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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEB2F4 it is the complementary color #414D0B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEB2F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEB2F4 shade: #C3B2EF, #D4C4FF, #E5D6FF, #F6E8FF and #FFFAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEB2F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEB2F4 shade: #BEB2F4, #ADA0E1, #9C8ECE, #8B7CBB and #7A6AA8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEB2F4 shade: #BEB3F4, #D0B3F4, #E2B3F4, #F3B3F4 and #F4B3E3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEB2F4 shade: #BEB3F4 and #B3B3F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEB2F4 shade matches the following richer shades: #BEB3F4 and #BAACFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEB2F4 shade: #BEB3F4, #C3BAED, #C7C1E6, #CCC8DF and #D0CFD8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEB2F4 shade: #B3CAF4, #B3B9F4, #BDB3F4, #CFB3F4 and #E0B3F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEB2F4 shade: #826AE9, #A08FEF, #BEB3F4, #DDD7F9 and #FBFBFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEB2F4 shade: #BEB2F4, #F4B3DC and #C2F4B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEB2F4 shade: #BEB2F4, #F4BDB3 and #B3F4BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEB2F4 shade: #BEB2F4, #F4B3DC, #E9F4B3 and #B3F4CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEB2F4 shade: #BEB2F4, #F4B3C8, #E9F4B3 and #B3F4DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 27 / 0 / 4

HEX #BEB2F4

RGB 190 178 244

HSL 250.91, 0.75%, 0.83%

LAB 75.65, 17.75, -31.26

 

Complementary color

CMYK 16 / 0 / 86 / 70

HEX #414D0B

RGB 65 77 11

HSL 70.91, 0.75%, 0.17%

LAB 30.53, -14.56, 34.46

 

CMYK 18 / 26 / 0 / 6

HEX #C3B2EF

RGB 195 178 239

HSL 256.72, 0.66%, 0.82%

LAB 75.87, 18.14, -28.19

 

CMYK 17 / 23 / 0 / 0

HEX #D4C4FF

RGB 212 196 255

HSL 256.27, 1%, 0.88%

LAB 82.22, 17.04, -26.93

 

CMYK 10 / 16 / 0 / 0

HEX #E5D6FF

RGB 229 214 255

HSL 261.95, 1%, 0.92%

LAB 87.95, 12.74, -18.1

 

CMYK 4 / 9 / 0 / 0

HEX #F6E8FF

RGB 246 232 255

HSL 276.52, 1%, 0.95%

LAB 93.68, 8.81, -9.4

 

CMYK 0 / 2 / 0 / 0

HEX #FFFAFF

RGB 255 250 255

HSL 300, 1%, 0.99%

LAB 98.77, 2.53, -1.81

 

CMYK 22 / 27 / 0 / 4

HEX #BEB2F4

RGB 190 178 244

HSL 250.91, 0.75%, 0.83%

LAB 75.65, 17.75, -31.26

 

CMYK 23 / 29 / 0 / 12

HEX #ADA0E1

RGB 173 160 225

HSL 252, 0.52%, 0.75%

LAB 69.08, 18.26, -31.15

 

CMYK 24 / 31 / 0 / 19

HEX #9C8ECE

RGB 156 142 206

HSL 253.13, 0.4%, 0.68%

LAB 62.4, 18.83, -31.07

 

CMYK 26 / 34 / 0 / 27

HEX #8B7CBB

RGB 139 124 187

HSL 254.29, 0.32%, 0.61%

LAB 55.58, 19.46, -31.03

 

CMYK 27 / 37 / 0 / 34

HEX #7A6AA8

RGB 122 106 168

HSL 255.48, 0.26%, 0.54%

LAB 48.6, 20.16, -31.03

 

CMYK 22 / 27 / 0 / 4

HEX #BEB3F4

RGB 190 179 244

HSL 250.15, 0.75%, 0.83%

LAB 75.9, 17.2, -30.88

 

CMYK 15 / 27 / 0 / 4

HEX #D0B3F4

RGB 208 179 244

HSL 266.77, 0.75%, 0.83%

LAB 77.39, 22.68, -28.46

 

CMYK 7 / 27 / 0 / 4

HEX #E2B3F4

RGB 226 179 244

HSL 283.38, 0.75%, 0.83%

LAB 79.01, 28.31, -25.84

 

CMYK 0 / 27 / 0 / 4

HEX #F3B3F4

RGB 243 179 244

HSL 299.08, 0.75%, 0.83%

LAB 80.64, 33.7, -23.2

 

CMYK 0 / 27 / 7 / 4

HEX #F4B3E3

RGB 244 179 227

HSL 315.69, 0.75%, 0.83%

LAB 80.19, 31.02, -14.72

 

CMYK 22 / 27 / 0 / 4

HEX #BEB3F4

RGB 190 179 244

HSL 250.15, 0.75%, 0.83%

LAB 75.9, 17.2, -30.88

 

CMYK 27 / 27 / 0 / 4

HEX #B3B3F4

RGB 179 179 244

HSL 240, 0.75%, 0.83%

LAB 75.05, 13.95, -32.26

 

CMYK 22 / 27 / 0 / 4

HEX #BEB3F4

RGB 190 179 244

HSL 250.15, 0.75%, 0.83%

LAB 75.9, 17.2, -30.88

 

CMYK 26 / 31 / 0 / 2

HEX #BAACFB

RGB 186 172 251

HSL 250.63, 0.91%, 0.83%

LAB 74.13, 21.52, -37.41

 

CMYK 22 / 27 / 0 / 4

HEX #BEB3F4

RGB 190 179 244

HSL 250.15, 0.75%, 0.83%

LAB 75.9, 17.2, -30.88

 

CMYK 18 / 22 / 0 / 7

HEX #C3BAED

RGB 195 186 237

HSL 250.59, 0.59%, 0.83%

LAB 77.78, 13.33, -24.19

 

CMYK 13 / 16 / 0 / 10

HEX #C7C1E6

RGB 199 193 230

HSL 249.73, 0.43%, 0.83%

LAB 79.61, 9.3, -17.61

 

CMYK 9 / 10 / 0 / 13

HEX #CCC8DF

RGB 204 200 223

HSL 250.43, 0.26%, 0.83%

LAB 81.55, 5.74, -10.91

 

CMYK 4 / 4 / 0 / 15

HEX #D0CFD8

RGB 208 207 216

HSL 246.67, 0.1%, 0.83%

LAB 83.44, 2.01, -4.33

 

CMYK 27 / 17 / 0 / 4

HEX #B3CAF4

RGB 179 202 244

HSL 218.77, 0.75%, 0.83%

LAB 80.94, 1.44, -23.24

 

CMYK 27 / 24 / 0 / 4

HEX #B3B9F4

RGB 179 185 244

HSL 234.46, 0.75%, 0.83%

LAB 76.57, 10.65, -29.92

 

CMYK 23 / 27 / 0 / 4

HEX #BDB3F4

RGB 189 179 244

HSL 249.23, 0.75%, 0.83%

LAB 75.82, 16.9, -31.01

 

CMYK 15 / 27 / 0 / 4

HEX #CFB3F4

RGB 207 179 244

HSL 265.85, 0.75%, 0.83%

LAB 77.3, 22.37, -28.6

 

CMYK 8 / 27 / 0 / 4

HEX #E0B3F4

RGB 224 179 244

HSL 281.54, 0.75%, 0.83%

LAB 78.82, 27.67, -26.14

 

CMYK 44 / 55 / 0 / 9

HEX #826AE9

RGB 130 106 233

HSL 251.34, 0.74%, 0.66%

LAB 52.88, 39.97, -61.41

 

CMYK 33 / 40 / 0 / 6

HEX #A08FEF

RGB 160 143 239

HSL 250.63, 0.75%, 0.75%

LAB 64.44, 27.64, -46.17

 

CMYK 22 / 27 / 0 / 4

HEX #BEB3F4

RGB 190 179 244

HSL 250.15, 0.75%, 0.83%

LAB 75.9, 17.2, -30.88

 

CMYK 11 / 14 / 0 / 2

HEX #DDD7F9

RGB 221 215 249

HSL 250.59, 0.74%, 0.91%

LAB 87.39, 8.47, -15.84

 

CMYK 1 / 1 / 0 / 0

HEX #FBFBFE

RGB 251 251 254

HSL 240, 0.6%, 0.99%

LAB 98.69, 0.53, -1.44

 

CMYK 22 / 27 / 0 / 4

HEX #BEB2F4

RGB 190 178 244

HSL 250.91, 0.75%, 0.83%

LAB 75.65, 17.75, -31.26

 

CMYK 0 / 27 / 10 / 4

HEX #F4B3DC

RGB 244 179 220

HSL 322.15, 0.75%, 0.83%

LAB 79.98, 29.84, -11.27

 

CMYK 20 / 0 / 27 / 4

HEX #C2F4B3

RGB 194 244 179

HSL 106.15, 0.75%, 0.83%

LAB 91.43, -27.71, 26.25

 

CMYK 22 / 27 / 0 / 4

HEX #BEB2F4

RGB 190 178 244

HSL 250.91, 0.75%, 0.83%

LAB 75.65, 17.75, -31.26

 

CMYK 0 / 23 / 27 / 4

HEX #F4BDB3

RGB 244 189 179

HSL 9.23, 0.75%, 0.83%

LAB 81.23, 18.34, 12.66

 

CMYK 27 / 0 / 23 / 4

HEX #B3F4BD

RGB 179 244 189

HSL 129.23, 0.75%, 0.83%

LAB 90.76, -30.96, 20.08

 

CMYK 22 / 27 / 0 / 4

HEX #BEB2F4

RGB 190 178 244

HSL 250.91, 0.75%, 0.83%

LAB 75.65, 17.75, -31.26

 

CMYK 0 / 27 / 10 / 4

HEX #F4B3DC

RGB 244 179 220

HSL 322.15, 0.75%, 0.83%

LAB 79.98, 29.84, -11.27

 

CMYK 5 / 0 / 27 / 4

HEX #E9F4B3

RGB 233 244 179

HSL 70.15, 0.75%, 0.83%

LAB 94, -13.99, 30.18

 

CMYK 27 / 0 / 17 / 4

HEX #B3F4CA

RGB 179 244 202

HSL 141.23, 0.75%, 0.83%

LAB 91.03, -28.63, 13.75

 

CMYK 22 / 27 / 0 / 4

HEX #BEB2F4

RGB 190 178 244

HSL 250.91, 0.75%, 0.83%

LAB 75.65, 17.75, -31.26

 

CMYK 0 / 27 / 18 / 4

HEX #F4B3C8

RGB 244 179 200

HSL 340.62, 0.75%, 0.83%

LAB 79.41, 26.66, -1.29

 

CMYK 5 / 0 / 27 / 4

HEX #E9F4B3

RGB 233 244 179

HSL 70.15, 0.75%, 0.83%

LAB 94, -13.99, 30.18

 

CMYK 27 / 0 / 9 / 4

HEX #B3F4DE

RGB 179 244 222

HSL 159.69, 0.75%, 0.83%

LAB 91.49, -24.77, 4.04

 

Description

Color code: HEX #BEB2F4 | qconv.com Color code: HEX #BEB2F4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 178 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 178 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 27 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 27% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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