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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEBAFC it is the complementary color #414503. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEBAFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEBAFC shade: #C3BAF7, #D4CCFF, #E5DEFF and #F6F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEBAFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEBAFC shade: #BEBAFC, #ADA8E9, #9C96D6, #8B84C3 and #7A72B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEBAFC shade: #BEBAFC, #D0BAFC, #E1BAFC, #F3BAFC and #FCBAF2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEBAFC shade: #BEBAFC and #BABAFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEBAFC shade matches the following richer shades: #BEBAFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEBAFC shade: #BEBAFC, #C3C0F6, #C8C6F0, #CDCBEA and #D2D1E5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEBAFC shade: #BADAFC, #BAC8FC, #BDBAFC, #CFBAFC and #E0BAFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEBAFC shade: #736BF8, #9992FA, #BEBAFC and #E3E2FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEBAFC shade: #BEBAFC, #FCBAEB and #D1FCBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEBAFC shade: #BEBAFC, #FCBDBA and #BAFCBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEBAFC shade: #BEBAFC, #FCBAEB, #F8FCBA and #BAFCCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEBAFC shade: #BEBAFC, #FCBAD8, #F8FCBA and #BAFCDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 26 / 0 / 1

HEX #BEBAFC

RGB 190 186 252

HSL 243.64, 0.92%, 0.86%

LAB 77.93, 15.2, -32.05

 

Complementary color

CMYK 6 / 0 / 96 / 73

HEX #414503

RGB 65 69 3

HSL 63.64, 0.92%, 0.14%

LAB 27.81, -10.33, 35.1

 

CMYK 21 / 25 / 0 / 3

HEX #C3BAF7

RGB 195 186 247

HSL 248.85, 0.79%, 0.85%

LAB 78.13, 15.55, -29.02

 

CMYK 17 / 20 / 0 / 0

HEX #D4CCFF

RGB 212 204 255

HSL 249.41, 1%, 0.9%

LAB 84.18, 12.74, -23.94

 

CMYK 10 / 13 / 0 / 0

HEX #E5DEFF

RGB 229 222 255

HSL 252.73, 1%, 0.94%

LAB 89.92, 8.53, -15.15

 

CMYK 4 / 6 / 0 / 0

HEX #F6F0FF

RGB 246 240 255

HSL 264, 1%, 0.97%

LAB 95.64, 4.68, -6.5

 

CMYK 25 / 26 / 0 / 1

HEX #BEBAFC

RGB 190 186 252

HSL 243.64, 0.92%, 0.86%

LAB 77.93, 15.2, -32.05

 

CMYK 26 / 28 / 0 / 9

HEX #ADA8E9

RGB 173 168 233

HSL 244.62, 0.6%, 0.79%

LAB 71.4, 15.68, -31.95

 

CMYK 27 / 30 / 0 / 16

HEX #9C96D6

RGB 156 150 214

HSL 245.63, 0.44%, 0.71%

LAB 64.75, 16.2, -31.89

 

CMYK 29 / 32 / 0 / 24

HEX #8B84C3

RGB 139 132 195

HSL 246.67, 0.34%, 0.64%

LAB 57.97, 16.79, -31.86

 

CMYK 31 / 35 / 0 / 31

HEX #7A72B0

RGB 122 114 176

HSL 247.74, 0.28%, 0.57%

LAB 51.04, 17.45, -31.87

 

CMYK 25 / 26 / 0 / 1

HEX #BEBAFC

RGB 190 186 252

HSL 243.64, 0.92%, 0.86%

LAB 77.93, 15.2, -32.05

 

CMYK 17 / 26 / 0 / 1

HEX #D0BAFC

RGB 208 186 252

HSL 260, 0.92%, 0.86%

LAB 79.36, 20.59, -29.73

 

CMYK 11 / 26 / 0 / 1

HEX #E1BAFC

RGB 225 186 252

HSL 275.45, 0.92%, 0.86%

LAB 80.82, 25.82, -27.36

 

CMYK 4 / 26 / 0 / 1

HEX #F3BAFC

RGB 243 186 252

HSL 291.82, 0.92%, 0.86%

LAB 82.49, 31.48, -24.67

 

CMYK 0 / 26 / 4 / 1

HEX #FCBAF2

RGB 252 186 242

HSL 309.09, 0.92%, 0.86%

LAB 83.03, 32.55, -18.42

 

CMYK 25 / 26 / 0 / 1

HEX #BEBAFC

RGB 190 186 252

HSL 243.64, 0.92%, 0.86%

LAB 77.93, 15.2, -32.05

 

CMYK 26 / 26 / 0 / 1

HEX #BABAFC

RGB 186 186 252

HSL 240, 0.92%, 0.86%

LAB 77.63, 14.04, -32.54

 

CMYK 25 / 26 / 0 / 1

HEX #BEBAFC

RGB 190 186 252

HSL 243.64, 0.92%, 0.86%

LAB 77.93, 15.2, -32.05

 

CMYK 25 / 26 / 0 / 1

HEX #BEBAFC

RGB 190 186 252

HSL 243.64, 0.92%, 0.86%

LAB 77.93, 15.2, -32.05

 

CMYK 21 / 22 / 0 / 4

HEX #C3C0F6

RGB 195 192 246

HSL 243.33, 0.75%, 0.86%

LAB 79.59, 12.06, -26.26

 

CMYK 17 / 18 / 0 / 6

HEX #C8C6F0

RGB 200 198 240

HSL 242.86, 0.58%, 0.86%

LAB 81.27, 9.04, -20.46

 

CMYK 12 / 13 / 0 / 8

HEX #CDCBEA

RGB 205 203 234

HSL 243.87, 0.42%, 0.86%

LAB 82.72, 6.69, -15.03

 

CMYK 8 / 9 / 0 / 10

HEX #D2D1E5

RGB 210 209 229

HSL 243, 0.28%, 0.86%

LAB 84.46, 4.12, -9.72

 

CMYK 26 / 13 / 0 / 1

HEX #BADAFC

RGB 186 218 252

HSL 210.91, 0.92%, 0.86%

LAB 85.81, -3.14, -20.05

 

CMYK 26 / 21 / 0 / 1

HEX #BAC8FC

RGB 186 200 252

HSL 227.27, 0.92%, 0.86%

LAB 81.17, 6.42, -27.11

 

CMYK 25 / 26 / 0 / 1

HEX #BDBAFC

RGB 189 186 252

HSL 242.73, 0.92%, 0.86%

LAB 77.85, 14.91, -32.17

 

CMYK 18 / 26 / 0 / 1

HEX #CFBAFC

RGB 207 186 252

HSL 259.09, 0.92%, 0.86%

LAB 79.28, 20.28, -29.86

 

CMYK 11 / 26 / 0 / 1

HEX #E0BAFC

RGB 224 186 252

HSL 274.55, 0.92%, 0.86%

LAB 80.74, 25.51, -27.5

 

CMYK 54 / 57 / 0 / 3

HEX #736BF8

RGB 115 107 248

HSL 243.4, 0.91%, 0.7%

LAB 52.88, 40.75, -69.84

 

CMYK 39 / 42 / 0 / 2

HEX #9992FA

RGB 153 146 250

HSL 244.04, 0.91%, 0.78%

LAB 65.15, 27.01, -51.14

 

CMYK 25 / 26 / 0 / 1

HEX #BEBAFC

RGB 190 186 252

HSL 243.64, 0.92%, 0.86%

LAB 77.93, 15.2, -32.05

 

CMYK 10 / 11 / 0 / 1

HEX #E3E2FD

RGB 227 226 253

HSL 242.22, 0.87%, 0.94%

LAB 90.7, 5.41, -12.95

 

CMYK 25 / 26 / 0 / 1

HEX #BEBAFC

RGB 190 186 252

HSL 243.64, 0.92%, 0.86%

LAB 77.93, 15.2, -32.05

 

CMYK 0 / 26 / 7 / 1

HEX #FCBAEB

RGB 252 186 235

HSL 315.45, 0.92%, 0.86%

LAB 82.81, 31.35, -15

 

CMYK 17 / 0 / 26 / 1

HEX #D1FCBA

RGB 209 252 186

HSL 99.09, 0.92%, 0.86%

LAB 94.62, -25.35, 27.21

 

CMYK 25 / 26 / 0 / 1

HEX #BEBAFC

RGB 190 186 252

HSL 243.64, 0.92%, 0.86%

LAB 77.93, 15.2, -32.05

 

CMYK 0 / 25 / 26 / 1

HEX #FCBDBA

RGB 252 189 186

HSL 2.73, 0.92%, 0.86%

LAB 82.18, 22.24, 10.37

 

CMYK 26 / 0 / 25 / 1

HEX #BAFCBD

RGB 186 252 189

HSL 122.73, 0.92%, 0.86%

LAB 93.33, -32.47, 23.71

 

CMYK 25 / 26 / 0 / 1

HEX #BEBAFC

RGB 190 186 252

HSL 243.64, 0.92%, 0.86%

LAB 77.93, 15.2, -32.05

 

CMYK 0 / 26 / 7 / 1

HEX #FCBAEB

RGB 252 186 235

HSL 315.45, 0.92%, 0.86%

LAB 82.81, 31.35, -15

 

CMYK 2 / 0 / 26 / 1

HEX #F8FCBA

RGB 248 252 186

HSL 63.64, 0.92%, 0.86%

LAB 97.28, -11.53, 31.26

 

CMYK 26 / 0 / 20 / 1

HEX #BAFCCA

RGB 186 252 202

HSL 134.55, 0.92%, 0.86%

LAB 93.59, -30.24, 17.42

 

CMYK 25 / 26 / 0 / 1

HEX #BEBAFC

RGB 190 186 252

HSL 243.64, 0.92%, 0.86%

LAB 77.93, 15.2, -32.05

 

CMYK 0 / 26 / 14 / 1

HEX #FCBAD8

RGB 252 186 216

HSL 332.73, 0.92%, 0.86%

LAB 82.26, 28.23, -5.64

 

CMYK 2 / 0 / 26 / 1

HEX #F8FCBA

RGB 248 252 186

HSL 63.64, 0.92%, 0.86%

LAB 97.28, -11.53, 31.26

 

CMYK 26 / 0 / 12 / 1

HEX #BAFCDE

RGB 186 252 222

HSL 152.73, 0.92%, 0.86%

LAB 94.03, -26.53, 7.75

 

Description

Color code: HEX #BEBAFC | qconv.com Color code: HEX #BEBAFC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 186 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 186 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 26 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 26% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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