0.49%, 0.78%

LAB 72.05, 12.96, -27.12

 

CMYK 16 / 24 / 0 / 11

HEX #BDABE2

RGB 189 171 226

HSL 259.64, 0.49%, 0.78%

LAB 73.18, 17.28, -25.29

 

CMYK 10 / 24 / 0 / 11

HEX #CCABE2

RGB 204 171 226

HSL 276, 0.49%, 0.78%

LAB 74.48, 22.04, -23.19

 

CMYK 3 / 24 / 0 / 11

HEX #DBABE2

RGB 219 171 226

HSL 292.36, 0.49%, 0.78%

LAB 75.87, 26.89, -20.95

 

CMYK 31 / 47 / 0 / 20

HEX #8E6DCD

RGB 142 109 205

HSL 260.63, 0.49%, 0.62%

LAB 53.05, 33.63, -45.25

 

CMYK 23 / 35 / 0 / 16

HEX #A68CD7

RGB 166 140 215

HSL 260.8, 0.48%, 0.7%

LAB 63.15, 25.12, -34.86

 

CMYK 16 / 24 / 0 / 11

HEX #BEABE2

RGB 190 171 226

HSL 260.73, 0.49%, 0.78%

LAB 73.26, 17.6, -25.16

 

CMYK 9 / 14 / 0 / 7

HEX #D6CAEC

RGB 214 202 236

HSL 261.18, 0.47%, 0.86%

LAB 83.23, 10.52, -15.26

 

CMYK 4 / 6 / 0 / 3

HEX #EDE8F7

RGB 237 232 247

HSL 260, 0.48%, 0.94%

LAB 92.77, 4.39, -6.66

 

CMYK 16 / 24 / 0 / 11

HEX #BEABE2

RGB 190 171 226

HSL 260.73, 0.49%, 0.78%

LAB 73.26, 17.6, -25.16

 

CMYK 0 / 24 / 13 / 11

HEX #E2ABC5

RGB 226 171 197

HSL 331.64, 0.49%, 0.78%

LAB 75.65, 24.12, -5.39

 

CMYK 23 / 0 / 24 / 11

HEX #AFE2AB

RGB 175 226 171

HSL 115.64, 0.49%, 0.78%

LAB 85.22, -26.78, 21.68

 

CMYK 16 / 24 / 0 / 11

HEX #BEABE2

RGB 190 171 226

HSL 260.73, 0.49%, 0.78%

LAB 73.26, 17.6, -25.16

 

CMYK 0 / 16 / 24 / 11

HEX #E2BDAB

RGB 226 189 171

HSL 19.64, 0.49%, 0.78%

LAB 79.33, 10.52, 14.03

 

CMYK 24 / 0 / 16 / 11

HEX #ABE2BD

RGB 171 226 189

HSL 139.64, 0.49%, 0.78%

LAB 85.36, -24.92, 12.44

 

CMYK 16 / 24 / 0 / 11

HEX #BEABE2

RGB 190 171 226

HSL 260.73, 0.49%, 0.78%

LAB 73.26, 17.6, -25.16

 

CMYK 0 / 24 / 13 / 11

HEX #E2ABC5

RGB 226 171 197

HSL 331.64, 0.49%, 0.78%

LAB 75.65, 24.12, -5.39

 

CMYK 8 / 0 / 24 / 11

HEX #D0E2AB

RGB 208 226 171

HSL 79.64, 0.49%, 0.78%

LAB 87.36, -15.27, 24.95

 

CMYK 24 / 0 / 12 / 11

HEX #ABE2C8

RGB 171 226 200

HSL 151.64, 0.49%, 0.78%

LAB 85.62, -22.82, 7.01

 

CMYK 16 / 24 / 0 / 11

HEX #BEABE2

RGB 190 171 226

HSL 260.73, 0.49%, 0.78%

LAB 73.26, 17.6, -25.16

 

CMYK 0 / 24 / 20 / 11

HEX #E2ABB4

RGB 226 171 180

HSL 350.18, 0.49%, 0.78%

LAB 75.2, 21.45, 3.24

 

CMYK 8 / 0 / 24 / 11

HEX #D0E2AB

RGB 208 226 171

HSL 79.64, 0.49%, 0.78%

LAB 87.36, -15.27, 24.95

 

CMYK 24 / 0 / 4 / 11

HEX #ABE2D9

RGB 171 226 217

HSL 170.18, 0.49%, 0.78%

LAB 86.04, -19.36, -1.33

 

Description

Color code: HEX #BEABE2 | qconv.com Color code: HEX #BEABE2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 171 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 171 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 24 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 24% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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