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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEDEAB it is the complementary color #412154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEDEAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEDEAB shade: #C3DEA6, #D4F0B9, #E5FFCC, #F6FFDF and #FFFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEDEAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEDEAB shade: #BEDEAB, #ADCC98, #9CBA85, #8BA872 and #7A965F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEDEAB shade: #BDDEAA, #CBDEAA, #D9DEAA, #DED4AA and #DEC6AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEDEAB shade: #BDDEAA, #AFDEAA, #AADEB3, #AADEC1 and #AADECE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEDEAB shade matches the following richer shades: #BDDEAA, #BBE7A1, #B8F197 and #B6FA8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEDEAB shade: #BDDEAA, #C0D4B4, #C2CBBD, #C5C1C7 and #C7B8D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEDEAB shade: #D9DEAA, #CCDEAA, #BEDEAA, #B0DEAA and #AADEB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEDEAB shade: #8FC76F, #A6D28C, #BDDEAA, #D4E9C8 and #EBF5E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEDEAB shade: #BEDEAB, #AADED4 and #DEAAD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEDEAB shade: #BEDEAB, #AABEDE and #DEAABE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEDEAB shade: #BEDEAB, #AADED4, #CAAADE and #DEAAB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEDEAB shade: #BEDEAB, #AAD8DE, #CAAADE and #DEB0AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 23 / 13

HEX #BEDEAB

RGB 190 222 171

HSL 97.65, 0.44%, 0.77%

LAB 85.06, -19.7, 21.6

 

Complementary color

CMYK 23 / 61 / 0 / 67

HEX #412154

RGB 65 33 84

HSL 277.65, 0.44%, 0.23%

LAB 19.44, 25.74, -25.07

 

CMYK 12 / 0 / 25 / 13

HEX #C3DEA6

RGB 195 222 166

HSL 88.93, 0.46%, 0.76%

LAB 85.3, -18.7, 24.58

 

CMYK 12 / 0 / 23 / 6

HEX #D4F0B9

RGB 212 240 185

HSL 90.55, 0.65%, 0.83%

LAB 91.6, -18.67, 23.61

 

CMYK 10 / 0 / 20 / 0

HEX #E5FFCC

RGB 229 255 204

HSL 90.59, 1%, 0.9%

LAB 97.04, -17.18, 21.61

 

CMYK 4 / 0 / 13 / 0

HEX #F6FFDF

RGB 246 255 223

HSL 76.88, 1%, 0.94%

LAB 98.61, -8.37, 14.29

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

 

CMYK 14 / 0 / 23 / 13

HEX #BEDEAB

RGB 190 222 171

HSL 97.65, 0.44%, 0.77%

LAB 85.06, -19.7, 21.6

 

CMYK 15 / 0 / 25 / 20

HEX #ADCC98

RGB 173 204 152

HSL 95.77, 0.34%, 0.7%

LAB 78.66, -19.78, 22.58

 

CMYK 16 / 0 / 28 / 27

HEX #9CBA85

RGB 156 186 133

HSL 93.96, 0.28%, 0.63%

LAB 72.15, -19.86, 23.61

 

CMYK 17 / 0 / 32 / 34

HEX #8BA872

RGB 139 168 114

HSL 92.22, 0.24%, 0.55%

LAB 65.52, -19.94, 24.71

 

CMYK 19 / 0 / 37 / 41

HEX #7A965F

RGB 122 150 95

HSL 90.55, 0.22%, 0.48%

LAB 58.77, -20.01, 25.87

 

CMYK 15 / 0 / 23 / 13

HEX #BDDEAA

RGB 189 222 170

HSL 98.08, 0.44%, 0.77%

LAB 84.98, -20.21, 21.99

 

CMYK 9 / 0 / 23 / 13

HEX #CBDEAA

RGB 203 222 170

HSL 81.92, 0.44%, 0.77%

LAB 85.93, -15.23, 23.45

 

CMYK 2 / 0 / 23 / 13

HEX #D9DEAA

RGB 217 222 170

HSL 65.77, 0.44%, 0.77%

LAB 86.95, -10.12, 25.01

 

CMYK 0 / 5 / 23 / 13

HEX #DED4AA

RGB 222 212 170

HSL 48.46, 0.44%, 0.77%

LAB 84.75, -3.16, 22.06

 

CMYK 0 / 11 / 23 / 13

HEX #DEC6AA

RGB 222 198 170

HSL 32.31, 0.44%, 0.77%

LAB 81.19, 4.12, 17.12

 

CMYK 15 / 0 / 23 / 13

HEX #BDDEAA

RGB 189 222 170

HSL 98.08, 0.44%, 0.77%

LAB 84.98, -20.21, 21.99

 

CMYK 21 / 0 / 23 / 13

HEX #AFDEAA

RGB 175 222 170

HSL 114.23, 0.44%, 0.77%

LAB 84.1, -25.02, 20.64

 

CMYK 23 / 0 / 19 / 13

HEX #AADEB3

RGB 170 222 179

HSL 130.38, 0.44%, 0.77%

LAB 83.99, -25.12, 15.73

 

CMYK 23 / 0 / 13 / 13

HEX #AADEC1

RGB 170 222 193

HSL 146.54, 0.44%, 0.77%

LAB 84.3, -22.53, 8.8

 

CMYK 23 / 0 / 7 / 13

HEX #AADECE

RGB 170 222 206

HSL 161.54, 0.44%, 0.77%

LAB 84.61, -19.96, 2.39

 

CMYK 15 / 0 / 23 / 13

HEX #BDDEAA

RGB 189 222 170

HSL 98.08, 0.44%, 0.77%

LAB 84.98, -20.21, 21.99

 

CMYK 19 / 0 / 30 / 9

HEX #BBE7A1

RGB 187 231 161

HSL 97.71, 0.59%, 0.77%

LAB 87.14, -26.64, 29.56

 

CMYK 24 / 0 / 37 / 5

HEX #B8F197

RGB 184 241 151

HSL 98, 0.76%, 0.77%

LAB 89.55, -33.78, 37.76

 

CMYK 27 / 0 / 43 / 2

HEX #B6FA8E

RGB 182 250 142

HSL 97.78, 0.92%, 0.77%

LAB 91.81, -39.71, 45.05

 

CMYK 15 / 0 / 23 / 13

HEX #BDDEAA

RGB 189 222 170

HSL 98.08, 0.44%, 0.77%

LAB 84.98, -20.21, 21.99

 

CMYK 9 / 0 / 15 / 17

HEX #C0D4B4

RGB 192 212 180

HSL 97.5, 0.27%, 0.77%

LAB 82.69, -12.52, 13.58

 

CMYK 4 / 0 / 7 / 20

HEX #C2CBBD

RGB 194 203 189

HSL 98.57, 0.12%, 0.77%

LAB 80.66, -5.63, 5.91

 

CMYK 1 / 3 / 0 / 22

HEX #C5C1C7

RGB 197 193 199

HSL 280, 0.05%, 0.77%

LAB 78.54, 2.5, -2.52

 

CMYK 4 / 12 / 0 / 18

HEX #C7B8D0

RGB 199 184 208

HSL 277.5, 0.2%, 0.77%

LAB 76.67, 9.73, -10.15

 

CMYK 2 / 0 / 23 / 13

HEX #D9DEAA

RGB 217 222 170

HSL 65.77, 0.44%, 0.77%

LAB 86.95, -10.12, 25.01

 

CMYK 8 / 0 / 23 / 13

HEX #CCDEAA

RGB 204 222 170

HSL 80.77, 0.44%, 0.77%

LAB 86, -14.87, 23.56

 

CMYK 14 / 0 / 23 / 13

HEX #BEDEAA

RGB 190 222 170

HSL 96.92, 0.44%, 0.77%

LAB 85.04, -19.86, 22.09

 

CMYK 21 / 0 / 23 / 13

HEX #B0DEAA

RGB 176 222 170

HSL 113.08, 0.44%, 0.77%

LAB 84.16, -24.68, 20.74

 

CMYK 23 / 0 / 20 / 13

HEX #AADEB2

RGB 170 222 178

HSL 129.23, 0.44%, 0.77%

LAB 83.97, -25.3, 16.23

 

CMYK 28 / 0 / 44 / 22

HEX #8FC76F

RGB 143 199 111

HSL 98.18, 0.44%, 0.61%

LAB 74.72, -33.95, 38.27

 

CMYK 21 / 0 / 33 / 18

HEX #A6D28C

RGB 166 210 140

HSL 97.71, 0.44%, 0.69%

LAB 79.67, -27.02, 30.13

 

CMYK 15 / 0 / 23 / 13

HEX #BDDEAA

RGB 189 222 170

HSL 98.08, 0.44%, 0.77%

LAB 84.98, -20.21, 21.99

 

CMYK 9 / 0 / 14 / 9

HEX #D4E9C8

RGB 212 233 200

HSL 98.18, 0.43%, 0.85%

LAB 90.07, -12.82, 13.71

 

CMYK 4 / 0 / 7 / 4

HEX #EBF5E5

RGB 235 245 229

HSL 97.5, 0.44%, 0.93%

LAB 95.42, -6.12, 6.55

 

CMYK 14 / 0 / 23 / 13

HEX #BEDEAB

RGB 190 222 171

HSL 97.65, 0.44%, 0.77%

LAB 85.06, -19.7, 21.6

 

CMYK 23 / 0 / 5 / 13

HEX #AADED4

RGB 170 222 212

HSL 168.46, 0.44%, 0.77%

LAB 84.76, -18.72, -0.56

 

CMYK 0 / 23 / 5 / 13

HEX #DEAAD2

RGB 222 170 210

HSL 313.85, 0.44%, 0.77%

LAB 75.41, 25.49, -12.9

 

CMYK 14 / 0 / 23 / 13

HEX #BEDEAB

RGB 190 222 171

HSL 97.65, 0.44%, 0.77%

LAB 85.06, -19.7, 21.6

 

CMYK 23 / 14 / 0 / 13

HEX #AABEDE

RGB 170 190 222

HSL 216.92, 0.44%, 0.77%

LAB 76.46, 0.1, -18.26

 

CMYK 0 / 23 / 14 / 13

HEX #DEAABE

RGB 222 170 190

HSL 336.92, 0.44%, 0.77%

LAB 74.82, 22.11, -2.83

 

CMYK 14 / 0 / 23 / 13

HEX #BEDEAB

RGB 190 222 171

HSL 97.65, 0.44%, 0.77%

LAB 85.06, -19.7, 21.6

 

CMYK 23 / 0 / 5 / 13

HEX #AADED4

RGB 170 222 212

HSL 168.46, 0.44%, 0.77%

LAB 84.76, -18.72, -0.56

 

CMYK 9 / 23 / 0 / 13

HEX #CAAADE

RGB 202 170 222

HSL 276.92, 0.44%, 0.77%

LAB 73.92, 21.13, -21.88

 

CMYK 0 / 23 / 19 / 13

HEX #DEAAB4

RGB 222 170 180

HSL 348.46, 0.44%, 0.77%

LAB 74.56, 20.54, 2.26

 

CMYK 14 / 0 / 23 / 13

HEX #BEDEAB

RGB 190 222 171

HSL 97.65, 0.44%, 0.77%

LAB 85.06, -19.7, 21.6

 

CMYK 23 / 3 / 0 / 13

HEX #AAD8DE

RGB 170 216 222

HSL 186.92, 0.44%, 0.77%

LAB 83.41, -13.55, -7.86

 

CMYK 9 / 23 / 0 / 13

HEX #CAAADE

RGB 202 170 222

HSL 276.92, 0.44%, 0.77%

LAB 73.92, 21.13, -21.88

 

CMYK 0 / 21 / 23 / 13

HEX #DEB0AA

RGB 222 176 170

HSL 6.92, 0.44%, 0.77%

LAB 75.75, 15.82, 9.44

 

Description

Color code: HEX #BEDEAB | qconv.com Color code: HEX #BEDEAB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 222 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 222 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 23 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 23% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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