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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BED75B it is the complementary color #4128A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BED75B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BED75B shade: #C3D756, #D4E969, #E5FB7C, #F6FF8F and #FFFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BED75B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BED75B shade: #BED75B, #ADC548, #9CB335, #8BA122 and #7A8F0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BED75B shade: #BED75A, #D7CE5A, #D7AD5A, #D78B5A and #D76A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BED75B shade: #BED75A, #9CD75A, #7BD75A, #5AD75C and #5AD77D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BED75B shade matches the following richer shades: #BED75A, #C7E74A and #D1F839

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BED75B shade: #BED75A, #B4C66B, #AAB67B, #A0A58C and #96959C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BED75B shade: #D7AD5A, #D7CE5A, #BED75A, #9DD75A and #7BD75A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BED75B shade: #98B32B, #B1CF39, #BED75A, #CBDF7B and #D8E79D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BED75B shade: #BED75B, #5AD78C and #BE5AD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BED75B shade: #BED75B, #5ABED7 and #D75ABE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BED75B shade: #BED75B, #5AD78C, #735AD7 and #D75AA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BED75B shade: #BED75B, #5AD7B1, #735AD7 and #D75A80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 58 / 16

HEX #BED75B

RGB 190 215 91

HSL 72.1, 0.61%, 0.6%

LAB 82, -25.85, 57.13

 

Complementary color

CMYK 60 / 76 / 0 / 36

HEX #4128A4

RGB 65 40 164

HSL 252.1, 0.61%, 0.4%

LAB 27.63, 45.1, -62.61

 

CMYK 9 / 0 / 60 / 16

HEX #C3D756

RGB 195 215 86

HSL 69.3, 0.62%, 0.59%

LAB 82.31, -24.25, 59.74

 

CMYK 9 / 0 / 55 / 9

HEX #D4E969

RGB 212 233 105

HSL 69.84, 0.74%, 0.66%

LAB 88.59, -24.67, 58.83

 

CMYK 9 / 0 / 51 / 2

HEX #E5FB7C

RGB 229 251 124

HSL 70.39, 0.94%, 0.74%

LAB 94.78, -25.02, 57.8

 

CMYK 4 / 0 / 44 / 0

HEX #F6FF8F

RGB 246 255 143

HSL 64.82, 1%, 0.78%

LAB 97.27, -18.66, 52.28

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 12 / 0 / 58 / 16

HEX #BED75B

RGB 190 215 91

HSL 72.1, 0.61%, 0.6%

LAB 82, -25.85, 57.13

 

CMYK 12 / 0 / 63 / 23

HEX #ADC548

RGB 173 197 72

HSL 71.52, 0.52%, 0.53%

LAB 75.63, -25.42, 57.95

 

CMYK 13 / 0 / 70 / 30

HEX #9CB335

RGB 156 179 53

HSL 70.95, 0.54%, 0.45%

LAB 69.16, -24.85, 58.44

 

CMYK 14 / 0 / 79 / 37

HEX #8BA122

RGB 139 161 34

HSL 70.39, 0.65%, 0.38%

LAB 62.59, -24.11, 58.27

 

CMYK 15 / 0 / 90 / 44

HEX #7A8F0F

RGB 122 143 15

HSL 69.84, 0.81%, 0.31%

LAB 55.9, -23.15, 56.92

 

CMYK 12 / 0 / 58 / 16

HEX #BED75A

RGB 190 215 90

HSL 72, 0.61%, 0.6%

LAB 81.99, -25.93, 57.56

 

CMYK 0 / 4 / 58 / 16

HEX #D7CE5A

RGB 215 206 90

HSL 55.68, 0.61%, 0.6%

LAB 81.47, -11.35, 57.51

 

CMYK 0 / 20 / 58 / 16

HEX #D7AD5A

RGB 215 173 90

HSL 39.84, 0.61%, 0.6%

LAB 72.94, 5.8, 47.78

 

CMYK 0 / 35 / 58 / 16

HEX #D78B5A

RGB 215 139 90

HSL 23.52, 0.61%, 0.6%

LAB 64.68, 24.09, 37.91

 

CMYK 0 / 51 / 58 / 16

HEX #D76A5A

RGB 215 106 90

HSL 7.68, 0.61%, 0.6%

LAB 57.55, 41.42, 28.97

 

CMYK 12 / 0 / 58 / 16

HEX #BED75A

RGB 190 215 90

HSL 72, 0.61%, 0.6%

LAB 81.99, -25.93, 57.56

 

CMYK 27 / 0 / 58 / 16

HEX #9CD75A

RGB 156 215 90

HSL 88.32, 0.61%, 0.6%

LAB 79.84, -38.88, 54.56

 

CMYK 43 / 0 / 58 / 16

HEX #7BD75A

RGB 123 215 90

HSL 104.16, 0.61%, 0.6%

LAB 78.2, -50, 52.24

 

CMYK 58 / 0 / 57 / 16

HEX #5AD75C

RGB 90 215 92

HSL 120.96, 0.61%, 0.6%

LAB 77.01, -58.78, 49.65

 

CMYK 58 / 0 / 42 / 16

HEX #5AD77D

RGB 90 215 125

HSL 136.8, 0.61%, 0.6%

LAB 77.43, -54.1, 34.23

 

CMYK 12 / 0 / 58 / 16

HEX #BED75A

RGB 190 215 90

HSL 72, 0.61%, 0.6%

LAB 81.99, -25.93, 57.56

 

CMYK 14 / 0 / 68 / 9

HEX #C7E74A

RGB 199 231 74

HSL 72.23, 0.77%, 0.6%

LAB 86.89, -31.02, 69.42

 

CMYK 16 / 0 / 77 / 3

HEX #D1F839

RGB 209 248 57

HSL 72.25, 0.93%, 0.6%

LAB 92.13, -35.71, 80.21

 

CMYK 12 / 0 / 58 / 16

HEX #BED75A

RGB 190 215 90

HSL 72, 0.61%, 0.6%

LAB 81.99, -25.93, 57.56

 

CMYK 9 / 0 / 46 / 22

HEX #B4C66B

RGB 180 198 107

HSL 71.87, 0.44%, 0.6%

LAB 76.77, -20.04, 43.33

 

CMYK 7 / 0 / 32 / 29

HEX #AAB67B

RGB 170 182 123

HSL 72.2, 0.29%, 0.6%

LAB 71.85, -13.96, 28.7

 

CMYK 3 / 0 / 15 / 35

HEX #A0A58C

RGB 160 165 140

HSL 72, 0.12%, 0.6%

LAB 66.73, -6.3, 12.37

 

CMYK 4 / 4 / 0 / 39

HEX #96959C

RGB 150 149 156

HSL 248.57, 0.03%, 0.6%

LAB 61.98, 1.74, -3.55

 

CMYK 0 / 20 / 58 / 16

HEX #D7AD5A

RGB 215 173 90

HSL 39.84, 0.61%, 0.6%

LAB 72.94, 5.8, 47.78

 

CMYK 0 / 4 / 58 / 16

HEX #D7CE5A

RGB 215 206 90

HSL 55.68, 0.61%, 0.6%

LAB 81.47, -11.35, 57.51

 

CMYK 12 / 0 / 58 / 16

HEX #BED75A

RGB 190 215 90

HSL 72, 0.61%, 0.6%

LAB 81.99, -25.93, 57.56

 

CMYK 27 / 0 / 58 / 16

HEX #9DD75A

RGB 157 215 90

HSL 87.84, 0.61%, 0.6%

LAB 79.9, -38.52, 54.64

 

CMYK 43 / 0 / 58 / 16

HEX #7BD75A

RGB 123 215 90

HSL 104.16, 0.61%, 0.6%

LAB 78.2, -50, 52.24

 

CMYK 15 / 0 / 76 / 30

HEX #98B32B

RGB 152 179 43

HSL 71.91, 0.61%, 0.44%

LAB 68.82, -27.04, 61.52

 

CMYK 14 / 0 / 72 / 19

HEX #B1CF39

RGB 177 207 57

HSL 72, 0.61%, 0.52%

LAB 78.62, -29.48, 66.78

 

CMYK 12 / 0 / 58 / 16

HEX #BED75A

RGB 190 215 90

HSL 72, 0.61%, 0.6%

LAB 81.99, -25.93, 57.56

 

CMYK 9 / 0 / 45 / 13

HEX #CBDF7B

RGB 203 223 123

HSL 72, 0.61%, 0.68%

LAB 85.45, -21.68, 46.58

 

CMYK 6 / 0 / 32 / 9

HEX #D8E79D

RGB 216 231 157

HSL 72.16, 0.61%, 0.76%

LAB 89.01, -16.72, 34.43

 

CMYK 12 / 0 / 58 / 16

HEX #BED75B

RGB 190 215 91

HSL 72.1, 0.61%, 0.6%

LAB 82, -25.85, 57.13

 

CMYK 58 / 0 / 35 / 16

HEX #5AD78C

RGB 90 215 140

HSL 144, 0.61%, 0.6%

LAB 77.68, -51.48, 26.87

 

CMYK 12 / 58 / 0 / 16

HEX #BE5AD7

RGB 190 90 215

HSL 288, 0.61%, 0.6%

LAB 55.24, 58.52, -47.11

 

CMYK 12 / 0 / 58 / 16

HEX #BED75B

RGB 190 215 91

HSL 72.1, 0.61%, 0.6%

LAB 82, -25.85, 57.13

 

CMYK 58 / 12 / 0 / 16

HEX #5ABED7

RGB 90 190 215

HSL 192, 0.61%, 0.6%

LAB 72.17, -22, -21.36

 

CMYK 0 / 58 / 12 / 16

HEX #D75ABE

RGB 215 90 190

HSL 312, 0.61%, 0.6%

LAB 57.54, 60.74, -29.01

 

CMYK 12 / 0 / 58 / 16

HEX #BED75B

RGB 190 215 91

HSL 72.1, 0.61%, 0.6%

LAB 82, -25.85, 57.13

 

CMYK 58 / 0 / 35 / 16

HEX #5AD78C

RGB 90 215 140

HSL 144, 0.61%, 0.6%

LAB 77.68, -51.48, 26.87

 

CMYK 47 / 58 / 0 / 16

HEX #735AD7

RGB 115 90 215

HSL 252, 0.61%, 0.6%

LAB 46.79, 40.87, -61.11

 

CMYK 0 / 58 / 23 / 16

HEX #D75AA5

RGB 215 90 165

HSL 324, 0.61%, 0.6%

LAB 56.56, 57.1, -16.07

 

CMYK 12 / 0 / 58 / 16

HEX #BED75B

RGB 190 215 91

HSL 72.1, 0.61%, 0.6%

LAB 82, -25.85, 57.13

 

CMYK 58 / 0 / 18 / 16

HEX #5AD7B1

RGB 90 215 177

HSL 161.76, 0.61%, 0.6%

LAB 78.43, -43.76, 8.42

 

CMYK 47 / 58 / 0 / 16

HEX #735AD7

RGB 115 90 215

HSL 252, 0.61%, 0.6%

LAB 46.79, 40.87, -61.11

 

CMYK 0 / 58 / 40 / 16

HEX #D75A80

RGB 215 90 128

HSL 341.76, 0.61%, 0.6%

LAB 55.4, 52.59, 3.91

 

Description

Color code: HEX #BED75B | qconv.com Color code: HEX #BED75B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 215 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 215 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 58 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 58% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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