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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEEA41 it is the complementary color #4115BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEEA41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEEA41 shade: #C3EA3C, #D4FC4F, #E5FF62, #F6FF75 and #FFFF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEEA41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEEA41 shade: #BEEA41, #ADD82E, #9CC61B, #8BB408 and #7AA200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEEA41 shade: #BEEA42, #EAE842, #EABB42, #EA8E42 and #EA6142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEEA41 shade: #BEEA42, #91EA42, #64EA42, #42EA4E and #42EA7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEEA41 shade matches the following richer shades: #BEEA42 and #C6FB31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEEA41 shade: #BEEA42, #B6D953, #AEC864, #A6B775 and #9EA686

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEEA41 shade: #EABA42, #EAE742, #C0EA42, #93EA42 and #67EA42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEEA41 shade: #97C415, #B1E51D, #BEEA42, #CBEE67 and #D7F28D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEEA41 shade: #BEEA41, #42EA8E and #D042EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEEA41 shade: #BEEA41, #42C0EA and #EA42C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEEA41 shade: #BEEA41, #42EA8E, #6C42EA and #EA429E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEEA41 shade: #BEEA41, #42EAC0, #6C42EA and #EA426C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 72 / 8

HEX #BEEA41

RGB 190 234 65

HSL 75.62, 0.8%, 0.59%

LAB 87.08, -36.4, 72.57

 

Complementary color

CMYK 66 / 89 / 0 / 25

HEX #4115BE

RGB 65 21 190

HSL 255.62, 0.8%, 0.41%

LAB 27.79, 60.3, -77.91

 

CMYK 17 / 0 / 74 / 8

HEX #C3EA3C

RGB 195 234 60

HSL 73.45, 0.81%, 0.58%

LAB 87.38, -34.7, 74.58

 

CMYK 16 / 0 / 69 / 1

HEX #D4FC4F

RGB 212 252 79

HSL 73.87, 0.97%, 0.65%

LAB 93.53, -35.3, 74.58

 

CMYK 10 / 0 / 62 / 0

HEX #E5FF62

RGB 229 255 98

HSL 69.94, 1%, 0.69%

LAB 95.61, -28.93, 69.89

 

CMYK 4 / 0 / 54 / 0

HEX #F6FF75

RGB 246 255 117

HSL 63.91, 1%, 0.73%

LAB 96.98, -20.93, 63.78

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 19 / 0 / 72 / 8

HEX #BEEA41

RGB 190 234 65

HSL 75.62, 0.8%, 0.59%

LAB 87.08, -36.4, 72.57

 

CMYK 20 / 0 / 79 / 15

HEX #ADD82E

RGB 173 216 46

HSL 75.18, 0.69%, 0.51%

LAB 80.85, -35.75, 72.2

 

CMYK 21 / 0 / 86 / 22

HEX #9CC61B

RGB 156 198 27

HSL 74.74, 0.76%, 0.44%

LAB 74.53, -34.93, 70.9

 

CMYK 23 / 0 / 96 / 29

HEX #8BB408

RGB 139 180 8

HSL 74.3, 0.91%, 0.37%

LAB 68.13, -33.9, 68.23

 

CMYK 25 / 0 / 100 / 36

HEX #7AA200

RGB 122 162 0

HSL 74.81, 1%, 0.32%

LAB 61.64, -32.62, 63.78

 

CMYK 19 / 0 / 72 / 8

HEX #BEEA42

RGB 190 234 66

HSL 75.71, 0.8%, 0.59%

LAB 87.09, -36.35, 72.24

 

CMYK 0 / 1 / 72 / 8

HEX #EAE842

RGB 234 232 66

HSL 59.29, 0.8%, 0.59%

LAB 89.67, -17.76, 75.81

 

CMYK 0 / 20 / 72 / 8

HEX #EABB42

RGB 234 187 66

HSL 43.21, 0.8%, 0.59%

LAB 78.13, 5.01, 64.59

 

CMYK 0 / 39 / 72 / 8

HEX #EA8E42

RGB 234 142 66

HSL 27.14, 0.8%, 0.59%

LAB 67.45, 28.8, 53.67

 

CMYK 0 / 59 / 72 / 8

HEX #EA6142

RGB 234 97 66

HSL 11.07, 0.8%, 0.59%

LAB 58.45, 51.25, 43.93

 

CMYK 19 / 0 / 72 / 8

HEX #BEEA42

RGB 190 234 66

HSL 75.71, 0.8%, 0.59%

LAB 87.09, -36.35, 72.24

 

CMYK 38 / 0 / 72 / 8

HEX #91EA42

RGB 145 234 66

HSL 91.79, 0.8%, 0.59%

LAB 84.62, -52.6, 68.98

 

CMYK 57 / 0 / 72 / 8

HEX #64EA42

RGB 100 234 66

HSL 107.86, 0.8%, 0.59%

LAB 82.89, -65.61, 66.67

 

CMYK 72 / 0 / 67 / 8

HEX #42EA4E

RGB 66 234 78

HSL 124.29, 0.8%, 0.59%

LAB 82.14, -71.43, 61.19

 

CMYK 72 / 0 / 47 / 8

HEX #42EA7B

RGB 66 234 123

HSL 140.36, 0.8%, 0.59%

LAB 82.61, -65.83, 41.73

 

CMYK 19 / 0 / 72 / 8

HEX #BEEA42

RGB 190 234 66

HSL 75.71, 0.8%, 0.59%

LAB 87.09, -36.35, 72.24

 

CMYK 21 / 0 / 80 / 2

HEX #C6FB31

RGB 198 251 49

HSL 75.74, 0.96%, 0.59%

LAB 92.23, -41.58, 82.16

 

CMYK 19 / 0 / 72 / 8

HEX #BEEA42

RGB 190 234 66

HSL 75.71, 0.8%, 0.59%

LAB 87.09, -36.35, 72.24

 

CMYK 16 / 0 / 62 / 15

HEX #B6D953

RGB 182 217 83

HSL 75.67, 0.64%, 0.59%

LAB 81.94, -30.56, 60.35

 

CMYK 13 / 0 / 50 / 22

HEX #AEC864

RGB 174 200 100

HSL 75.6, 0.48%, 0.59%

LAB 76.82, -24.1, 46.69

 

CMYK 9 / 0 / 36 / 28

HEX #A6B775

RGB 166 183 117

HSL 75.45, 0.31%, 0.59%

LAB 71.73, -16.82, 31.65

 

CMYK 5 / 0 / 19 / 35

HEX #9EA686

RGB 158 166 134

HSL 75, 0.15%, 0.59%

LAB 66.72, -8.57, 15.64

 

CMYK 0 / 21 / 72 / 8

HEX #EABA42

RGB 234 186 66

HSL 42.86, 0.8%, 0.59%

LAB 77.88, 5.53, 64.35

 

CMYK 0 / 1 / 72 / 8

HEX #EAE742

RGB 234 231 66

HSL 58.93, 0.8%, 0.59%

LAB 89.41, -17.28, 75.57

 

CMYK 18 / 0 / 72 / 8

HEX #C0EA42

RGB 192 234 66

HSL 75, 0.8%, 0.59%

LAB 87.21, -35.57, 72.41

 

CMYK 37 / 0 / 72 / 8

HEX #93EA42

RGB 147 234 66

HSL 91.07, 0.8%, 0.59%

LAB 84.71, -51.94, 69.1

 

CMYK 56 / 0 / 72 / 8

HEX #67EA42

RGB 103 234 66

HSL 106.79, 0.8%, 0.59%

LAB 82.98, -64.87, 66.79

 

CMYK 23 / 0 / 89 / 23

HEX #97C415

RGB 151 196 21

HSL 75.43, 0.81%, 0.43%

LAB 73.62, -36.16, 71.13

 

CMYK 23 / 0 / 87 / 10

HEX #B1E51D

RGB 177 229 29

HSL 75.6, 0.79%, 0.51%

LAB 84.73, -40.55, 79.53

 

CMYK 19 / 0 / 72 / 8

HEX #BEEA42

RGB 190 234 66

HSL 75.71, 0.8%, 0.59%

LAB 87.09, -36.35, 72.24

 

CMYK 15 / 0 / 57 / 7

HEX #CBEE67

RGB 203 238 103

HSL 75.56, 0.8%, 0.67%

LAB 89.31, -30.68, 60.36

 

CMYK 11 / 0 / 42 / 5

HEX #D7F28D

RGB 215 242 141

HSL 76.04, 0.8%, 0.75%

LAB 91.63, -24.34, 45.73

 

CMYK 19 / 0 / 72 / 8

HEX #BEEA41

RGB 190 234 65

HSL 75.62, 0.8%, 0.59%

LAB 87.08, -36.4, 72.57

 

CMYK 72 / 0 / 39 / 8

HEX #42EA8E

RGB 66 234 142

HSL 147.14, 0.8%, 0.59%

LAB 82.89, -62.65, 32.69

 

CMYK 11 / 72 / 0 / 8

HEX #D042EA

RGB 208 66 234

HSL 290.71, 0.8%, 0.59%

LAB 55.33, 75.84, -57.55

 

CMYK 19 / 0 / 72 / 8

HEX #BEEA41

RGB 190 234 65

HSL 75.62, 0.8%, 0.59%

LAB 87.08, -36.4, 72.57

 

CMYK 72 / 18 / 0 / 8

HEX #42C0EA

RGB 66 192 234

HSL 195, 0.8%, 0.59%

LAB 72.76, -20.99, -30.83

 

CMYK 0 / 72 / 18 / 8

HEX #EA42C0

RGB 234 66 192

HSL 315, 0.8%, 0.59%

LAB 57.26, 75.04, -30.35

 

CMYK 19 / 0 / 72 / 8

HEX #BEEA41

RGB 190 234 65

HSL 75.62, 0.8%, 0.59%

LAB 87.08, -36.4, 72.57

 

CMYK 72 / 0 / 39 / 8

HEX #42EA8E

RGB 66 234 142

HSL 147.14, 0.8%, 0.59%

LAB 82.89, -62.65, 32.69

 

CMYK 54 / 72 / 0 / 8

HEX #6C42EA

RGB 108 66 234

HSL 255, 0.8%, 0.59%

LAB 42.8, 58.05, -78.44

 

CMYK 0 / 72 / 32 / 8

HEX #EA429E

RGB 234 66 158

HSL 327.14, 0.8%, 0.59%

LAB 55.94, 70.89, -12.62

 

CMYK 19 / 0 / 72 / 8

HEX #BEEA41

RGB 190 234 65

HSL 75.62, 0.8%, 0.59%

LAB 87.08, -36.4, 72.57

 

CMYK 72 / 0 / 18 / 8

HEX #42EAC0

RGB 66 234 192

HSL 165, 0.8%, 0.59%

LAB 83.87, -52.1, 8.2

 

CMYK 54 / 72 / 0 / 8

HEX #6C42EA

RGB 108 66 234

HSL 255, 0.8%, 0.59%

LAB 42.8, 58.05, -78.44

 

CMYK 0 / 72 / 54 / 8

HEX #EA426C

RGB 234 66 108

HSL 345, 0.8%, 0.59%

LAB 54.52, 66.25, 14.98

 

Description

Color code: HEX #BEEA41 | qconv.com Color code: HEX #BEEA41 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 234 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 234 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 72 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 72% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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