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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEDC79 it is the complementary color #412386. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEDC79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEDC79 shade: #C3DC74, #D4EE87, #E5FF9A, #F6FFAD and #FFFFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEDC79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEDC79 shade: #BEDC79, #ADCA66, #9CB853, #8BA640 and #7A942D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEDC79 shade: #BEDC79, #D9DC79, #DCC579, #DCAA79 and #DC8F79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEDC79 shade: #BEDC79, #A3DC79, #88DC79, #79DC84 and #79DC9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEDC79 shade matches the following richer shades: #BEDC79, #C3EA6B and #C9F75D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEDC79 shade: #BEDC79, #B9CE86, #B3C194, #AEB3A2 and #A8A6AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEDC79 shade: #DCC579, #D9DC79, #BEDC79, #A4DC79 and #89DC79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEDC79 shade: #9ECB37, #AED458, #BEDC79, #CEE49A and #DEEDBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEDC79 shade: #BEDC79, #79DCAA and #D279DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEDC79 shade: #BEDC79, #79BEDC and #DC79BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEDC79 shade: #BEDC79, #79DCAA, #9679DC and #DC79AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEDC79 shade: #BEDC79, #79DCC8, #9679DC and #DC798D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 45 / 14

HEX #BEDC79

RGB 190 220 121

HSL 78.18, 0.59%, 0.67%

LAB 83.71, -25.42, 45.19

 

Complementary color

CMYK 51 / 74 / 0 / 47

HEX #412386

RGB 65 35 134

HSL 258.18, 0.59%, 0.33%

LAB 23.83, 38.75, -50.38

 

CMYK 11 / 0 / 47 / 14

HEX #C3DC74

RGB 195 220 116

HSL 74.42, 0.6%, 0.66%

LAB 83.99, -24.03, 48.03

 

CMYK 11 / 0 / 43 / 7

HEX #D4EE87

RGB 212 238 135

HSL 75.15, 0.75%, 0.73%

LAB 90.27, -24.21, 46.89

 

CMYK 10 / 0 / 40 / 0

HEX #E5FF9A

RGB 229 255 154

HSL 75.45, 1%, 0.8%

LAB 96.21, -23.88, 45.43

 

CMYK 4 / 0 / 32 / 0

HEX #F6FFAD

RGB 246 255 173

HSL 66.59, 1%, 0.84%

LAB 97.68, -15.37, 38.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 14 / 0 / 45 / 14

HEX #BEDC79

RGB 190 220 121

HSL 78.18, 0.59%, 0.67%

LAB 83.71, -25.42, 45.19

 

CMYK 14 / 0 / 50 / 21

HEX #ADCA66

RGB 173 202 102

HSL 77.4, 0.49%, 0.6%

LAB 77.33, -25.26, 46.33

 

CMYK 15 / 0 / 55 / 28

HEX #9CB853

RGB 156 184 83

HSL 76.63, 0.42%, 0.52%

LAB 70.85, -25.04, 47.43

 

CMYK 16 / 0 / 61 / 35

HEX #8BA640

RGB 139 166 64

HSL 75.88, 0.44%, 0.45%

LAB 64.27, -24.73, 48.41

 

CMYK 18 / 0 / 70 / 42

HEX #7A942D

RGB 122 148 45

HSL 75.15, 0.53%, 0.38%

LAB 57.57, -24.28, 49.08

 

CMYK 14 / 0 / 45 / 14

HEX #BEDC79

RGB 190 220 121

HSL 78.18, 0.59%, 0.67%

LAB 83.71, -25.42, 45.19

 

CMYK 1 / 0 / 45 / 14

HEX #D9DC79

RGB 217 220 121

HSL 61.82, 0.59%, 0.67%

LAB 85.66, -14.94, 48.03

 

CMYK 0 / 10 / 45 / 14

HEX #DCC579

RGB 220 197 121

HSL 46.06, 0.59%, 0.67%

LAB 79.91, -2.05, 40.95

 

CMYK 0 / 23 / 45 / 14

HEX #DCAA79

RGB 220 170 121

HSL 29.7, 0.59%, 0.67%

LAB 73.12, 12.21, 32.26

 

CMYK 0 / 35 / 45 / 14

HEX #DC8F79

RGB 220 143 121

HSL 13.33, 0.59%, 0.67%

LAB 66.7, 26.73, 23.78

 

CMYK 14 / 0 / 45 / 14

HEX #BEDC79

RGB 190 220 121

HSL 78.18, 0.59%, 0.67%

LAB 83.71, -25.42, 45.19

 

CMYK 26 / 0 / 45 / 14

HEX #A3DC79

RGB 163 220 121

HSL 94.55, 0.59%, 0.67%

LAB 82.03, -35.32, 42.73

 

CMYK 38 / 0 / 45 / 14

HEX #88DC79

RGB 136 220 121

HSL 110.91, 0.59%, 0.67%

LAB 80.63, -44.33, 40.67

 

CMYK 45 / 0 / 40 / 14

HEX #79DC84

RGB 121 220 132

HSL 126.67, 0.59%, 0.67%

LAB 80.13, -47.18, 34.41

 

CMYK 45 / 0 / 28 / 14

HEX #79DC9F

RGB 121 220 159

HSL 143.03, 0.59%, 0.67%

LAB 80.6, -42.52, 21.14

 

CMYK 14 / 0 / 45 / 14

HEX #BEDC79

RGB 190 220 121

HSL 78.18, 0.59%, 0.67%

LAB 83.71, -25.42, 45.19

 

CMYK 17 / 0 / 54 / 8

HEX #C3EA6B

RGB 195 234 107

HSL 78.43, 0.75%, 0.67%

LAB 87.73, -31.52, 56.65

 

CMYK 19 / 0 / 62 / 3

HEX #C9F75D

RGB 201 247 93

HSL 77.92, 0.91%, 0.67%

LAB 91.56, -36.33, 67

 

CMYK 14 / 0 / 45 / 14

HEX #BEDC79

RGB 190 220 121

HSL 78.18, 0.59%, 0.67%

LAB 83.71, -25.42, 45.19

 

CMYK 10 / 0 / 35 / 19

HEX #B9CE86

RGB 185 206 134

HSL 77.5, 0.42%, 0.67%

LAB 79.72, -18.92, 33.52

 

CMYK 7 / 0 / 23 / 24

HEX #B3C194

RGB 179 193 148

HSL 78.67, 0.27%, 0.67%

LAB 75.98, -12.63, 21.1

 

CMYK 3 / 0 / 9 / 30

HEX #AEB3A2

RGB 174 179 162

HSL 77.65, 0.1%, 0.67%

LAB 72.13, -4.86, 8.07

 

CMYK 4 / 5 / 0 / 31

HEX #A8A6AF

RGB 168 166 175

HSL 253.33, 0.05%, 0.67%

LAB 68.53, 2.45, -4.39

 

CMYK 0 / 10 / 45 / 14

HEX #DCC579

RGB 220 197 121

HSL 46.06, 0.59%, 0.67%

LAB 79.91, -2.05, 40.95

 

CMYK 1 / 0 / 45 / 14

HEX #D9DC79

RGB 217 220 121

HSL 61.82, 0.59%, 0.67%

LAB 85.66, -14.94, 48.03

 

CMYK 14 / 0 / 45 / 14

HEX #BEDC79

RGB 190 220 121

HSL 78.18, 0.59%, 0.67%

LAB 83.71, -25.42, 45.19

 

CMYK 25 / 0 / 45 / 14

HEX #A4DC79

RGB 164 220 121

HSL 93.94, 0.59%, 0.67%

LAB 82.09, -34.97, 42.82

 

CMYK 38 / 0 / 45 / 14

HEX #89DC79

RGB 137 220 121

HSL 110.3, 0.59%, 0.67%

LAB 80.67, -44.01, 40.74

 

CMYK 22 / 0 / 73 / 20

HEX #9ECB37

RGB 158 203 55

HSL 78.24, 0.59%, 0.51%

LAB 76.23, -35.28, 64.72

 

CMYK 18 / 0 / 58 / 17

HEX #AED458

RGB 174 212 88

HSL 78.39, 0.59%, 0.59%

LAB 80.06, -30.94, 55.98

 

CMYK 14 / 0 / 45 / 14

HEX #BEDC79

RGB 190 220 121

HSL 78.18, 0.59%, 0.67%

LAB 83.71, -25.42, 45.19

 

CMYK 10 / 0 / 32 / 11

HEX #CEE49A

RGB 206 228 154

HSL 77.84, 0.58%, 0.75%

LAB 87.46, -19.34, 33.77

 

CMYK 6 / 0 / 22 / 7

HEX #DEEDBA

RGB 222 237 186

HSL 77.65, 0.59%, 0.83%

LAB 91.52, -13.51, 23.1

 

CMYK 14 / 0 / 45 / 14

HEX #BEDC79

RGB 190 220 121

HSL 78.18, 0.59%, 0.67%

LAB 83.71, -25.42, 45.19

 

CMYK 45 / 0 / 23 / 14

HEX #79DCAA

RGB 121 220 170

HSL 149.7, 0.59%, 0.67%

LAB 80.82, -40.37, 15.67

 

CMYK 5 / 45 / 0 / 14

HEX #D279DC

RGB 210 121 220

HSL 293.94, 0.59%, 0.67%

LAB 63.79, 49.59, -36.31

 

CMYK 14 / 0 / 45 / 14

HEX #BEDC79

RGB 190 220 121

HSL 78.18, 0.59%, 0.67%

LAB 83.71, -25.42, 45.19

 

CMYK 45 / 14 / 0 / 14

HEX #79BEDC

RGB 121 190 220

HSL 198.18, 0.59%, 0.67%

LAB 73.58, -13.9, -21.81

 

CMYK 0 / 45 / 14 / 14

HEX #DC79BE

RGB 220 121 190

HSL 318.18, 0.59%, 0.67%

LAB 63.84, 47.41, -19.27

 

CMYK 14 / 0 / 45 / 14

HEX #BEDC79

RGB 190 220 121

HSL 78.18, 0.59%, 0.67%

LAB 83.71, -25.42, 45.19

 

CMYK 45 / 0 / 23 / 14

HEX #79DCAA

RGB 121 220 170

HSL 149.7, 0.59%, 0.67%

LAB 80.82, -40.37, 15.67

 

CMYK 32 / 45 / 0 / 14

HEX #9679DC

RGB 150 121 220

HSL 257.58, 0.59%, 0.67%

LAB 57.39, 32.7, -46.81

 

CMYK 0 / 45 / 23 / 14

HEX #DC79AA

RGB 220 121 170

HSL 330.3, 0.59%, 0.67%

LAB 63.17, 44.38, -8.93

 

CMYK 14 / 0 / 45 / 14

HEX #BEDC79

RGB 190 220 121

HSL 78.18, 0.59%, 0.67%

LAB 83.71, -25.42, 45.19

 

CMYK 45 / 0 / 9 / 14

HEX #79DCC8

RGB 121 220 200

HSL 167.88, 0.59%, 0.67%

LAB 81.52, -33.85, 0.78

 

CMYK 32 / 45 / 0 / 14

HEX #9679DC

RGB 150 121 220

HSL 257.58, 0.59%, 0.67%

LAB 57.39, 32.7, -46.81

 

CMYK 0 / 45 / 36 / 14

HEX #DC798D

RGB 220 121 141

HSL 347.88, 0.59%, 0.67%

LAB 62.35, 40.57, 6.44

 

Description

Color code: HEX #BEDC79 | qconv.com Color code: HEX #BEDC79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 220 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 220 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 45 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 45% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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