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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BED14B it is the complementary color #412EB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BED14B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BED14B shade: #C3D146, #D4E359, #E5F56C, #F6FF7F and #FFFF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BED14B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BED14B shade: #BED14B, #ADBF38, #9CAD25, #8B9B12 and #7A8900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BED14B shade: #BED04C, #D0C04C, #D09C4C, #D0784C and #D0544C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BED14B shade: #BED04C, #9AD04C, #76D04C, #53D04C and #4CD069

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BED14B shade matches the following richer shades: #BED04C, #CBE33A and #D8F528

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BED14B shade: #BED04C, #B1BE5E, #A4AC70, #979A83 and #8A8895

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BED14B shade: #D09C4C, #D0BF4C, #BFD04C, #9CD04C and #78D04C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BED14B shade: #90A129, #ADC232, #BED04C, #CAD96D and #D6E18E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BED14B shade: #BED14B, #4CD078 and #AD4CD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BED14B shade: #BED14B, #4CBFD0 and #D04CBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BED14B shade: #BED14B, #4CD078, #5E4CD0 and #D04CA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BED14B shade: #BED14B, #4CD0A0, #5E4CD0 and #D04C7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 64 / 18

HEX #BED14B

RGB 190 209 75

HSL 68.51, 0.59%, 0.56%

LAB 80.21, -24.12, 61.95

 

Complementary color

CMYK 64 / 74 / 0 / 29

HEX #412EB4

RGB 65 46 180

HSL 248.51, 0.59%, 0.44%

LAB 30.33, 46.83, -67.76

 

CMYK 7 / 0 / 67 / 18

HEX #C3D146

RGB 195 209 70

HSL 66.04, 0.6%, 0.55%

LAB 80.54, -22.39, 64.38

 

CMYK 7 / 0 / 61 / 11

HEX #D4E359

RGB 212 227 89

HSL 66.52, 0.71%, 0.62%

LAB 86.83, -23, 63.75

 

CMYK 7 / 0 / 56 / 4

HEX #E5F56C

RGB 229 245 108

HSL 67.01, 0.87%, 0.69%

LAB 93.03, -23.5, 62.88

 

CMYK 4 / 0 / 50 / 0

HEX #F6FF7F

RGB 246 255 127

HSL 64.22, 1%, 0.75%

LAB 97.08, -20.12, 59.46

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 9 / 0 / 64 / 18

HEX #BED14B

RGB 190 209 75

HSL 68.51, 0.59%, 0.56%

LAB 80.21, -24.12, 61.95

 

CMYK 9 / 0 / 71 / 25

HEX #ADBF38

RGB 173 191 56

HSL 68, 0.55%, 0.48%

LAB 73.82, -23.48, 62.36

 

CMYK 10 / 0 / 79 / 32

HEX #9CAD25

RGB 156 173 37

HSL 67.5, 0.65%, 0.41%

LAB 67.34, -22.68, 62.15

 

CMYK 10 / 0 / 88 / 39

HEX #8B9B12

RGB 139 155 18

HSL 67.01, 0.79%, 0.34%

LAB 60.76, -21.66, 60.82

 

CMYK 11 / 0 / 100 / 46

HEX #7A8900

RGB 122 137 0

HSL 66.57, 1%, 0.27%

LAB 54.06, -20.42, 58.07

 

CMYK 9 / 0 / 63 / 18

HEX #BED04C

RGB 190 208 76

HSL 68.18, 0.58%, 0.56%

LAB 79.94, -23.57, 61.26

 

CMYK 0 / 8 / 63 / 18

HEX #D0C04C

RGB 208 192 76

HSL 52.73, 0.58%, 0.56%

LAB 77.06, -8.08, 58.62

 

CMYK 0 / 25 / 63 / 18

HEX #D09C4C

RGB 208 156 76

HSL 36.36, 0.58%, 0.56%

LAB 67.81, 10.97, 48.47

 

CMYK 0 / 42 / 63 / 18

HEX #D0784C

RGB 208 120 76

HSL 20, 0.58%, 0.56%

LAB 59.31, 30.44, 38.64

 

CMYK 0 / 60 / 63 / 18

HEX #D0544C

RGB 208 84 76

HSL 3.64, 0.58%, 0.56%

LAB 52.14, 48.54, 29.91

 

CMYK 9 / 0 / 63 / 18

HEX #BED04C

RGB 190 208 76

HSL 68.18, 0.58%, 0.56%

LAB 79.94, -23.57, 61.26

 

CMYK 26 / 0 / 63 / 18

HEX #9AD04C

RGB 154 208 76

HSL 84.55, 0.58%, 0.56%

LAB 77.58, -37.67, 58.03

 

CMYK 43 / 0 / 63 / 18

HEX #76D04C

RGB 118 208 76

HSL 100.91, 0.58%, 0.56%

LAB 75.75, -50.09, 55.51

 

CMYK 60 / 0 / 63 / 18

HEX #53D04C

RGB 83 208 76

HSL 116.82, 0.58%, 0.56%

LAB 74.49, -59.64, 53.76

 

CMYK 63 / 0 / 50 / 18

HEX #4CD069

RGB 76 208 105

HSL 133.18, 0.58%, 0.56%

LAB 74.62, -57.55, 40.52

 

CMYK 9 / 0 / 63 / 18

HEX #BED04C

RGB 190 208 76

HSL 68.18, 0.58%, 0.56%

LAB 79.94, -23.57, 61.26

 

CMYK 11 / 0 / 74 / 11

HEX #CBE33A

RGB 203 227 58

HSL 68.52, 0.75%, 0.56%

LAB 85.98, -28.37, 74.09

 

CMYK 12 / 0 / 84 / 4

HEX #D8F528

RGB 216 245 40

HSL 68.49, 0.91%, 0.56%

LAB 91.71, -32.15, 84.22

 

CMYK 9 / 0 / 63 / 18

HEX #BED04C

RGB 190 208 76

HSL 68.18, 0.58%, 0.56%

LAB 79.94, -23.57, 61.26

 

CMYK 7 / 0 / 51 / 25

HEX #B1BE5E

RGB 177 190 94

HSL 68.13, 0.42%, 0.56%

LAB 74.18, -18.54, 46.48

 

CMYK 5 / 0 / 35 / 33

HEX #A4AC70

RGB 164 172 112

HSL 68, 0.27%, 0.56%

LAB 68.44, -12.58, 29.96

 

CMYK 2 / 0 / 15 / 40

HEX #979A83

RGB 151 154 131

HSL 67.83, 0.1%, 0.56%

LAB 62.78, -5.26, 11.72

 

CMYK 7 / 9 / 0 / 42

HEX #8A8895

RGB 138 136 149

HSL 249.23, 0.06%, 0.56%

LAB 57.25, 3.38, -6.66

 

CMYK 0 / 25 / 63 / 18

HEX #D09C4C

RGB 208 156 76

HSL 36.36, 0.58%, 0.56%

LAB 67.81, 10.97, 48.47

 

CMYK 0 / 8 / 63 / 18

HEX #D0BF4C

RGB 208 191 76

HSL 52.27, 0.58%, 0.56%

LAB 76.8, -7.57, 58.34

 

CMYK 8 / 0 / 63 / 18

HEX #BFD04C

RGB 191 208 76

HSL 67.73, 0.58%, 0.56%

LAB 80.02, -23.17, 61.36

 

CMYK 25 / 0 / 63 / 18

HEX #9CD04C

RGB 156 208 76

HSL 83.64, 0.58%, 0.56%

LAB 77.7, -36.92, 58.19

 

CMYK 42 / 0 / 63 / 18

HEX #78D04C

RGB 120 208 76

HSL 100, 0.58%, 0.56%

LAB 75.84, -49.46, 55.63

 

CMYK 11 / 0 / 75 / 37

HEX #90A129

RGB 144 161 41

HSL 68.5, 0.59%, 0.4%

LAB 62.99, -21.65, 56.48

 

CMYK 11 / 0 / 74 / 24

HEX #ADC232

RGB 173 194 50

HSL 68.75, 0.59%, 0.48%

LAB 74.63, -25.25, 65.23

 

CMYK 9 / 0 / 63 / 18

HEX #BED04C

RGB 190 208 76

HSL 68.18, 0.58%, 0.56%

LAB 79.94, -23.57, 61.26

 

CMYK 7 / 0 / 50 / 15

HEX #CAD96D

RGB 202 217 109

HSL 68.33, 0.59%, 0.64%

LAB 83.59, -20.52, 50.99

 

CMYK 5 / 0 / 37 / 12

HEX #D6E18E

RGB 214 225 142

HSL 67.95, 0.58%, 0.72%

LAB 87.05, -16.35, 39.39

 

CMYK 9 / 0 / 64 / 18

HEX #BED14B

RGB 190 209 75

HSL 68.51, 0.59%, 0.56%

LAB 80.21, -24.12, 61.95

 

CMYK 63 / 0 / 42 / 18

HEX #4CD078

RGB 76 208 120

HSL 140, 0.58%, 0.56%

LAB 74.83, -55.18, 33.3

 

CMYK 17 / 63 / 0 / 18

HEX #AD4CD0

RGB 173 76 208

HSL 284.09, 0.58%, 0.56%

LAB 50.22, 59.47, -51.25

 

CMYK 9 / 0 / 64 / 18

HEX #BED14B

RGB 190 209 75

HSL 68.51, 0.59%, 0.56%

LAB 80.21, -24.12, 61.95

 

CMYK 63 / 8 / 0 / 18

HEX #4CBFD0

RGB 76 191 208

HSL 187.73, 0.58%, 0.56%

LAB 71.79, -27.01, -18.15

 

CMYK 0 / 63 / 8 / 18

HEX #D04CBF

RGB 208 76 191

HSL 307.73, 0.58%, 0.56%

LAB 54.39, 64.96, -34.57

 

CMYK 9 / 0 / 64 / 18

HEX #BED14B

RGB 190 209 75

HSL 68.51, 0.59%, 0.56%

LAB 80.21, -24.12, 61.95

 

CMYK 63 / 0 / 42 / 18

HEX #4CD078

RGB 76 208 120

HSL 140, 0.58%, 0.56%

LAB 74.83, -55.18, 33.3

 

CMYK 55 / 63 / 0 / 18

HEX #5E4CD0

RGB 94 76 208

HSL 248.18, 0.58%, 0.56%

LAB 41.38, 42.89, -65.97

 

CMYK 0 / 63 / 21 / 18

HEX #D04CA4

RGB 208 76 164

HSL 320, 0.58%, 0.56%

LAB 53.23, 60.98, -20.66

 

CMYK 9 / 0 / 64 / 18

HEX #BED14B

RGB 190 209 75

HSL 68.51, 0.59%, 0.56%

LAB 80.21, -24.12, 61.95

 

CMYK 63 / 0 / 23 / 18

HEX #4CD0A0

RGB 76 208 160

HSL 158.18, 0.58%, 0.56%

LAB 75.57, -47.28, 13.37

 

CMYK 55 / 63 / 0 / 18

HEX #5E4CD0

RGB 94 76 208

HSL 248.18, 0.58%, 0.56%

LAB 41.38, 42.89, -65.97

 

CMYK 0 / 63 / 40 / 18

HEX #D04C7D

RGB 208 76 125

HSL 337.73, 0.58%, 0.56%

LAB 51.9, 56.22, 0.48

 

Description

Color code: HEX #BED14B | qconv.com Color code: HEX #BED14B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 209 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 209 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 64 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 64% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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