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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEEB65 it is the complementary color #41149A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEEB65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEEB65 shade: #C3EB60, #D4FD73, #E5FF86, #F6FF99 and #FFFFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEEB65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEEB65 shade: #BEEB65, #ADD952, #9CC73F, #8BB52C and #7AA319

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEEB65 shade: #BEEB65, #E2EB65, #EBCF65, #EBAB65 and #EB8765

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEEB65 shade: #BEEB65, #9AEB65, #76EB65, #65EB78 and #65EB9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEEB65 shade matches the following richer shades: #BEEB65 and #C2F957

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEEB65 shade: #BEEB65, #B9DD73, #B5CF81, #B0C08F and #ABB29D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEEB65 shade: #EBD065, #E2EB65, #BEEB65, #9AEB65 and #77EB65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEEB65 shade: #9FE01D, #AEE641, #BEEB65, #CDEF8A and #DDF4AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEEB65 shade: #BEEB65, #65EBAC and #E265EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEEB65 shade: #BEEB65, #65BEEB and #EB65BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEEB65 shade: #BEEB65, #65EBAC, #9265EB and #EB65A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEEB65 shade: #BEEB65, #65EBD4, #9265EB and #EB657B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 57 / 8

HEX #BEEB65

RGB 190 235 101

HSL 80.15, 0.77%, 0.66%

LAB 87.63, -34.39, 59.11

 

Complementary color

CMYK 58 / 87 / 0 / 40

HEX #41149A

RGB 65 20 154

HSL 260.15, 0.77%, 0.34%

LAB 23.53, 51.11, -63.28

 

CMYK 17 / 0 / 59 / 8

HEX #C3EB60

RGB 195 235 96

HSL 77.27, 0.78%, 0.65%

LAB 87.9, -32.91, 61.65

 

CMYK 16 / 0 / 55 / 1

HEX #D4FD73

RGB 212 253 115

HSL 77.83, 0.97%, 0.72%

LAB 94.09, -33.18, 60.73

 

CMYK 10 / 0 / 47 / 0

HEX #E5FF86

RGB 229 255 134

HSL 72.89, 1%, 0.76%

LAB 95.95, -25.98, 54.61

 

CMYK 4 / 0 / 40 / 0

HEX #F6FF99

RGB 246 255 153

HSL 65.29, 1%, 0.8%

LAB 97.39, -17.64, 47.67

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAC

RGB 255 255 172

HSL 60, 1%, 0.84%

LAB 98.34, -12.15, 39.74

 

CMYK 19 / 0 / 57 / 8

HEX #BEEB65

RGB 190 235 101

HSL 80.15, 0.77%, 0.66%

LAB 87.63, -34.39, 59.11

 

CMYK 20 / 0 / 62 / 15

HEX #ADD952

RGB 173 217 82

HSL 79.56, 0.64%, 0.59%

LAB 81.36, -34.12, 59.96

 

CMYK 22 / 0 / 68 / 22

HEX #9CC73F

RGB 156 199 63

HSL 78.97, 0.55%, 0.51%

LAB 75, -33.74, 60.54

 

CMYK 23 / 0 / 76 / 29

HEX #8BB52C

RGB 139 181 44

HSL 78.39, 0.61%, 0.44%

LAB 68.55, -33.22, 60.63

 

CMYK 25 / 0 / 85 / 36

HEX #7AA319

RGB 122 163 25

HSL 77.83, 0.73%, 0.37%

LAB 62, -32.51, 59.82

 

CMYK 19 / 0 / 57 / 8

HEX #BEEB65

RGB 190 235 101

HSL 80.15, 0.77%, 0.66%

LAB 87.63, -34.39, 59.11

 

CMYK 4 / 0 / 57 / 8

HEX #E2EB65

RGB 226 235 101

HSL 64.03, 0.77%, 0.66%

LAB 90.1, -20.42, 62.56

 

CMYK 0 / 12 / 57 / 8

HEX #EBCF65

RGB 235 207 101

HSL 47.46, 0.77%, 0.66%

LAB 83.56, -2.81, 55.36

 

CMYK 0 / 27 / 57 / 8

HEX #EBAB65

RGB 235 171 101

HSL 31.34, 0.77%, 0.66%

LAB 74.65, 16.01, 44.88

 

CMYK 0 / 43 / 57 / 8

HEX #EB8765

RGB 235 135 101

HSL 15.22, 0.77%, 0.66%

LAB 66.47, 35.03, 34.78

 

CMYK 19 / 0 / 57 / 8

HEX #BEEB65

RGB 190 235 101

HSL 80.15, 0.77%, 0.66%

LAB 87.63, -34.39, 59.11

 

CMYK 34 / 0 / 57 / 8

HEX #9AEB65

RGB 154 235 101

HSL 96.27, 0.77%, 0.66%

LAB 85.62, -47.21, 56.27

 

CMYK 50 / 0 / 57 / 8

HEX #76EB65

RGB 118 235 101

HSL 112.39, 0.77%, 0.66%

LAB 84.07, -58.14, 54.09

 

CMYK 57 / 0 / 49 / 8

HEX #65EB78

RGB 101 235 120

HSL 128.51, 0.77%, 0.66%

LAB 83.73, -60.01, 44.75

 

CMYK 57 / 0 / 34 / 8

HEX #65EB9C

RGB 101 235 156

HSL 144.63, 0.77%, 0.66%

LAB 84.27, -54.17, 27.57

 

CMYK 19 / 0 / 57 / 8

HEX #BEEB65

RGB 190 235 101

HSL 80.15, 0.77%, 0.66%

LAB 87.63, -34.39, 59.11

 

CMYK 22 / 0 / 65 / 2

HEX #C2F957

RGB 194 249 87

HSL 80.37, 0.93%, 0.66%

LAB 91.64, -40.26, 69.32

 

CMYK 19 / 0 / 57 / 8

HEX #BEEB65

RGB 190 235 101

HSL 80.15, 0.77%, 0.66%

LAB 87.63, -34.39, 59.11

 

CMYK 16 / 0 / 48 / 13

HEX #B9DD73

RGB 185 221 115

HSL 80.38, 0.61%, 0.66%

LAB 83.58, -28.43, 47.85

 

CMYK 13 / 0 / 38 / 19

HEX #B5CF81

RGB 181 207 129

HSL 80, 0.45%, 0.66%

LAB 79.63, -21.56, 35.92

 

CMYK 8 / 0 / 26 / 25

HEX #B0C08F

RGB 176 192 143

HSL 79.59, 0.28%, 0.66%

LAB 75.4, -13.99, 22.93

 

CMYK 4 / 0 / 12 / 30

HEX #ABB29D

RGB 171 178 157

HSL 80, 0.12%, 0.66%

LAB 71.51, -6.28, 9.89

 

CMYK 0 / 11 / 57 / 8

HEX #EBD065

RGB 235 208 101

HSL 47.91, 0.77%, 0.66%

LAB 83.82, -3.32, 55.65

 

CMYK 4 / 0 / 57 / 8

HEX #E2EB65

RGB 226 235 101

HSL 64.03, 0.77%, 0.66%

LAB 90.1, -20.42, 62.56

 

CMYK 19 / 0 / 57 / 8

HEX #BEEB65

RGB 190 235 101

HSL 80.15, 0.77%, 0.66%

LAB 87.63, -34.39, 59.11

 

CMYK 34 / 0 / 57 / 8

HEX #9AEB65

RGB 154 235 101

HSL 96.27, 0.77%, 0.66%

LAB 85.62, -47.21, 56.27

 

CMYK 49 / 0 / 57 / 8

HEX #77EB65

RGB 119 235 101

HSL 111.94, 0.77%, 0.66%

LAB 84.11, -57.86, 54.14

 

CMYK 29 / 0 / 87 / 12

HEX #9FE01D

RGB 159 224 29

HSL 80, 0.77%, 0.5%

LAB 82.26, -45.19, 77.05

 

CMYK 24 / 0 / 72 / 10

HEX #AEE641

RGB 174 230 65

HSL 80.36, 0.77%, 0.58%

LAB 84.98, -40.71, 70.19

 

CMYK 19 / 0 / 57 / 8

HEX #BEEB65

RGB 190 235 101

HSL 80.15, 0.77%, 0.66%

LAB 87.63, -34.39, 59.11

 

CMYK 14 / 0 / 42 / 6

HEX #CDEF8A

RGB 205 239 138

HSL 80.2, 0.76%, 0.74%

LAB 90.11, -26.97, 45.14

 

CMYK 9 / 0 / 29 / 4

HEX #DDF4AE

RGB 221 244 174

HSL 79.71, 0.76%, 0.82%

LAB 93.07, -19.01, 31.31

 

CMYK 19 / 0 / 57 / 8

HEX #BEEB65

RGB 190 235 101

HSL 80.15, 0.77%, 0.66%

LAB 87.63, -34.39, 59.11

 

CMYK 57 / 0 / 27 / 8

HEX #65EBAC

RGB 101 235 172

HSL 151.79, 0.77%, 0.66%

LAB 84.57, -51.07, 19.75

 

CMYK 4 / 57 / 0 / 8

HEX #E265EB

RGB 226 101 235

HSL 295.97, 0.77%, 0.66%

LAB 62.91, 66.22, -45.91

 

CMYK 19 / 0 / 57 / 8

HEX #BEEB65

RGB 190 235 101

HSL 80.15, 0.77%, 0.66%

LAB 87.63, -34.39, 59.11

 

CMYK 57 / 19 / 0 / 8

HEX #65BEEB

RGB 101 190 235

HSL 200.15, 0.77%, 0.66%

LAB 73.28, -14, -30.48

 

CMYK 0 / 57 / 19 / 8

HEX #EB65BE

RGB 235 101 190

HSL 320.15, 0.77%, 0.66%

LAB 62.24, 61.5, -21.53

 

CMYK 19 / 0 / 57 / 8

HEX #BEEB65

RGB 190 235 101

HSL 80.15, 0.77%, 0.66%

LAB 87.63, -34.39, 59.11

 

CMYK 57 / 0 / 27 / 8

HEX #65EBAC

RGB 101 235 172

HSL 151.79, 0.77%, 0.66%

LAB 84.57, -51.07, 19.75

 

CMYK 38 / 57 / 0 / 8

HEX #9265EB

RGB 146 101 235

HSL 260.15, 0.77%, 0.66%

LAB 53.4, 46.88, -61.61

 

CMYK 0 / 57 / 31 / 8

HEX #EB65A3

RGB 235 101 163

HSL 332.24, 0.77%, 0.66%

LAB 61.32, 57.93, -7.46

 

CMYK 19 / 0 / 57 / 8

HEX #BEEB65

RGB 190 235 101

HSL 80.15, 0.77%, 0.66%

LAB 87.63, -34.39, 59.11

 

CMYK 57 / 0 / 10 / 8

HEX #65EBD4

RGB 101 235 212

HSL 169.7, 0.77%, 0.66%

LAB 85.47, -42.11, 0.12

 

CMYK 38 / 57 / 0 / 8

HEX #9265EB

RGB 146 101 235

HSL 260.15, 0.77%, 0.66%

LAB 53.4, 46.88, -61.61

 

CMYK 0 / 57 / 48 / 8

HEX #EB657B

RGB 235 101 123

HSL 350.15, 0.77%, 0.66%

LAB 60.25, 53.66, 14.14

 

Description

Color code: HEX #BEEB65 | qconv.com Color code: HEX #BEEB65 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 235 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 235 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 57 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 57% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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