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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEB7DE it is the complementary color #414821. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEB7DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEB7DE shade: #C3B7D9, #D4C9EC, #E5DBFF, #F6EDFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEB7DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEB7DE shade: #BEB7DE, #ADA5CB, #9C93B8, #8B81A5 and #7A6F92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEB7DE shade: #BCB5DD, #C7B5DD, #D2B5DD, #DCB5DD and #DDB5D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEB7DE shade: #BCB5DD and #B5B5DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEB7DE shade matches the following richer shades: #BCB5DD, #B7ACE5, #B1A4EE and #AC9BF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEB7DE shade: #BCB5DD, #C2BED4, #C7C6CB, #CDCFC3 and #D2D8BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEB7DE shade: #B5C4DD, #B5B9DD, #BCB5DD, #C6B5DD and #D1B5DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEB7DE shade: #897DC3, #A399D0, #BCB5DD, #D6D1EA and #EFEEF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEB7DE shade: #BEB7DE, #DDB5CE and #BEDDB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEB7DE shade: #BEB7DE, #DDBCB5 and #B5DDBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEB7DE shade: #BEB7DE, #DDB5CE, #D6DDB5 and #B5DDC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEB7DE shade: #BEB7DE, #DDB5C2, #D6DDB5 and #B5DDD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 18 / 0 / 13

HEX #BEB7DE

RGB 190 183 222

HSL 250.77, 0.37%, 0.79%

LAB 76.12, 10.15, -18.63

 

Complementary color

CMYK 10 / 0 / 54 / 72

HEX #414821

RGB 65 72 33

HSL 70.77, 0.37%, 0.21%

LAB 29.08, -9.85, 22.27

 

CMYK 10 / 16 / 0 / 15

HEX #C3B7D9

RGB 195 183 217

HSL 261.18, 0.31%, 0.78%

LAB 76.36, 10.73, -15.52

 

CMYK 10 / 15 / 0 / 7

HEX #D4C9EC

RGB 212 201 236

HSL 258.86, 0.48%, 0.86%

LAB 82.82, 10.41, -15.89

 

CMYK 10 / 14 / 0 / 0

HEX #E5DBFF

RGB 229 219 255

HSL 256.67, 1%, 0.93%

LAB 89.18, 10.11, -16.26

 

CMYK 4 / 7 / 0 / 0

HEX #F6EDFF

RGB 246 237 255

HSL 270, 1%, 0.96%

LAB 94.9, 6.22, -7.59

 

CMYK 14 / 18 / 0 / 13

HEX #BEB7DE

RGB 190 183 222

HSL 250.77, 0.37%, 0.79%

LAB 76.12, 10.15, -18.63

 

CMYK 15 / 19 / 0 / 20

HEX #ADA5CB

RGB 173 165 203

HSL 252.63, 0.27%, 0.72%

LAB 69.55, 10.49, -18.33

 

CMYK 15 / 20 / 0 / 28

HEX #9C93B8

RGB 156 147 184

HSL 254.59, 0.21%, 0.65%

LAB 62.84, 10.87, -18.04

 

CMYK 16 / 22 / 0 / 35

HEX #8B81A5

RGB 139 129 165

HSL 256.67, 0.17%, 0.58%

LAB 55.99, 11.27, -17.76

 

CMYK 16 / 24 / 0 / 43

HEX #7A6F92

RGB 122 111 146

HSL 258.86, 0.14%, 0.5%

LAB 48.98, 11.73, -17.51

 

CMYK 15 / 18 / 0 / 13

HEX #BCB5DD

RGB 188 181 221

HSL 250.5, 0.37%, 0.79%

LAB 75.43, 10.39, -19.16

 

CMYK 10 / 18 / 0 / 13

HEX #C7B5DD

RGB 199 181 221

HSL 267, 0.37%, 0.79%

LAB 76.32, 13.94, -17.72

 

CMYK 5 / 18 / 0 / 13

HEX #D2B5DD

RGB 210 181 221

HSL 283.5, 0.37%, 0.79%

LAB 77.26, 17.55, -16.21

 

CMYK 0 / 18 / 0 / 13

HEX #DCB5DD

RGB 220 181 221

HSL 298.5, 0.37%, 0.79%

LAB 78.16, 20.88, -14.77

 

CMYK 0 / 18 / 5 / 13

HEX #DDB5D3

RGB 221 181 211

HSL 315, 0.37%, 0.79%

LAB 77.95, 19.4, -9.66

 

CMYK 15 / 18 / 0 / 13

HEX #BCB5DD

RGB 188 181 221

HSL 250.5, 0.37%, 0.79%

LAB 75.43, 10.39, -19.16

 

CMYK 18 / 18 / 0 / 13

HEX #B5B5DD

RGB 181 181 221

HSL 240, 0.37%, 0.79%

LAB 74.88, 8.17, -20.03

 

CMYK 15 / 18 / 0 / 13

HEX #BCB5DD

RGB 188 181 221

HSL 250.5, 0.37%, 0.79%

LAB 75.43, 10.39, -19.16

 

CMYK 20 / 25 / 0 / 10

HEX #B7ACE5

RGB 183 172 229

HSL 251.58, 0.52%, 0.79%

LAB 73.04, 15.54, -27.18

 

CMYK 26 / 31 / 0 / 7

HEX #B1A4EE

RGB 177 164 238

HSL 250.54, 0.69%, 0.79%

LAB 70.92, 20.28, -35.4

 

CMYK 30 / 37 / 0 / 3

HEX #AC9BF7

RGB 172 155 247

HSL 251.09, 0.85%, 0.79%

LAB 68.7, 26.12, -43.8

 

CMYK 15 / 18 / 0 / 13

HEX #BCB5DD

RGB 188 181 221

HSL 250.5, 0.37%, 0.79%

LAB 75.43, 10.39, -19.16

 

CMYK 8 / 10 / 0 / 17

HEX #C2BED4

RGB 194 190 212

HSL 250.91, 0.2%, 0.79%

LAB 77.9, 5.6, -10.51

 

CMYK 2 / 2 / 0 / 20

HEX #C7C6CB

RGB 199 198 203

HSL 252, 0.05%, 0.79%

LAB 80.09, 1.27, -2.38

 

CMYK 1 / 0 / 6 / 19

HEX #CDCFC3

RGB 205 207 195

HSL 70, 0.11%, 0.79%

LAB 82.67, -2.82, 5.71

 

CMYK 3 / 0 / 14 / 15

HEX #D2D8BA

RGB 210 216 186

HSL 72, 0.28%, 0.79%

LAB 85.18, -7.21, 14.11

 

CMYK 18 / 11 / 0 / 13

HEX #B5C4DD

RGB 181 196 221

HSL 217.5, 0.37%, 0.79%

LAB 78.77, 0.06, -14.18

 

CMYK 18 / 16 / 0 / 13

HEX #B5B9DD

RGB 181 185 221

HSL 234, 0.37%, 0.79%

LAB 75.91, 5.99, -18.48

 

CMYK 15 / 18 / 0 / 13

HEX #BCB5DD

RGB 188 181 221

HSL 250.5, 0.37%, 0.79%

LAB 75.43, 10.39, -19.16

 

CMYK 10 / 18 / 0 / 13

HEX #C6B5DD

RGB 198 181 221

HSL 265.5, 0.37%, 0.79%

LAB 76.24, 13.62, -17.85

 

CMYK 5 / 18 / 0 / 13

HEX #D1B5DD

RGB 209 181 221

HSL 282, 0.37%, 0.79%

LAB 77.18, 17.22, -16.35

 

CMYK 30 / 36 / 0 / 24

HEX #897DC3

RGB 137 125 195

HSL 250.29, 0.37%, 0.63%

LAB 56.01, 20.3, -34.93

 

CMYK 22 / 26 / 0 / 18

HEX #A399D0

RGB 163 153 208

HSL 250.91, 0.37%, 0.71%

LAB 65.84, 15.18, -26.82

 

CMYK 15 / 18 / 0 / 13

HEX #BCB5DD

RGB 188 181 221

HSL 250.5, 0.37%, 0.79%

LAB 75.43, 10.39, -19.16

 

CMYK 9 / 11 / 0 / 8

HEX #D6D1EA

RGB 214 209 234

HSL 252, 0.37%, 0.87%

LAB 84.91, 6.41, -11.67

 

CMYK 3 / 4 / 0 / 3

HEX #EFEEF7

RGB 239 238 247

HSL 246.67, 0.36%, 0.95%

LAB 94.4, 1.96, -4.23

 

CMYK 14 / 18 / 0 / 13

HEX #BEB7DE

RGB 190 183 222

HSL 250.77, 0.37%, 0.79%

LAB 76.12, 10.15, -18.63

 

CMYK 0 / 18 / 7 / 13

HEX #DDB5CE

RGB 221 181 206

HSL 322.5, 0.37%, 0.79%

LAB 77.8, 18.52, -7.16

 

CMYK 14 / 0 / 18 / 13

HEX #BEDDB5

RGB 190 221 181

HSL 106.5, 0.37%, 0.79%

LAB 84.99, -17.58, 16.28

 

CMYK 14 / 18 / 0 / 13

HEX #BEB7DE

RGB 190 183 222

HSL 250.77, 0.37%, 0.79%

LAB 76.12, 10.15, -18.63

 

CMYK 0 / 15 / 18 / 13

HEX #DDBCB5

RGB 221 188 181

HSL 10.5, 0.37%, 0.79%

LAB 78.85, 10.67, 7.9

 

CMYK 18 / 0 / 15 / 13

HEX #B5DDBC

RGB 181 221 188

HSL 130.5, 0.37%, 0.79%

LAB 84.57, -19.4, 11.92

 

CMYK 14 / 18 / 0 / 13

HEX #BEB7DE

RGB 190 183 222

HSL 250.77, 0.37%, 0.79%

LAB 76.12, 10.15, -18.63

 

CMYK 0 / 18 / 7 / 13

HEX #DDB5CE

RGB 221 181 206

HSL 322.5, 0.37%, 0.79%

LAB 77.8, 18.52, -7.16

 

CMYK 3 / 0 / 18 / 13

HEX #D6DDB5

RGB 214 221 181

HSL 70.5, 0.37%, 0.79%

LAB 86.67, -9.1, 18.87

 

CMYK 18 / 0 / 11 / 13

HEX #B5DDC4

RGB 181 221 196

HSL 142.5, 0.37%, 0.79%

LAB 84.75, -17.93, 7.96

 

CMYK 14 / 18 / 0 / 13

HEX #BEB7DE

RGB 190 183 222

HSL 250.77, 0.37%, 0.79%

LAB 76.12, 10.15, -18.63

 

CMYK 0 / 18 / 12 / 13

HEX #DDB5C2

RGB 221 181 194

HSL 340.5, 0.37%, 0.79%

LAB 77.47, 16.48, -1.14

 

CMYK 3 / 0 / 18 / 13

HEX #D6DDB5

RGB 214 221 181

HSL 70.5, 0.37%, 0.79%

LAB 86.67, -9.1, 18.87

 

CMYK 18 / 0 / 6 / 13

HEX #B5DDD0

RGB 181 221 208

HSL 160.5, 0.37%, 0.79%

LAB 85.04, -15.62, 2.04

 

Description

Color code: HEX #BEB7DE | qconv.com Color code: HEX #BEB7DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 183 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 183 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 18 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 18% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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