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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEC35A it is the complementary color #413CA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEC35A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEC35A shade: #C3C355, #D4D568, #E5E77B, #F6F98E and #FFFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEC35A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEC35A shade: #BEC35A, #ADB147, #9C9F34, #8B8D21 and #7A7B0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEC35A shade: #BEC35A, #C3AC5A, #C38F5A, #C3735A and #C35A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEC35A shade: #BEC35A, #A2C35A, #85C35A, #69C35A and #5AC367

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEC35A shade matches the following richer shades: #BEC35A, #CED547, #DFE735 and #EFF923

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEC35A shade: #BEC35A, #AEB16C, #9D9F7E, #8D8D90 and #7C7AA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEC35A shade: #C38E5A, #C3AA5A, #C0C35A, #A3C35A and #87C35A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEC35A shade: #909535, #AEB340, #BEC35A, #CACE78 and #D6D996

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEC35A shade: #BEC35A, #5AC372 and #9C5AC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEC35A shade: #BEC35A, #5AC0C3 and #C35AC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEC35A shade: #BEC35A, #5AC372, #5D5AC3 and #C35AAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEC35A shade: #BEC35A, #5AC392, #5D5AC3 and #C35A8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 54 / 24

HEX #BEC35A

RGB 190 195 90

HSL 62.86, 0.47%, 0.56%

LAB 76.51, -16.1, 51.34

 

Complementary color

CMYK 61 / 64 / 0 / 35

HEX #413CA5

RGB 65 60 165

HSL 242.86, 0.47%, 0.44%

LAB 31.97, 33.81, -56.1

 

CMYK 0 / 0 / 56 / 24

HEX #C3C355

RGB 195 195 85

HSL 60, 0.48%, 0.55%

LAB 76.85, -14.44, 54.13

 

CMYK 0 / 0 / 51 / 16

HEX #D4D568

RGB 212 213 104

HSL 60.55, 0.56%, 0.62%

LAB 83.22, -15, 53.08

 

CMYK 1 / 0 / 47 / 9

HEX #E5E77B

RGB 229 231 123

HSL 61.11, 0.69%, 0.69%

LAB 89.51, -15.46, 51.96

 

CMYK 1 / 0 / 43 / 2

HEX #F6F98E

RGB 246 249 142

HSL 61.68, 0.9%, 0.77%

LAB 95.7, -15.85, 50.82

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 3 / 0 / 54 / 24

HEX #BEC35A

RGB 190 195 90

HSL 62.86, 0.47%, 0.56%

LAB 76.51, -16.1, 51.34

 

CMYK 2 / 0 / 60 / 31

HEX #ADB147

RGB 173 177 71

HSL 62.26, 0.43%, 0.49%

LAB 70.02, -15.53, 52.33

 

CMYK 2 / 0 / 67 / 38

HEX #9C9F34

RGB 156 159 52

HSL 61.68, 0.51%, 0.41%

LAB 63.44, -14.82, 53.06

 

CMYK 1 / 0 / 77 / 45

HEX #8B8D21

RGB 139 141 33

HSL 61.11, 0.62%, 0.34%

LAB 56.73, -13.9, 53.22

 

CMYK 1 / 0 / 89 / 52

HEX #7A7B0E

RGB 122 123 14

HSL 60.55, 0.8%, 0.27%

LAB 49.9, -12.73, 52.2

 

CMYK 3 / 0 / 54 / 24

HEX #BEC35A

RGB 190 195 90

HSL 62.86, 0.47%, 0.56%

LAB 76.51, -16.1, 51.34

 

CMYK 0 / 12 / 54 / 24

HEX #C3AC5A

RGB 195 172 90

HSL 46.86, 0.47%, 0.56%

LAB 70.76, -2.11, 44.74

 

CMYK 0 / 27 / 54 / 24

HEX #C38F5A

RGB 195 143 90

HSL 30.29, 0.47%, 0.56%

LAB 63.33, 13.6, 35.72

 

CMYK 0 / 41 / 54 / 24

HEX #C3735A

RGB 195 115 90

HSL 14.29, 0.47%, 0.56%

LAB 56.69, 28.95, 27.31

 

CMYK 0 / 54 / 54 / 24

HEX #C35A5A

RGB 195 90 90

HSL 0, 0.47%, 0.56%

LAB 51.44, 42.02, 20.42

 

CMYK 3 / 0 / 54 / 24

HEX #BEC35A

RGB 190 195 90

HSL 62.86, 0.47%, 0.56%

LAB 76.51, -16.1, 51.34

 

CMYK 17 / 0 / 54 / 24

HEX #A2C35A

RGB 162 195 90

HSL 78.86, 0.47%, 0.56%

LAB 74.48, -27.35, 48.47

 

CMYK 32 / 0 / 54 / 24

HEX #85C35A

RGB 133 195 90

HSL 95.43, 0.47%, 0.56%

LAB 72.73, -38.16, 45.98

 

CMYK 46 / 0 / 54 / 24

HEX #69C35A

RGB 105 195 90

HSL 111.43, 0.47%, 0.56%

LAB 71.4, -47.28, 44.07

 

CMYK 54 / 0 / 47 / 24

HEX #5AC367

RGB 90 195 103

HSL 127.43, 0.47%, 0.56%

LAB 71, -49.67, 37.08

 

CMYK 3 / 0 / 54 / 24

HEX #BEC35A

RGB 190 195 90

HSL 62.86, 0.47%, 0.56%

LAB 76.51, -16.1, 51.34

 

CMYK 3 / 0 / 67 / 16

HEX #CED547

RGB 206 213 71

HSL 62.96, 0.63%, 0.56%

LAB 82.47, -19.77, 66.22

 

CMYK 3 / 0 / 77 / 9

HEX #DFE735

RGB 223 231 53

HSL 62.7, 0.79%, 0.56%

LAB 88.49, -22.32, 78.42

 

CMYK 4 / 0 / 86 / 2

HEX #EFF923

RGB 239 249 35

HSL 62.8, 0.95%, 0.56%

LAB 94.41, -24.85, 88.1

 

CMYK 3 / 0 / 54 / 24

HEX #BEC35A

RGB 190 195 90

HSL 62.86, 0.47%, 0.56%

LAB 76.51, -16.1, 51.34

 

CMYK 2 / 0 / 39 / 31

HEX #AEB16C

RGB 174 177 108

HSL 62.61, 0.31%, 0.56%

LAB 70.54, -11.65, 34.94

 

CMYK 1 / 0 / 21 / 38

HEX #9D9F7E

RGB 157 159 126

HSL 63.64, 0.15%, 0.56%

LAB 64.54, -6.46, 17.03

 

CMYK 2 / 2 / 0 / 44

HEX #8D8D90

RGB 141 141 144

HSL 240, 0.01%, 0.56%

LAB 58.72, 0.6, -1.6

 

CMYK 23 / 25 / 0 / 36

HEX #7C7AA2

RGB 124 122 162

HSL 243, 0.18%, 0.56%

LAB 52.74, 9.72, -21.11

 

CMYK 0 / 27 / 54 / 24

HEX #C38E5A

RGB 195 142 90

HSL 29.71, 0.47%, 0.56%

LAB 63.08, 14.15, 35.41

 

CMYK 0 / 13 / 54 / 24

HEX #C3AA5A

RGB 195 170 90

HSL 45.71, 0.47%, 0.56%

LAB 70.24, -1.05, 44.12

 

CMYK 2 / 0 / 54 / 24

HEX #C0C35A

RGB 192 195 90

HSL 61.71, 0.47%, 0.56%

LAB 76.66, -15.28, 51.57

 

CMYK 16 / 0 / 54 / 24

HEX #A3C35A

RGB 163 195 90

HSL 78.29, 0.47%, 0.56%

LAB 74.54, -26.96, 48.56

 

CMYK 31 / 0 / 54 / 24

HEX #87C35A

RGB 135 195 90

HSL 94.29, 0.47%, 0.56%

LAB 72.84, -37.45, 46.13

 

CMYK 3 / 0 / 64 / 42

HEX #909535

RGB 144 149 53

HSL 63.13, 0.48%, 0.4%

LAB 59.6, -14.77, 48.34

 

CMYK 3 / 0 / 64 / 30

HEX #AEB340

RGB 174 179 64

HSL 62.61, 0.47%, 0.48%

LAB 70.6, -16.61, 55.98

 

CMYK 3 / 0 / 54 / 24

HEX #BEC35A

RGB 190 195 90

HSL 62.86, 0.47%, 0.56%

LAB 76.51, -16.1, 51.34

 

CMYK 2 / 0 / 42 / 19

HEX #CACE78

RGB 202 206 120

HSL 62.79, 0.47%, 0.64%

LAB 80.77, -13.97, 42.21

 

CMYK 1 / 0 / 31 / 15

HEX #D6D996

RGB 214 217 150

HSL 62.69, 0.47%, 0.72%

LAB 85.06, -11.38, 32.74

 

CMYK 3 / 0 / 54 / 24

HEX #BEC35A

RGB 190 195 90

HSL 62.86, 0.47%, 0.56%

LAB 76.51, -16.1, 51.34

 

CMYK 54 / 0 / 42 / 24

HEX #5AC372

RGB 90 195 114

HSL 133.71, 0.47%, 0.56%

LAB 71.16, -47.94, 31.69

 

CMYK 20 / 54 / 0 / 24

HEX #9C5AC3

RGB 156 90 195

HSL 277.71, 0.47%, 0.56%

LAB 49.88, 45.59, -44.46

 

CMYK 3 / 0 / 54 / 24

HEX #BEC35A

RGB 190 195 90

HSL 62.86, 0.47%, 0.56%

LAB 76.51, -16.1, 51.34

 

CMYK 54 / 2 / 0 / 24

HEX #5AC0C3

RGB 90 192 195

HSL 181.71, 0.47%, 0.56%

LAB 72.1, -28.63, -10.55

 

CMYK 0 / 54 / 2 / 24

HEX #C35AC0

RGB 195 90 192

HSL 301.71, 0.47%, 0.56%

LAB 54.78, 55.58, -34.67

 

CMYK 3 / 0 / 54 / 24

HEX #BEC35A

RGB 190 195 90

HSL 62.86, 0.47%, 0.56%

LAB 76.51, -16.1, 51.34

 

CMYK 54 / 0 / 42 / 24

HEX #5AC372

RGB 90 195 114

HSL 133.71, 0.47%, 0.56%

LAB 71.16, -47.94, 31.69

 

CMYK 52 / 54 / 0 / 24

HEX #5D5AC3

RGB 93 90 195

HSL 241.71, 0.47%, 0.56%

LAB 43.62, 30.24, -54.82

 

CMYK 0 / 54 / 13 / 24

HEX #C35AAA

RGB 195 90 170

HSL 314.29, 0.47%, 0.56%

LAB 53.83, 51.9, -23.41

 

CMYK 3 / 0 / 54 / 24

HEX #BEC35A

RGB 190 195 90

HSL 62.86, 0.47%, 0.56%

LAB 76.51, -16.1, 51.34

 

CMYK 54 / 0 / 25 / 24

HEX #5AC392

RGB 90 195 146

HSL 152, 0.47%, 0.56%

LAB 71.74, -41.91, 15.57

 

CMYK 52 / 54 / 0 / 24

HEX #5D5AC3

RGB 93 90 195

HSL 241.71, 0.47%, 0.56%

LAB 43.62, 30.24, -54.82

 

CMYK 0 / 54 / 29 / 24

HEX #C35A8B

RGB 195 90 139

HSL 332, 0.47%, 0.56%

LAB 52.71, 47.37, -6.9

 

Description

Color code: HEX #BEC35A | qconv.com Color code: HEX #BEC35A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 195 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 195 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 54 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 54% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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