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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEC577 it is the complementary color #413A88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEC577. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEC577 shade: #C3C572, #D4D785, #E5E998, #F6FBAB and #FFFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEC577. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEC577 shade: #BEC577, #ADB364, #9CA151, #8B8F3E and #7A7D2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEC577 shade: #BDC477, #C4B677, #C4A277, #C48D77 and #C47877

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEC577 shade: #BDC477, #A9C477, #94C477, #7FC477 and #77C484

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEC577 shade matches the following richer shades: #BDC477, #CAD467, #D7E457 and #E4F348

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEC577 shade: #BDC477, #B1B587, #A4A596, #9795A6 and #8A86B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEC577 shade: #C4A177, #C4B677, #BEC477, #A9C477 and #95C477

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEC577 shade: #9BA346, #B0B85A, #BDC477, #CBD194 and #D9DDB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEC577 shade: #BEC577, #77C48D and #AC77C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEC577 shade: #BEC577, #77BEC4 and #C477BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEC577 shade: #BEC577, #77C48D, #7D77C4 and #C477AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEC577 shade: #BEC577, #77C4A4, #7D77C4 and #C47797

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 40 / 23

HEX #BEC577

RGB 190 197 119

HSL 65.38, 0.4%, 0.62%

LAB 77.41, -14.28, 38.28

 

Complementary color

CMYK 52 / 57 / 0 / 47

HEX #413A88

RGB 65 58 136

HSL 245.38, 0.4%, 0.38%

LAB 29.23, 25.41, -42.85

 

CMYK 1 / 0 / 42 / 23

HEX #C3C572

RGB 195 197 114

HSL 61.45, 0.42%, 0.61%

LAB 77.73, -12.83, 41.29

 

CMYK 1 / 0 / 38 / 16

HEX #D4D785

RGB 212 215 133

HSL 62.2, 0.51%, 0.68%

LAB 84.12, -13.16, 40.11

 

CMYK 2 / 0 / 35 / 9

HEX #E5E998

RGB 229 233 152

HSL 62.96, 0.65%, 0.75%

LAB 90.41, -13.43, 38.97

 

CMYK 2 / 0 / 32 / 2

HEX #F6FBAB

RGB 246 251 171

HSL 63.75, 0.91%, 0.83%

LAB 96.63, -13.66, 37.87

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 4 / 0 / 40 / 23

HEX #BEC577

RGB 190 197 119

HSL 65.38, 0.4%, 0.62%

LAB 77.41, -14.28, 38.28

 

CMYK 3 / 0 / 44 / 30

HEX #ADB364

RGB 173 179 100

HSL 64.56, 0.34%, 0.55%

LAB 70.9, -13.98, 39.47

 

CMYK 3 / 0 / 50 / 37

HEX #9CA151

RGB 156 161 81

HSL 63.75, 0.33%, 0.47%

LAB 64.28, -13.59, 40.67

 

CMYK 3 / 0 / 57 / 44

HEX #8B8F3E

RGB 139 143 62

HSL 62.96, 0.4%, 0.4%

LAB 57.54, -13.1, 41.82

 

CMYK 2 / 0 / 66 / 51

HEX #7A7D2B

RGB 122 125 43

HSL 62.2, 0.49%, 0.33%

LAB 50.66, -12.44, 42.76

 

CMYK 4 / 0 / 39 / 23

HEX #BDC477

RGB 189 196 119

HSL 65.45, 0.39%, 0.62%

LAB 77.06, -14.16, 37.82

 

CMYK 0 / 7 / 39 / 23

HEX #C4B677

RGB 196 182 119

HSL 49.09, 0.39%, 0.62%

LAB 73.88, -4.12, 33.87

 

CMYK 0 / 17 / 39 / 23

HEX #C4A277

RGB 196 162 119

HSL 33.51, 0.39%, 0.62%

LAB 68.68, 6.57, 27.06

 

CMYK 0 / 28 / 39 / 23

HEX #C48D77

RGB 196 141 119

HSL 17.14, 0.39%, 0.62%

LAB 63.44, 18.07, 20.01

 

CMYK 0 / 39 / 39 / 23

HEX #C47877

RGB 196 120 119

HSL 0.78, 0.39%, 0.62%

LAB 58.51, 29.59, 13.21

 

CMYK 4 / 0 / 39 / 23

HEX #BDC477

RGB 189 196 119

HSL 65.45, 0.39%, 0.62%

LAB 77.06, -14.16, 37.82

 

CMYK 14 / 0 / 39 / 23

HEX #A9C477

RGB 169 196 119

HSL 81.04, 0.39%, 0.62%

LAB 75.6, -21.94, 35.67

 

CMYK 24 / 0 / 39 / 23

HEX #94C477

RGB 148 196 119

HSL 97.4, 0.39%, 0.62%

LAB 74.26, -29.7, 33.67

 

CMYK 35 / 0 / 39 / 23

HEX #7FC477

RGB 127 196 119

HSL 113.77, 0.39%, 0.62%

LAB 73.1, -36.88, 31.94

 

CMYK 39 / 0 / 33 / 23

HEX #77C484

RGB 119 196 132

HSL 130.13, 0.39%, 0.62%

LAB 72.94, -37.29, 24.86

 

CMYK 4 / 0 / 39 / 23

HEX #BDC477

RGB 189 196 119

HSL 65.45, 0.39%, 0.62%

LAB 77.06, -14.16, 37.82

 

CMYK 5 / 0 / 51 / 17

HEX #CAD467

RGB 202 212 103

HSL 65.5, 0.56%, 0.62%

LAB 82.18, -18.61, 52.12

 

CMYK 6 / 0 / 62 / 11

HEX #D7E457

RGB 215 228 87

HSL 65.53, 0.72%, 0.62%

LAB 87.3, -22.42, 65.14

 

CMYK 6 / 0 / 70 / 5

HEX #E4F348

RGB 228 243 72

HSL 65.26, 0.88%, 0.62%

LAB 92.16, -25.2, 76.03

 

CMYK 4 / 0 / 39 / 23

HEX #BDC477

RGB 189 196 119

HSL 65.45, 0.39%, 0.62%

LAB 77.06, -14.16, 37.82

 

CMYK 2 / 0 / 25 / 29

HEX #B1B587

RGB 177 181 135

HSL 65.22, 0.24%, 0.62%

LAB 72.32, -9.07, 23.04

 

CMYK 1 / 0 / 9 / 35

HEX #A4A596

RGB 164 165 150

HSL 64, 0.08%, 0.62%

LAB 67.28, -3.1, 7.65

 

CMYK 9 / 10 / 0 / 35

HEX #9795A6

RGB 151 149 166

HSL 247.06, 0.09%, 0.62%

LAB 62.36, 4.15, -8.64

 

CMYK 24 / 26 / 0 / 29

HEX #8A86B6

RGB 138 134 182

HSL 245, 0.25%, 0.62%

LAB 57.88, 12.07, -24.63

 

CMYK 0 / 18 / 39 / 23

HEX #C4A177

RGB 196 161 119

HSL 32.73, 0.39%, 0.62%

LAB 68.43, 7.12, 26.72

 

CMYK 0 / 7 / 39 / 23

HEX #C4B677

RGB 196 182 119

HSL 49.09, 0.39%, 0.62%

LAB 73.88, -4.12, 33.87

 

CMYK 3 / 0 / 39 / 23

HEX #BEC477

RGB 190 196 119

HSL 64.68, 0.39%, 0.62%

LAB 77.14, -13.77, 37.94

 

CMYK 14 / 0 / 39 / 23

HEX #A9C477

RGB 169 196 119

HSL 81.04, 0.39%, 0.62%

LAB 75.6, -21.94, 35.67

 

CMYK 24 / 0 / 39 / 23

HEX #95C477

RGB 149 196 119

HSL 96.62, 0.39%, 0.62%

LAB 74.32, -29.34, 33.75

 

CMYK 5 / 0 / 57 / 36

HEX #9BA346

RGB 155 163 70

HSL 65.16, 0.4%, 0.46%

LAB 64.65, -16.04, 46.41

 

CMYK 4 / 0 / 51 / 28

HEX #B0B85A

RGB 176 184 90

HSL 65.11, 0.4%, 0.54%

LAB 72.39, -16.29, 46.28

 

CMYK 4 / 0 / 39 / 23

HEX #BDC477

RGB 189 196 119

HSL 65.45, 0.39%, 0.62%

LAB 77.06, -14.16, 37.82

 

CMYK 3 / 0 / 29 / 18

HEX #CBD194

RGB 203 209 148

HSL 65.9, 0.4%, 0.7%

LAB 82.07, -11.78, 29.65

 

CMYK 2 / 0 / 20 / 13

HEX #D9DDB1

RGB 217 221 177

HSL 65.45, 0.39%, 0.78%

LAB 86.82, -8.61, 21.2

 

CMYK 4 / 0 / 40 / 23

HEX #BEC577

RGB 190 197 119

HSL 65.38, 0.4%, 0.62%

LAB 77.41, -14.28, 38.28

 

CMYK 39 / 0 / 28 / 23

HEX #77C48D

RGB 119 196 141

HSL 137.14, 0.39%, 0.62%

LAB 73.11, -35.68, 20.31

 

CMYK 12 / 39 / 0 / 23

HEX #AC77C4

RGB 172 119 196

HSL 281.3, 0.39%, 0.62%

LAB 57.99, 34.53, -32.16

 

CMYK 4 / 0 / 40 / 23

HEX #BEC577

RGB 190 197 119

HSL 65.38, 0.4%, 0.62%

LAB 77.41, -14.28, 38.28

 

CMYK 39 / 3 / 0 / 23

HEX #77BEC4

RGB 119 190 196

HSL 184.68, 0.39%, 0.62%

LAB 72.72, -20.69, -10.06

 

CMYK 0 / 39 / 3 / 23

HEX #C477BE

RGB 196 119 190

HSL 304.68, 0.39%, 0.62%

LAB 60.47, 40.84, -24.7

 

CMYK 4 / 0 / 40 / 23

HEX #BEC577

RGB 190 197 119

HSL 65.38, 0.4%, 0.62%

LAB 77.41, -14.28, 38.28

 

CMYK 39 / 0 / 28 / 23

HEX #77C48D

RGB 119 196 141

HSL 137.14, 0.39%, 0.62%

LAB 73.11, -35.68, 20.31

 

CMYK 36 / 39 / 0 / 23

HEX #7D77C4

RGB 125 119 196

HSL 244.68, 0.39%, 0.62%

LAB 53.53, 20.72, -39.46

 

CMYK 0 / 39 / 11 / 23

HEX #C477AE

RGB 196 119 174

HSL 317.14, 0.39%, 0.62%

LAB 59.88, 38.04, -16.48

 

CMYK 4 / 0 / 40 / 23

HEX #BEC577

RGB 190 197 119

HSL 65.38, 0.4%, 0.62%

LAB 77.41, -14.28, 38.28

 

CMYK 39 / 0 / 16 / 23

HEX #77C4A4

RGB 119 196 164

HSL 155.06, 0.39%, 0.62%

LAB 73.6, -31.1, 8.64

 

CMYK 36 / 39 / 0 / 23

HEX #7D77C4

RGB 125 119 196

HSL 244.68, 0.39%, 0.62%

LAB 53.53, 20.72, -39.46

 

CMYK 0 / 39 / 23 / 23

HEX #C47797

RGB 196 119 151

HSL 335.06, 0.39%, 0.62%

LAB 59.13, 34.39, -4.38

 

Description

Color code: HEX #BEC577 | qconv.com Color code: HEX #BEC577 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 197 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 197 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 40 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 40% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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