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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEC2BC it is the complementary color #413D43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEC2BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEC2BC shade: #C3C2B7, #D4D4CA, #E5E6DD and #F6F8F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEC2BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEC2BC shade: #BEC2BC, #ADB0A9, #9C9E96, #8B8C83 and #7A7A70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEC2BC shade: #BEC2BC, #BFC2BC, #C1C2BC, #C2C1BC and #C2BFBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEC2BC shade: #BEC2BC, #BCC2BC, #BCC2BD, #BCC2BF and #BCC2C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEC2BC shade matches the following richer shades: #BEC2BC, #BACCB1, #B7D7A7, #B3E19D and #B0EB92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEC2BC shade: #BEC2BC, #C1B8C6, #C5ADD0, #C8A3DB and #CB99E5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEC2BC shade: #C1C2BC, #BFC2BC, #BEC2BC, #BCC2BC and #BCC2BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEC2BC shade: #949B90, #A9AEA6, #BEC2BC, #D3D6D1 and #E8E9E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEC2BC shade: #BEC2BC, #BCC2C1 and #C2BCC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEC2BC shade: #BEC2BC, #BCBEC2 and #C2BCBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEC2BC shade: #BEC2BC, #BCC2C1, #C0BCC2 and #C2BCBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEC2BC shade: #BEC2BC, #BCC1C2, #C0BCC2 and #C2BDBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 3 / 24

HEX #BEC2BC

RGB 190 194 188

HSL 100, 0.05%, 0.75%

LAB 77.97, -2.49, 2.52

 

Complementary color

CMYK 3 / 9 / 0 / 74

HEX #413D43

RGB 65 61 67

HSL 280, 0.05%, 0.25%

LAB 26.35, 3.06, -3.06

 

CMYK 0 / 1 / 6 / 24

HEX #C3C2B7

RGB 195 194 183

HSL 55, 0.09%, 0.74%

LAB 78.23, -1.61, 5.64

 

CMYK 0 / 0 / 5 / 17

HEX #D4D4CA

RGB 212 212 202

HSL 60, 0.1%, 0.81%

LAB 84.66, -1.77, 4.93

 

CMYK 0 / 0 / 4 / 10

HEX #E5E6DD

RGB 229 230 221

HSL 66.67, 0.15%, 0.88%

LAB 90.99, -1.91, 4.25

 

CMYK 1 / 0 / 3 / 3

HEX #F6F8F0

RGB 246 248 240

HSL 75, 0.36%, 0.96%

LAB 97.24, -2.05, 3.59

 

CMYK 2 / 0 / 3 / 24

HEX #BEC2BC

RGB 190 194 188

HSL 100, 0.05%, 0.75%

LAB 77.97, -2.49, 2.52

 

CMYK 2 / 0 / 4 / 31

HEX #ADB0A9

RGB 173 176 169

HSL 85.71, 0.04%, 0.68%

LAB 71.42, -2.36, 3.2

 

CMYK 1 / 0 / 5 / 38

HEX #9C9E96

RGB 156 158 150

HSL 75, 0.04%, 0.6%

LAB 64.74, -2.23, 3.92

 

CMYK 1 / 0 / 6 / 45

HEX #8B8C83

RGB 139 140 131

HSL 66.67, 0.04%, 0.53%

LAB 57.93, -2.08, 4.67

 

CMYK 0 / 0 / 8 / 52

HEX #7A7A70

RGB 122 122 112

HSL 60, 0.04%, 0.46%

LAB 50.95, -1.93, 5.47

 

CMYK 2 / 0 / 3 / 24

HEX #BEC2BC

RGB 190 194 188

HSL 100, 0.05%, 0.75%

LAB 77.97, -2.49, 2.52

 

CMYK 2 / 0 / 3 / 24

HEX #BFC2BC

RGB 191 194 188

HSL 90, 0.05%, 0.75%

LAB 78.05, -2.14, 2.64

 

CMYK 1 / 0 / 3 / 24

HEX #C1C2BC

RGB 193 194 188

HSL 70, 0.05%, 0.75%

LAB 78.2, -1.44, 2.88

 

CMYK 0 / 1 / 3 / 24

HEX #C2C1BC

RGB 194 193 188

HSL 50, 0.05%, 0.75%

LAB 78.02, -0.56, 2.63

 

CMYK 0 / 2 / 3 / 24

HEX #C2BFBC

RGB 194 191 188

HSL 30, 0.05%, 0.75%

LAB 77.5, 0.51, 1.87

 

CMYK 2 / 0 / 3 / 24

HEX #BEC2BC

RGB 190 194 188

HSL 100, 0.05%, 0.75%

LAB 77.97, -2.49, 2.52

 

CMYK 3 / 0 / 3 / 24

HEX #BCC2BC

RGB 188 194 188

HSL 120, 0.05%, 0.75%

LAB 77.82, -3.18, 2.28

 

CMYK 3 / 0 / 3 / 24

HEX #BCC2BD

RGB 188 194 189

HSL 130, 0.05%, 0.75%

LAB 77.84, -3, 1.78

 

CMYK 3 / 0 / 2 / 24

HEX #BCC2BF

RGB 188 194 191

HSL 150, 0.05%, 0.75%

LAB 77.9, -2.63, 0.78

 

CMYK 3 / 0 / 1 / 24

HEX #BCC2C0

RGB 188 194 192

HSL 160, 0.05%, 0.75%

LAB 77.92, -2.44, 0.27

 

CMYK 2 / 0 / 3 / 24

HEX #BEC2BC

RGB 190 194 188

HSL 100, 0.05%, 0.75%

LAB 77.97, -2.49, 2.52

 

CMYK 9 / 0 / 13 / 20

HEX #BACCB1

RGB 186 204 177

HSL 100, 0.21%, 0.75%

LAB 80.07, -11.05, 11.4

 

CMYK 15 / 0 / 22 / 16

HEX #B7D7A7

RGB 183 215 167

HSL 100, 0.38%, 0.75%

LAB 82.62, -19.33, 20.25

 

CMYK 20 / 0 / 30 / 12

HEX #B3E19D

RGB 179 225 157

HSL 100.59, 0.53%, 0.75%

LAB 84.93, -27.15, 28.55

 

CMYK 25 / 0 / 38 / 8

HEX #B0EB92

RGB 176 235 146

HSL 99.78, 0.69%, 0.75%

LAB 87.35, -34.45, 37.3

 

CMYK 2 / 0 / 3 / 24

HEX #BEC2BC

RGB 190 194 188

HSL 100, 0.05%, 0.75%

LAB 77.97, -2.49, 2.52

 

CMYK 3 / 7 / 0 / 22

HEX #C1B8C6

RGB 193 184 198

HSL 278.57, 0.11%, 0.75%

LAB 75.88, 5.76, -5.93

 

CMYK 5 / 17 / 0 / 18

HEX #C5ADD0

RGB 197 173 208

HSL 281.14, 0.27%, 0.75%

LAB 73.75, 15.04, -14.54

 

CMYK 9 / 26 / 0 / 14

HEX #C8A3DB

RGB 200 163 219

HSL 279.64, 0.44%, 0.75%

LAB 71.95, 23.72, -23.25

 

CMYK 11 / 33 / 0 / 10

HEX #CB99E5

RGB 203 153 229

HSL 279.47, 0.59%, 0.75%

LAB 70.27, 32.21, -31.29

 

CMYK 1 / 0 / 3 / 24

HEX #C1C2BC

RGB 193 194 188

HSL 70, 0.05%, 0.75%

LAB 78.2, -1.44, 2.88

 

CMYK 2 / 0 / 3 / 24

HEX #BFC2BC

RGB 191 194 188

HSL 90, 0.05%, 0.75%

LAB 78.05, -2.14, 2.64

 

CMYK 2 / 0 / 3 / 24

HEX #BEC2BC

RGB 190 194 188

HSL 100, 0.05%, 0.75%

LAB 77.97, -2.49, 2.52

 

CMYK 3 / 0 / 3 / 24

HEX #BCC2BC

RGB 188 194 188

HSL 120, 0.05%, 0.75%

LAB 77.82, -3.18, 2.28

 

CMYK 3 / 0 / 3 / 24

HEX #BCC2BD

RGB 188 194 189

HSL 130, 0.05%, 0.75%

LAB 77.84, -3, 1.78

 

CMYK 5 / 0 / 7 / 39

HEX #949B90

RGB 148 155 144

HSL 98.18, 0.05%, 0.59%

LAB 63.14, -4.63, 4.89

 

CMYK 3 / 0 / 5 / 32

HEX #A9AEA6

RGB 169 174 166

HSL 97.5, 0.05%, 0.67%

LAB 70.5, -3.26, 3.48

 

CMYK 2 / 0 / 3 / 24

HEX #BEC2BC

RGB 190 194 188

HSL 100, 0.05%, 0.75%

LAB 77.97, -2.49, 2.52

 

CMYK 1 / 0 / 2 / 16

HEX #D3D6D1

RGB 211 214 209

HSL 96, 0.06%, 0.83%

LAB 85.27, -1.92, 2.1

 

CMYK 0 / 0 / 1 / 9

HEX #E8E9E7

RGB 232 233 231

HSL 90, 0.04%, 0.91%

LAB 92.22, -0.69, 0.84

 

CMYK 2 / 0 / 3 / 24

HEX #BEC2BC

RGB 190 194 188

HSL 100, 0.05%, 0.75%

LAB 77.97, -2.49, 2.52

 

CMYK 3 / 0 / 1 / 24

HEX #BCC2C1

RGB 188 194 193

HSL 170, 0.05%, 0.75%

LAB 77.95, -2.25, -0.23

 

CMYK 0 / 3 / 1 / 24

HEX #C2BCC0

RGB 194 188 192

HSL 320, 0.05%, 0.75%

LAB 76.83, 2.83, -1.28

 

CMYK 2 / 0 / 3 / 24

HEX #BEC2BC

RGB 190 194 188

HSL 100, 0.05%, 0.75%

LAB 77.97, -2.49, 2.52

 

CMYK 3 / 2 / 0 / 24

HEX #BCBEC2

RGB 188 190 194

HSL 220, 0.05%, 0.75%

LAB 76.93, 0.06, -2.26

 

CMYK 0 / 3 / 2 / 24

HEX #C2BCBE

RGB 194 188 190

HSL 340, 0.05%, 0.75%

LAB 76.77, 2.47, -0.27

 

CMYK 2 / 0 / 3 / 24

HEX #BEC2BC

RGB 190 194 188

HSL 100, 0.05%, 0.75%

LAB 77.97, -2.49, 2.52

 

CMYK 3 / 0 / 1 / 24

HEX #BCC2C1

RGB 188 194 193

HSL 170, 0.05%, 0.75%

LAB 77.95, -2.25, -0.23

 

CMYK 1 / 3 / 0 / 24

HEX #C0BCC2

RGB 192 188 194

HSL 280, 0.05%, 0.75%

LAB 76.72, 2.51, -2.53

 

CMYK 0 / 3 / 3 / 24

HEX #C2BCBC

RGB 194 188 188

HSL 0, 0.05%, 0.75%

LAB 76.72, 2.11, 0.74

 

CMYK 2 / 0 / 3 / 24

HEX #BEC2BC

RGB 190 194 188

HSL 100, 0.05%, 0.75%

LAB 77.97, -2.49, 2.52

 

CMYK 3 / 1 / 0 / 24

HEX #BCC1C2

RGB 188 193 194

HSL 190, 0.05%, 0.75%

LAB 77.71, -1.53, -1.11

 

CMYK 1 / 3 / 0 / 24

HEX #C0BCC2

RGB 192 188 194

HSL 280, 0.05%, 0.75%

LAB 76.72, 2.51, -2.53

 

CMYK 0 / 3 / 3 / 24

HEX #C2BDBC

RGB 194 189 188

HSL 10, 0.05%, 0.75%

LAB 76.98, 1.57, 1.12

 

Description

Color code: HEX #BEC2BC | qconv.com Color code: HEX #BEC2BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 194 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 194 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 3 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 3% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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