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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BED782 it is the complementary color #41287D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BED782. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BED782 shade: #C3D77D, #D4E990, #E5FBA3, #F6FFB6 and #FFFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BED782. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BED782 shade: #BED782, #ADC56F, #9CB35C, #8BA149 and #7A8F36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BED782 shade: #BED782, #D5D782, #D7C382, #D7AC82 and #D79582

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BED782 shade: #BED782, #A7D782, #91D782, #82D78B and #82D7A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BED782 shade matches the following richer shades: #BED782, #C4E575 and #C9F268

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BED782 shade: #BED782, #B9CA90, #B3BD9D, #AEB0AA and #A9A3B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BED782 shade: #D7C282, #D6D782, #BFD782, #A9D782 and #92D782

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BED782 shade: #9EC444, #AECD63, #BED782, #CFE1A2 and #DFEBC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BED782 shade: #BED782, #82D7AB and #CD82D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BED782 shade: #BED782, #82BFD7 and #D782BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BED782 shade: #BED782, #82D7AB, #9B82D7 and #D782AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BED782 shade: #BED782, #82D7C5, #9B82D7 and #D78295

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 40 / 16

HEX #BED782

RGB 190 215 130

HSL 77.65, 0.52%, 0.68%

LAB 82.46, -21.96, 39.18

 

Complementary color

CMYK 48 / 68 / 0 / 51

HEX #41287D

RGB 65 40 125

HSL 257.65, 0.52%, 0.32%

LAB 24.07, 33.21, -44.31

 

CMYK 9 / 0 / 42 / 16

HEX #C3D77D

RGB 195 215 125

HSL 73.33, 0.53%, 0.67%

LAB 82.74, -20.64, 42.1

 

CMYK 9 / 0 / 38 / 9

HEX #D4E990

RGB 212 233 144

HSL 74.16, 0.67%, 0.74%

LAB 89.06, -20.79, 40.95

 

CMYK 9 / 0 / 35 / 2

HEX #E5FBA3

RGB 229 251 163

HSL 75, 0.92%, 0.81%

LAB 95.29, -20.91, 39.84

 

CMYK 4 / 0 / 29 / 0

HEX #F6FFB6

RGB 246 255 182

HSL 67.4, 1%, 0.86%

LAB 97.83, -14.25, 33.98

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 12 / 0 / 40 / 16

HEX #BED782

RGB 190 215 130

HSL 77.65, 0.52%, 0.68%

LAB 82.46, -21.96, 39.18

 

CMYK 12 / 0 / 44 / 23

HEX #ADC56F

RGB 173 197 111

HSL 76.74, 0.43%, 0.6%

LAB 76.05, -21.85, 40.34

 

CMYK 13 / 0 / 49 / 30

HEX #9CB35C

RGB 156 179 92

HSL 75.86, 0.36%, 0.53%

LAB 69.53, -21.68, 41.51

 

CMYK 14 / 0 / 55 / 37

HEX #8BA149

RGB 139 161 73

HSL 75, 0.38%, 0.46%

LAB 62.89, -21.44, 42.65

 

CMYK 15 / 0 / 62 / 44

HEX #7A8F36

RGB 122 143 54

HSL 74.16, 0.45%, 0.39%

LAB 56.14, -21.09, 43.66

 

CMYK 12 / 0 / 40 / 16

HEX #BED782

RGB 190 215 130

HSL 77.65, 0.52%, 0.68%

LAB 82.46, -21.96, 39.18

 

CMYK 1 / 0 / 40 / 16

HEX #D5D782

RGB 213 215 130

HSL 61.41, 0.52%, 0.68%

LAB 84.15, -13.1, 41.67

 

CMYK 0 / 9 / 40 / 16

HEX #D7C382

RGB 215 195 130

HSL 45.88, 0.52%, 0.68%

LAB 79.09, -2.08, 35.22

 

CMYK 0 / 20 / 40 / 16

HEX #D7AC82

RGB 215 172 130

HSL 29.65, 0.52%, 0.68%

LAB 73.26, 10.09, 27.56

 

CMYK 0 / 31 / 40 / 16

HEX #D79582

RGB 215 149 130

HSL 13.41, 0.52%, 0.68%

LAB 67.69, 22.51, 20.04

 

CMYK 12 / 0 / 40 / 16

HEX #BED782

RGB 190 215 130

HSL 77.65, 0.52%, 0.68%

LAB 82.46, -21.96, 39.18

 

CMYK 22 / 0 / 40 / 16

HEX #A7D782

RGB 167 215 130

HSL 93.88, 0.52%, 0.68%

LAB 80.98, -30.43, 36.97

 

CMYK 33 / 0 / 40 / 16

HEX #91D782

RGB 145 215 130

HSL 109.41, 0.52%, 0.68%

LAB 79.75, -37.98, 35.13

 

CMYK 40 / 0 / 35 / 16

HEX #82D78B

RGB 130 215 139

HSL 126.35, 0.52%, 0.68%

LAB 79.16, -41.3, 29.63

 

CMYK 40 / 0 / 25 / 16

HEX #82D7A2

RGB 130 215 162

HSL 142.59, 0.52%, 0.68%

LAB 79.59, -37.24, 18.22

 

CMYK 12 / 0 / 40 / 16

HEX #BED782

RGB 190 215 130

HSL 77.65, 0.52%, 0.68%

LAB 82.46, -21.96, 39.18

 

CMYK 14 / 0 / 49 / 10

HEX #C4E575

RGB 196 229 117

HSL 77.68, 0.68%, 0.68%

LAB 86.53, -27.85, 50.65

 

CMYK 17 / 0 / 57 / 5

HEX #C9F268

RGB 201 242 104

HSL 77.83, 0.84%, 0.68%

LAB 90.29, -33.21, 61

 

CMYK 12 / 0 / 40 / 16

HEX #BED782

RGB 190 215 130

HSL 77.65, 0.52%, 0.68%

LAB 82.46, -21.96, 39.18

 

CMYK 8 / 0 / 29 / 21

HEX #B9CA90

RGB 185 202 144

HSL 77.59, 0.35%, 0.68%

LAB 78.79, -15.56, 27.11

 

CMYK 5 / 0 / 17 / 26

HEX #B3BD9D

RGB 179 189 157

HSL 78.75, 0.2%, 0.68%

LAB 75.08, -9.15, 15.03

 

CMYK 1 / 0 / 3 / 31

HEX #AEB0AA

RGB 174 176 170

HSL 80, 0.04%, 0.68%

LAB 71.52, -1.82, 2.81

 

CMYK 8 / 11 / 0 / 28

HEX #A9A3B7

RGB 169 163 183

HSL 258, 0.12%, 0.68%

LAB 68.06, 6.05, -9.52

 

CMYK 0 / 10 / 40 / 16

HEX #D7C282

RGB 215 194 130

HSL 45.18, 0.52%, 0.68%

LAB 78.83, -1.56, 34.89

 

CMYK 0 / 0 / 40 / 16

HEX #D6D782

RGB 214 215 130

HSL 60.71, 0.52%, 0.68%

LAB 84.23, -12.71, 41.78

 

CMYK 11 / 0 / 40 / 16

HEX #BFD782

RGB 191 215 130

HSL 76.94, 0.52%, 0.68%

LAB 82.53, -21.58, 39.28

 

CMYK 21 / 0 / 40 / 16

HEX #A9D782

RGB 169 215 130

HSL 92.47, 0.52%, 0.68%

LAB 81.1, -29.72, 37.15

 

CMYK 32 / 0 / 40 / 16

HEX #92D782

RGB 146 215 130

HSL 108.71, 0.52%, 0.68%

LAB 79.8, -37.65, 35.21

 

CMYK 19 / 0 / 65 / 23

HEX #9EC444

RGB 158 196 68

HSL 77.81, 0.52%, 0.52%

LAB 74.3, -31.22, 57.88

 

CMYK 15 / 0 / 52 / 20

HEX #AECD63

RGB 174 205 99

HSL 77.55, 0.51%, 0.6%

LAB 78.21, -26.62, 48.82

 

CMYK 12 / 0 / 40 / 16

HEX #BED782

RGB 190 215 130

HSL 77.65, 0.52%, 0.68%

LAB 82.46, -21.96, 39.18

 

CMYK 8 / 0 / 28 / 12

HEX #CFE1A2

RGB 207 225 162

HSL 77.14, 0.51%, 0.76%

LAB 86.86, -16.42, 28.9

 

CMYK 5 / 0 / 18 / 8

HEX #DFEBC1

RGB 223 235 193

HSL 77.14, 0.51%, 0.84%

LAB 91.21, -11.1, 19.07

 

CMYK 12 / 0 / 40 / 16

HEX #BED782

RGB 190 215 130

HSL 77.65, 0.52%, 0.68%

LAB 82.46, -21.96, 39.18

 

CMYK 40 / 0 / 20 / 16

HEX #82D7AB

RGB 130 215 171

HSL 148.94, 0.52%, 0.68%

LAB 79.78, -35.48, 13.73

 

CMYK 5 / 40 / 0 / 16

HEX #CD82D7

RGB 205 130 215

HSL 292.94, 0.52%, 0.68%

LAB 64.84, 42.46, -31.93

 

CMYK 12 / 0 / 40 / 16

HEX #BED782

RGB 190 215 130

HSL 77.65, 0.52%, 0.68%

LAB 82.46, -21.96, 39.18

 

CMYK 40 / 11 / 0 / 16

HEX #82BFD7

RGB 130 191 215

HSL 196.94, 0.52%, 0.68%

LAB 74.13, -13.5, -18.22

 

CMYK 0 / 40 / 11 / 16

HEX #D782BF

RGB 215 130 191

HSL 316.94, 0.52%, 0.68%

LAB 65.1, 41.31, -17.98

 

CMYK 12 / 0 / 40 / 16

HEX #BED782

RGB 190 215 130

HSL 77.65, 0.52%, 0.68%

LAB 82.46, -21.96, 39.18

 

CMYK 40 / 0 / 20 / 16

HEX #82D7AB

RGB 130 215 171

HSL 148.94, 0.52%, 0.68%

LAB 79.78, -35.48, 13.73

 

CMYK 28 / 40 / 0 / 16

HEX #9B82D7

RGB 155 130 215

HSL 257.65, 0.52%, 0.68%

LAB 59.74, 27.64, -40.26

 

CMYK 0 / 40 / 19 / 16

HEX #D782AE

RGB 215 130 174

HSL 328.94, 0.52%, 0.68%

LAB 64.54, 38.6, -9.23

 

CMYK 12 / 0 / 40 / 16

HEX #BED782

RGB 190 215 130

HSL 77.65, 0.52%, 0.68%

LAB 82.46, -21.96, 39.18

 

CMYK 40 / 0 / 8 / 16

HEX #82D7C5

RGB 130 215 197

HSL 167.29, 0.52%, 0.68%

LAB 80.39, -29.91, 0.78

 

CMYK 28 / 40 / 0 / 16

HEX #9B82D7

RGB 155 130 215

HSL 257.65, 0.52%, 0.68%

LAB 59.74, 27.64, -40.26

 

CMYK 0 / 40 / 31 / 16

HEX #D78295

RGB 215 130 149

HSL 346.59, 0.52%, 0.68%

LAB 63.82, 35.06, 3.91

 

Description

Color code: HEX #BED782 | qconv.com Color code: HEX #BED782 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 215 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 215 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 40 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 40% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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