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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEEE67 it is the complementary color #411198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEEE67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEEE67 shade: #C3EE62, #D4FF75, #E5FF88, #F6FF9B and #FFFFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEEE67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEEE67 shade: #BEEE67, #ADDC54, #9CCA41, #8BB82E and #7AA61B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEEE67 shade: #BEEE67, #E2EE67, #EED567, #EEB167 and #EE8C67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEEE67 shade: #BEEE67, #99EE67, #75EE67, #67EE7D and #67EEA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEEE67 shade matches the following richer shades: #BEEE67 and #C2FB59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEEE67 shade: #BEEE67, #BAE075, #B6D282, #B2C590 and #AEB79D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEEE67 shade: #EED567, #E2EE67, #BFEE67, #9BEE67 and #77EE67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEEE67 shade: #9EE51D, #AEEA42, #BEEE67, #CEF28C and #DEF6B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEEE67 shade: #BEEE67, #67EEB1 and #E767EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEEE67 shade: #BEEE67, #67BFEE and #EE67BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEEE67 shade: #BEEE67, #67EEB1, #9667EE and #EE67A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEEE67 shade: #BEEE67, #67EED9, #9667EE and #EE677B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 57 / 7

HEX #BEEE67

RGB 190 238 103

HSL 81.33, 0.8%, 0.67%

LAB 88.48, -35.59, 59.2

 

Complementary color

CMYK 57 / 89 / 0 / 40

HEX #411198

RGB 65 17 152

HSL 261.33, 0.8%, 0.33%

LAB 22.97, 51.58, -62.97

 

CMYK 18 / 0 / 59 / 7

HEX #C3EE62

RGB 195 238 98

HSL 78.43, 0.8%, 0.66%

LAB 88.75, -34.13, 61.74

 

CMYK 17 / 0 / 54 / 0

HEX #D4FF75

RGB 212 255 117

HSL 78.7, 1%, 0.73%

LAB 94.65, -33.92, 60.5

 

CMYK 10 / 0 / 47 / 0

HEX #E5FF88

RGB 229 255 136

HSL 73.11, 1%, 0.77%

LAB 95.98, -25.78, 53.71

 

CMYK 4 / 0 / 39 / 0

HEX #F6FF9B

RGB 246 255 155

HSL 65.4, 1%, 0.8%

LAB 97.42, -17.43, 46.74

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAE

RGB 255 255 174

HSL 60, 1%, 0.84%

LAB 98.37, -11.92, 38.8

 

CMYK 20 / 0 / 57 / 7

HEX #BEEE67

RGB 190 238 103

HSL 81.33, 0.8%, 0.67%

LAB 88.48, -35.59, 59.2

 

CMYK 21 / 0 / 62 / 14

HEX #ADDC54

RGB 173 220 84

HSL 80.74, 0.66%, 0.6%

LAB 82.22, -35.34, 60.07

 

CMYK 23 / 0 / 68 / 21

HEX #9CCA41

RGB 156 202 65

HSL 80.15, 0.56%, 0.52%

LAB 75.88, -34.99, 60.68

 

CMYK 24 / 0 / 75 / 28

HEX #8BB82E

RGB 139 184 46

HSL 79.57, 0.6%, 0.45%

LAB 69.45, -34.5, 60.82

 

CMYK 27 / 0 / 84 / 35

HEX #7AA61B

RGB 122 166 27

HSL 78.99, 0.72%, 0.38%

LAB 62.92, -33.82, 60.12

 

CMYK 20 / 0 / 57 / 7

HEX #BEEE67

RGB 190 238 103

HSL 81.33, 0.8%, 0.67%

LAB 88.48, -35.59, 59.2

 

CMYK 5 / 0 / 57 / 7

HEX #E2EE67

RGB 226 238 103

HSL 65.33, 0.8%, 0.67%

LAB 90.92, -21.72, 62.61

 

CMYK 0 / 11 / 57 / 7

HEX #EED567

RGB 238 213 103

HSL 48.89, 0.8%, 0.67%

LAB 85.37, -4.49, 56.59

 

CMYK 0 / 26 / 57 / 7

HEX #EEB167

RGB 238 177 103

HSL 32.89, 0.8%, 0.67%

LAB 76.44, 14.22, 46.1

 

CMYK 0 / 41 / 57 / 7

HEX #EE8C67

RGB 238 140 103

HSL 16.44, 0.8%, 0.67%

LAB 67.96, 33.75, 35.66

 

CMYK 20 / 0 / 57 / 7

HEX #BEEE67

RGB 190 238 103

HSL 81.33, 0.8%, 0.67%

LAB 88.48, -35.59, 59.2

 

CMYK 36 / 0 / 57 / 7

HEX #99EE67

RGB 153 238 103

HSL 97.78, 0.8%, 0.67%

LAB 86.45, -48.6, 56.34

 

CMYK 51 / 0 / 57 / 7

HEX #75EE67

RGB 117 238 103

HSL 113.78, 0.8%, 0.67%

LAB 84.95, -59.32, 54.21

 

CMYK 57 / 0 / 47 / 7

HEX #67EE7D

RGB 103 238 125

HSL 129.78, 0.8%, 0.67%

LAB 84.75, -59.97, 43.64

 

CMYK 57 / 0 / 32 / 7

HEX #67EEA1

RGB 103 238 161

HSL 145.78, 0.8%, 0.67%

LAB 85.3, -54.01, 26.43

 

CMYK 20 / 0 / 57 / 7

HEX #BEEE67

RGB 190 238 103

HSL 81.33, 0.8%, 0.67%

LAB 88.48, -35.59, 59.2

 

CMYK 23 / 0 / 65 / 2

HEX #C2FB59

RGB 194 251 89

HSL 81.11, 0.95%, 0.67%

LAB 92.21, -41.01, 69.15

 

CMYK 20 / 0 / 57 / 7

HEX #BEEE67

RGB 190 238 103

HSL 81.33, 0.8%, 0.67%

LAB 88.48, -35.59, 59.2

 

CMYK 17 / 0 / 48 / 12

HEX #BAE075

RGB 186 224 117

HSL 81.31, 0.63%, 0.67%

LAB 84.5, -29.26, 48.03

 

CMYK 13 / 0 / 38 / 18

HEX #B6D282

RGB 182 210 130

HSL 81, 0.47%, 0.67%

LAB 80.54, -22.53, 36.6

 

CMYK 10 / 0 / 27 / 23

HEX #B2C590

RGB 178 197 144

HSL 81.51, 0.31%, 0.67%

LAB 76.93, -15.64, 24.5

 

CMYK 5 / 0 / 14 / 28

HEX #AEB79D

RGB 174 183 157

HSL 80.77, 0.15%, 0.67%

LAB 73.09, -7.83, 12.16

 

CMYK 0 / 11 / 57 / 7

HEX #EED567

RGB 238 213 103

HSL 48.89, 0.8%, 0.67%

LAB 85.37, -4.49, 56.59

 

CMYK 5 / 0 / 57 / 7

HEX #E2EE67

RGB 226 238 103

HSL 65.33, 0.8%, 0.67%

LAB 90.92, -21.72, 62.61

 

CMYK 20 / 0 / 57 / 7

HEX #BFEE67

RGB 191 238 103

HSL 80.89, 0.8%, 0.67%

LAB 88.55, -35.21, 59.29

 

CMYK 35 / 0 / 57 / 7

HEX #9BEE67

RGB 155 238 103

HSL 96.89, 0.8%, 0.67%

LAB 86.55, -47.94, 56.48

 

CMYK 50 / 0 / 57 / 7

HEX #77EE67

RGB 119 238 103

HSL 112.89, 0.8%, 0.67%

LAB 85.02, -58.79, 54.31

 

CMYK 31 / 0 / 87 / 10

HEX #9EE51D

RGB 158 229 29

HSL 81.3, 0.79%, 0.51%

LAB 83.65, -47.66, 78.19

 

CMYK 26 / 0 / 72 / 8

HEX #AEEA42

RGB 174 234 66

HSL 81.43, 0.8%, 0.59%

LAB 86.13, -42.41, 70.97

 

CMYK 20 / 0 / 57 / 7

HEX #BEEE67

RGB 190 238 103

HSL 81.33, 0.8%, 0.67%

LAB 88.48, -35.59, 59.2

 

CMYK 15 / 0 / 42 / 5

HEX #CEF28C

RGB 206 242 140

HSL 81.18, 0.8%, 0.75%

LAB 91.02, -27.79, 45.32

 

CMYK 10 / 0 / 28 / 4

HEX #DEF6B1

RGB 222 246 177

HSL 80.87, 0.79%, 0.83%

LAB 93.72, -19.21, 30.68

 

CMYK 20 / 0 / 57 / 7

HEX #BEEE67

RGB 190 238 103

HSL 81.33, 0.8%, 0.67%

LAB 88.48, -35.59, 59.2

 

CMYK 57 / 0 / 26 / 7

HEX #67EEB1

RGB 103 238 177

HSL 152.89, 0.8%, 0.67%

LAB 85.61, -50.87, 18.61

 

CMYK 3 / 57 / 0 / 7

HEX #E767EE

RGB 231 103 238

HSL 296.89, 0.8%, 0.67%

LAB 64.05, 67.12, -45.72

 

CMYK 20 / 0 / 57 / 7

HEX #BEEE67

RGB 190 238 103

HSL 81.33, 0.8%, 0.67%

LAB 88.48, -35.59, 59.2

 

CMYK 57 / 20 / 0 / 7

HEX #67BFEE

RGB 103 191 238

HSL 200.89, 0.8%, 0.67%

LAB 73.75, -13.24, -31.37

 

CMYK 0 / 57 / 20 / 7

HEX #EE67BF

RGB 238 103 191

HSL 320.89, 0.8%, 0.67%

LAB 63.04, 61.61, -20.83

 

CMYK 20 / 0 / 57 / 7

HEX #BEEE67

RGB 190 238 103

HSL 81.33, 0.8%, 0.67%

LAB 88.48, -35.59, 59.2

 

CMYK 57 / 0 / 26 / 7

HEX #67EEB1

RGB 103 238 177

HSL 152.89, 0.8%, 0.67%

LAB 85.61, -50.87, 18.61

 

CMYK 37 / 57 / 0 / 7

HEX #9667EE

RGB 150 103 238

HSL 260.89, 0.8%, 0.67%

LAB 54.4, 47.46, -61.66

 

CMYK 0 / 57 / 31 / 7

HEX #EE67A4

RGB 238 103 164

HSL 332.89, 0.8%, 0.67%

LAB 62.13, 58.08, -6.78

 

CMYK 20 / 0 / 57 / 7

HEX #BEEE67

RGB 190 238 103

HSL 81.33, 0.8%, 0.67%

LAB 88.48, -35.59, 59.2

 

CMYK 57 / 0 / 9 / 7

HEX #67EED9

RGB 103 238 217

HSL 170.67, 0.8%, 0.67%

LAB 86.53, -41.84, -0.96

 

CMYK 37 / 57 / 0 / 7

HEX #9667EE

RGB 150 103 238

HSL 260.89, 0.8%, 0.67%

LAB 54.4, 47.46, -61.66

 

CMYK 0 / 57 / 48 / 7

HEX #EE677B

RGB 238 103 123

HSL 351.11, 0.8%, 0.67%

LAB 61.05, 53.74, 15.32

 

Description

Color code: HEX #BEEE67 | qconv.com Color code: HEX #BEEE67 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 238 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 238 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 57 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 57% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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