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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEE627 it is the complementary color #4119D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEE627. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEE627 shade: #C3E622, #D4F835, #E5FF48, #F6FF5B and #FFFF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEE627. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEE627 shade: #BEE627, #ADD414, #9CC201, #8BB000 and #7A9E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEE627 shade: #BEE528, #E5DA28, #E5A728, #E57428 and #E54128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEE627 shade: #BEE528, #8BE528, #58E528, #28E52B and #28E55F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEE627 shade matches the following richer shades: #BEE528 and #C9F915

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEE627 shade: #BEE528, #B2D23B, #A7BF4F, #9CAB62 and #919876

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEE627 shade: #E5A628, #E5D928, #BFE528, #8DE528 and #5AE528

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEE627 shade: #88A813, #A7CC18, #BEE528, #C9EA4D and #D4EE72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEE627 shade: #BEE627, #28E574 and #BF28E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEE627 shade: #BEE627, #28BFE5 and #E528BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEE627 shade: #BEE627, #28E574, #4E28E5 and #E5289A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEE627 shade: #BEE627, #28E5AD, #4E28E5 and #E52861

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 83 / 10

HEX #BEE627

RGB 190 230 39

HSL 72.57, 0.79%, 0.53%

LAB 85.85, -35.65, 78.78

 

Complementary color

CMYK 70 / 88 / 0 / 15

HEX #4119D8

RGB 65 25 216

HSL 252.57, 0.79%, 0.47%

LAB 31.29, 65.88, -87.28

 

CMYK 15 / 0 / 85 / 10

HEX #C3E622

RGB 195 230 34

HSL 70.71, 0.8%, 0.52%

LAB 86.16, -33.81, 80.24

 

CMYK 15 / 0 / 79 / 3

HEX #D4F835

RGB 212 248 53

HSL 71.08, 0.93%, 0.59%

LAB 92.3, -34.69, 81.54

 

CMYK 10 / 0 / 72 / 0

HEX #E5FF48

RGB 229 255 72

HSL 68.52, 1%, 0.64%

LAB 95.43, -30.41, 79.21

 

CMYK 4 / 0 / 64 / 0

HEX #F6FF5B

RGB 246 255 91

HSL 63.29, 1%, 0.68%

LAB 96.77, -22.68, 74.21

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 17 / 0 / 83 / 10

HEX #BEE627

RGB 190 230 39

HSL 72.57, 0.79%, 0.53%

LAB 85.85, -35.65, 78.78

 

CMYK 18 / 0 / 91 / 17

HEX #ADD414

RGB 173 212 20

HSL 72.19, 0.83%, 0.45%

LAB 79.63, -34.69, 76.73

 

CMYK 20 / 0 / 99 / 24

HEX #9CC201

RGB 156 194 1

HSL 71.81, 0.99%, 0.38%

LAB 73.32, -33.55, 73.5

 

CMYK 21 / 0 / 100 / 31

HEX #8BB000

RGB 139 176 0

HSL 72.61, 1%, 0.35%

LAB 66.93, -32.17, 68.28

 

CMYK 23 / 0 / 100 / 38

HEX #7A9E00

RGB 122 158 0

HSL 73.67, 1%, 0.31%

LAB 60.42, -30.75, 62.86

 

CMYK 17 / 0 / 83 / 10

HEX #BEE528

RGB 190 229 40

HSL 72.38, 0.78%, 0.53%

LAB 85.57, -35.17, 78.31

 

CMYK 0 / 5 / 83 / 10

HEX #E5DA28

RGB 229 218 40

HSL 56.51, 0.78%, 0.53%

LAB 85.48, -13.89, 79.38

 

CMYK 0 / 27 / 83 / 10

HEX #E5A728

RGB 229 167 40

HSL 40.32, 0.78%, 0.53%

LAB 72.53, 12.44, 68.4

 

CMYK 0 / 49 / 83 / 10

HEX #E57428

RGB 229 116 40

HSL 24.13, 0.78%, 0.53%

LAB 61.05, 39.26, 58.41

 

CMYK 0 / 72 / 83 / 10

HEX #E54128

RGB 229 65 40

HSL 7.94, 0.78%, 0.53%

LAB 52.5, 61.71, 50.75

 

CMYK 17 / 0 / 83 / 10

HEX #BEE528

RGB 190 229 40

HSL 72.38, 0.78%, 0.53%

LAB 85.57, -35.17, 78.31

 

CMYK 39 / 0 / 83 / 10

HEX #8BE528

RGB 139 229 40

HSL 88.57, 0.78%, 0.53%

LAB 82.74, -53.91, 74.75

 

CMYK 62 / 0 / 83 / 10

HEX #58E528

RGB 88 229 40

HSL 104.76, 0.78%, 0.53%

LAB 80.89, -68.24, 72.38

 

CMYK 83 / 0 / 81 / 10

HEX #28E52B

RGB 40 229 43

HSL 120.95, 0.78%, 0.53%

LAB 79.99, -75.87, 70.48

 

CMYK 83 / 0 / 59 / 10

HEX #28E55F

RGB 40 229 95

HSL 137.46, 0.78%, 0.53%

LAB 80.36, -71.31, 51.96

 

CMYK 17 / 0 / 83 / 10

HEX #BEE528

RGB 190 229 40

HSL 72.38, 0.78%, 0.53%

LAB 85.57, -35.17, 78.31

 

CMYK 19 / 0 / 92 / 2

HEX #C9F915

RGB 201 249 21

HSL 72.63, 0.95%, 0.53%

LAB 91.78, -40.25, 87.02

 

CMYK 17 / 0 / 83 / 10

HEX #BEE528

RGB 190 229 40

HSL 72.38, 0.78%, 0.53%

LAB 85.57, -35.17, 78.31

 

CMYK 15 / 0 / 72 / 18

HEX #B2D23B

RGB 178 210 59

HSL 72.72, 0.63%, 0.53%

LAB 79.54, -30.39, 67.01

 

CMYK 13 / 0 / 59 / 25

HEX #A7BF4F

RGB 167 191 79

HSL 72.86, 0.47%, 0.53%

LAB 73.57, -24.4, 52.57

 

CMYK 9 / 0 / 43 / 33

HEX #9CAB62

RGB 156 171 98

HSL 72.33, 0.3%, 0.53%

LAB 67.33, -16.97, 35.76

 

CMYK 5 / 0 / 22 / 40

HEX #919876

RGB 145 152 118

HSL 72.35, 0.14%, 0.53%

LAB 61.47, -8.61, 17.09

 

CMYK 0 / 28 / 83 / 10

HEX #E5A628

RGB 229 166 40

HSL 40, 0.78%, 0.53%

LAB 72.28, 12.97, 68.19

 

CMYK 0 / 5 / 83 / 10

HEX #E5D928

RGB 229 217 40

HSL 56.19, 0.78%, 0.53%

LAB 85.22, -13.39, 79.16

 

CMYK 17 / 0 / 83 / 10

HEX #BFE528

RGB 191 229 40

HSL 72.06, 0.78%, 0.53%

LAB 85.64, -34.77, 78.4

 

CMYK 38 / 0 / 83 / 10

HEX #8DE528

RGB 141 229 40

HSL 87.94, 0.78%, 0.53%

LAB 82.84, -53.25, 74.86

 

CMYK 61 / 0 / 83 / 10

HEX #5AE528

RGB 90 229 40

HSL 104.13, 0.78%, 0.53%

LAB 80.94, -67.79, 72.45

 

CMYK 19 / 0 / 89 / 34

HEX #88A813

RGB 136 168 19

HSL 72.89, 0.8%, 0.37%

LAB 64.39, -29.29, 63.52

 

CMYK 18 / 0 / 88 / 20

HEX #A7CC18

RGB 167 204 24

HSL 72.33, 0.79%, 0.45%

LAB 76.96, -33.34, 73.77

 

CMYK 17 / 0 / 83 / 10

HEX #BEE528

RGB 190 229 40

HSL 72.38, 0.78%, 0.53%

LAB 85.57, -35.17, 78.31

 

CMYK 14 / 0 / 67 / 8

HEX #C9EA4D

RGB 201 234 77

HSL 72.61, 0.79%, 0.61%

LAB 87.87, -31.45, 69.35

 

CMYK 11 / 0 / 52 / 7

HEX #D4EE72

RGB 212 238 114

HSL 72.58, 0.78%, 0.69%

LAB 90.03, -26.28, 56.45

 

CMYK 17 / 0 / 83 / 10

HEX #BEE627

RGB 190 230 39

HSL 72.57, 0.79%, 0.53%

LAB 85.85, -35.65, 78.78

 

CMYK 83 / 0 / 49 / 10

HEX #28E574

RGB 40 229 116

HSL 144.13, 0.78%, 0.53%

LAB 80.6, -68.37, 42.5

 

CMYK 17 / 83 / 0 / 10

HEX #BF28E5

RGB 191 40 229

HSL 287.94, 0.78%, 0.53%

LAB 49.8, 79.44, -63.76

 

CMYK 17 / 0 / 83 / 10

HEX #BEE627

RGB 190 230 39

HSL 72.57, 0.79%, 0.53%

LAB 85.85, -35.65, 78.78

 

CMYK 83 / 17 / 0 / 10

HEX #28BFE5

RGB 40 191 229

HSL 192.06, 0.78%, 0.53%

LAB 71.81, -24.76, -29.63

 

CMYK 0 / 83 / 17 / 10

HEX #E528BF

RGB 229 40 191

HSL 312.06, 0.78%, 0.53%

LAB 53.96, 80.72, -34.99

 

CMYK 17 / 0 / 83 / 10

HEX #BEE627

RGB 190 230 39

HSL 72.57, 0.79%, 0.53%

LAB 85.85, -35.65, 78.78

 

CMYK 83 / 0 / 49 / 10

HEX #28E574

RGB 40 229 116

HSL 144.13, 0.78%, 0.53%

LAB 80.6, -68.37, 42.5

 

CMYK 66 / 83 / 0 / 10

HEX #4E28E5

RGB 78 40 229

HSL 252.06, 0.78%, 0.53%

LAB 35.59, 65.01, -87.59

 

CMYK 0 / 83 / 33 / 10

HEX #E5289A

RGB 229 40 154

HSL 323.81, 0.78%, 0.53%

LAB 52.41, 76.38, -15.69

 

CMYK 17 / 0 / 83 / 10

HEX #BEE627

RGB 190 230 39

HSL 72.57, 0.79%, 0.53%

LAB 85.85, -35.65, 78.78

 

CMYK 83 / 0 / 24 / 10

HEX #28E5AD

RGB 40 229 173

HSL 162.22, 0.78%, 0.53%

LAB 81.57, -57.34, 14.85

 

CMYK 66 / 83 / 0 / 10

HEX #4E28E5

RGB 78 40 229

HSL 252.06, 0.78%, 0.53%

LAB 35.59, 65.01, -87.59

 

CMYK 0 / 83 / 58 / 10

HEX #E52861

RGB 229 40 97

HSL 341.9, 0.78%, 0.53%

LAB 50.73, 71.52, 16.25

 

Description

Color code: HEX #BEE627 | qconv.com Color code: HEX #BEE627 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 230 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 230 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 83 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 83% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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