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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BED3F7 it is the complementary color #412C08. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BED3F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BED3F7 shade: #C3D3F2, #D4E5FF, #E5F7FF and #F6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BED3F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BED3F7 shade: #BED3F7, #ADC1E4, #9CAFD1, #8B9DBE and #7A8BAB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BED3F7 shade: #BFD3F7, #BFC4F7, #C8BFF7, #D7BFF7 and #E7BFF7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BED3F7 shade: #BFD3F7, #BFC4F7 and #BFBFF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BED3F7 shade matches the following richer shades: #BFD3F7 and #B9D2FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BED3F7 shade: #BFD3F7, #C5D5F1, #CBD7EB, #D0D8E5 and #D6DAE0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BED3F7 shade: #BFF2F7, #BFE3F7, #BFD4F7, #BFC5F7 and #C7BFF7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BED3F7 shade: #76A2EE, #9ABBF2, #BFD3F7 and #E4ECFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BED3F7 shade: #BED3F7, #ECBFF7 and #EBF7BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BED3F7 shade: #BED3F7, #F7BFD4 and #D4F7BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BED3F7 shade: #BED3F7, #ECBFF7, #F7E1BF and #C9F7BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BED3F7 shade: #BED3F7, #F7BFF0, #F7E1BF and #BFF7C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 15 / 0 / 3

HEX #BED3F7

RGB 190 211 247

HSL 217.89, 0.78%, 0.86%

LAB 84.1, 0.59, -19.97

 

Complementary color

CMYK 0 / 32 / 88 / 75

HEX #412C08

RGB 65 44 8

HSL 37.89, 0.78%, 0.14%

LAB 19.81, 5.8, 25.11

 

CMYK 19 / 13 / 0 / 5

HEX #C3D3F2

RGB 195 211 242

HSL 219.57, 0.64%, 0.86%

LAB 84.28, 1, -17.01

 

CMYK 17 / 10 / 0 / 0

HEX #D4E5FF

RGB 212 229 255

HSL 216.28, 1%, 0.92%

LAB 90.44, -0.43, -14.49

 

CMYK 10 / 3 / 0 / 0

HEX #E5F7FF

RGB 229 247 255

HSL 198.46, 1%, 0.95%

LAB 96.16, -4.35, -5.86

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 23 / 15 / 0 / 3

HEX #BED3F7

RGB 190 211 247

HSL 217.89, 0.78%, 0.86%

LAB 84.1, 0.59, -19.97

 

CMYK 24 / 15 / 0 / 11

HEX #ADC1E4

RGB 173 193 228

HSL 218.18, 0.5%, 0.79%

LAB 77.65, 0.77, -19.68

 

CMYK 25 / 16 / 0 / 18

HEX #9CAFD1

RGB 156 175 209

HSL 218.49, 0.37%, 0.72%

LAB 71.1, 0.97, -19.39

 

CMYK 27 / 17 / 0 / 25

HEX #8B9DBE

RGB 139 157 190

HSL 218.82, 0.28%, 0.65%

LAB 64.42, 1.19, -19.13

 

CMYK 29 / 19 / 0 / 33

HEX #7A8BAB

RGB 122 139 171

HSL 219.18, 0.23%, 0.57%

LAB 57.6, 1.44, -18.88

 

CMYK 23 / 15 / 0 / 3

HEX #BFD3F7

RGB 191 211 247

HSL 218.57, 0.78%, 0.86%

LAB 84.16, 0.89, -19.86

 

CMYK 23 / 21 / 0 / 3

HEX #BFC4F7

RGB 191 196 247

HSL 234.64, 0.78%, 0.86%

LAB 80.33, 8.91, -25.68

 

CMYK 19 / 23 / 0 / 3

HEX #C8BFF7

RGB 200 191 247

HSL 249.64, 0.78%, 0.86%

LAB 79.76, 14.34, -26.5

 

CMYK 13 / 23 / 0 / 3

HEX #D7BFF7

RGB 215 191 247

HSL 265.71, 0.78%, 0.86%

LAB 80.97, 18.98, -24.53

 

CMYK 6 / 23 / 0 / 3

HEX #E7BFF7

RGB 231 191 247

HSL 282.86, 0.78%, 0.86%

LAB 82.36, 24.04, -22.3

 

CMYK 23 / 15 / 0 / 3

HEX #BFD3F7

RGB 191 211 247

HSL 218.57, 0.78%, 0.86%

LAB 84.16, 0.89, -19.86

 

CMYK 23 / 21 / 0 / 3

HEX #BFC4F7

RGB 191 196 247

HSL 234.64, 0.78%, 0.86%

LAB 80.33, 8.91, -25.68

 

CMYK 23 / 23 / 0 / 3

HEX #BFBFF7

RGB 191 191 247

HSL 240, 0.78%, 0.86%

LAB 79.07, 11.62, -27.61

 

CMYK 23 / 15 / 0 / 3

HEX #BFD3F7

RGB 191 211 247

HSL 218.57, 0.78%, 0.86%

LAB 84.16, 0.89, -19.86

 

CMYK 27 / 17 / 0 / 1

HEX #B9D2FC

RGB 185 210 252

HSL 217.61, 0.92%, 0.86%

LAB 83.67, 0.78, -23.3

 

CMYK 23 / 15 / 0 / 3

HEX #BFD3F7

RGB 191 211 247

HSL 218.57, 0.78%, 0.86%

LAB 84.16, 0.89, -19.86

 

CMYK 18 / 12 / 0 / 5

HEX #C5D5F1

RGB 197 213 241

HSL 218.18, 0.61%, 0.86%

LAB 84.9, 0.34, -15.53

 

CMYK 14 / 9 / 0 / 8

HEX #CBD7EB

RGB 203 215 235

HSL 217.5, 0.44%, 0.86%

LAB 85.65, -0.09, -11.19

 

CMYK 9 / 6 / 0 / 10

HEX #D0D8E5

RGB 208 216 229

HSL 217.14, 0.29%, 0.86%

LAB 86.1, -0.21, -7.31

 

CMYK 4 / 3 / 0 / 12

HEX #D6DAE0

RGB 214 218 224

HSL 216, 0.14%, 0.86%

LAB 86.91, -0.23, -3.42

 

CMYK 23 / 2 / 0 / 3

HEX #BFF2F7

RGB 191 242 247

HSL 185.36, 0.78%, 0.86%

LAB 92.26, -15.06, -7.74

 

CMYK 23 / 8 / 0 / 3

HEX #BFE3F7

RGB 191 227 247

HSL 201.43, 0.78%, 0.86%

LAB 88.32, -7.46, -13.61

 

CMYK 23 / 14 / 0 / 3

HEX #BFD4F7

RGB 191 212 247

HSL 217.5, 0.78%, 0.86%

LAB 84.42, 0.36, -19.47

 

CMYK 23 / 20 / 0 / 3

HEX #BFC5F7

RGB 191 197 247

HSL 233.57, 0.78%, 0.86%

LAB 80.59, 8.37, -25.3

 

CMYK 19 / 23 / 0 / 3

HEX #C7BFF7

RGB 199 191 247

HSL 248.57, 0.78%, 0.86%

LAB 79.68, 14.03, -26.62

 

CMYK 50 / 32 / 0 / 7

HEX #76A2EE

RGB 118 162 238

HSL 218, 0.78%, 0.7%

LAB 66.42, 5.93, -42.72

 

CMYK 36 / 23 / 0 / 5

HEX #9ABBF2

RGB 154 187 242

HSL 217.5, 0.77%, 0.78%

LAB 75.34, 2.03, -30.87

 

CMYK 23 / 15 / 0 / 3

HEX #BFD3F7

RGB 191 211 247

HSL 218.57, 0.78%, 0.86%

LAB 84.16, 0.89, -19.86

 

CMYK 9 / 6 / 0 / 2

HEX #E4ECFB

RGB 228 236 251

HSL 219.13, 0.74%, 0.94%

LAB 93.21, 0.17, -8.16

 

CMYK 23 / 15 / 0 / 3

HEX #BED3F7

RGB 190 211 247

HSL 217.89, 0.78%, 0.86%

LAB 84.1, 0.59, -19.97

 

CMYK 4 / 23 / 0 / 3

HEX #ECBFF7

RGB 236 191 247

HSL 288.21, 0.78%, 0.86%

LAB 82.81, 25.64, -21.57

 

CMYK 5 / 0 / 23 / 3

HEX #EBF7BF

RGB 235 247 191

HSL 72.86, 0.78%, 0.86%

LAB 95.14, -13.08, 25.66

 

CMYK 23 / 15 / 0 / 3

HEX #BED3F7

RGB 190 211 247

HSL 217.89, 0.78%, 0.86%

LAB 84.1, 0.59, -19.97

 

CMYK 0 / 23 / 14 / 3

HEX #F7BFD4

RGB 247 191 212

HSL 337.5, 0.78%, 0.86%

LAB 82.8, 23.23, -2.75

 

CMYK 14 / 0 / 23 / 3

HEX #D4F7BF

RGB 212 247 191

HSL 97.5, 0.78%, 0.86%

LAB 93.57, -21.16, 23.26

 

CMYK 23 / 15 / 0 / 3

HEX #BED3F7

RGB 190 211 247

HSL 217.89, 0.78%, 0.86%

LAB 84.1, 0.59, -19.97

 

CMYK 4 / 23 / 0 / 3

HEX #ECBFF7

RGB 236 191 247

HSL 288.21, 0.78%, 0.86%

LAB 82.81, 25.64, -21.57

 

CMYK 0 / 9 / 23 / 3

HEX #F7E1BF

RGB 247 225 191

HSL 36.43, 0.78%, 0.86%

LAB 90.5, 2.35, 19.39

 

CMYK 19 / 0 / 23 / 3

HEX #C9F7BF

RGB 201 247 191

HSL 109.29, 0.78%, 0.86%

LAB 92.88, -24.89, 22.2

 

CMYK 23 / 15 / 0 / 3

HEX #BED3F7

RGB 190 211 247

HSL 217.89, 0.78%, 0.86%

LAB 84.1, 0.59, -19.97

 

CMYK 0 / 23 / 3 / 3

HEX #F7BFF0

RGB 247 191 240

HSL 307.5, 0.78%, 0.86%

LAB 83.61, 27.93, -16.52

 

CMYK 0 / 9 / 23 / 3

HEX #F7E1BF

RGB 247 225 191

HSL 36.43, 0.78%, 0.86%

LAB 90.5, 2.35, 19.39

 

CMYK 23 / 0 / 20 / 3

HEX #BFF7C5

RGB 191 247 197

HSL 126.43, 0.78%, 0.86%

LAB 92.41, -27.17, 18.37

 

Description

Color code: HEX #BED3F7 | qconv.com Color code: HEX #BED3F7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 211 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 211 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 15 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 15% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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