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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEE0A8 it is the complementary color #411F57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEE0A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEE0A8 shade: #C3E0A3, #D4F2B6, #E5FFC9, #F6FFDC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEE0A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEE0A8 shade: #BEE0A8, #ADCE95, #9CBC82, #8BAA6F and #7A985C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEE0A8 shade: #BEDFA8, #CDDFA8, #DCDFA8, #DFD4A8 and #DFC5A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEE0A8 shade: #BEDFA8, #AFDFA8, #A8DFB0, #A8DFBF and #A8DFCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEE0A8 shade matches the following richer shades: #BEDFA8, #BCE99F, #BAF295 and #B8FC8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEE0A8 shade: #BEDFA8, #C0D6B2, #C2CCBB, #C4C3C5 and #C6B9CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEE0A8 shade: #DCDFA8, #CDDFA8, #BEDFA8, #B0DFA8 and #A8DFB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEE0A8 shade: #91CA6C, #A7D48A, #BEDFA8, #D5EAC7 and #EBF5E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEE0A8 shade: #BEE0A8, #A8DFD4 and #DFA8D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEE0A8 shade: #BEE0A8, #A8BEDF and #DFA8BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEE0A8 shade: #BEE0A8, #A8DFD4, #C9A8DF and #DFA8B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEE0A8 shade: #BEE0A8, #A8DADF, #C9A8DF and #DFAEA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 25 / 12

HEX #BEE0A8

RGB 190 224 168

HSL 96.43, 0.47%, 0.77%

LAB 85.55, -21.15, 23.83

 

Complementary color

CMYK 25 / 64 / 0 / 66

HEX #411F57

RGB 65 31 87

HSL 276.43, 0.47%, 0.23%

LAB 19.19, 27.72, -27.48

 

CMYK 13 / 0 / 27 / 12

HEX #C3E0A3

RGB 195 224 163

HSL 88.52, 0.5%, 0.76%

LAB 85.78, -20.13, 26.79

 

CMYK 12 / 0 / 25 / 5

HEX #D4F2B6

RGB 212 242 182

HSL 90, 0.7%, 0.83%

LAB 92.08, -20.1, 25.8

 

CMYK 10 / 0 / 21 / 0

HEX #E5FFC9

RGB 229 255 201

HSL 88.89, 1%, 0.89%

LAB 96.98, -17.64, 23.05

 

CMYK 4 / 0 / 14 / 0

HEX #F6FFDC

RGB 246 255 220

HSL 75.43, 1%, 0.93%

LAB 98.54, -8.84, 15.73

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 15 / 0 / 25 / 12

HEX #BEE0A8

RGB 190 224 168

HSL 96.43, 0.47%, 0.77%

LAB 85.55, -21.15, 23.83

 

CMYK 16 / 0 / 28 / 19

HEX #ADCE95

RGB 173 206 149

HSL 94.74, 0.37%, 0.7%

LAB 79.15, -21.23, 24.83

 

CMYK 17 / 0 / 31 / 26

HEX #9CBC82

RGB 156 188 130

HSL 93.1, 0.3%, 0.62%

LAB 72.66, -21.32, 25.9

 

CMYK 18 / 0 / 35 / 33

HEX #8BAA6F

RGB 139 170 111

HSL 91.53, 0.26%, 0.55%

LAB 66.05, -21.39, 27.02

 

CMYK 20 / 0 / 39 / 40

HEX #7A985C

RGB 122 152 92

HSL 90, 0.25%, 0.48%

LAB 59.31, -21.46, 28.21

 

CMYK 15 / 0 / 25 / 13

HEX #BEDFA8

RGB 190 223 168

HSL 96, 0.46%, 0.77%

LAB 85.28, -20.66, 23.45

 

CMYK 8 / 0 / 25 / 13

HEX #CDDFA8

RGB 205 223 168

HSL 79.64, 0.46%, 0.77%

LAB 86.3, -15.3, 25.02

 

CMYK 1 / 0 / 25 / 13

HEX #DCDFA8

RGB 220 223 168

HSL 63.27, 0.46%, 0.77%

LAB 87.4, -9.79, 26.7

 

CMYK 0 / 5 / 25 / 13

HEX #DFD4A8

RGB 223 212 168

HSL 48, 0.46%, 0.77%

LAB 84.79, -3.06, 23.18

 

CMYK 0 / 12 / 25 / 13

HEX #DFC5A8

RGB 223 197 168

HSL 31.64, 0.46%, 0.77%

LAB 80.99, 4.74, 17.92

 

CMYK 15 / 0 / 25 / 13

HEX #BEDFA8

RGB 190 223 168

HSL 96, 0.46%, 0.77%

LAB 85.28, -20.66, 23.45

 

CMYK 22 / 0 / 25 / 13

HEX #AFDFA8

RGB 175 223 168

HSL 112.36, 0.46%, 0.77%

LAB 84.34, -25.83, 22.01

 

CMYK 25 / 0 / 21 / 13

HEX #A8DFB0

RGB 168 223 176

HSL 128.73, 0.46%, 0.77%

LAB 84.09, -26.79, 17.43

 

CMYK 25 / 0 / 14 / 13

HEX #A8DFBF

RGB 168 223 191

HSL 145.09, 0.46%, 0.77%

LAB 84.41, -24.03, 10.01

 

CMYK 25 / 0 / 8 / 13

HEX #A8DFCE

RGB 168 223 206

HSL 161.45, 0.46%, 0.77%

LAB 84.77, -21.06, 2.6

 

CMYK 15 / 0 / 25 / 13

HEX #BEDFA8

RGB 190 223 168

HSL 96, 0.46%, 0.77%

LAB 85.28, -20.66, 23.45

 

CMYK 19 / 0 / 32 / 9

HEX #BCE99F

RGB 188 233 159

HSL 96.49, 0.63%, 0.77%

LAB 87.71, -27.54, 31.36

 

CMYK 23 / 0 / 38 / 5

HEX #BAF295

RGB 186 242 149

HSL 96.13, 0.78%, 0.77%

LAB 89.91, -33.82, 39.25

 

CMYK 27 / 0 / 44 / 1

HEX #B8FC8C

RGB 184 252 140

HSL 96.43, 0.95%, 0.77%

LAB 92.44, -40.16, 46.84

 

CMYK 15 / 0 / 25 / 13

HEX #BEDFA8

RGB 190 223 168

HSL 96, 0.46%, 0.77%

LAB 85.28, -20.66, 23.45

 

CMYK 10 / 0 / 17 / 16

HEX #C0D6B2

RGB 192 214 178

HSL 96.67, 0.31%, 0.77%

LAB 83.19, -13.87, 15.33

 

CMYK 5 / 0 / 8 / 20

HEX #C2CCBB

RGB 194 204 187

HSL 95.29, 0.14%, 0.77%

LAB 80.87, -6.51, 7.29

 

CMYK 1 / 1 / 0 / 23

HEX #C4C3C5

RGB 196 195 197

HSL 270, 0.02%, 0.77%

LAB 78.92, 0.72, -0.89

 

CMYK 4 / 10 / 0 / 19

HEX #C6B9CE

RGB 198 185 206

HSL 277.14, 0.18%, 0.77%

LAB 76.78, 8.46, -8.91

 

CMYK 1 / 0 / 25 / 13

HEX #DCDFA8

RGB 220 223 168

HSL 63.27, 0.46%, 0.77%

LAB 87.4, -9.79, 26.7

 

CMYK 8 / 0 / 25 / 13

HEX #CDDFA8

RGB 205 223 168

HSL 79.64, 0.46%, 0.77%

LAB 86.3, -15.3, 25.02

 

CMYK 15 / 0 / 25 / 13

HEX #BEDFA8

RGB 190 223 168

HSL 96, 0.46%, 0.77%

LAB 85.28, -20.66, 23.45

 

CMYK 21 / 0 / 25 / 13

HEX #B0DFA8

RGB 176 223 168

HSL 111.27, 0.46%, 0.77%

LAB 84.4, -25.49, 22.11

 

CMYK 25 / 0 / 21 / 13

HEX #A8DFB0

RGB 168 223 176

HSL 128.73, 0.46%, 0.77%

LAB 84.09, -26.79, 17.43

 

CMYK 28 / 0 / 47 / 21

HEX #91CA6C

RGB 145 202 108

HSL 96.38, 0.47%, 0.61%

LAB 75.66, -35.01, 40.97

 

CMYK 21 / 0 / 35 / 17

HEX #A7D48A

RGB 167 212 138

HSL 96.49, 0.46%, 0.69%

LAB 80.26, -27.91, 31.96

 

CMYK 15 / 0 / 25 / 13

HEX #BEDFA8

RGB 190 223 168

HSL 96, 0.46%, 0.77%

LAB 85.28, -20.66, 23.45

 

CMYK 9 / 0 / 15 / 8

HEX #D5EAC7

RGB 213 234 199

HSL 96, 0.45%, 0.85%

LAB 90.37, -13.14, 14.68

 

CMYK 4 / 0 / 7 / 4

HEX #EBF5E5

RGB 235 245 229

HSL 97.5, 0.44%, 0.93%

LAB 95.42, -6.12, 6.55

 

CMYK 15 / 0 / 25 / 12

HEX #BEE0A8

RGB 190 224 168

HSL 96.43, 0.47%, 0.77%

LAB 85.55, -21.15, 23.83

 

CMYK 25 / 0 / 5 / 13

HEX #A8DFD4

RGB 168 223 212

HSL 168, 0.46%, 0.77%

LAB 84.92, -19.82, -0.34

 

CMYK 0 / 25 / 5 / 13

HEX #DFA8D4

RGB 223 168 212

HSL 312, 0.46%, 0.77%

LAB 75.11, 27.26, -14.43

 

CMYK 15 / 0 / 25 / 12

HEX #BEE0A8

RGB 190 224 168

HSL 96.43, 0.47%, 0.77%

LAB 85.55, -21.15, 23.83

 

CMYK 25 / 15 / 0 / 13

HEX #A8BEDF

RGB 168 190 223

HSL 216, 0.46%, 0.77%

LAB 76.36, -0.27, -18.96

 

CMYK 0 / 25 / 15 / 13

HEX #DFA8BE

RGB 223 168 190

HSL 336, 0.46%, 0.77%

LAB 74.45, 23.54, -3.36

 

CMYK 15 / 0 / 25 / 12

HEX #BEE0A8

RGB 190 224 168

HSL 96.43, 0.47%, 0.77%

LAB 85.55, -21.15, 23.83

 

CMYK 25 / 0 / 5 / 13

HEX #A8DFD4

RGB 168 223 212

HSL 168, 0.46%, 0.77%

LAB 84.92, -19.82, -0.34

 

CMYK 10 / 25 / 0 / 13

HEX #C9A8DF

RGB 201 168 223

HSL 276, 0.46%, 0.77%

LAB 73.38, 22.11, -23.25

 

CMYK 0 / 25 / 20 / 13

HEX #DFA8B3

RGB 223 168 179

HSL 348, 0.46%, 0.77%

LAB 74.16, 21.82, 2.24

 

CMYK 15 / 0 / 25 / 12

HEX #BEE0A8

RGB 190 224 168

HSL 96.43, 0.47%, 0.77%

LAB 85.55, -21.15, 23.83

 

CMYK 25 / 2 / 0 / 13

HEX #A8DADF

RGB 168 218 223

HSL 185.45, 0.46%, 0.77%

LAB 83.86, -14.94, -7.74

 

CMYK 10 / 25 / 0 / 13

HEX #C9A8DF

RGB 201 168 223

HSL 276, 0.46%, 0.77%

LAB 73.38, 22.11, -23.25

 

CMYK 0 / 22 / 25 / 13

HEX #DFAEA8

RGB 223 174 168

HSL 6.55, 0.46%, 0.77%

LAB 75.32, 16.98, 9.93

 

Description

Color code: HEX #BEE0A8 | qconv.com Color code: HEX #BEE0A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 224 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 224 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 25 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 25% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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