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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BED554 it is the complementary color #412AAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BED554. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BED554 shade: #C3D54F, #D4E762, #E5F975, #F6FF88 and #FFFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BED554. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BED554 shade: #BED554, #ADC341, #9CB12E, #8B9F1B and #7A8D08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BED554 shade: #BDD552, #D5C952, #D5A652, #D58252 and #D55F52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BED554 shade: #BDD552, #9AD552, #77D552, #54D552 and #52D574

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BED554 shade matches the following richer shades: #BDD552, #C9E641 and #D4F72F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BED554 shade: #BDD552, #B2C363, #A7B275, #9CA186 and #918F97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BED554 shade: #D5A552, #D5C852, #BFD552, #9CD552 and #79D552

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BED554 shade: #94AB29, #B1CC31, #BDD552, #CADD73 and #D6E594

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BED554 shade: #BED554, #52D582 and #B652D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BED554 shade: #BED554, #52BFD5 and #D552BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BED554 shade: #BED554, #52D582, #6852D5 and #D552A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BED554 shade: #BED554, #52D5A9, #6852D5 and #D5527E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 61 / 16

HEX #BED554

RGB 190 213 84

HSL 70.7, 0.61%, 0.58%

LAB 81.39, -25.43, 59.48

 

Complementary color

CMYK 62 / 75 / 0 / 33

HEX #412AAB

RGB 65 42 171

HSL 250.7, 0.61%, 0.42%

LAB 28.69, 46.18, -65.08

 

CMYK 8 / 0 / 63 / 16

HEX #C3D54F

RGB 195 213 79

HSL 68.06, 0.61%, 0.57%

LAB 81.7, -23.77, 62.01

 

CMYK 8 / 0 / 58 / 9

HEX #D4E762

RGB 212 231 98

HSL 68.57, 0.73%, 0.65%

LAB 87.98, -24.27, 61.21

 

CMYK 8 / 0 / 53 / 2

HEX #E5F975

RGB 229 249 117

HSL 69.09, 0.92%, 0.72%

LAB 94.18, -24.68, 60.24

 

CMYK 4 / 0 / 47 / 0

HEX #F6FF88

RGB 246 255 136

HSL 64.54, 1%, 0.77%

LAB 97.18, -19.32, 55.45

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 11 / 0 / 61 / 16

HEX #BED554

RGB 190 213 84

HSL 70.7, 0.61%, 0.58%

LAB 81.39, -25.43, 59.48

 

CMYK 11 / 0 / 67 / 24

HEX #ADC341

RGB 173 195 65

HSL 70.15, 0.52%, 0.51%

LAB 75.01, -24.91, 60.14

 

CMYK 12 / 0 / 74 / 31

HEX #9CB12E

RGB 156 177 46

HSL 69.62, 0.59%, 0.44%

LAB 68.54, -24.25, 60.35

 

CMYK 13 / 0 / 83 / 38

HEX #8B9F1B

RGB 139 159 27

HSL 69.09, 0.71%, 0.36%

LAB 61.97, -23.39, 59.73

 

CMYK 13 / 0 / 94 / 45

HEX #7A8D08

RGB 122 141 8

HSL 68.57, 0.89%, 0.29%

LAB 55.28, -22.29, 57.65

 

CMYK 11 / 0 / 62 / 16

HEX #BDD552

RGB 189 213 82

HSL 70.99, 0.61%, 0.58%

LAB 81.3, -25.97, 60.21

 

CMYK 0 / 6 / 62 / 16

HEX #D5C952

RGB 213 201 82

HSL 54.5, 0.61%, 0.58%

LAB 79.91, -10.2, 59.25

 

CMYK 0 / 22 / 62 / 16

HEX #D5A652

RGB 213 166 82

HSL 38.47, 0.61%, 0.58%

LAB 70.89, 8.12, 49.23

 

CMYK 0 / 39 / 62 / 16

HEX #D58252

RGB 213 130 82

HSL 21.98, 0.61%, 0.58%

LAB 62.27, 27.53, 39.15

 

CMYK 0 / 55 / 62 / 16

HEX #D55F52

RGB 213 95 82

HSL 5.95, 0.61%, 0.58%

LAB 55.01, 45.54, 30.23

 

CMYK 11 / 0 / 62 / 16

HEX #BDD552

RGB 189 213 82

HSL 70.99, 0.61%, 0.58%

LAB 81.3, -25.97, 60.21

 

CMYK 28 / 0 / 62 / 16

HEX #9AD552

RGB 154 213 82

HSL 87.02, 0.61%, 0.58%

LAB 79.08, -39.42, 57.14

 

CMYK 44 / 0 / 62 / 16

HEX #77D552

RGB 119 213 82

HSL 103.05, 0.61%, 0.58%

LAB 77.35, -51.23, 54.74

 

CMYK 61 / 0 / 62 / 16

HEX #54D552

RGB 84 213 82

HSL 119.08, 0.61%, 0.58%

LAB 76.12, -60.56, 53.02

 

CMYK 62 / 0 / 46 / 16

HEX #52D574

RGB 82 213 116

HSL 135.57, 0.61%, 0.58%

LAB 76.46, -56.51, 37.45

 

CMYK 11 / 0 / 62 / 16

HEX #BDD552

RGB 189 213 82

HSL 70.99, 0.61%, 0.58%

LAB 81.3, -25.97, 60.21

 

CMYK 13 / 0 / 72 / 10

HEX #C9E641

RGB 201 230 65

HSL 70.55, 0.77%, 0.58%

LAB 86.7, -30.25, 72.45

 

CMYK 14 / 0 / 81 / 3

HEX #D4F72F

RGB 212 247 47

HSL 70.5, 0.93%, 0.58%

LAB 92.01, -34.44, 82.79

 

CMYK 11 / 0 / 62 / 16

HEX #BDD552

RGB 189 213 82

HSL 70.99, 0.61%, 0.58%

LAB 81.3, -25.97, 60.21

 

CMYK 9 / 0 / 49 / 24

HEX #B2C363

RGB 178 195 99

HSL 70.63, 0.44%, 0.58%

LAB 75.7, -20.15, 45.9

 

CMYK 6 / 0 / 34 / 30

HEX #A7B275

RGB 167 178 117

HSL 70.82, 0.28%, 0.58%

LAB 70.41, -13.86, 29.95

 

CMYK 3 / 0 / 17 / 37

HEX #9CA186

RGB 156 161 134

HSL 71.11, 0.13%, 0.58%

LAB 65.18, -6.65, 13.47

 

CMYK 4 / 5 / 0 / 41

HEX #918F97

RGB 145 143 151

HSL 255, 0.04%, 0.58%

LAB 59.8, 2.32, -3.98

 

CMYK 0 / 23 / 62 / 16

HEX #D5A552

RGB 213 165 82

HSL 38.02, 0.61%, 0.58%

LAB 70.64, 8.65, 48.94

 

CMYK 0 / 6 / 62 / 16

HEX #D5C852

RGB 213 200 82

HSL 54.05, 0.61%, 0.58%

LAB 79.65, -9.69, 58.96

 

CMYK 10 / 0 / 62 / 16

HEX #BFD552

RGB 191 213 82

HSL 70.08, 0.61%, 0.58%

LAB 81.44, -25.17, 60.4

 

CMYK 27 / 0 / 62 / 16

HEX #9CD552

RGB 156 213 82

HSL 86.11, 0.61%, 0.58%

LAB 79.19, -38.69, 57.3

 

CMYK 43 / 0 / 62 / 16

HEX #79D552

RGB 121 213 82

HSL 102.14, 0.61%, 0.58%

LAB 77.44, -50.61, 54.86

 

CMYK 13 / 0 / 76 / 33

HEX #94AB29

RGB 148 171 41

HSL 70.62, 0.61%, 0.42%

LAB 66.2, -24.91, 59.62

 

CMYK 13 / 0 / 76 / 20

HEX #B1CC31

RGB 177 204 49

HSL 70.45, 0.61%, 0.5%

LAB 77.73, -28.45, 68.55

 

CMYK 11 / 0 / 62 / 16

HEX #BDD552

RGB 189 213 82

HSL 70.99, 0.61%, 0.58%

LAB 81.3, -25.97, 60.21

 

CMYK 9 / 0 / 48 / 13

HEX #CADD73

RGB 202 221 115

HSL 70.75, 0.61%, 0.66%

LAB 84.74, -21.9, 49.53

 

CMYK 7 / 0 / 35 / 10

HEX #D6E594

RGB 214 229 148

HSL 71.11, 0.61%, 0.74%

LAB 88.2, -17.61, 37.87

 

CMYK 11 / 0 / 61 / 16

HEX #BED554

RGB 190 213 84

HSL 70.7, 0.61%, 0.58%

LAB 81.39, -25.43, 59.48

 

CMYK 62 / 0 / 39 / 16

HEX #52D582

RGB 82 213 130

HSL 141.98, 0.61%, 0.58%

LAB 76.68, -54.17, 30.65

 

CMYK 15 / 62 / 0 / 16

HEX #B652D5

RGB 182 82 213

HSL 285.8, 0.61%, 0.58%

LAB 52.71, 59.87, -50.07

 

CMYK 11 / 0 / 61 / 16

HEX #BED554

RGB 190 213 84

HSL 70.7, 0.61%, 0.58%

LAB 81.39, -25.43, 59.48

 

CMYK 62 / 10 / 0 / 16

HEX #52BFD5

RGB 82 191 213

HSL 190.08, 0.61%, 0.58%

LAB 72.13, -24.53, -20.34

 

CMYK 0 / 62 / 10 / 16

HEX #D552BF

RGB 213 82 191

HSL 310.08, 0.61%, 0.58%

LAB 56.03, 63.79, -31.95

 

CMYK 11 / 0 / 61 / 16

HEX #BED554

RGB 190 213 84

HSL 70.7, 0.61%, 0.58%

LAB 81.39, -25.43, 59.48

 

CMYK 62 / 0 / 39 / 16

HEX #52D582

RGB 82 213 130

HSL 141.98, 0.61%, 0.58%

LAB 76.68, -54.17, 30.65

 

CMYK 51 / 62 / 0 / 16

HEX #6852D5

RGB 104 82 213

HSL 250.08, 0.61%, 0.58%

LAB 43.92, 42.73, -64.68

 

CMYK 0 / 62 / 23 / 16

HEX #D552A5

RGB 213 82 165

HSL 321.98, 0.61%, 0.58%

LAB 54.97, 60.01, -18.52

 

CMYK 11 / 0 / 61 / 16

HEX #BED554

RGB 190 213 84

HSL 70.7, 0.61%, 0.58%

LAB 81.39, -25.43, 59.48

 

CMYK 62 / 0 / 21 / 16

HEX #52D5A9

RGB 82 213 169

HSL 159.85, 0.61%, 0.58%

LAB 77.43, -46.26, 11.22

 

CMYK 51 / 62 / 0 / 16

HEX #6852D5

RGB 104 82 213

HSL 250.08, 0.61%, 0.58%

LAB 43.92, 42.73, -64.68

 

CMYK 0 / 62 / 41 / 16

HEX #D5527E

RGB 213 82 126

HSL 339.85, 0.61%, 0.58%

LAB 53.69, 55.31, 2.59

 

Description

Color code: HEX #BED554 | qconv.com Color code: HEX #BED554 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 213 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 213 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 61 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 61% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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