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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEDB52 it is the complementary color #4124AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEDB52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEDB52 shade: #C3DB4D, #D4ED60, #E5FF73, #F6FF86 and #FFFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEDB52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEDB52 shade: #BEDB52, #ADC93F, #9CB72C, #8BA519 and #7A9306

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEDB52 shade: #BEDB51, #DBD351, #DBAE51, #DB8951 and #DB6351

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEDB52 shade: #BEDB51, #99DB51, #73DB51, #51DB54 and #51DB79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEDB52 shade matches the following richer shades: #BEDB51, #C7EC40 and #D1FD2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEDB52 shade: #BEDB51, #B4CA62, #AAB973, #A0A884 and #979795

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEDB52 shade: #DBAD51, #DBD251, #BFDB51, #9BDB51 and #76DB51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEDB52 shade: #96B525, #B1D42F, #BEDB51, #CBE273 and #D7E995

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEDB52 shade: #BEDB52, #51DB88 and #BF51DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEDB52 shade: #BEDB52, #51BFDB and #DB51BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEDB52 shade: #BEDB52, #51DB88, #6D51DB and #DB51A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEDB52 shade: #BEDB52, #51DBB2, #6D51DB and #DB517A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 63 / 14

HEX #BEDB52

RGB 190 219 82

HSL 72.7, 0.66%, 0.59%

LAB 83.03, -28.43, 62.09

 

Complementary color

CMYK 62 / 79 / 0 / 32

HEX #4124AD

RGB 65 36 173

HSL 252.7, 0.66%, 0.41%

LAB 27.85, 49.77, -67.67

 

CMYK 11 / 0 / 65 / 14

HEX #C3DB4D

RGB 195 219 77

HSL 70.14, 0.66%, 0.58%

LAB 83.34, -26.78, 64.53

 

CMYK 11 / 0 / 59 / 7

HEX #D4ED60

RGB 212 237 96

HSL 70.64, 0.8%, 0.65%

LAB 89.58, -27.27, 63.83

 

CMYK 10 / 0 / 55 / 0

HEX #E5FF73

RGB 229 255 115

HSL 71.14, 1%, 0.73%

LAB 95.75, -27.67, 62.93

 

CMYK 4 / 0 / 47 / 0

HEX #F6FF86

RGB 246 255 134

HSL 64.46, 1%, 0.76%

LAB 97.16, -19.5, 56.35

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 13 / 0 / 63 / 14

HEX #BEDB52

RGB 190 219 82

HSL 72.7, 0.66%, 0.59%

LAB 83.03, -28.43, 62.09

 

CMYK 14 / 0 / 69 / 21

HEX #ADC93F

RGB 173 201 63

HSL 72.17, 0.56%, 0.52%

LAB 76.69, -27.92, 62.62

 

CMYK 15 / 0 / 76 / 28

HEX #9CB72C

RGB 156 183 44

HSL 71.65, 0.61%, 0.45%

LAB 70.26, -27.26, 62.64

 

CMYK 16 / 0 / 85 / 35

HEX #8BA519

RGB 139 165 25

HSL 71.14, 0.74%, 0.37%

LAB 63.73, -26.41, 61.75

 

CMYK 17 / 0 / 96 / 42

HEX #7A9306

RGB 122 147 6

HSL 70.64, 0.92%, 0.3%

LAB 57.09, -25.33, 59.39

 

CMYK 13 / 0 / 63 / 14

HEX #BEDB51

RGB 190 219 81

HSL 72.61, 0.66%, 0.59%

LAB 83.02, -28.5, 62.49

 

CMYK 0 / 4 / 63 / 14

HEX #DBD351

RGB 219 211 81

HSL 56.52, 0.66%, 0.59%

LAB 83.04, -12.81, 63.17

 

CMYK 0 / 21 / 63 / 14

HEX #DBAE51

RGB 219 174 81

HSL 40.43, 0.66%, 0.59%

LAB 73.5, 6.33, 52.8

 

CMYK 0 / 37 / 63 / 14

HEX #DB8951

RGB 219 137 81

HSL 24.35, 0.66%, 0.59%

LAB 64.6, 26.17, 42.63

 

CMYK 0 / 55 / 63 / 14

HEX #DB6351

RGB 219 99 81

HSL 7.83, 0.66%, 0.59%

LAB 56.66, 45.73, 33.06

 

CMYK 13 / 0 / 63 / 14

HEX #BEDB51

RGB 190 219 81

HSL 72.61, 0.66%, 0.59%

LAB 83.02, -28.5, 62.49

 

CMYK 30 / 0 / 63 / 14

HEX #99DB51

RGB 153 219 81

HSL 88.7, 0.66%, 0.59%

LAB 80.76, -42.5, 59.38

 

CMYK 47 / 0 / 63 / 14

HEX #73DB51

RGB 115 219 81

HSL 105.22, 0.66%, 0.59%

LAB 78.98, -54.87, 56.93

 

CMYK 63 / 0 / 62 / 14

HEX #51DB54

RGB 81 219 84

HSL 121.3, 0.66%, 0.59%

LAB 77.91, -63.11, 54.15

 

CMYK 63 / 0 / 45 / 14

HEX #51DB79

RGB 81 219 121

HSL 137.39, 0.66%, 0.59%

LAB 78.34, -58.17, 37.35

 

CMYK 13 / 0 / 63 / 14

HEX #BEDB51

RGB 190 219 81

HSL 72.61, 0.66%, 0.59%

LAB 83.02, -28.5, 62.49

 

CMYK 16 / 0 / 73 / 7

HEX #C7EC40

RGB 199 236 64

HSL 72.91, 0.82%, 0.59%

LAB 88.21, -33.86, 74.19

 

CMYK 17 / 0 / 81 / 1

HEX #D1FD2F

RGB 209 253 47

HSL 72.82, 0.98%, 0.59%

LAB 93.46, -38.31, 83.97

 

CMYK 13 / 0 / 63 / 14

HEX #BEDB51

RGB 190 219 81

HSL 72.61, 0.66%, 0.59%

LAB 83.02, -28.5, 62.49

 

CMYK 11 / 0 / 51 / 21

HEX #B4CA62

RGB 180 202 98

HSL 72.69, 0.5%, 0.59%

LAB 77.77, -22.91, 48.88

 

CMYK 8 / 0 / 38 / 27

HEX #AAB973

RGB 170 185 115

HSL 72.86, 0.33%, 0.59%

LAB 72.55, -16.53, 33.81

 

CMYK 5 / 0 / 21 / 34

HEX #A0A884

RGB 160 168 132

HSL 73.33, 0.17%, 0.59%

LAB 67.39, -9.19, 17.69

 

CMYK 0 / 0 / 1 / 41

HEX #979795

RGB 151 151 149

HSL 60, 0.01%, 0.59%

LAB 62.41, -0.38, 1.04

 

CMYK 0 / 21 / 63 / 14

HEX #DBAD51

RGB 219 173 81

HSL 40, 0.66%, 0.59%

LAB 73.25, 6.86, 52.52

 

CMYK 0 / 4 / 63 / 14

HEX #DBD251

RGB 219 210 81

HSL 56.09, 0.66%, 0.59%

LAB 82.78, -12.31, 62.89

 

CMYK 13 / 0 / 63 / 14

HEX #BFDB51

RGB 191 219 81

HSL 72.17, 0.66%, 0.59%

LAB 83.09, -28.11, 62.58

 

CMYK 29 / 0 / 63 / 14

HEX #9BDB51

RGB 155 219 81

HSL 87.83, 0.66%, 0.59%

LAB 80.86, -41.78, 59.53

 

CMYK 46 / 0 / 63 / 14

HEX #76DB51

RGB 118 219 81

HSL 103.91, 0.66%, 0.59%

LAB 79.1, -54, 57.1

 

CMYK 17 / 0 / 80 / 29

HEX #96B525

RGB 150 181 37

HSL 72.92, 0.66%, 0.43%

LAB 69.23, -29.09, 63.69

 

CMYK 17 / 0 / 78 / 17

HEX #B1D42F

RGB 177 212 47

HSL 72.73, 0.66%, 0.51%

LAB 79.98, -32.29, 71.22

 

CMYK 13 / 0 / 63 / 14

HEX #BEDB51

RGB 190 219 81

HSL 72.61, 0.66%, 0.59%

LAB 83.02, -28.5, 62.49

 

CMYK 10 / 0 / 49 / 11

HEX #CBE273

RGB 203 226 115

HSL 72.43, 0.66%, 0.67%

LAB 86.17, -23.93, 51.26

 

CMYK 8 / 0 / 36 / 9

HEX #D7E995

RGB 215 233 149

HSL 72.86, 0.66%, 0.75%

LAB 89.34, -19.07, 38.88

 

CMYK 13 / 0 / 63 / 14

HEX #BEDB52

RGB 190 219 82

HSL 72.7, 0.66%, 0.59%

LAB 83.03, -28.43, 62.09

 

CMYK 63 / 0 / 38 / 14

HEX #51DB88

RGB 81 219 136

HSL 143.91, 0.66%, 0.59%

LAB 78.57, -55.62, 30.08

 

CMYK 13 / 63 / 0 / 14

HEX #BF51DB

RGB 191 81 219

HSL 287.83, 0.66%, 0.59%

LAB 54.11, 63.6, -51.18

 

CMYK 13 / 0 / 63 / 14

HEX #BEDB52

RGB 190 219 82

HSL 72.7, 0.66%, 0.59%

LAB 83.03, -28.43, 62.09

 

CMYK 63 / 13 / 0 / 14

HEX #51BFDB

RGB 81 191 219

HSL 192.17, 0.66%, 0.59%

LAB 72.31, -22.92, -23.34

 

CMYK 0 / 63 / 13 / 14

HEX #DB51BF

RGB 219 81 191

HSL 312.17, 0.66%, 0.59%

LAB 56.79, 65.76, -30.7

 

CMYK 13 / 0 / 63 / 14

HEX #BEDB52

RGB 190 219 82

HSL 72.7, 0.66%, 0.59%

LAB 83.03, -28.43, 62.09

 

CMYK 63 / 0 / 38 / 14

HEX #51DB88

RGB 81 219 136

HSL 143.91, 0.66%, 0.59%

LAB 78.57, -55.62, 30.08

 

CMYK 50 / 63 / 0 / 14

HEX #6D51DB

RGB 109 81 219

HSL 252.17, 0.66%, 0.59%

LAB 44.59, 45.99, -67

 

CMYK 0 / 63 / 25 / 14

HEX #DB51A4

RGB 219 81 164

HSL 323.91, 0.66%, 0.59%

LAB 55.71, 61.99, -16.72

 

CMYK 13 / 0 / 63 / 14

HEX #BEDB52

RGB 190 219 82

HSL 72.7, 0.66%, 0.59%

LAB 83.03, -28.43, 62.09

 

CMYK 63 / 0 / 19 / 14

HEX #51DBB2

RGB 81 219 178

HSL 162.17, 0.66%, 0.59%

LAB 79.4, -46.92, 9.24

 

CMYK 50 / 63 / 0 / 14

HEX #6D51DB

RGB 109 81 219

HSL 252.17, 0.66%, 0.59%

LAB 44.59, 45.99, -67

 

CMYK 0 / 63 / 44 / 14

HEX #DB517A

RGB 219 81 122

HSL 342.17, 0.66%, 0.59%

LAB 54.4, 57.22, 6.1

 

Description

Color code: HEX #BEDB52 | qconv.com Color code: HEX #BEDB52 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 219 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 219 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 63 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 63% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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