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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BECE5C it is the complementary color #4131A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BECE5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BECE5C shade: #C3CE57, #D4E06A, #E5F27D, #F6FF90 and #FFFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BECE5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BECE5C shade: #BECE5C, #ADBC49, #9CAA36, #8B9823 and #7A8610

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BECE5C shade: #BDCD5A, #CDBE5A, #CD9F5A, #CD805A and #CD615A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BECE5C shade: #BDCD5A, #9ECD5A, #7FCD5A, #5FCD5A and #5ACD73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BECE5C shade matches the following richer shades: #BDCD5A, #C9DF48 and #D6F037

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BECE5C shade: #BDCD5A, #B1BC6B, #A4AB7C, #98998E and #8B889F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BECE5C shade: #CD9F5A, #CDBE5A, #BECD5A, #9FCD5A and #80CD5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BECE5C shade: #94A431, #B0C33A, #BDCD5A, #CAD779 and #D6E099

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BECE5C shade: #BECE5C, #5ACD80 and #AE5ACD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BECE5C shade: #BECE5C, #5ABECD and #CD5ABE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BECE5C shade: #BECE5C, #5ACD80, #695ACD and #CD5AA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BECE5C shade: #BECE5C, #5ACDA3, #695ACD and #CD5A84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 55 / 19

HEX #BECE5C

RGB 190 206 92

HSL 68.42, 0.54%, 0.58%

LAB 79.54, -21.41, 53.9

 

Complementary color

CMYK 60 / 70 / 0 / 36

HEX #4131A3

RGB 65 49 163

HSL 248.42, 0.54%, 0.42%

LAB 29.32, 39.81, -59.22

 

CMYK 5 / 0 / 58 / 19

HEX #C3CE57

RGB 195 206 87

HSL 65.55, 0.55%, 0.57%

LAB 79.86, -19.78, 56.6

 

CMYK 5 / 0 / 53 / 12

HEX #D4E06A

RGB 212 224 106

HSL 66.1, 0.66%, 0.65%

LAB 86.18, -20.25, 55.6

 

CMYK 5 / 0 / 48 / 5

HEX #E5F27D

RGB 229 242 125

HSL 66.67, 0.82%, 0.72%

LAB 92.42, -20.63, 54.53

 

CMYK 4 / 0 / 44 / 0

HEX #F6FF90

RGB 246 255 144

HSL 64.86, 1%, 0.78%

LAB 97.28, -18.56, 51.82

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 8 / 0 / 55 / 19

HEX #BECE5C

RGB 190 206 92

HSL 68.42, 0.54%, 0.58%

LAB 79.54, -21.41, 53.9

 

CMYK 8 / 0 / 61 / 26

HEX #ADBC49

RGB 173 188 73

HSL 67.83, 0.46%, 0.51%

LAB 73.11, -20.93, 54.82

 

CMYK 8 / 0 / 68 / 33

HEX #9CAA36

RGB 156 170 54

HSL 67.24, 0.52%, 0.44%

LAB 66.58, -20.32, 55.46

 

CMYK 9 / 0 / 77 / 40

HEX #8B9823

RGB 139 152 35

HSL 66.67, 0.63%, 0.37%

LAB 59.95, -19.54, 55.53

 

CMYK 9 / 0 / 88 / 47

HEX #7A8610

RGB 122 134 16

HSL 66.1, 0.79%, 0.29%

LAB 53.2, -18.52, 54.46

 

CMYK 8 / 0 / 56 / 20

HEX #BDCD5A

RGB 189 205 90

HSL 68.35, 0.53%, 0.58%

LAB 79.17, -21.48, 54.36

 

CMYK 0 / 7 / 56 / 20

HEX #CDBE5A

RGB 205 190 90

HSL 52.17, 0.53%, 0.58%

LAB 76.4, -7.33, 51.55

 

CMYK 0 / 22 / 56 / 20

HEX #CD9F5A

RGB 205 159 90

HSL 36, 0.53%, 0.58%

LAB 68.4, 9.09, 42.15

 

CMYK 0 / 38 / 56 / 20

HEX #CD805A

RGB 205 128 90

HSL 19.83, 0.53%, 0.58%

LAB 60.92, 25.95, 32.97

 

CMYK 0 / 53 / 56 / 20

HEX #CD615A

RGB 205 97 90

HSL 3.65, 0.53%, 0.58%

LAB 54.31, 42.21, 24.48

 

CMYK 8 / 0 / 56 / 20

HEX #BDCD5A

RGB 189 205 90

HSL 68.35, 0.53%, 0.58%

LAB 79.17, -21.48, 54.36

 

CMYK 23 / 0 / 56 / 20

HEX #9ECD5A

RGB 158 205 90

HSL 84.52, 0.53%, 0.58%

LAB 77.08, -33.6, 51.43

 

CMYK 38 / 0 / 56 / 20

HEX #7FCD5A

RGB 127 205 90

HSL 100.7, 0.53%, 0.58%

LAB 75.4, -44.57, 49.04

 

CMYK 54 / 0 / 56 / 20

HEX #5FCD5A

RGB 95 205 90

HSL 117.39, 0.53%, 0.58%

LAB 74.08, -54.04, 47.17

 

CMYK 56 / 0 / 44 / 20

HEX #5ACD73

RGB 90 205 115

HSL 133.04, 0.53%, 0.58%

LAB 74.24, -51.8, 35.16

 

CMYK 8 / 0 / 56 / 20

HEX #BDCD5A

RGB 189 205 90

HSL 68.35, 0.53%, 0.58%

LAB 79.17, -21.48, 54.36

 

CMYK 10 / 0 / 68 / 13

HEX #C9DF48

RGB 201 223 72

HSL 68.74, 0.7%, 0.58%

LAB 84.82, -26.58, 68.11

 

CMYK 11 / 0 / 77 / 6

HEX #D6F037

RGB 214 240 55

HSL 68.43, 0.86%, 0.58%

LAB 90.27, -30.15, 79.21

 

CMYK 8 / 0 / 56 / 20

HEX #BDCD5A

RGB 189 205 90

HSL 68.35, 0.53%, 0.58%

LAB 79.17, -21.48, 54.36

 

CMYK 6 / 0 / 43 / 26

HEX #B1BC6B

RGB 177 188 107

HSL 68.15, 0.38%, 0.58%

LAB 73.79, -16.21, 39.59

 

CMYK 4 / 0 / 27 / 33

HEX #A4AB7C

RGB 164 171 124

HSL 68.94, 0.22%, 0.58%

LAB 68.37, -10.43, 23.44

 

CMYK 1 / 0 / 7 / 40

HEX #98998E

RGB 152 153 142

HSL 65.45, 0.05%, 0.58%

LAB 62.85, -2.42, 5.65

 

CMYK 13 / 14 / 0 / 38

HEX #8B889F

RGB 139 136 159

HSL 247.83, 0.11%, 0.58%

LAB 57.66, 5.88, -11.8

 

CMYK 0 / 22 / 56 / 20

HEX #CD9F5A

RGB 205 159 90

HSL 36, 0.53%, 0.58%

LAB 68.4, 9.09, 42.15

 

CMYK 0 / 7 / 56 / 20

HEX #CDBE5A

RGB 205 190 90

HSL 52.17, 0.53%, 0.58%

LAB 76.4, -7.33, 51.55

 

CMYK 7 / 0 / 56 / 20

HEX #BECD5A

RGB 190 205 90

HSL 67.83, 0.53%, 0.58%

LAB 79.24, -21.08, 54.47

 

CMYK 22 / 0 / 56 / 20

HEX #9FCD5A

RGB 159 205 90

HSL 84, 0.53%, 0.58%

LAB 77.14, -33.22, 51.51

 

CMYK 38 / 0 / 56 / 20

HEX #80CD5A

RGB 128 205 90

HSL 100.17, 0.53%, 0.58%

LAB 75.45, -44.24, 49.11

 

CMYK 10 / 0 / 70 / 36

HEX #94A431

RGB 148 164 49

HSL 68.35, 0.54%, 0.42%

LAB 64.22, -21.01, 54.83

 

CMYK 10 / 0 / 70 / 24

HEX #B0C33A

RGB 176 195 58

HSL 68.32, 0.54%, 0.5%

LAB 75.18, -24.09, 63.04

 

CMYK 8 / 0 / 56 / 20

HEX #BDCD5A

RGB 189 205 90

HSL 68.35, 0.53%, 0.58%

LAB 79.17, -21.48, 54.36

 

CMYK 6 / 0 / 44 / 16

HEX #CAD779

RGB 202 215 121

HSL 68.3, 0.54%, 0.66%

LAB 83.2, -18.36, 44.74

 

CMYK 4 / 0 / 32 / 12

HEX #D6E099

RGB 214 224 153

HSL 68.45, 0.53%, 0.74%

LAB 86.95, -14.51, 33.71

 

CMYK 8 / 0 / 55 / 19

HEX #BECE5C

RGB 190 206 92

HSL 68.42, 0.54%, 0.58%

LAB 79.54, -21.41, 53.9

 

CMYK 56 / 0 / 38 / 20

HEX #5ACD80

RGB 90 205 128

HSL 139.83, 0.53%, 0.58%

LAB 74.44, -49.61, 28.76

 

CMYK 15 / 56 / 0 / 20

HEX #AE5ACD

RGB 174 90 205

HSL 283.83, 0.53%, 0.58%

LAB 52.64, 52.45, -45.68

 

CMYK 8 / 0 / 55 / 19

HEX #BECE5C

RGB 190 206 92

HSL 68.42, 0.54%, 0.58%

LAB 79.54, -21.41, 53.9

 

CMYK 56 / 7 / 0 / 20

HEX #5ABECD

RGB 90 190 205

HSL 187.83, 0.53%, 0.58%

LAB 71.83, -24.87, -16.42

 

CMYK 0 / 56 / 7 / 20

HEX #CD5ABE

RGB 205 90 190

HSL 307.83, 0.53%, 0.58%

LAB 56.1, 57.99, -31.36

 

CMYK 8 / 0 / 55 / 19

HEX #BECE5C

RGB 190 206 92

HSL 68.42, 0.54%, 0.58%

LAB 79.54, -21.41, 53.9

 

CMYK 56 / 0 / 38 / 20

HEX #5ACD80

RGB 90 205 128

HSL 139.83, 0.53%, 0.58%

LAB 74.44, -49.61, 28.76

 

CMYK 49 / 56 / 0 / 20

HEX #695ACD

RGB 105 90 205

HSL 247.83, 0.53%, 0.58%

LAB 45.25, 35.84, -57.92

 

CMYK 0 / 56 / 19 / 20

HEX #CD5AA7

RGB 205 90 167

HSL 319.83, 0.53%, 0.58%

LAB 55.16, 54.41, -19.51

 

CMYK 8 / 0 / 55 / 19

HEX #BECE5C

RGB 190 206 92

HSL 68.42, 0.54%, 0.58%

LAB 79.54, -21.41, 53.9

 

CMYK 56 / 0 / 20 / 20

HEX #5ACDA3

RGB 90 205 163

HSL 158.09, 0.53%, 0.58%

LAB 75.13, -42.58, 11.2

 

CMYK 49 / 56 / 0 / 20

HEX #695ACD

RGB 105 90 205

HSL 247.83, 0.53%, 0.58%

LAB 45.25, 35.84, -57.92

 

CMYK 0 / 56 / 36 / 20

HEX #CD5A84

RGB 205 90 132

HSL 338.09, 0.53%, 0.58%

LAB 53.98, 49.77, -0.7

 

Description

Color code: HEX #BECE5C | qconv.com Color code: HEX #BECE5C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 206 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 206 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 55 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 55% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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