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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEDA48 it is the complementary color #4125B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEDA48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEDA48 shade: #C3DA43, #D4EC56, #E5FE69, #F6FF7C and #FFFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEDA48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEDA48 shade: #BEDA48, #ADC835, #9CB622, #8BA40F and #7A9200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEDA48 shade: #BDD948, #D9CE48, #D9A748, #D98048 and #D95948

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEDA48 shade: #BDD948, #96D948, #6FD948, #48D949 and #48D970

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEDA48 shade matches the following richer shades: #BDD948, #C8EB37 and #D3FD25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEDA48 shade: #BDD948, #B3C75A, #A8B66C, #9DA47E and #92928F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEDA48 shade: #D9A748, #D9CD48, #BFD948, #98D948 and #71D948

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEDA48 shade: #92AC23, #AFCF2A, #BDD948, #CAE06B and #D6E78D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEDA48 shade: #BEDA48, #48D980 and #BA48D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEDA48 shade: #BEDA48, #48BFD9 and #D948BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEDA48 shade: #BEDA48, #48D980, #6348D9 and #D948A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEDA48 shade: #BEDA48, #48D9AB, #6348D9 and #D94876

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 67 / 15

HEX #BEDA48

RGB 190 218 72

HSL 71.51, 0.66%, 0.57%

LAB 82.68, -28.62, 65.68

 

Complementary color

CMYK 64 / 80 / 0 / 28

HEX #4125B7

RGB 65 37 183

HSL 251.51, 0.66%, 0.43%

LAB 29.07, 52.23, -71.63

 

CMYK 11 / 0 / 69 / 15

HEX #C3DA43

RGB 195 218 67

HSL 69.14, 0.67%, 0.56%

LAB 82.99, -26.9, 67.97

 

CMYK 10 / 0 / 64 / 7

HEX #D4EC56

RGB 212 236 86

HSL 69.6, 0.8%, 0.63%

LAB 89.23, -27.49, 67.53

 

CMYK 10 / 0 / 59 / 0

HEX #E5FE69

RGB 229 254 105

HSL 70.07, 0.99%, 0.7%

LAB 95.4, -27.97, 66.8

 

CMYK 4 / 0 / 51 / 0

HEX #F6FF7C

RGB 246 255 124

HSL 64.12, 1%, 0.74%

LAB 97.05, -20.37, 60.77

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 13 / 0 / 67 / 15

HEX #BEDA48

RGB 190 218 72

HSL 71.51, 0.66%, 0.57%

LAB 82.68, -28.62, 65.68

 

CMYK 14 / 0 / 74 / 22

HEX #ADC835

RGB 173 200 53

HSL 71.02, 0.58%, 0.5%

LAB 76.34, -27.99, 65.85

 

CMYK 14 / 0 / 81 / 29

HEX #9CB622

RGB 156 182 34

HSL 70.54, 0.69%, 0.42%

LAB 69.92, -27.2, 65.3

 

CMYK 15 / 0 / 91 / 36

HEX #8BA40F

RGB 139 164 15

HSL 70.07, 0.83%, 0.35%

LAB 63.4, -26.19, 63.53

 

CMYK 16 / 0 / 100 / 43

HEX #7A9200

RGB 122 146 0

HSL 69.86, 1%, 0.29%

LAB 56.78, -24.95, 60.11

 

CMYK 13 / 0 / 67 / 15

HEX #BDD948

RGB 189 217 72

HSL 71.59, 0.66%, 0.57%

LAB 82.33, -28.54, 65.3

 

CMYK 0 / 5 / 67 / 15

HEX #D9CE48

RGB 217 206 72

HSL 55.45, 0.66%, 0.57%

LAB 81.49, -11.66, 65.13

 

CMYK 0 / 23 / 67 / 15

HEX #D9A748

RGB 217 167 72

HSL 39.31, 0.66%, 0.57%

LAB 71.46, 8.65, 54.62

 

CMYK 0 / 41 / 67 / 15

HEX #D98048

RGB 217 128 72

HSL 23.17, 0.66%, 0.57%

LAB 62.22, 29.59, 44.41

 

CMYK 0 / 59 / 67 / 15

HEX #D95948

RGB 217 89 72

HSL 7.03, 0.66%, 0.57%

LAB 54.41, 49.19, 35.29

 

CMYK 13 / 0 / 67 / 15

HEX #BDD948

RGB 189 217 72

HSL 71.59, 0.66%, 0.57%

LAB 82.33, -28.54, 65.3

 

CMYK 31 / 0 / 67 / 15

HEX #96D948

RGB 150 217 72

HSL 87.72, 0.66%, 0.57%

LAB 79.94, -43.4, 62.08

 

CMYK 49 / 0 / 67 / 15

HEX #6FD948

RGB 111 217 72

HSL 103.86, 0.66%, 0.57%

LAB 78.15, -56.06, 59.65

 

CMYK 67 / 0 / 66 / 15

HEX #48D949

RGB 72 217 73

HSL 120.41, 0.66%, 0.57%

LAB 76.97, -65.34, 57.63

 

CMYK 67 / 0 / 48 / 15

HEX #48D970

RGB 72 217 112

HSL 136.55, 0.66%, 0.57%

LAB 77.38, -60.54, 40.54

 

CMYK 13 / 0 / 67 / 15

HEX #BDD948

RGB 189 217 72

HSL 71.59, 0.66%, 0.57%

LAB 82.33, -28.54, 65.3

 

CMYK 15 / 0 / 77 / 8

HEX #C8EB37

RGB 200 235 55

HSL 71.67, 0.82%, 0.57%

LAB 87.96, -33.41, 76.75

 

CMYK 17 / 0 / 85 / 1

HEX #D3FD25

RGB 211 253 37

HSL 71.67, 0.98%, 0.57%

LAB 93.55, -37.82, 86.23

 

CMYK 13 / 0 / 67 / 15

HEX #BDD948

RGB 189 217 72

HSL 71.59, 0.66%, 0.57%

LAB 82.33, -28.54, 65.3

 

CMYK 10 / 0 / 55 / 22

HEX #B3C75A

RGB 179 199 90

HSL 71.01, 0.49%, 0.57%

LAB 76.78, -22.56, 51.44

 

CMYK 8 / 0 / 41 / 29

HEX #A8B66C

RGB 168 182 108

HSL 71.35, 0.34%, 0.57%

LAB 71.46, -16.63, 36.01

 

CMYK 4 / 0 / 23 / 36

HEX #9DA47E

RGB 157 164 126

HSL 71.05, 0.17%, 0.57%

LAB 65.92, -9.15, 18.93

 

CMYK 0 / 0 / 2 / 43

HEX #92928F

RGB 146 146 143

HSL 60, 0.01%, 0.57%

LAB 60.47, -0.57, 1.58

 

CMYK 0 / 23 / 67 / 15

HEX #D9A748

RGB 217 167 72

HSL 39.31, 0.66%, 0.57%

LAB 71.46, 8.65, 54.62

 

CMYK 0 / 6 / 67 / 15

HEX #D9CD48

RGB 217 205 72

HSL 55.03, 0.66%, 0.57%

LAB 81.23, -11.15, 64.86

 

CMYK 12 / 0 / 67 / 15

HEX #BFD948

RGB 191 217 72

HSL 70.76, 0.66%, 0.57%

LAB 82.47, -27.74, 65.49

 

CMYK 30 / 0 / 67 / 15

HEX #98D948

RGB 152 217 72

HSL 86.9, 0.66%, 0.57%

LAB 80.05, -42.68, 62.23

 

CMYK 48 / 0 / 67 / 15

HEX #71D948

RGB 113 217 72

HSL 103.03, 0.66%, 0.57%

LAB 78.23, -55.48, 59.75

 

CMYK 15 / 0 / 80 / 33

HEX #92AC23

RGB 146 172 35

HSL 71.39, 0.66%, 0.41%

LAB 66.32, -26.5, 61.54

 

CMYK 15 / 0 / 80 / 19

HEX #AFCF2A

RGB 175 207 42

HSL 71.64, 0.66%, 0.49%

LAB 78.41, -30.96, 71.16

 

CMYK 13 / 0 / 67 / 15

HEX #BDD948

RGB 189 217 72

HSL 71.59, 0.66%, 0.57%

LAB 82.33, -28.54, 65.3

 

CMYK 10 / 0 / 52 / 12

HEX #CAE06B

RGB 202 224 107

HSL 71.28, 0.65%, 0.65%

LAB 85.47, -24.1, 54.13

 

CMYK 7 / 0 / 39 / 9

HEX #D6E78D

RGB 214 231 141

HSL 71.33, 0.65%, 0.73%

LAB 88.62, -19.41, 41.91

 

CMYK 13 / 0 / 67 / 15

HEX #BEDA48

RGB 190 218 72

HSL 71.51, 0.66%, 0.57%

LAB 82.68, -28.62, 65.68

 

CMYK 67 / 0 / 41 / 15

HEX #48D980

RGB 72 217 128

HSL 143.17, 0.66%, 0.57%

LAB 77.62, -57.94, 32.85

 

CMYK 14 / 67 / 0 / 15

HEX #BA48D9

RGB 186 72 217

HSL 287.17, 0.66%, 0.57%

LAB 51.93, 65.89, -53.56

 

CMYK 13 / 0 / 67 / 15

HEX #BEDA48

RGB 190 218 72

HSL 71.51, 0.66%, 0.57%

LAB 82.68, -28.62, 65.68

 

CMYK 67 / 12 / 0 / 15

HEX #48BFD9

RGB 72 191 217

HSL 190.76, 0.66%, 0.57%

LAB 71.99, -24.95, -22.76

 

CMYK 0 / 67 / 12 / 15

HEX #D948BF

RGB 217 72 191

HSL 310.76, 0.66%, 0.57%

LAB 55.22, 68.74, -33.16

 

CMYK 13 / 0 / 67 / 15

HEX #BEDA48

RGB 190 218 72

HSL 71.51, 0.66%, 0.57%

LAB 82.68, -28.62, 65.68

 

CMYK 67 / 0 / 41 / 15

HEX #48D980

RGB 72 217 128

HSL 143.17, 0.66%, 0.57%

LAB 77.62, -57.94, 32.85

 

CMYK 54 / 67 / 0 / 15

HEX #6348D9

RGB 99 72 217

HSL 251.17, 0.66%, 0.57%

LAB 41.68, 48.69, -70.63

 

CMYK 0 / 67 / 25 / 15

HEX #D948A2

RGB 217 72 162

HSL 322.76, 0.66%, 0.57%

LAB 54.02, 64.75, -18.15

 

CMYK 13 / 0 / 67 / 15

HEX #BEDA48

RGB 190 218 72

HSL 71.51, 0.66%, 0.57%

LAB 82.68, -28.62, 65.68

 

CMYK 67 / 0 / 21 / 15

HEX #48D9AB

RGB 72 217 171

HSL 160.97, 0.66%, 0.57%

LAB 78.43, -49.2, 11.55

 

CMYK 54 / 67 / 0 / 15

HEX #6348D9

RGB 99 72 217

HSL 251.17, 0.66%, 0.57%

LAB 41.68, 48.69, -70.63

 

CMYK 0 / 67 / 46 / 15

HEX #D94876

RGB 217 72 118

HSL 340.97, 0.66%, 0.57%

LAB 52.61, 59.89, 5.89

 

Description

Color code: HEX #BEDA48 | qconv.com Color code: HEX #BEDA48 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 218 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 218 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 67 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 67% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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