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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEEA2E it is the complementary color #4115D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEEA2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEEA2E shade: #C3EA29, #D4FC3C, #E5FF4F, #F6FF62 and #FFFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEEA2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEEA2E shade: #BEEA2E, #ADD81B, #9CC608, #8BB400 and #7AA200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEEA2E shade: #BEEA2E, #EAE32E, #EAB02E, #EA7E2E and #EA4B2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEEA2E shade: #BEEA2E, #8BEA2E, #58EA2E, #2EEA36 and #2EEA68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEEA2E shade matches the following richer shades: #BEEA2E and #C8FC1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEEA2E shade: #BEEA2E, #B4D740, #AAC553, #A0B265 and #96A078

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEEA2E shade: #EAB12E, #EAE42E, #BEEA2E, #8CEA2E and #5AEA2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEEA2E shade: #8EB411, #ABD915, #BEEA2E, #C9EE53 and #D5F179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEEA2E shade: #BEEA2E, #2EEA7F and #CA2EEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEEA2E shade: #BEEA2E, #2EBEEA and #EA2EBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEEA2E shade: #BEEA2E, #2EEA7F, #5A2EEA and #EA2E98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEEA2E shade: #BEEA2E, #2EEAB8, #5A2EEA and #EA2E60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 80 / 8

HEX #BEEA2E

RGB 190 234 46

HSL 74.04, 0.82%, 0.55%

LAB 86.99, -37.23, 78.09

 

Complementary color

CMYK 69 / 90 / 0 / 18

HEX #4115D1

RGB 65 21 209

HSL 254.04, 0.82%, 0.45%

LAB 30.07, 65.22, -85.26

 

CMYK 17 / 0 / 82 / 8

HEX #C3EA29

RGB 195 234 41

HSL 72.12, 0.82%, 0.54%

LAB 87.29, -35.43, 79.69

 

CMYK 16 / 0 / 76 / 1

HEX #D4FC3C

RGB 212 252 60

HSL 72.5, 0.97%, 0.61%

LAB 93.43, -36.23, 80.62

 

CMYK 10 / 0 / 69 / 0

HEX #E5FF4F

RGB 229 255 79

HSL 68.86, 1%, 0.65%

LAB 95.47, -30.06, 76.89

 

CMYK 4 / 0 / 62 / 0

HEX #F6FF62

RGB 246 255 98

HSL 63.44, 1%, 0.69%

LAB 96.82, -22.26, 71.55

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 19 / 0 / 80 / 8

HEX #BEEA2E

RGB 190 234 46

HSL 74.04, 0.82%, 0.55%

LAB 86.99, -37.23, 78.09

 

CMYK 20 / 0 / 88 / 15

HEX #ADD81B

RGB 173 216 27

HSL 73.65, 0.78%, 0.48%

LAB 80.78, -36.36, 76.53

 

CMYK 21 / 0 / 96 / 22

HEX #9CC608

RGB 156 198 8

HSL 73.26, 0.92%, 0.4%

LAB 74.49, -35.29, 73.66

 

CMYK 23 / 0 / 100 / 29

HEX #8BB400

RGB 139 180 0

HSL 73.67, 1%, 0.35%

LAB 68.12, -34.02, 69.18

 

CMYK 25 / 0 / 100 / 36

HEX #7AA200

RGB 122 162 0

HSL 74.81, 1%, 0.32%

LAB 61.64, -32.62, 63.78

 

CMYK 19 / 0 / 80 / 8

HEX #BEEA2E

RGB 190 234 46

HSL 74.04, 0.82%, 0.55%

LAB 86.99, -37.23, 78.09

 

CMYK 0 / 3 / 80 / 8

HEX #EAE32E

RGB 234 227 46

HSL 57.77, 0.82%, 0.55%

LAB 88.27, -16.06, 80.44

 

CMYK 0 / 25 / 80 / 8

HEX #EAB02E

RGB 234 176 46

HSL 41.49, 0.82%, 0.55%

LAB 75.29, 10, 69.13

 

CMYK 0 / 46 / 80 / 8

HEX #EA7E2E

RGB 234 126 46

HSL 25.53, 0.82%, 0.55%

LAB 63.85, 36.33, 58.82

 

CMYK 0 / 68 / 80 / 8

HEX #EA4B2E

RGB 234 75 46

HSL 9.26, 0.82%, 0.55%

LAB 54.78, 59.78, 50.31

 

CMYK 19 / 0 / 80 / 8

HEX #BEEA2E

RGB 190 234 46

HSL 74.04, 0.82%, 0.55%

LAB 86.99, -37.23, 78.09

 

CMYK 41 / 0 / 80 / 8

HEX #8BEA2E

RGB 139 234 46

HSL 90.32, 0.82%, 0.55%

LAB 84.24, -55.63, 74.59

 

CMYK 62 / 0 / 80 / 8

HEX #58EA2E

RGB 88 234 46

HSL 106.6, 0.82%, 0.55%

LAB 82.44, -69.59, 72.28

 

CMYK 80 / 0 / 77 / 8

HEX #2EEA36

RGB 46 234 54

HSL 122.55, 0.82%, 0.55%

LAB 81.67, -76.03, 69

 

CMYK 80 / 0 / 56 / 8

HEX #2EEA68

RGB 46 234 104

HSL 138.51, 0.82%, 0.55%

LAB 82.07, -71.12, 49.94

 

CMYK 19 / 0 / 80 / 8

HEX #BEEA2E

RGB 190 234 46

HSL 74.04, 0.82%, 0.55%

LAB 86.99, -37.23, 78.09

 

CMYK 21 / 0 / 89 / 1

HEX #C8FC1B

RGB 200 252 27

HSL 73.87, 0.97%, 0.55%

LAB 92.57, -41.85, 86.82

 

CMYK 19 / 0 / 80 / 8

HEX #BEEA2E

RGB 190 234 46

HSL 74.04, 0.82%, 0.55%

LAB 86.99, -37.23, 78.09

 

CMYK 16 / 0 / 70 / 16

HEX #B4D740

RGB 180 215 64

HSL 73.91, 0.65%, 0.55%

LAB 81.11, -31.66, 66.84

 

CMYK 14 / 0 / 58 / 23

HEX #AAC553

RGB 170 197 83

HSL 74.21, 0.5%, 0.55%

LAB 75.52, -25.78, 53.01

 

CMYK 10 / 0 / 43 / 30

HEX #A0B265

RGB 160 178 101

HSL 74.03, 0.33%, 0.55%

LAB 69.65, -18.59, 37.19

 

CMYK 6 / 0 / 25 / 37

HEX #96A078

RGB 150 160 120

HSL 75, 0.17%, 0.55%

LAB 64.15, -10.64, 19.71

 

CMYK 0 / 24 / 80 / 8

HEX #EAB12E

RGB 234 177 46

HSL 41.81, 0.82%, 0.55%

LAB 75.53, 9.48, 69.34

 

CMYK 0 / 3 / 80 / 8

HEX #EAE42E

RGB 234 228 46

HSL 58.09, 0.82%, 0.55%

LAB 88.53, -16.54, 80.66

 

CMYK 19 / 0 / 80 / 8

HEX #BEEA2E

RGB 190 234 46

HSL 74.04, 0.82%, 0.55%

LAB 86.99, -37.23, 78.09

 

CMYK 40 / 0 / 80 / 8

HEX #8CEA2E

RGB 140 234 46

HSL 90, 0.82%, 0.55%

LAB 84.29, -55.31, 74.65

 

CMYK 62 / 0 / 80 / 8

HEX #5AEA2E

RGB 90 234 46

HSL 105.96, 0.82%, 0.55%

LAB 82.5, -69.15, 72.35

 

CMYK 21 / 0 / 91 / 29

HEX #8EB411

RGB 142 180 17

HSL 73.99, 0.83%, 0.39%

LAB 68.34, -32.52, 67.27

 

CMYK 21 / 0 / 90 / 15

HEX #ABD915

RGB 171 217 21

HSL 74.08, 0.82%, 0.47%

LAB 80.93, -37.73, 77.58

 

CMYK 19 / 0 / 80 / 8

HEX #BEEA2E

RGB 190 234 46

HSL 74.04, 0.82%, 0.55%

LAB 86.99, -37.23, 78.09

 

CMYK 16 / 0 / 65 / 7

HEX #C9EE53

RGB 201 238 83

HSL 74.32, 0.82%, 0.63%

LAB 89.01, -32.92, 68.24

 

CMYK 12 / 0 / 50 / 5

HEX #D5F179

RGB 213 241 121

HSL 74, 0.81%, 0.71%

LAB 90.98, -26.68, 54.39

 

CMYK 19 / 0 / 80 / 8

HEX #BEEA2E

RGB 190 234 46

HSL 74.04, 0.82%, 0.55%

LAB 86.99, -37.23, 78.09

 

CMYK 80 / 0 / 46 / 8

HEX #2EEA7F

RGB 46 234 127

HSL 145.85, 0.82%, 0.55%

LAB 82.36, -67.7, 39.39

 

CMYK 14 / 80 / 0 / 8

HEX #CA2EEA

RGB 202 46 234

HSL 289.79, 0.82%, 0.55%

LAB 52.34, 80.69, -62.39

 

CMYK 19 / 0 / 80 / 8

HEX #BEEA2E

RGB 190 234 46

HSL 74.04, 0.82%, 0.55%

LAB 86.99, -37.23, 78.09

 

CMYK 80 / 19 / 0 / 8

HEX #2EBEEA

RGB 46 190 234

HSL 194.04, 0.82%, 0.55%

LAB 71.79, -22.12, -32.35

 

CMYK 0 / 80 / 19 / 8

HEX #EA2EBE

RGB 234 46 190

HSL 314.04, 0.82%, 0.55%

LAB 55.24, 80.31, -32.35

 

CMYK 19 / 0 / 80 / 8

HEX #BEEA2E

RGB 190 234 46

HSL 74.04, 0.82%, 0.55%

LAB 86.99, -37.23, 78.09

 

CMYK 80 / 0 / 46 / 8

HEX #2EEA7F

RGB 46 234 127

HSL 145.85, 0.82%, 0.55%

LAB 82.36, -67.7, 39.39

 

CMYK 62 / 80 / 0 / 8

HEX #5A2EEA

RGB 90 46 234

HSL 254.04, 0.82%, 0.55%

LAB 37.96, 65.01, -86.47

 

CMYK 0 / 80 / 35 / 8

HEX #EA2E98

RGB 234 46 152

HSL 326.17, 0.82%, 0.55%

LAB 53.72, 75.96, -12.43

 

CMYK 19 / 0 / 80 / 8

HEX #BEEA2E

RGB 190 234 46

HSL 74.04, 0.82%, 0.55%

LAB 86.99, -37.23, 78.09

 

CMYK 80 / 0 / 21 / 8

HEX #2EEAB8

RGB 46 234 184

HSL 164.04, 0.82%, 0.55%

LAB 83.38, -56.19, 11.66

 

CMYK 62 / 80 / 0 / 8

HEX #5A2EEA

RGB 90 46 234

HSL 254.04, 0.82%, 0.55%

LAB 37.96, 65.01, -86.47

 

CMYK 0 / 80 / 59 / 8

HEX #EA2E60

RGB 234 46 96

HSL 344.04, 0.82%, 0.55%

LAB 52.16, 71.34, 18.96

 

Description

Color code: HEX #BEEA2E | qconv.com Color code: HEX #BEEA2E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 234 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 234 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 80 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 80% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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